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tracks in the film was named as "Fregoli Bar" which
Burwell described "You could judge that piece as kitschy, and it is, and there are any number of ways you could dismiss the characters — Lisa constantly dismisses herself as being boring and unintelligent and ugly. But that’s the point of the film, to force you to confront things and people you might dismiss and just go with them and see the beauty in them."
268:'s Peter Debruge commented "In terms of actual music, it’s surprising how little of Burwell’s music features into 'Anomalisa,' considering that the play was first staged in concert with a live orchestration. Surely this must be one of the typically melancholy composer’s gentlest scores, tinkling away ever so lightly in the background, subtly lifting the spirit of an otherwise heavy piece." Rodrigo Perez of
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artist. For the film, he created a distinctive music that deviates from the stage play, and had secured six of out the eight musicians from the original play, as "It wasn’t a sound play any more. It was suddenly a visual medium so we had to write a lot of new music that had different themes. I could
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was under development in early-2000s, at the same period when
Burwell considered to retire from film composing, and asked Kaufman to pitch an idea that would develop for stage readings, which resulted in an eponymous stage play released in 2005. The score for the play consisted of eight musicians
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wrote "Carter
Burwell’s score is a delight, sometimes tuning cheekily into the hotel’s own muzak, but in other places underlining the poignancy that is at the heart of a film which, more than Kaufman’s previous work, seems to trade chords with Wes Anderson in his more humanistic, least whimsical
229:
He felt that "the important thing in the music was to really be there with the emotional life of these characters. The music is there to hopefully coax the audience into opening their hearts to these characters who have, although they’re puppets, opened their hearts to you." One of the delicate
186:, who worked on the stage play's musical score, had composed for the film. Burwell retained most of the musicians played for the stage adaptation working for the film, playing a minimalist score for the film. The soundtrack was released on January 1, 2016, by
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and other critics based award ceremonies. However, despite being a contender for the category, it was not shortlisted among the final nominations. Burwell, however was nominated for the
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526:, each set for a sale of $ 30. It is also accompanied by a poster artwork, and a pop-up replica of Michael Stone's hotel room, designed by Alan Haynes.
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522:. On August 11, 2017, another vinyl edition of the film's soundtrack pressed on black-gram and Cincinnati sunrise vinyl, was published by
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in digital formats, and a limited edition vinyl soundtrack was first released in May 2016, followed by another vinyl edition published by
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wrote "Carter
Burwell’s beguiling score is clutch, gently persuading out the underlying melancholy of the narrative and lead character."
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882:"Review: Charlie Kaufman & Duke Johnson's Animated 'Anomalisa' Voiced By David Thewlis, Jennifer Jason Leigh & Tom Noonan"
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The limited edition of the film's soundtrack, pressed in a 180-gram silver disc of 1,000 copies, released on May 2, 2016, by
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1022:"'Anomalisa' Original Score Vinyl is an Essential Gift for the Charlie Kaufman Fan in Your Life — Exclusive"
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playing instruments, including violin, trumpet, cello, guitar, woodwind, bass, percussion, keyboard and a
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have used more instruments , but I wanted to keep the handmade nature of the project."
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described
Burwell's music as "gorgeously plaintive". Lee Marshall of
988:"Annie Award Nominations 2015: 'Inside Out,' 'Good Dinosaur' Lead"
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Following the critical acclaim, film industry insiders predicted
913:. Academy of Motion Picture Arts and Sciences. December 16, 2015
738:"For composer Carter Burwell, the film score drives the subtext"
830:"'Anomalisa' review: An exceptional tale from Charlie Kaufman"
710:"Oscars: Will 'Carol,' 'Anomalisa' Composer Land Double Noms?"
597:
September 16, Jeff
Labrecque Updated; EDT, 2015 at 12:00 PM.
262:-writer Michael Philips called it as "inspired, empathetic".
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Composer, orchestrator, conductor, producer – Carter
Burwell
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in August 2017. Burwell's score received critical acclaim.
639:"Talking to Anomalisa's Charlie Kaufman and Duke Johnson"
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Outstanding
Achievement for Music in a Feature Production
206:, who previously worked with Kaufman on the script of
933:"Here Is the Complete List of 2016 Oscar Nominations"
1050:"ANOMALISA – Original Motion Picture Soundtrack LP"
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Executive producer – Brian McNelis, Skip
Williamson
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394:"None Of Them Are You" (lyrics by Charlie Kaufman)
665:"Composers: Carter Burwell, 'Carol', 'Anomalisa'"
296:, and would receive other nominations including
163:Anomalisa (Original Motion Picture Soundtrack)
24:Anomalisa (Original Motion Picture Soundtrack)
663:Pritchard2016-01-14T00:00:00+00:00, Tiffany.
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814:: CS1 maint: numeric names: authors list (
688:: CS1 maint: numeric names: authors list (
622:: CS1 maint: numeric names: authors list (
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958:"43rd Annie Award Nominations Announced"
907:"112 Original Scores in 2015 Oscar Race"
789:Marshall2015-09-05T19:56:00+01:00, Lee.
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998:from the original on February 5, 2016
708:Newman, Melinda (December 15, 2015).
534:Credits adapted from CD liner notes.
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288:Academy Award for Best Original Score
18:2016 film score by Carter Burwell
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880:Perez, Rodrigo (September 5, 2015).
854:Debruge, Peter (September 5, 2015).
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637:Robinson, Tasha (January 18, 2016).
554:Assistant engineer – Tim Marchiafava
763:Rooney, David (September 5, 2015).
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286:would win double nominations for
968:from the original on May 8, 2016
566:Musical assistance – Dean Parker
1020:Sharf, Zack (August 14, 2017).
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182:based on his 2005 stage play.
1:
1096:Lakeshore Records soundtracks
427:"Girls Just Want To Have Fun"
765:"'Anomalisa': Venice Review"
563:Keyboards – Matt Herskowitz
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1091:Carter Burwell soundtracks
856:"Film Review: 'Anomalisa'"
572:Trumpet – Brandon Ridenour
548:Contractor – Bohdan Hilash
460:"My Name Is Lawrence Gill"
172:2015 film of the same name
1086:Animated film soundtracks
569:Percussion – John Ferrari
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361:"Welcome To The Fregoli"
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769:The Hollywood Reporter
714:The Hollywood Reporter
575:Violin – Conrad Harris
246:The Hollywood Reporter
202:The film is scored by
791:"'Anomalisa': Review"
471:"Breakfast With Lisa"
551:Engineer – Angie Teo
449:"Cincinnati Sunrise"
252:Screen International
964:. ASIFA-Hollywood.
744:. December 10, 2015
560:Guitar – Kevin Kuhn
493:"Goddess Of Heaven"
212:(2002) directed by
539:Bass – Jim Whitney
482:"Michael's Speech"
416:"Lisa In His Room"
405:"Fregoli Elevator"
994:. Variety Media.
742:Los Angeles Times
542:Cello – Felix Fan
520:Lakeshore Records
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314:Michael Giacchino
310:43rd Annie Awards
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143:Hail, Caesar!
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1059:December 31,
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774:December 31,
772:. Retrieved
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606:. Retrieved
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180:Duke Johnson
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1002:December 3,
972:December 3,
438:"Anomalisa"
214:Spike Jonze
198:Development
168:score album
1075:Categories
911:Oscars.org
584:References
350:"Overture"
326:Track list
319:Inside Out
312:, lost to
256:moments."
209:Adaptation
114:chronology
73:Film score
39:Film score
1026:IndieWire
886:IndieWire
643:The Verge
530:Personnel
278:Accolades
271:IndieWire
234:Reception
218:Anomalisa
134:Anomalisa
996:Archived
966:Archived
810:cite web
684:cite web
618:cite web
59:Recorded
51:Released
41: by
992:Variety
860:Variety
308:at the
265:Variety
170:to the
166:is the
147:(2016)
138:(2015)
129:(2015)
795:Screen
669:Screen
603:EW.com
342:Length
79:Length
1054:Mondo
524:Mondo
506:43:54
339:Title
302:BAFTA
293:Carol
223:Foley
192:Mondo
125:Carol
96:Label
68:Genre
1061:2022
1033:2022
1004:2015
974:2015
944:2022
937:Time
919:2022
893:2022
867:2022
841:2022
816:link
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690:link
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624:link
610:2022
496:1:20
485:2:35
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430:3:39
419:3:53
408:0:55
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386:4:45
375:1:22
364:3:35
353:1:41
316:for
178:and
62:2015
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335:No.
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