976:", and well worth the stamina required to sit out what is an otherwise exhausting film. Not only Shakespeare's identity, but also that of Queen Elizabeth, the "Virgin Queen" is challenged by Orloff's script, which has her as "a randy piece of work who had many lovers and bore several children." Visually, the film gives us a "dazzling panorama of Tudor history" which will not bore viewers. It boasts a cast of pure gold, and its "recreation of the Old Globe, the fame that brought ruin and dishonour to both Oxford and the money-grubbing Shakespeare, and the sacrifice of Oxford's own property and family fortune to write plays he believed in against a background of danger and violence make for a bloody good yarn, masterfully told, lushly appointed, slavishly researched and brilliantly acted." He adds the caveats that it does play "hopscotch with history", has a bewildering and confusing cast of characters and is jumpy in its timeframes.
519:. However, Edward is infatuated with the queen and, after a brief time living on the continent, he begins an affair with Elizabeth. When the queen discovers she is pregnant with Edward's child, she tells William of her intention to marry him but he dissuades her and arranges for the child to be fostered into a noble family, as they had done in the past with Elizabeth's other bastards. Elizabeth ends her affair with Edward without telling him why. Angered, he has an affair with a lady-in-waiting to Elizabeth and learns from her that he had fathered a child with the queen. When Elizabeth learns of the affair, Edward is banished from court but not before learning the name of his illegitimate child: Henry Wriothesley, 3rd Earl of Southampton.
1389:, scriptwriter John Orloff was asked, "In crafting your characters and the narrative, how were you able to find the right balance between historical fact, fiction, and speculation?" Orloff responded, "Ultimately, Shakespeare himself was our guide. The Shakespeare histories are not really histories. They're dramas. He compresses time. He adds characters that have been dead by the time the events are occurring. He'll invent characters out of whole cloth, like Falstaff in the history plays. First and foremost it's a drama, and just like Shakespeare we're creating drama."
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and Jonson squabbling publicly over claims to authorship is both tiresome and "veers close to comedy"; indeed it is superfluous given Ifans's commanding and convincing acting as the "real" Shakespeare. The supporting cast of actors is praised for fine performances, except for Spall's
Shakespeare, who is "often so ridiculous that the 'Stratfordians' will feel doubly insulted." Sebastian Krawinkel's "ambitious and gorgeous production design" comes in for special mention, as does Anna J. Foerster's elegant widescreen lensing. The score, however, fails their standards.
1016:, appraises Emmerich's "meticulously crafted" and "stunningly designed takedown of the Bard", as shocking only in that it is rather good. Emmerich's problem, he argues, is that he was so intent on proving his credentials as a serious director that the film ended up "drowned in exposition". Orloff's screenplay heavily confuses plotlines; the politics are retrofitted to suit the theory. The lead roles are "unengaging" but special mention is given to Edward Hogg's performance as Robert Cecil, and Vanessa Redgrave's role as Elizabeth.
1265:, and providing materials for teachers. According to Sony Pictures, "The objective for our Anonymous program, as stated in the classroom literature, is 'to encourage critical thinking by challenging students to examine the theories about the authorship of Shakespeare's works and to formulate their own opinions.' The study guide does not state that Edward de Vere is the writer of Shakespeare's work, but it does pose the authorship question which has been debated by scholars for decades". In response, on September 1, 2011, the
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1955:
1550:, often called "the Scottish play" because of its Scottish setting and plot, is generally believed to have been written to commemorate the ascent of the Scottish King James to the English throne. That did not happen until 1603. However, because the film uses non-linear storytelling, this may not necessarily be an inaccuracy so much as a montage of plays performed at the Globe and a tribute to the extensive list of works that comprise the Shakespeare canon, with order not being relevant.
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betrayed him to the Cecils. In an unexpected heart-to-heart between the two playwrights, Edward admits that, whenever he had heard the applause for his plays, he had always known they were celebrating another man but that he had always wanted to gain Ben's approval, as he had been the only one to know that he had been the author of the plays. Ben admits that he considers Edward to be the 'Soul of the Age' and promises to protect the plays and publish them when the time is right.
573:, and would later write the introduction to the collected works purported to be authored by William Shakespeare. Although the story ends with the fate of its characters, the narrator proclaims that the poet who wrote these works, whether it be Shakespeare or another, had not seen the end of their story, and that "his monument is ever-living, made not of stone but of verse, and it shall be remembered ... as long as words are made of breath and breath of life."
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1146:-style opening, but was rescheduled for restricted release on 28 October 2011 in 265 theatres in the United States, Canada, Ireland, and the United Kingdom, expanding to 513 screens in its second week. Pre-release surveys had predicted a weak opening weekend (under $ 5 million), leading Sony to stagger release dates and depend on word-of-mouth to support a more gradual release strategy (as they did with
1774:, Berghahn publishers, Volume 25, Number 1 (Spring) 2013 pp. 19–32, p. 28: 'While the rivalry with Marlowe is not a central feature of the movie, wild conjecture is. As Douglas Lanier has recently posited, the movie displays a 'pile-up of factual errors', borrowing more from a long 'list of intercinematic' references rather than any reliance on 'fidelity to the verifiable historical record'.
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plan for the succession, the expected execution of his son and the knowledge that he committed incest with his own mother, Edward nevertheless visits the Queen in a private audience to beg her to spare Henry. Elizabeth agrees to spare Henry, but insists that Edward remain anonymous as the true author of "Shakespeare's" works. Henry is released while Essex is executed for his treason.
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Shakespeare's plays have gone mainstream". Scriptwriter John Orloff replied that
Shapiro oversimplified the facts, since Justice Stevens later affirmed that he had had "lingering concerns" and "gnawing doubts" that Shakespeare might have been someone else, and that if the author was not Shakespeare, then there was a high probability he was Edward de Vere.
1448:, don't think Shakespeare wrote the plays, but obviously a lot more people do think Shakespeare wrote the plays. Obviously, in my movie, he didn't, so a lot of people will say that's not historically accurate and they are totally welcome to that opinion. But, the world within the movie, that that story takes place in, is incredibly accurate, like the
515:. After the elder Earl of Oxford's death, the teenage Edward is made a ″ward of court″ and entrusted to William Cecil and must write his plays secretly to avoid his guardian's ire. During this time, Edward kills a spying servant who had discovered his plays. William Cecil covers up the incident but forces Edward into a marriage with his daughter,
1129:." Ingenuity is wasted on an "unintelligent enterprise", that of arguing that people of humble origins cannot outwrite blue-bloods. Emmerich's CGI effects are well-done, but it is amazing just to watch an "actor on a bare wooden stage, using nothing but a sequence of words that make your scalp prickle."
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most avid supporter in
England during the closing years of Elizabeth's reign. The film presents James as the Cecils' candidate, and Essex as a threat to his succession. In fact William Cecil feared James, believing he bore a grudge against him for his role in the death of James' mother, Mary Queen of
1423:, says Shakespeare wrote the plays, and the idea he didn't is related to a conspiracy theory that coincides with the emergence of the detective genre. For Orloff, criticisms by scholars that call the film fictional rather than factual are kneejerk reactions to the "academic subversion of normality".
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Emmerich is on record as believing that "everybody in the
Stratfordian side is so pissed off because we've called them on their lies." Shapiro believes that while supporters of de Vere's candidacy as the author of Shakespeare's plays have awaited this film with excitement, in his view, they may live
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came out of
Toronto with surprisingly positive early reviews for a Roland Emmerich picture." Sony distribution president Rory Bruer said, "We love the picture and think it's going to get great word of mouth. We're committed to expanding it until it plays wide." In the end, the film was a "box office
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It's a mix of a lot of things: it's an historical thriller because it's about who will succeed Queen
Elizabeth and the struggle of the people who want to have a hand in it. It's the Tudors on one side and the Cecils on the other, and in between is the Queen. Through that story we tell how the plays
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According to Holger Syme, Stephen Marche and James
Shapiro, the film does contain a number of historical inaccuracies. These include standard theatrical techniques such as time compression and the conflating of supporting characters and locations, as well as larger deviations from recorded history.
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wrote that it is a film for our time, "in which claims based on conviction are as valid as those based on hard evidence", which ingeniously circumvents objections that there is not a scrap of documentary evidence for de Vere's authorship by assuming a conspiracy to suppress the truth. The result is
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is "a vulgar prank on the
English literary tradition, a travesty of British history and a brutal insult to the human imagination". Yet, a fine cast manages to "burnish even meretricious nonsense with craft and conviction", and one is "tempted to suspend disbelief, even if Mr. Emmerich finally makes
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reads the film as an "illustrated argument" of an "aggressively promoted and more frequently debunked" theory, and finds it less interesting than the actors who play a role in, or endorse, it. Narrative cogency is strained by the constant switches in time signature, and the imbroglio of
Shakespeare
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writes that the film is ridiculous but not dull. Displaying a "rollicking belief in its own nutty bombast" as "history is simultaneously being made up and rewritten", its best scenes are those of the candle-lit interiors caught by the Alexa digital camera on a lovely copper-and-honey-toned palette.
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as composed by De Vere in his childhood, approximately 1560. It was written several decades later; however, the film does imply that De Vere wrote many plays and hid them from the public for decades before having
Shakespeare perform them, so this does not necessarily contradict the timeline of the
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precedes it as the first to employ the measure throughout the play by more than 35 years. By 1598 the form was standard in theatre; however, Jonson's shock may have been in reference to the fact that De Vere in particular would be capable of writing a play in iambic pentameter, and not to the idea
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writes of Emmerich's "preposterous fantasia", where confusion reigns as to which of the virgin queen's illegitimate children is Essex and which Southampton, and where it is not clear what the connection is between the plot to hide the authorship of the plays and the struggle to find a successor to
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when she was only sixteen and a virtual prisoner of her sister. William Cecil, already close to the future queen, hid the child and passed him off as the son of the Earl of Oxford, revealing Edward's parentage to him: he is the first of Elizabeth's bastard children. Horrified by the failure of his
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Back in the adult Edward's time, despite Shakespeare's claim to his plays, Edward continues to provide Ben with plays which quickly become the thrill of London. Despite their unhappiness at the plays' popularity, the Cecils do not outlaw them because they fear the mob which might occur if they do.
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was released on October 28, 2011 in the United States, Canada and the United Kingdom, expanding to theatres around the world in the following weeks. The film was a box office flop and received mixed reviews, with critics praising its performances and visual achievements, but criticising the film's
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discovers Shakespeare's deal, and is later found with his throat slit. Jonson confronts Shakespeare and accuses him of murder. Edward and Essex, seeking to reduce Cecil's influence and to secure Essex's claim to succession, decide to force their way into the palace, against Cecil's wishes. Edward
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provides – widespread appreciation of the Bard's work. "Why do these academics feel threatened by this? It isn't threatening anybody", Fields commented. "The movie does things that I don't necessarily agree with. But if anything, it makes the work more important. It focuses attention on the most
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for a 2005 release, with a budget of $ 30 to $ 35 million. However, financing proved to be "a risky undertaking", according to director Roland Emmerich. In October 2009, Emmerich stated, "It's very hard to get a movie like this made, and I want to make it in a certain way. I've actually had this
618:. Redgrave commented that "It's very interesting, the fractures, in this extraordinary creature. ... I only hope that I've been able to respond to Roland in this script sufficiently to be able to just give a little glimpse of this fracturing, this black hole, with shafts of brief sunlight."
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After Edward's death, Ben's interrogation ends when Robert Cecil hears that the Rose has been destroyed by fire and he had hidden the plays inside. As he is released, Robert instructs Ben to better Edward and wipe his memory from the world. Ben tells him that he would if he could but that it was
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in 1598, although it was not written until the following year. Marlowe appears in the film to die on the same day that Essex departs for Ireland; however, this juxtaposition of scenes may simply be non-linear storytelling rather than a historical error, as the events are not related in the film
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After Elizabeth's death, James of Scotland succeeds as James I of England and retains Robert Cecil as his primary adviser. On his deathbed, Edward entrusts a parcel full of his writings to Ben to keep them away from the royal family. Ben at first refuses the task and confesses to Edward that he
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The plan is set to fail when a bitter Ben, angered by what he perceives as his own inadequacy as a writer and Shakespeare's unearned success, betrays the plan to Robert Cecil by informing him that Richard III will be played as a hunchback, a reference to Robert Cecil's own deformity. The mob is
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ranked it as Emmerich's best film, with a superb cast of British actors, and a stunning digitally-enhanced recreation of London in Elizabethan times. The film is "glorious fun as it grows increasingly implausible", for the plot "is all historical rubbish". Damon Wise, reviewing the film for
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had "ruled unanimously in favor of Shakespeare and against the Earl of Oxford." "The attraction of these ideas owes something to the Internet, where conspiracy theories proliferate", he argued, adding that "Emmerich's film is one more sign that conspiracy theories about the authorship of
502:, galvanizes the people and even Ben, who had contemptuously dismissed Edward's skill as a writer as the passing fancy of a bored nobleman, is impressed. At curtain call, however, William Shakespeare, an actor and "drunken oaf", steps forward to be recognized as the author of the play.
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Returning to the present-day theatre, the narrator concludes the story by revealing the characters' fates: Robert Cecil remained the King's most trusted advisor, but never succeeded in banishing Edward's plays. Shakespeare did not remain in London, but returned to his hometown of
1333:] as a scholar cannot dispute, but later I check on it and find out he was totally lying. Just outright lying. It's bizarre. But they also have a lot to lose. He wrote a bestseller about William Shakespeare called "1599" which is one year in the life of this mine [
1641:. The actual ceremony took place on land. The Thames did not freeze over that year. Oxford's wife, Anne Cecil, died in 1588, and he remarried in 1591. The film conflates his two ]wives into the character of Anne. The film shows a theatre burning down in 1603. It appears to be
42:
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Emmerich complains of what he sees as the "arrogance of the literary establishment" to say: "We know it, we teach it, so shut the fuck up." He has singled out James Shapiro, an expert on these theories, as a member of that establishment, accusing him of being a liar:
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is "a marvellous historical film", giving viewers "a splendid experience: the dialogue, the acting, the depiction of London, the lust, jealousy and intrigue." However, Ebert stated he must "tiresomely insist that Edward de Vere did not write Shakespeare's plays."
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reject theatre as the 'worship of false idols', with Queen Elizabeth concerning her successor. After the Cecils declare Ben's play illegal and arrest him, Edward arranges for his release and instructs him to stage a play he wrote and act as the author. The play,
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stopped at the Bridge, and Robert Devereux and Henry surrender in the palace courtyard when the soldiers fire on them from the parapet. Robert Cecil tells Edward that Elizabeth has had other illegitimate children, the first of whom was born during the reign of
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Orloff also described the attention given to creating a "real London", noting that the effects crew "took 30,000 pictures in England, of every Tudor building they could find, and then they scanned them all into the computer and built real London in 1600."
1085:" is perhaps needed to keep track of all of the sons, and sons of sons. The "blubbering" about the brilliance of Shakespeare's works is repetitive, and upstages the initial whiff of scandal, giving the impression that the film is "much ado about nothing".
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Ben becomes increasingly frustrated with his role as Edward's messenger and his own inability to match the brilliance of his plays. Later on, Shakespeare discovers that Edward is the real author and extorts him for money. He orders the construction of the
1392:
Emmerich, when given examples of details that do not correspond to the facts, was reported as being more concerned with the mood of the film. He agreed that there were many historical mistakes in his film, but said movies have a right to do this, citing
1066:, noting favourable responses, including one where a critic wondered if Emmerich had anything to do with it, says the devious message must be that a shlock-merchant like Emmerich wasn't involved, but, like the film plot itself, must conceal the hand of
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After a week, what remains in Phillips' memory is not the de Vere/Shakespeare conspiracy theory but "the way Redgrave gazes out a window, her reign near the end, her eyes full of regret but also of fiery defiance of the balderdash lapping at her feet."
655:, longtime adviser to Queen Elizabeth. Edward de Vere came to live in his household as a ″ward of the court″ at age 12 and as Earl of Oxford became Burghley's son-in-law at age 21. Burghley is portrayed in the film as the inspiration for the character
1406:
called the film 'inadvertently comic', and said of its thesis that the real problem was not so much the "idiotic misunderstanding of history and the world of the theater", but rather the "fatal lack of imagination on the subject of the imagination."
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In a flashback of five years, an adult Edward lives, disgraced and banished from court, in the last years of the reign of Queen Elizabeth I. The queen is old and in failing health, but, as she has remained unmarried, lacks an heir. The elderly Lord
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launched a programme to debunk conspiracy theories about Shakespeare, mounting an Internet video in which 60 scholars and writers reply to common queries and doubts about Shakespeare's identity for one minute each. In Shakespeare's home county of
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whatsoever. These events actually happened six years apart. Another writer shown to be alive after his death is Thomas Nashe, who appears in a scene set after 1601. He is known to have died by that year, though the exact date is uncertain.
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impossible to do. Miraculously, Ben finds the manuscripts where he hid them in the ruins of the Rose. At a performance of a "Shakespeare" play performed at court, James I remarks to a visibly unhappy Robert that he is an avid theatre goer.
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the officially childless Elizabeth. He concludes that, "The Oxford theory is ridiculous, yet the filmmakers go all the way with it, producing endless scenes of indecipherable court intrigue in dark, smoky rooms, and a fashion show of
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1648:
De Vere is shown pruning a rose bush, which he describes as a rare Tudor rose. The Tudor rose was not a real biological plant, but a graphic device used by the Tudor family; however, De Vere may have been speaking metaphorically.
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is preparing to enter the stage. The narrator offers to take the viewers into a different story behind the origin of Shakespeare's plays: "one of quills and swords, of power and betrayal, of a stage conquered and a throne lost."
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commends Rhys Ifans' performance as "flamboyant, funny, sexy" in an otherwise heavy-handed and clumsy film, whose script "jumps back and forth in time so quickly and without rhyme or reason, it convolutes the narrative." A
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In a pre-release interview, scriptwriter Orloff said that, with the exception of whether Shakespeare wrote the plays or not, "The movie is unbelievably historically accurate ... What I mean by that is that I, like
1588:, possibly his earliest work. The text of the play does not survive. He was eventually released without charge. The "seditious" play in the film is referred to by the name "Every Man". Jonson did write plays called
847:
on April 29, 2010, Emmerich noted that the success of his more commercial films made this one possible, and that he got the cast he wanted without the pressure to come up with "at least two A-list American actors."
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When Edward and Henry visit a public theatre to see a play written by Ben Jonson, Edward witnesses how a play can sway people, and thinks that it can be used to thwart the influence of the Cecils, who as devout
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technology. In addition, Elizabethan London was recreated for the film with more than 70 painstakingly hand-built sets at Germany's Studio Babelsberg, including a full-scale replica of London's imposing
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1191:, winning in 6 Categories including Best Cinematography for Anna J. Foerster, Best Art Direction for Stephan O. Gessler and Sebastian T. Krawinkel and Best Costume Design for Lisy Christl. At the
942:, 45% of 177 critics' reviews are positive, with an average rating of 5.5/10. The website's consensus reads: "Roland Emmerich delivers his trademark visual and emotional bombast, but the more
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483:; the idea of a foreign king inheriting the crown of the Tudors angers enough nobles that they begin to muster support for Essex to claim the throne when Elizabeth dies. Edward's young friend,
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In a trailer for the movie, Emmerich lists ten reasons why in his view Shakespeare did not write the plays attributed to him. Other plans envisaged the release of a documentary about the
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is presented as a "hot-off-the-press bestseller" written and printed by de Vere especially for the ageing Queen in 1601 to encourage her to support Essex. It was published in 1593.
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Crace, in discussing the notion of Emmerich as a "literary detective", comments that the director "has never knowingly let the facts get in the way of a good story." Historian
479:, who is widely believed to be Elizabeth's bastard son. The Cecils have secretly been planning to solve the succession crisis by offering the crown to Elizabeth's cousin, King
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and the monarchy, a tragedy about kings, queens and princes, with broad plot lines including murder, illegitimacy and incest – "all the elements of a Shakespeare play."
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wrote that the Internet is the natural home of conspiracy theories; therefore, the Oxford case, "a conspiracy theory in doublet and hose with a vengeance", means that
2003:
1645:, which was never recorded as having caught fire, whereas the real Globe Theatre burned down in 1613 when explosions during a performance accidentally set it alight.
1112:, writes that the movie "is a thoroughly entertaining load of eye candy with solid performances, even if John Orloff's exposition-heavy script practically requires a
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plays a small but significant role in the storyline. Marlowe is portrayed alive in 1598, while in fact he died in 1593. The slashing of Marlowe's throat occurs in
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Early in the film, Jonson is arrested for writing a "seditious" play. This is based on the fact that in 1597 he was arrested for sedition as co-writer of the play
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1399:. Emmerich also notes that Shakespeare was not concerned with historical accuracy, and argues that examining the inner truth of history was his objective.
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679:, dedicatee of Shakespeare's narrative poems and possible focus of his sonnets and, in this movie, the illegitimate son of Edward de Vere and Elizabeth
487:, is pledged to support Essex but Edward warns him against any rash action and that any move they make has to be managed carefully to avoid civil war.
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Jumping to Elizabethan London, Ben Jonson is running through the streets carrying a parcel and being pursued by soldiers. He enters the theatre called
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in order to incite hatred against Cecil and to summon a mob of Essex's supporters. Simultaneously, he would gain access to Elizabeth by sending her
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2844:"Justice Stevens Renders an Opinion on Who Wrote Shakespeare's Plays: It Wasn't the Bard of Avon, He Says; 'Evidence Is Beyond a Reasonable Doubt"
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said that making the film was "a very risky thing to do", and imagines that "the orthodox Stratfordians are going to be apoplectic with rage."
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3145:"Roland Emmerich brings Shakespeare's London to vivid life in this early 17th century conspiracy theory with a large and superb British cast"
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475:, the Queen's primary adviser, and his son Robert manage the kingdom's affairs. A growing group of malcontent nobles gather at court, led by
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the lack of manuscript writings of William Shakespeare, despite the undeniable fact that he is the most performed playwright of all time.
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is advertised as brand-new in 1601, written for the uprising, when in fact it was printed four years earlier in 1597. The crowd watching
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promoted a protest against the film by temporarily covering or crossing out Shakespeare's image or name on pub signs and road signs.
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880:, William Shakespeare, and the Earl of Oxford. In a subsequent announcement in 2010, Emmerich detailed the finalised plot line:
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finds Orloff's screenplay "ingenious", Emmerich's direction "precise", and the cast "memorable". Though "profoundly mistaken",
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954:, assigned the film a score of 50 out of 100, based on 43 critics, indicating "mixed or average" reviews. Audiences polled by
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Studies in Philology, The Poems of Edward DeVere, Seventeenth Earl of Oxford and of Robert Devereux, Second Earl of Essex
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swarms out of the theatre towards the court, but are gunned down on Cecil's orders. This event never occurred. The poem
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Elizabeth accepts a gift that evokes a memory from forty years before, when the boy, Edward, performed in his own play,
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programme about the controversy. He penned his first draft in the late 1990s, but commercial interest waned after
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The history of Elizabethan drama is altered to portray de Vere as an innovator. Jonson is amazed to learn that
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play being first performed on the London stage in public between 1590 and 1597, as is the traditional belief.
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Other departures for dramatic effect include the portrayal of Elizabeth's funeral taking place on the frozen
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The film also shows the first production of a play by the Earl of Oxford, credited to Shakespeare, as being
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1419:, says that the film is fictional, and should be enjoyed as such. Gordon McMullan, professor of English at
1339:] which is incredible to read when you all of a sudden realize where did he get all of this stuff from?
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where he spent his last remaining years as a businessman. Ben would achieve his dream and became the first
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and hides the manuscripts he carries as the soldiers set fire to the theatre. Ben is detained at the
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2316:"Art Directors Nominate Movies as Different as 'Harry Potter' and 'The Girl with the Dragon Tattoo'"
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stops and tries to convince the audience of its half-baked theory, the less convincing it becomes."
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for Period Film, honouring Production designer Sebastian T. Krawinkel and two nominations from the
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3287:
3211:
3127:
2807:"The Shakespeare Whodunit: A Scholar Tackles Doubters on Who Wrote the Plays;Hollywood Weighs In"
2573:
2008:
1642:
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859:'s script, after which he "steeped" himself in the various theories. Wary of similarities with
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disaster," bringing in US $ 15.4 million at the box office against a budget of $ 30 million.
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In a November 2009 interview, Emmerich said the heart of the movie is in the original title
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527:, where he bans Jonson's works from being performed, and claims Edward's plays as his own.
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Robert Sawyer,'Biographical Aftershocks: Shakespeare and Marlowe in the Wake of 9/11', in
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2004:"Snow Ices Box Office: 'Puss In Boots' #1, 'Paranormal' #2, 'In Time' #3, 'Rum Diary' #4"
1362:
Screenwriter John Orloff argued that the film would reshape the way we read Shakespeare.
467:. The writings by Edward de Vere that Robert Cecil thought Ben had are not found on him.
3913:
2999:
1600:. The fragments of dialogue we hear are from the latter. Neither were deemed seditious.
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s Liam Lacey, "the less you know about Shakespeare, the more you're likely to enjoy
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3494:"Elizabethan lit intrigue proves not that intriguing in 'Anonymous' – 2 1/2 stars"
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3519:"Anonymous Gives the Mystery of Who Wrote Shakespeare's Plays A Very Good Name"
3167:"Backstage: What the stars had to get over to get their 'Goat' on at Rep Stage"
4554:
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and Outstanding Created Environment in a Live Action Feature Motion Picture.
3736:
1613:
377:
2179:
1070:, whose identity will be much debated for centuries to come. Reviewing for
2288:"Scandinavian directors lead Drive for London Film Critics' Circle awards"
1616:
with Shakespeare as his suggested murderer, whereas Marlowe was killed by
3947:
Shakespeare's Lost Kingdom: The True History of Shakespeare and Elizabeth
3876:
3870:
3757:
3237:
1621:
1327:
He ... sometimes claims certain things which then I then [
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camera, with most of the period backgrounds created and enhanced via new
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noted that according to an article in the same journal in 2009, three
885:
written by the Earl of Oxford ended up labelled "William Shakespeare".
2180:"Weekend Box Office Results for August 25–27, 2017 - Box Office Mojo"
1638:
3635:"Emmerich vs. Shakespeare! Independence Day Meets St. Crispin's Day"
2897:
1676:
1487:
The film redates some plays and poems to fit the story of the 1601
851:
Emmerich noted he knew little of either Elizabethan history or the
826:) became interested in the authorship debate after watching a 1989
3852:
1245:
580:
1231:
Outstanding Supporting Visual Effects in a Feature Motion Picture
3775:"The shock in this exposé of the Bard is that it is rather good"
2875:"Who Wrote Shakespeare moot-court debate at American University"
4197:
3968:
1747:"Anonymous premiere – 36th Toronto International Film Festival"
1412:
that "the very absence of surviving evidence proves the case."
1722:
Secret Defence: Roland Emmerich's "Anonymous" on Notebook|MUBI
1335:
1329:
4234:
A series on alternative authorship theories for the works of
865:, Emmerich decided to recast it as a film on the politics of
958:
gave the film an average grade of "A−" on an A+ to F scale.
624:
as young Queen Elizabeth (Richardson is Redgrave's daughter)
3732:"Shakespeare Birthplace Trust launches authorship campaign"
968:
as "one of the most exciting on-screen literary rows since
2935:"Shakespeare film Anonymous has lost plot, says Stratford"
2827:"The Shakespeare Whodunit: Sixty Minutes with Shakespeare"
1207:
was nominated for Best British Actress of the Year at the
424:
time-jumping format, factual errors, and promotion of the
3323:"This movie's so good they've cancelled the wide release"
3000:"Roland Emmerich's Next Is 'Anonymous' About Shakespeare"
2210:
Shakespeare Beyond Doubt: Evidence, Argument, Controversy
3387:"Wouldn't It Be Cool if Shakespeare Wasn't Shakespeare?"
2569:"Anonymous Screenwriter John Orloff Exclusive Interview"
2956:"The unreasonable doubt of Roland Emmerich's Anonymous"
1497:
that was performed on the eve of Essex's uprising, not
1199:
for Stephan O. Gessler and Sebastian T. Krawinkel, and
2692:"Anonymous (2011): Class, Conspiracy, and Shakespeare"
2453:
3955:
Brows Held High's Kyle Kallgren take on the 2011 film
3367:"Oldest literary conspiracy theory trotted out again"
1195:, the film was nominated in two categories including
365:. The film is a fictionalized version of the life of
3754:"People Being Stupid About Shakesp… or Someone Else"
2752:
Winter King: Henry VII and the Dawn of Tudor England
2395:
4382:
4341:
4285:
4243:
3469:"The Shakespeare Authorship Question Isn't Settled"
3418:"Anonymous set to propel Edward de Vere to stardom"
3411:. Vol. 77. University of North Carolina Press.
3269:"Q&A with 'Anonymous' Director Roland Emmerich"
1561:. The play actually appeared in print in 1597, and
843:project for eight years." At a press conference at
440:arrives at a theatre where he delivers a monologue
338:
330:
322:
305:
295:
245:
235:
195:
174:
164:
154:
93:
71:
61:
51:
34:
2749:
1568:that one could be written. The film also portrays
1415:Tiffany Stern, professor of early modern drama at
1377:important body of work in the English language."
1140:was originally slated for worldwide release in a
897:was the first motion picture to be shot with the
838:was released in 1998. It was almost green lit as
3697:"Shakespeare – a fraud? Anonymous is ridiculous"
876:, and it revolved around three main characters:
3050:"We all think somebody wrote the plays, right?"
1325:
1221:. The film also received a nomination from the
882:
4251:History of the Shakespeare authorship question
3810:"Roland Emmerich: Appetite for deconstruction"
3601:"How Could a Commoner Write Such Great Plays?"
2704:
1187:. That same year, it was also nominated for 7
4209:
3980:
3439:"Hollywood Bulletin – Love Notes from Verona"
2630:
2628:
2626:
1793:
1791:
1557:, written in 1598, is apparently entirely in
8:
2648:
2646:
2644:
2642:
2267:. International Press Academy. December 2011
1867:
1865:
1809:
3834:: CS1 maint: numeric names: authors list (
3799:: CS1 maint: numeric names: authors list (
3721:: CS1 maint: numeric names: authors list (
3683:: CS1 maint: numeric names: authors list (
3624:: CS1 maint: numeric names: authors list (
3546:"On the set of Roland Emmerich's Anonymous"
3292:: CS1 maint: numeric names: authors list (
3258:: CS1 maint: numeric names: authors list (
2652:
2614:
2612:
2610:
2608:
2606:
2604:
2602:
2600:
2598:
2596:
2504:
2248:The Artist Wins Costume Design: 2012 Oscars
2227:Academy of Motion Picture Arts and Sciences
2212:, Cambridge University Press, 2013, p. 161.
695:as Francesco, servant to the Earl of Oxford
4696:Oxfordian theory of Shakespeare authorship
4216:
4202:
4194:
3987:
3973:
3965:
3912:
2500:
2498:
1953:
1914:
1197:Best Art Direction (and Production Design)
677:Henry Wriothesley, 3rd Earl of Southampton
485:Henry Wriothesley, 3rd Earl of Southampton
426:Oxfordian theory of Shakespeare authorship
40:
31:
4349:List of Shakespeare authorship candidates
3022:"Roland Emmerich on His Shakespeare Film"
2143:
2065:
1845:
1677:British Board of Film Classification 2011
1620:with a knife stab above the left eye, in
3101:"Ten Reasons why Shakspeare was a fraud"
3077:Shakespeare bites back: not so anonymous
2738:, Harvard University Press, 1989, p. 32.
2543:
2366:
2154:
2077:
2041:
4676:Films set in 16th-century Tudor England
3303:"'Anonymous' is much ado about nothing"
2666:"The Chronology of Shakespeare's Plays"
2539:
2537:
2528:
2477:
2383:
1856:
1833:
1797:
1783:
1669:
3827:
3792:
3773:Wise (1), Damon (September 10, 2011).
3714:
3676:
3617:
3492:Phillips, Michael (October 27, 2011).
3345:"Not so in love with this Shakespeare"
3285:
3267:Lee (2), Youyoung (October 27, 2011).
3251:
3130:from the original on December 15, 2021
2998:de Semlyen, Phil (February 25, 2010).
2787:"Shakespeare fans will hate Anonymous"
2634:
2555:
2516:
2465:
2441:
2379:
2377:
2375:
2223:"Nominees for the 84th Academy Awards"
2131:
2119:
2090:Koehler, Robert (September 10, 2011).
1896:De Semlyen, Phil (February 25, 2010).
1883:
1821:
4736:Cultural depictions of James VI and I
3730:Smith, Alistair (September 1, 2011).
3437:Nepales, Janet Susan (May 16, 2010).
3187:"Anonymous. A Shakespearean Whodunit"
3143:Honeycutt, Kirk (September 9, 2011).
2430:
2418:
2407:
2166:
2108:
2053:
1871:
1688:
1686:
1684:
1168:Academy Award for Best Costume Design
7:
3808:Wise (2), Damon (October 27, 2011).
3385:Marche, Stephen (October 21, 2011).
3301:Lemire, Christy (October 26, 2011).
2916:Chavez, Kelvin (November 11, 2009).
2894:British Board of Film Classification
2825:Blogging Shakespeare (August 2011).
2618:
2577:. September 22, 2010. Archived from
2454:Brennan, Blackmun & Stevens 2009
2029:
1470:Succession to Elizabeth I of England
1150:). According to Brendan Bettinger, "
3752:Syme, Holger (September 19, 2011).
3231:Lee (1), Chris (October 17, 2011).
2489:
1732:
669:, William Cecil's son and successor
667:Robert Cecil, 1st Earl of Salisbury
599:Edward de Vere, 17th Earl of Oxford
407:on September 11, 2011. Produced by
405:Toronto International Film Festival
367:Edward de Vere, 17th Earl of Oxford
3950:(book supported by the filmmakers)
3343:Lumenick, Lou (October 28, 2011).
3321:Lileks, James (October 20, 2011).
3206:Leblanc, Beth (October 10, 2011).
2805:Alter, Alexandra (April 9, 2010).
1898:"Exclusive: Emmerich On Anonymous"
687:Robert Devereux, 2nd Earl of Essex
477:Robert Devereux, 2nd Earl of Essex
25:
4756:Films produced by Roland Emmerich
4691:British nonlinear narrative films
4651:Films directed by Roland Emmerich
4616:British alternative history films
3942:(partial; see other linked clips)
3544:Salisbury, Mark (June 14, 2010).
2975:Denby, David (October 31, 2011).
2314:Kilday, Gregg (January 3, 2012).
2002:Finke, Nikki (October 29, 2011).
1452:and the ages of the characters."
1209:London Film Critics Circle Awards
1177:Lisy Christl's work, but lost to
653:William Cecil, 1st Baron Burghley
226:Studio Babelsberg Motion Pictures
4276:
3479:from the original on May 4, 2010
3185:Lacey, Liam (October 28, 2011).
3020:Elfman, Mali (October 9, 2009).
2756:. Simon & Schuster. p.
2286:Child, Ben (December 20, 2011).
4761:Films about conspiracy theories
4711:Centropolis Entertainment films
4666:Films about William Shakespeare
4268:Declaration of Reasonable Doubt
4256:Shakespeare attribution studies
4225:Shakespeare authorship question
3935:April 29, 2010 Press Conference
3416:McCrum, Robert (June 8, 2011).
2842:Bravin, Jess (April 18, 2009).
2208:Paul Edmondson, Stanley Wells,
1349:to regret it. Robert McCrum in
1263:Shakespeare authorship question
1068:some more experienced filmmaker
4721:Shakespeare authorship fiction
4621:German alternate history films
3660:"Hollywood Dishonors the Bard"
3517:Reed, Rex (October 25, 2011).
3365:Malvern, Jack (June 7, 2011).
3165:Horwitz, Jane (June 9, 2010).
1:
4661:Films scored by Thomas Wander
4656:Films scored by Harald Kloser
4641:English-language German films
3633:Screen Daily (May 11, 2004).
3208:"Emmerich film sparks debate"
2954:Crace, John (June 16, 2011).
1491:. Most significantly, it was
4741:2010s English-language films
4160:Independence Day: Resurgence
3756:. Dispositio. Archived from
3082:Shakespeare Birthplace Trust
1610:death of Christopher Marlowe
1534:is shown being staged after
1276:Shakespeare Birthplace Trust
1267:Shakespeare Birthplace Trust
254:September 11, 2011
27:2011 film by Roland Emmerich
3576:"The Shakespeare Shakedown"
3392:The New York Times Magazine
1624:. Marlowe is shown mocking
1597:Every Man Out of His Humour
1306:judgment in 1987, Justices
1296:U.S. Supreme Court Justices
460:to face the questioning of
280:November 10, 2011
4777:
4726:Fiction about ghostwriting
3233:"Was Shakespeare a Fraud?"
2829:. Blogging Shakespeare.com
2785:AFP (September 14, 2011).
2705:Edmondson & Wells 2011
1604:Other departures from fact
1467:
1257:on which the film is based
917:
806:Background and development
403:The film premiered at the
380:, and suggests he was the
269:October 28, 2011
4495:Charlton Greenwood Ogburn
4274:
4231:
4003:
2396:Blogging Shakespeare 2011
1571:A Midsummer Night's Dream
1116:to follow at times." For
744:playing narrator/chorus (
703:Christopher "Kit" Marlowe
508:A Midsummer Night's Dream
409:Centropolis Entertainment
216:Centropolis Entertainment
46:Theatrical release poster
39:
4631:British historical films
4010:The Noah's Ark Principle
2343:"10th Annual VES Awards"
1476:King James of Scotland's
1298:now lent support to the
436:In modern-day New York,
4731:Babelsberg Studio films
4716:Films about Elizabeth I
4706:Columbia Pictures films
4580:Robin Williams (writer)
3407:May, Steven W. (1980).
2848:The Wall Street Journal
2811:The Wall Street Journal
1702:Internet Movie Database
1591:Every Man in His Humour
1464:Succession to Elizabeth
1291:The Wall Street Journal
1288:, in an interview with
376:, playwright, poet and
240:Sony Pictures Releasing
4701:Relativity Media films
4611:2010s historical films
4415:Charles Wisner Barrell
4100:The Day After Tomorrow
3150:The Hollywood Reporter
2920:. Latino Review Online
2918:"With Roland Emmerich"
2347:visual effects society
2321:The Hollywood Reporter
1341:
1258:
1227:Visual Effects Society
1006:The Hollywood Reporter
920:Anonymous (soundtrack)
887:
689:, executed for treason
616:Elizabeth I of England
589:
398:Elizabeth I of England
4681:Films shot in Germany
4560:Bernard Mordaunt Ward
3524:The New York Observer
2791:Sydney Morning Herald
2748:Penn, Thomas (2011).
1385:In an interview with
1249:
1242:Pre-release arguments
1229:in the categories of
1166:was nominated for an
855:until he came across
775:as young Anne de Vere
636:, poet and playwright
584:
18:Anonymous (2011 film)
4440:Ignatius L. Donnelly
4262:Is Shakespeare Dead?
3760:on December 22, 2020
3695:(November 4, 2011).
3658:(October 17, 2011).
3599:(October 27, 2011).
3574:(October 17, 2011).
3099:(October 16, 2011).
3048:(October 26, 2011).
2694:. February 26, 2012.
974:beaten with a hammer
705:, poet and dramatist
604:Jamie Campbell Bower
481:James VI of Scotland
277: (United States)
141:Jamie Campbell Bower
4746:2010s British films
4671:Films set in London
4626:British drama films
4510:John Denham Parsons
4485:Sandra Day O'Connor
4359:Christopher Marlowe
4236:William Shakespeare
3558:on January 12, 2013
3531:on October 29, 2011
3218:on October 25, 2011
3171:The Washington Post
2977:"All That Glitters"
2933:Child, Ben (2011).
2896:(August 26, 2011).
2863:Brennan, William J.
2717:John Paul Rollert,
2581:on November 5, 2011
2196:Brendan Bettinger,
1745:Evans, Ian (2011).
1659:Prince Tudor theory
1630:Shoemaker's Holiday
1444:, Derek Jacobi and
1427:Historical accuracy
1282:Columbia University
1223:Art Directors Guild
1201:Best Costume Design
1143:Shakespeare in Love
874:The Soul of the Age
853:authorship question
840:The Soul of the Age
835:Shakespeare in Love
789:as Beassie Vavasour
725:, poet and satirist
644:William Shakespeare
567:Stratford upon Avon
529:Christopher Marlowe
415:and distributed by
388:'s plays. It stars
386:William Shakespeare
4751:2010s German films
4686:Films about incest
4646:Film controversies
4636:German drama films
4525:William Rubinstein
3995:Films directed by
3693:Shapiro (2), James
3664:The New York Times
3656:Shapiro (1), James
3605:The New York Times
3467:(April 19, 2010).
3212:The Michigan Times
3191:The Globe and Mail
3124:"Press Conference"
2871:Stevens, John Paul
2736:Ben Jonson: A Life
2009:Deadline Hollywood
1694:"Anonymous (2011)"
1259:
1203:for Lisy Christl.
1119:The Globe and Mail
1106:, writing for the
1094:The New York Times
1003:Kirk Honeycutt of
783:as Richard Burbage
590:
378:patron of the arts
212:Anonymous Pictures
4588:
4587:
4550:Roger Stritmatter
4545:John Paul Stevens
4505:Orville Ward Owen
4435:Jeffery Donaldson
4420:Charles Beauclerk
4191:
4190:
4050:Universal Soldier
4030:Hollywood-Monster
3504:on August 3, 2012
3473:Los Angeles Times
3451:on August 5, 2012
3070:Edmondson, Paul;
2767:978-1-4391-9156-9
2719:A Failure of Will
2184:boxofficemojo.com
1810:Screen Daily 2004
1417:Oxford University
1308:John Paul Stevens
1253:, founder of the
936:review aggregator
930:Critical response
845:Studio Babelsberg
630:Sebastian Armesto
417:Columbia Pictures
413:Studio Babelsberg
357:film directed by
346:
345:
208:Columbia Pictures
126:Sebastian Armesto
16:(Redirected from
4768:
4606:2011 drama films
4480:J. Thomas Looney
4450:George Greenwood
4430:Charles Champlin
4280:
4218:
4211:
4204:
4195:
4184:
4174:
4164:
4154:
4144:
4140:White House Down
4134:
4124:
4114:
4104:
4094:
4084:
4074:
4070:Independence Day
4064:
4054:
4044:
4034:
4024:
4014:
3989:
3982:
3975:
3966:
3956:
3936:
3925:
3916:
3856:
3855:
3853:Official website
3839:
3833:
3825:
3823:
3821:
3804:
3798:
3790:
3788:
3786:
3769:
3767:
3765:
3748:
3746:
3744:
3726:
3720:
3712:
3710:
3708:
3688:
3682:
3674:
3672:
3670:
3651:
3649:
3647:
3629:
3623:
3615:
3613:
3611:
3597:Scott (1), A. O.
3592:
3590:
3588:
3567:
3565:
3563:
3554:. Archived from
3540:
3538:
3536:
3527:. Archived from
3513:
3511:
3509:
3500:. Archived from
3488:
3486:
3484:
3460:
3458:
3456:
3447:. Archived from
3433:
3431:
3429:
3412:
3403:
3401:
3399:
3381:
3379:
3377:
3361:
3359:
3357:
3339:
3337:
3335:
3317:
3315:
3313:
3307:The Boston Globe
3297:
3291:
3283:
3281:
3279:
3263:
3257:
3249:
3247:
3245:
3227:
3225:
3223:
3214:. Archived from
3202:
3200:
3198:
3181:
3179:
3177:
3161:
3159:
3157:
3139:
3137:
3135:
3120:Emmerich, Roland
3115:
3113:
3111:
3097:Emmerich, Roland
3092:
3090:
3088:
3066:
3064:
3062:
3041:
3039:
3037:
3032:on July 26, 2011
3028:. Archived from
3016:
3014:
3012:
2994:
2992:
2990:
2971:
2969:
2967:
2950:
2948:
2946:
2929:
2927:
2925:
2912:
2910:
2908:
2889:
2887:
2885:
2858:
2856:
2854:
2838:
2836:
2834:
2821:
2819:
2817:
2801:
2799:
2797:
2772:
2771:
2755:
2745:
2739:
2732:
2726:
2714:
2708:
2702:
2696:
2695:
2688:
2682:
2681:
2679:
2677:
2672:on June 26, 2014
2668:. Archived from
2662:
2656:
2653:Shapiro (2) 2011
2650:
2637:
2632:
2621:
2616:
2591:
2590:
2588:
2586:
2565:
2559:
2553:
2547:
2541:
2532:
2526:
2520:
2514:
2508:
2505:Shapiro (1) 2011
2502:
2493:
2487:
2481:
2475:
2469:
2463:
2457:
2451:
2445:
2439:
2433:
2428:
2422:
2416:
2410:
2405:
2399:
2393:
2387:
2381:
2370:
2364:
2358:
2357:
2355:
2353:
2339:
2333:
2332:
2330:
2328:
2311:
2305:
2304:
2302:
2300:
2283:
2277:
2276:
2274:
2272:
2261:
2255:
2249:
2244:
2238:
2237:
2235:
2233:
2219:
2213:
2206:
2200:
2194:
2188:
2187:
2176:
2170:
2164:
2158:
2152:
2146:
2141:
2135:
2129:
2123:
2117:
2111:
2106:
2100:
2099:
2087:
2081:
2075:
2069:
2063:
2057:
2051:
2045:
2039:
2033:
2027:
2021:
2020:
2018:
2016:
1999:
1993:
1992:
1990:
1988:
1964:
1958:
1957:
1952:
1950:
1948:
1924:
1918:
1912:
1906:
1905:
1893:
1887:
1881:
1875:
1869:
1860:
1854:
1848:
1843:
1837:
1831:
1825:
1819:
1813:
1807:
1801:
1795:
1786:
1781:
1775:
1768:
1762:
1761:
1759:
1757:
1742:
1736:
1730:
1724:
1719:
1713:
1712:
1710:
1708:
1690:
1679:
1674:
1581:The Isle of Dogs
1555:Romeo and Juliet
1528:Henry IV Part II
1512:Venus and Adonis
1300:Oxfordian theory
1255:Oxfordian theory
1251:J. Thomas Looney
1205:Vanessa Redgrave
1193:Satellite Awards
1175:Costume Designer
1124:
1102:it impossible."
1073:Associated Press
980:Michael Phillips
952:weighted average
817:Band of Brothers
781:Lloyd Hutchinson
699:Trystan Gravelle
622:Joely Richardson
612:Vanessa Redgrave
541:Venus and Adonis
532:writes the play
394:Vanessa Redgrave
287:
285:
276:
274:
261:
259:
221:Relativity Media
111:Joely Richardson
106:Vanessa Redgrave
44:
32:
21:
4776:
4775:
4771:
4770:
4769:
4767:
4766:
4765:
4591:
4590:
4589:
4584:
4565:Alexander Waugh
4490:Charlton Ogburn
4470:Richard Kennedy
4378:
4369:William Stanley
4337:
4281:
4272:
4239:
4227:
4222:
4192:
4187:
4177:
4167:
4157:
4147:
4137:
4127:
4117:
4107:
4097:
4087:
4077:
4067:
4057:
4047:
4037:
4027:
4017:
4007:
3999:
3997:Roland Emmerich
3993:
3954:
3934:
3920:
3899:Rotten Tomatoes
3888:Box Office Mojo
3851:
3850:
3847:
3842:
3826:
3819:
3817:
3807:
3791:
3784:
3782:
3772:
3763:
3761:
3751:
3742:
3740:
3729:
3713:
3706:
3704:
3691:
3675:
3668:
3666:
3654:
3645:
3643:
3632:
3616:
3609:
3607:
3595:
3586:
3584:
3570:
3561:
3559:
3543:
3534:
3532:
3516:
3507:
3505:
3498:Chicago Tribune
3491:
3482:
3480:
3463:
3454:
3452:
3444:Manila Bulletin
3436:
3427:
3425:
3415:
3406:
3397:
3395:
3384:
3375:
3373:
3364:
3355:
3353:
3342:
3333:
3331:
3320:
3311:
3309:
3300:
3284:
3277:
3275:
3273:Huffington Post
3266:
3250:
3243:
3241:
3230:
3221:
3219:
3205:
3196:
3194:
3184:
3175:
3173:
3164:
3155:
3153:
3142:
3133:
3131:
3118:
3109:
3107:
3105:Huffington Post
3095:
3086:
3084:
3069:
3060:
3058:
3044:
3035:
3033:
3019:
3010:
3008:
2997:
2988:
2986:
2974:
2965:
2963:
2953:
2944:
2942:
2932:
2923:
2921:
2915:
2906:
2904:
2892:
2883:
2881:
2867:Blackmun, Harry
2861:
2852:
2850:
2841:
2832:
2830:
2824:
2815:
2813:
2804:
2795:
2793:
2784:
2780:
2775:
2768:
2747:
2746:
2742:
2733:
2729:
2715:
2711:
2703:
2699:
2690:
2689:
2685:
2675:
2673:
2664:
2663:
2659:
2651:
2640:
2633:
2624:
2617:
2594:
2584:
2582:
2567:
2566:
2562:
2554:
2550:
2542:
2535:
2527:
2523:
2515:
2511:
2503:
2496:
2488:
2484:
2476:
2472:
2464:
2460:
2452:
2448:
2440:
2436:
2429:
2425:
2417:
2413:
2406:
2402:
2394:
2390:
2382:
2373:
2365:
2361:
2351:
2349:
2341:
2340:
2336:
2326:
2324:
2313:
2312:
2308:
2298:
2296:
2285:
2284:
2280:
2270:
2268:
2263:
2262:
2258:
2247:
2245:
2241:
2231:
2229:
2221:
2220:
2216:
2207:
2203:
2195:
2191:
2178:
2177:
2173:
2165:
2161:
2153:
2149:
2142:
2138:
2130:
2126:
2118:
2114:
2107:
2103:
2089:
2088:
2084:
2076:
2072:
2064:
2060:
2052:
2048:
2040:
2036:
2028:
2024:
2014:
2012:
2001:
2000:
1996:
1986:
1984:
1966:
1965:
1961:
1946:
1944:
1937:Rotten Tomatoes
1926:
1925:
1921:
1915:de Semlyen 2010
1913:
1909:
1895:
1894:
1890:
1882:
1878:
1870:
1863:
1855:
1851:
1844:
1840:
1832:
1828:
1820:
1816:
1808:
1804:
1796:
1789:
1782:
1778:
1772:Critical Survey
1769:
1765:
1755:
1753:
1744:
1743:
1739:
1731:
1727:
1720:
1716:
1706:
1704:
1698:Box Office Mojo
1692:
1691:
1682:
1675:
1671:
1667:
1655:
1606:
1524:Henry IV Part I
1489:Essex Rebellion
1485:
1483:Plays and poems
1472:
1466:
1450:Essex Rebellion
1429:
1383:
1381:Fictional drama
1346:
1316:William Brennan
1302:, whereas in a
1244:
1239:
1161:
1135:
1122:
985:Chicago Tribune
950:, which uses a
940:Rotten Tomatoes
932:
927:
922:
916:
892:
808:
803:
798:
764:Helen Baxendale
759:Philip Henslowe
733:Gabriel Spenser
606:as young Oxford
579:
458:Tower of London
434:
392:as de Vere and
361:and written by
359:Roland Emmerich
318:
298:
291:
283:
281:
272:
270:
257:
255:
248:
231:
230:
200:
198:
191:
150:
89:
78:Roland Emmerich
56:Roland Emmerich
47:
28:
23:
22:
15:
12:
11:
5:
4774:
4772:
4764:
4763:
4758:
4753:
4748:
4743:
4738:
4733:
4728:
4723:
4718:
4713:
4708:
4703:
4698:
4693:
4688:
4683:
4678:
4673:
4668:
4663:
4658:
4653:
4648:
4643:
4638:
4633:
4628:
4623:
4618:
4613:
4608:
4603:
4593:
4592:
4586:
4585:
4583:
4582:
4577:
4572:
4567:
4562:
4557:
4552:
4547:
4542:
4537:
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4497:
4492:
4487:
4482:
4477:
4472:
4467:
4462:
4460:Calvin Hoffman
4457:
4455:Joseph C. Hart
4452:
4447:
4442:
4437:
4432:
4427:
4422:
4417:
4412:
4407:
4402:
4400:Babette Babich
4397:
4392:
4386:
4384:
4380:
4379:
4377:
4376:
4374:Edward de Vere
4371:
4366:
4361:
4356:
4351:
4345:
4343:
4339:
4338:
4336:
4335:
4330:
4325:
4320:
4315:
4310:
4305:
4300:
4295:
4289:
4287:
4283:
4282:
4275:
4273:
4271:
4270:
4265:
4258:
4253:
4247:
4245:
4241:
4240:
4232:
4229:
4228:
4223:
4221:
4220:
4213:
4206:
4198:
4189:
4188:
4186:
4185:
4175:
4165:
4155:
4145:
4135:
4125:
4115:
4105:
4095:
4085:
4075:
4065:
4055:
4045:
4035:
4025:
4015:
4004:
4001:
4000:
3994:
3992:
3991:
3984:
3977:
3969:
3963:
3962:
3951:
3943:
3931:
3917:
3901:
3890:
3879:
3868:
3857:
3846:
3845:External links
3843:
3841:
3840:
3805:
3770:
3749:
3727:
3689:
3652:
3630:
3593:
3568:
3541:
3514:
3489:
3461:
3434:
3413:
3404:
3382:
3371:The Australian
3362:
3340:
3318:
3298:
3264:
3228:
3203:
3182:
3162:
3140:
3122:(April 2010).
3116:
3093:
3072:Wells, Stanley
3067:
3055:RogerEbert.com
3042:
3017:
2995:
2972:
2951:
2930:
2913:
2890:
2859:
2839:
2822:
2802:
2781:
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2766:
2740:
2727:
2709:
2697:
2683:
2657:
2638:
2622:
2592:
2560:
2548:
2533:
2521:
2509:
2494:
2482:
2470:
2458:
2446:
2434:
2423:
2411:
2400:
2388:
2371:
2359:
2334:
2306:
2278:
2265:"2011 Winners"
2256:
2239:
2214:
2201:
2189:
2171:
2159:
2147:
2144:Scott (1) 2011
2136:
2124:
2112:
2101:
2082:
2070:
2066:Honeycutt 2011
2058:
2046:
2034:
2022:
1994:
1959:
1942:Fandango Media
1919:
1907:
1888:
1876:
1861:
1849:
1846:Salisbury 2010
1838:
1826:
1814:
1802:
1787:
1776:
1763:
1751:DigitalHit.com
1737:
1725:
1714:
1680:
1668:
1666:
1663:
1662:
1661:
1654:
1651:
1605:
1602:
1484:
1481:
1468:Main article:
1465:
1462:
1428:
1425:
1421:King's College
1382:
1379:
1345:
1342:
1312:Harry Blackmun
1243:
1240:
1238:
1235:
1160:
1157:
1134:
1131:
1078:Christy Lemire
1038:The New Yorker
1020:Robert Koehler
931:
928:
926:
923:
918:Main article:
915:
912:
891:
888:
823:A Mighty Heart
807:
804:
802:
799:
797:
796:
790:
784:
778:
777:
776:
761:
752:
735:
726:
716:
706:
696:
690:
680:
670:
660:
646:
637:
627:
626:
625:
609:
608:
607:
591:
578:
575:
433:
430:
344:
343:
342:$ 15.4 million
340:
336:
335:
332:
328:
327:
324:
320:
319:
317:
316:
313:
309:
307:
303:
302:
299:
296:
293:
292:
290:
289:
288: (Germany)
278:
267:
251:
249:
246:
243:
242:
237:
236:Distributed by
233:
232:
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196:
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155:Cinematography
152:
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123:
118:
113:
108:
103:
97:
95:
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88:
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84:
79:
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73:
69:
68:
63:
59:
58:
53:
49:
48:
45:
37:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4773:
4762:
4759:
4757:
4754:
4752:
4749:
4747:
4744:
4742:
4739:
4737:
4734:
4732:
4729:
4727:
4724:
4722:
4719:
4717:
4714:
4712:
4709:
4707:
4704:
4702:
4699:
4697:
4694:
4692:
4689:
4687:
4684:
4682:
4679:
4677:
4674:
4672:
4669:
4667:
4664:
4662:
4659:
4657:
4654:
4652:
4649:
4647:
4644:
4642:
4639:
4637:
4634:
4632:
4629:
4627:
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4602:
4599:
4598:
4596:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4540:Joseph Sobran
4538:
4536:
4535:Henry Seymour
4533:
4531:
4528:
4526:
4523:
4521:
4520:Michael Rubbo
4518:
4516:
4515:Prince Philip
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4476:
4473:
4471:
4468:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4448:
4446:
4443:
4441:
4438:
4436:
4433:
4431:
4428:
4426:
4423:
4421:
4418:
4416:
4413:
4411:
4408:
4406:
4403:
4401:
4398:
4396:
4395:Mark Anderson
4393:
4391:
4388:
4387:
4385:
4381:
4375:
4372:
4370:
4367:
4365:
4364:Henry Neville
4362:
4360:
4357:
4355:
4354:Francis Bacon
4352:
4350:
4347:
4346:
4344:
4340:
4334:
4333:Shaykh Zubayr
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4290:
4288:
4284:
4279:
4269:
4266:
4264:
4263:
4259:
4257:
4254:
4252:
4249:
4248:
4246:
4242:
4238:
4237:
4230:
4226:
4219:
4214:
4212:
4207:
4205:
4200:
4199:
4196:
4182:
4181:
4176:
4172:
4171:
4166:
4162:
4161:
4156:
4152:
4151:
4146:
4142:
4141:
4136:
4132:
4131:
4126:
4122:
4121:
4116:
4112:
4111:
4106:
4102:
4101:
4096:
4092:
4091:
4086:
4082:
4081:
4076:
4072:
4071:
4066:
4062:
4061:
4056:
4052:
4051:
4046:
4042:
4041:
4036:
4032:
4031:
4026:
4022:
4021:
4016:
4012:
4011:
4006:
4005:
4002:
3998:
3990:
3985:
3983:
3978:
3976:
3971:
3970:
3967:
3961:
3957:
3952:
3949:
3948:
3944:
3941:
3937:
3932:
3930:
3926:
3923:
3918:
3915:
3911:
3907:
3906:
3902:
3900:
3896:
3895:
3891:
3889:
3885:
3884:
3880:
3878:
3874:
3873:
3869:
3867:
3863:
3862:
3858:
3854:
3849:
3848:
3844:
3837:
3831:
3815:
3811:
3806:
3802:
3796:
3780:
3776:
3771:
3759:
3755:
3750:
3739:
3738:
3733:
3728:
3724:
3718:
3702:
3698:
3694:
3690:
3686:
3680:
3665:
3661:
3657:
3653:
3642:
3641:
3636:
3631:
3627:
3621:
3606:
3602:
3598:
3594:
3583:
3582:
3577:
3573:
3572:Schama, Simon
3569:
3557:
3553:
3552:
3547:
3542:
3530:
3526:
3525:
3520:
3515:
3503:
3499:
3495:
3490:
3478:
3474:
3470:
3466:
3462:
3450:
3446:
3445:
3440:
3435:
3423:
3419:
3414:
3410:
3405:
3394:
3393:
3388:
3383:
3372:
3368:
3363:
3352:
3351:
3350:New York Post
3346:
3341:
3330:
3329:
3324:
3319:
3308:
3304:
3299:
3295:
3289:
3274:
3270:
3265:
3261:
3255:
3254:cite magazine
3240:
3239:
3234:
3229:
3217:
3213:
3209:
3204:
3192:
3188:
3183:
3172:
3168:
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3146:
3141:
3129:
3125:
3121:
3117:
3106:
3102:
3098:
3094:
3083:
3079:
3078:
3073:
3068:
3057:
3056:
3051:
3047:
3043:
3031:
3027:
3023:
3018:
3007:
3006:
3005:Empire Online
3001:
2996:
2984:
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2973:
2961:
2957:
2952:
2940:
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2931:
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2155:Lumenick 2011
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2042:Phillips 2011
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2011:
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810:Screenwriter
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742:Henry Condell
739:
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713:Thomas Dekker
710:
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693:Paolo De Vita
691:
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673:Xavier Samuel
671:
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571:Poet Laureate
568:
562:
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545:
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536:
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525:Globe Theatre
520:
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494:
488:
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473:William Cecil
468:
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315:United States
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247:Release dates
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185:
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180:
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169:Peter R. Adam
167:
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159:Anna Foerster
157:
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121:Xavier Samuel
119:
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43:
38:
33:
30:
19:
4570:Walt Whitman
4530:Mark Rylance
4475:Abel Lefranc
4465:Derek Jacobi
4425:Alden Brooks
4390:Joseph Adler
4328:Prince Tudor
4260:
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3893:
3882:
3871:
3860:
3818:. Retrieved
3814:The Guardian
3813:
3783:. Retrieved
3779:The Guardian
3778:
3762:. Retrieved
3758:the original
3741:. Retrieved
3735:
3705:. Retrieved
3701:The Guardian
3700:
3667:. Retrieved
3663:
3644:. Retrieved
3640:Screen Daily
3638:
3608:. Retrieved
3604:
3585:. Retrieved
3579:
3560:. Retrieved
3556:the original
3549:
3533:. Retrieved
3529:the original
3522:
3506:. Retrieved
3502:the original
3497:
3481:. Retrieved
3472:
3465:Orloff, John
3453:. Retrieved
3449:the original
3442:
3426:. Retrieved
3422:The Guardian
3421:
3408:
3396:. Retrieved
3390:
3374:. Retrieved
3370:
3354:. Retrieved
3348:
3332:. Retrieved
3328:Star Tribune
3326:
3310:. Retrieved
3306:
3276:. Retrieved
3272:
3242:. Retrieved
3236:
3220:. Retrieved
3216:the original
3195:. Retrieved
3190:
3174:. Retrieved
3170:
3154:. Retrieved
3148:
3132:. Retrieved
3108:. Retrieved
3104:
3085:. Retrieved
3076:
3059:. Retrieved
3053:
3046:Ebert, Roger
3034:. Retrieved
3030:the original
3026:Screen Crave
3025:
3009:. Retrieved
3003:
2987:. Retrieved
2980:
2964:. Retrieved
2960:The Guardian
2959:
2943:. Retrieved
2939:The Guardian
2938:
2922:. Retrieved
2905:. Retrieved
2899:
2882:. Retrieved
2851:. Retrieved
2847:
2831:. Retrieved
2814:. Retrieved
2810:
2794:. Retrieved
2790:
2751:
2743:
2735:
2730:
2722:
2718:
2712:
2700:
2686:
2674:. Retrieved
2670:the original
2660:
2583:. Retrieved
2579:the original
2572:
2563:
2551:
2529:Horwitz 2010
2524:
2512:
2485:
2478:Lee (2) 2011
2473:
2461:
2449:
2437:
2426:
2414:
2403:
2391:
2384:Lee (1) 2011
2362:
2352:December 31,
2350:. Retrieved
2346:
2337:
2325:. Retrieved
2319:
2309:
2297:. Retrieved
2293:The Guardian
2291:
2281:
2269:. Retrieved
2259:
2242:
2230:. Retrieved
2217:
2209:
2204:
2192:
2183:
2174:
2162:
2150:
2139:
2127:
2115:
2104:
2095:
2085:
2073:
2061:
2049:
2037:
2025:
2013:. Retrieved
2007:
1997:
1982:Fandom, Inc.
1975:
1969:
1962:
1945:. Retrieved
1935:
1929:
1922:
1910:
1901:
1891:
1879:
1857:Malvern 2011
1852:
1841:
1834:Youtube 2010
1829:
1817:
1805:
1798:Leblanc 2011
1784:Nepales 2010
1779:
1771:
1766:
1754:. Retrieved
1750:
1740:
1728:
1717:
1707:November 13,
1705:. Retrieved
1697:
1672:
1647:
1636:
1628:
1607:
1595:
1589:
1586:Thomas Nashe
1579:
1577:
1569:
1562:
1554:
1552:
1547:
1543:
1539:
1535:
1531:
1527:
1523:
1519:
1517:
1510:
1506:
1502:
1498:
1492:
1486:
1473:
1458:
1454:
1446:John Gielgud
1442:Walt Whitman
1430:
1414:
1404:Simon Schama
1401:
1394:
1391:
1387:The Atlantic
1386:
1384:
1373:
1368:
1364:Derek Jacobi
1361:
1356:
1352:The Guardian
1350:
1347:
1344:Expectations
1334:
1328:
1326:
1321:
1289:
1280:
1272:Warwickshire
1260:
1216:
1212:
1182:
1179:Best Picture
1163:
1162:
1151:
1148:Company Town
1147:
1141:
1137:
1136:
1126:
1117:
1107:
1104:Lou Lumenick
1098:
1092:
1087:
1071:
1063:Star Tribune
1061:
1058:James Lileks
1056:
1048:farthingales
1036:
1031:
1023:
1018:
1013:The Guardian
1011:
1004:
1002:
996:
991:
983:
978:
965:
960:
943:
933:
894:
893:
883:
873:
871:
860:
850:
839:
833:
827:
821:
815:
809:
793:Derek Jacobi
787:Vicky Krieps
768:Anne de Vere
738:Mark Rylance
729:Alex Hassell
723:Thomas Nashe
563:
559:
555:
546:
539:
533:
521:
506:
504:
497:
489:
469:
465:Robert Cecil
451:
438:Derek Jacobi
435:
420:
402:
355:period drama
349:
348:
347:
334:$ 30 million
297:Running time
146:Derek Jacobi
86:Robert Leger
82:Larry Franco
29:
4575:James Wilde
4500:John Orloff
4445:Bert Fields
4405:Delia Bacon
4298:Crollalanza
4090:The Patriot
3820:October 31,
3785:October 20,
3764:October 20,
3743:October 21,
3669:October 20,
3610:October 28,
3587:October 20,
3562:October 20,
3535:October 27,
3508:October 27,
3455:October 20,
3428:October 29,
3398:October 22,
3376:October 20,
3356:October 28,
3334:October 20,
3312:October 27,
3278:October 29,
3244:October 20,
3222:October 20,
3197:October 28,
3176:October 20,
3156:October 20,
3134:October 20,
3126:. Youtube.
3110:October 20,
3087:October 29,
3061:December 6,
3011:October 20,
2989:October 22,
2985:. p. 2
2966:October 22,
2945:October 25,
2884:October 20,
2853:October 21,
2833:October 21,
2816:October 21,
2635:Marche 2011
2556:Schama 2011
2517:McCrum 2011
2466:Orloff 2010
2442:Bravin 2009
2327:January 15,
2299:January 15,
2271:January 15,
2232:January 25,
2132:Lemire 2011
2120:Lileks 2011
2092:"Anonymous"
1884:Chavez 2009
1822:Elfman 2009
1735:, p. 9
1559:blank verse
1540:Richard III
1538:and before
1507:Richard III
1503:Richard III
1499:Richard III
1434:Henry James
1370:Bert Fields
1237:Controversy
1114:concordance
1097:wrote that
1089:A. O. Scott
1033:David Denby
993:Roger Ebert
956:CinemaScore
857:John Orloff
812:John Orloff
795:as narrator
750:Richard III
715:, dramatist
709:Robert Emms
663:Edward Hogg
550:Bloody Mary
535:Richard III
462:puritanical
442:questioning
371:Elizabethan
363:John Orloff
301:130 minutes
136:Edward Hogg
72:Produced by
66:John Orloff
52:Directed by
4601:2011 films
4595:Categories
4555:Mark Twain
4410:Ros Barber
4383:Proponents
4342:Candidates
3910:Metacritic
3707:October 6,
2982:New Yorker
2907:August 26,
2431:Alter 2010
2419:Child 2011
2408:Smith 2011
2167:Lacey 2011
2109:Denby 2011
2054:Ebert 2011
1985:Retrieved
1977:Metacritic
1872:Crace 2011
1756:January 7,
1665:References
1494:Richard II
1474:Essex was
1438:Mark Twain
1304:moot court
1218:Coriolanus
1184:The Artist
1133:Box office
1083:flow chart
948:Metacritic
899:Arri Alexa
878:Ben Jonson
867:succession
801:Production
773:Amy Kwolek
755:John Keogh
640:Rafe Spall
634:Ben Jonson
595:Rhys Ifans
586:Rhys Ifans
446:Ben Jonson
390:Rhys Ifans
353:is a 2011
339:Box office
284:2011-11-10
273:2011-10-28
258:2011-09-11
197:Production
131:Rafe Spall
101:Rhys Ifans
62:Written by
4323:Oxfordian
4318:Nevillean
4313:Marlovian
4150:Stonewall
4130:Anonymous
4110:10,000 BC
3922:Anonymous
3905:Anonymous
3894:Anonymous
3883:Anonymous
3872:Anonymous
3861:Anonymous
3830:cite news
3795:cite news
3737:The Stage
3717:cite news
3679:cite news
3620:cite news
3288:cite news
3193:. Toronto
2900:Anonymous
2879:Frontline
2778:Footnotes
2723:The Point
2619:Syme 2011
2585:April 20,
2030:Reed 2011
1970:Anonymous
1930:Anonymous
1614:Southwark
1530:. Later,
1374:Anonymous
1357:Anonymous
1213:Anonymous
1164:Anonymous
1159:Accolades
1152:Anonymous
1138:Anonymous
1127:Anonymous
1099:Anonymous
997:Anonymous
966:Anonymous
944:Anonymous
925:Reception
910:theatre.
895:Anonymous
829:Frontline
740:as actor
421:Anonymous
396:as Queen
350:Anonymous
306:Countries
199:companies
165:Edited by
35:Anonymous
4303:Derbyite
4293:Baconian
4286:Theories
4244:Overview
4180:Moonfall
4080:Godzilla
4060:Stargate
3877:AllMovie
3816:. London
3781:. London
3703:. London
3581:Newsweek
3551:Time Out
3477:Archived
3424:. London
3238:Newsweek
3128:Archived
3074:(2011).
2962:. London
2941:. London
2873:(2009).
2574:Collider
2490:AFP 2011
2198:Collider
1733:May 1980
1653:See also
1643:The Rose
1626:Dekker's
1622:Deptford
1564:Gorboduc
1052:halberds
964:regards
962:Rex Reed
938:website
908:The Rose
719:Tony Way
683:Sam Reid
657:Polonius
493:Puritans
454:The Rose
374:courtier
323:Language
175:Music by
94:Starring
4040:Moon 44
3960:YouTube
3940:YouTube
3929:YouTube
3924:trailer
3646:May 17,
3483:May 18,
3036:May 17,
2924:May 12,
2796:May 17,
2676:July 1,
2253:YouTube
2096:Variety
2015:May 29,
1987:May 29,
1947:May 29,
1548:Macbeth
1532:Macbeth
1520:Henry V
1479:Scots.
1396:Amadeus
1181:winner
1025:Variety
982:of the
934:On the
890:Filming
862:Amadeus
746:Henry V
588:in 2011
499:Henry V
326:English
312:Germany
282: (
271: (
256: (
4308:Florio
4183:(2022)
4173:(2019)
4170:Midway
4163:(2016)
4153:(2015)
4143:(2013)
4133:(2011)
4123:(2009)
4113:(2008)
4103:(2004)
4093:(2000)
4083:(1998)
4073:(1996)
4063:(1994)
4053:(1992)
4043:(1990)
4033:(1987)
4023:(1985)
4013:(1984)
2902:(12A)"
2764:
1902:Empire
1639:Thames
1544:Hamlet
1274:, the
1172:German
1050:, and
748:) and
331:Budget
262: (
1584:with
1189:Lolas
1123:'
1044:ruffs
914:Music
511:, as
369:, an
4120:2012
4020:Joey
3866:IMDb
3836:link
3822:2011
3801:link
3787:2011
3766:2010
3745:2010
3723:link
3709:2011
3685:link
3671:2010
3648:2010
3626:link
3612:2011
3589:2011
3564:2010
3537:2011
3510:2011
3485:2010
3457:2010
3430:2011
3400:2011
3378:2011
3358:2011
3336:2011
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