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349:. As Charlotte Streifer Rubinstein has observed, what has been described by critics as the "glowing 'old master' color" of her miniatures resulted from her close study of early modern art. Her interest in old master painting also inspired her to adapt complex multi-figured compositional elements derived from European religious paintings to group portraits; as one of her early biographers noted, her portraits of children resembled "elegant and well-arranged bouquet."
33:
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137:, renowned for her engaging portraits, especially of children and young brides. Although many of her compositions strike modern audiences as sentimental, her popularity during her lifetime and the significance of her career are attested by the high prices paid for her miniatures (often five hundred dollars per commission) and her election to the
767:
157:, on May 31, 1792, the sixth of eleven surviving children of Jonathan (or John) Hall, a prominent physician, and his wife, the former Bathesheba Mumford. Her considerable artistic talent was encouraged by her family and at a young age she was experimenting with several different techniques, including cutting
672:
in
Brooklyn, New York. It is estimated that Hall left her heirs an estate of $ 100,000, a fortune earned solely through commissions. Although surviving letters suggest that several amateur miniaturists petitioned to study in her studio, no students are recorded. Interest in her work was revived when
479:
as an associate member in 1828 and five years later she was elected—by a unanimous vote—to full membership, the first woman to achieve this honor and the only woman to be admitted to the academy before 1900. She was not encouraged to take an active role in the governance of the institution, however,
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She had a studio on the top floor of her sister's house and mostly made portraits of women and children. Her clients were wealthy residents of New York who paid her up to $ 500 per commission. Her works were praised by critics of her day, including author and historian
William Dunlap:
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480:
and never appeared at
Academy meetings except on one occasion when her presence was requested to meet a quorum. Yet she continued to exhibit in the institution's annual exhibitions until 1852, and a popular engraving produced by E. Gallaudet was made after Hall's miniature of
472:. Eliza's home was a center of culture as well as the meeting place of the Hone Club. Many of the New York City luminaries of the 1820s, 1830s, and 1840s who visited Eliza and her husband posed for Ann, expanding the artist's circle of patrons and supporters.
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Her later portraits in miniature are of the first order, I have seen groups of children composed with the taste and skill of a master, and the delicacy which the female character can infuse into works of beauty beyond the reach of man.
468:. During the mid-1820s, she moved to New York City. She lived with her sister Eliza Hall Ward, who also was a painter of note, and Eliza's husband, Henry Ward, at their mansion at 23 Bond Street, although Hall made frequent trips to
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464:. Most of her early submissions were miniatures depicting family members, such as the group portrait "Ann Hall, Her Sister Eliza Hall Ward, and Her Nephew Henry Hall Ward" of 1828 presently in the collection of the
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722:
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Hall never married and died on
December 11, 1863, in her sister's house, which became known as the Henry Hall Ward Mansion during the lifetime of Eliza's son. She was interred at
1279:
1083:
Woman's Record: Or, Sketches of All
Distinguished Women, from the Creation to A.D. 1868. Arranged in Four Eras, with Selections from Authoresses of Each Era
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337:
and acquired a group of watercolors, portrait miniatures, and oil paintings while abroad, including a series of copies after original compositions by
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and was ransomed by an
American merchant who had her brought to Boston in 1827 to be raised with his family. Mohalbi died in 1830 at the age of 13.
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the Henry Hall Ward
Mansion was auctioned in December 1904 and several of her miniatures were discovered stored in the mansion's attic.
294:, Rhode Island with an elder sister. There she learned to sketch and paint in oil and make miniatures in watercolors on ivory from the
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333:. Hall also studied the old masters in the collection of her brother Charles Henry Hall, a businessman who frequently traveled to
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141:, New York. She has been credited for inspiring a renaissance in the technique of painting miniatures on ivory in the
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1153:"Attributed to Anne Hall: Mrs. William Beekman Ver Planck and Her Son William Beekman Ver Planck (67.263)"
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Ann Hall has been described as the most successful miniature painter active in early nineteenth-century
624:
Mrs. John Barber James (Mary Helen
Vanderburgh) and Her Daughter Mary Helen James (Mrs. Charles Alfred
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625:
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154:
60:
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161:, modeling figures in wax, and executing flower pictures and still lifes in watercolor and pencil.
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1052:"End of Old Estate: Three Dwellings, Including the Famous Ward Mansion, to Be Sold at Auction".
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523:
481:
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1127:
1045:
A History of the Rise and
Progress of the Arts of Design in the United States (revised ed.)
434:
Laura Prime (Mrs. John
Clarkson Jay) and Her Daughter, Laura (Mrs. Charles Pemberton Wurts)
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Commemorative Biographical Record of Tolland and Windham Counties, Connecticut
346:
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313:. During her tenure in his studio, she viewed the temporary exhibition of
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A self-portrait of the artist, a detail from the family group portrait,
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Ann Hall, Her Sister Eliza Hall Ward, and Her Nephew Henry Hall Ward
39:
Ann Hall, Her Sister Eliza Hall Ward, and Her Nephew Henry Hall Ward
1168:
American Women Artists: From the Early Indian Times to the Present
338:
330:
1025:
American Portrait Miniatures in the Metropolitan Museum of Art
174:
Mrs. Jonathan Hall (Bathsheba Mumford), the Artist's Mother
484:. Mohalbi had been captured at the age of seven by the
1132:"Anne Hall, Miniaturist, First American Woman 'N. A.'"
883:
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By 1817, Hall was participating in exhibitions at the
325:, which had been amassed when Trumbull was active in
130:(1792–1863) was an American painter and miniaturist.
960:
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x 5 in. Private collection, Hillsborough, California
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x 3 in. Private collection, Hillsborough, California
780:, undated. Watercolor and sepia wash on parchment,
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1115:Historic gleanings in Windham County, Connecticut
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450:x 4 in. Private collection, Englewood, New Jersey
290:Hall visited the home of her mother's family in
1091:Kort, Carol; Sonneborn, Liz (January 1, 2002).
1047:. Vol. 3. Boston: C.E. Goodspeed & Co.
930:
928:
926:
499:
475:Hall was admitted to the recently established
1018:Metropolitan Museum of Art (New York, N.Y.);
8:
1159:. New York: The Metropolitan Museum of Art.
1094:A to Z of American Women in the Visual Arts
1028:. Metropolitan Museum of Art. p. 133.
761:in. Private collection, Darien, Connecticut
611:in. Private collection, Barrytown, New York
522:Frances Ann Clarkson Goodhue (Mrs. Robert
421:in. Private collection, New York, New York
31:
20:
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317:paintings from the collection of Colonel
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832:
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658:in. Private collection, Washington, D.C.
203:Charles Henry Hall, the Artist's Brother
1164:Rubinstein, Charlotte Streifer (1982).
1097:. Infobase Publishing. pp. 90–91.
1064:Women Artists in All Ages and Countries
818:
675:
511:
351:
163:
1118:. Preston and Rounds company. p.
778:(copy after painting by John Trumbull)
716:in. On the art market in November 1946
391:Cornelia, Edward, and Nathaniel Prime,
233:in. On the art market in November 1946
987:Metropolitan Museum, Barratt, p. 133.
7:
1280:19th-century American women painters
1157:In Heilbrunn Timeline of Art History
686:The Artist's Sister, Eliza Hall Ward
1054:The Globe and Commercial Advertiser
321:, painter and private secretary to
1275:National Academy of Design members
1080:Hale, Sarah Josepha Buell (1874).
14:
888:Commemorative Biographical Record
462:American Academy of the Fine Arts
1265:People from Pomfret, Connecticut
1222:
1022:; Lori Zabar (January 1, 2010).
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305:In about 1808, Hall traveled to
238:
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1061:Ellet, Elizabeth Fries (1859).
688:, undated. Miniature on ivory,
630:, undated. Miniature on ivory,
436:, undated. Miniature on ivory,
205:, undated. Miniature on ivory,
1285:Burials at Green-Wood Cemetery
1260:19th-century American painters
1255:American portrait miniaturists
1112:Larned, Ellen Douglas (1899).
1:
1146:– via Internet Archive.
393:undated. Miniature on ivory,
1151:Metropolitan Museum (2000).
583:, 1837. Miniature on ivory,
528:, 1834. Miniature on ivory,
248:, 1828. Miniature on ivory,
176:, 1838. Miniature on ivory,
1203:. J.H. Beers & Co. 1903
1005:Kort, Sonnenborn, pp. 90-91
733:,1840. Miniature on ivory,
466:New-York Historical Society
309:to study oil painting with
278:New-York Historical Society
1301:
477:National Academy of Design
286:Education and early career
139:National Academy of Design
111:National Academy of Design
1270:Painters from Connecticut
1211:– via Google Books.
490:Greek War of Independence
298:, one of the teachers of
30:
1043:Dunlap, William (1918).
558:New York Society Library
920:Kort, Sonneborn, p. 90.
973:Rubinstein, pp. 42-43.
504:
362:John and Prescott Ward
1172:. G.K. Hall. p.
1020:Carrie Rebora Barratt
1231:at Wikimedia Commons
1056:. December 14, 1904.
908:Larned, pp. 216-217.
560:, New York, New York
280:, New York, New York
155:Pomfret, Connecticut
61:Pomfret, Connecticut
670:Green-Wood Cemetery
364:, 1848. Miniature,
311:Alexander Robertson
91:Alexander Robertson
1136:The New York Times
996:Hale, pp. 431-432.
875:Rubinstein, p. 42.
852:Rubinstein, p. 43.
1227:Media related to
1128:McCabe, Lida Rose
1104:978-1-4381-0791-2
1067:. Richard Bentley
1035:978-1-58839-357-9
964:End of Old Estate
482:Garafilia Mohalbi
153:Hall was born in
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1207:September 8,
1205:. Retrieved
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1187:. Retrieved
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1142:September 8,
1140:. Retrieved
1138:. p. 35
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74:(1863-12-11)
57:May 31, 1792
38:
18:
1250:1863 deaths
1245:1792 births
579:Emily Astor
575:Samuel Ward
488:during the
296:Samuel King
159:silhouettes
1239:Categories
814:References
524:Livingston
347:Guido Reni
343:Tintoretto
315:old master
149:Early life
53:1792-05-31
1086:. Harper.
88:Education
1229:Ann Hall
890:, p. 216
774:General
323:John Jay
135:New York
100:Painting
25:Ann Hall
1189:June 5,
1071:June 5,
1012:Sources
803:⁄
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339:Italian
292:Newport
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113:in 1833
41:of 1828
1180:
1101:
1032:
838:McCabe
626:Grymes
470:Boston
456:Career
335:Europe
327:London
106:Awards
664:Death
486:Turks
331:Paris
276:in.,
1209:2023
1191:2014
1178:ISBN
1144:2023
1099:ISBN
1073:2014
1030:ISBN
556:in.
345:and
329:and
128:Hall
124:Anne
122:(or
82:, US
69:Died
63:, US
47:Born
1120:216
120:Ann
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