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349:. Despite her heavy official responsibilities, she cultivated intellectual interests, especially music. She continued to take lessons in composition and keyboard playing from the leading musician in Weimar. Amalia von Helvig, a German-Swedish artist and writer, later became part of her court. She hired Christoph Martin Wieland, a poet and translator of William Shakespeare, to educate her son. . On 3 September 1775, her son reached his
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As a patron of the arts, Anna Amalia drew many of the most eminent people in
Germany to Weimar. She gathered a group of scholars, poets and musicians, professional and amateur, for lively discussion and music-making at the Wittum palace. In this ‘court of the muses’, as Wilhelm Bode called it, the
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Anna Amalia herself played a significant part in bringing together the poetry of 'Weimar
Classicism'. Johann Adam Hiller's most successful Singspiel, Die Jagd (the score of which is dedicated to the duchess), received its first performance in Weimar in 1770, and Weimar was also the scene of the
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notable première on 28 May 1773 of the ‘first German opera’, Wieland's
Alceste in the setting by Anton Schweitzer. Anna Amalia continued the tradition of the Singspiel in later years with performances in the amateur court theatre of her own compositions to texts by Goethe.
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409:, in the manner of Hiller and Schweitzer, combining features of song and of arioso. In 2021-2023, further works of Anna Amalia were discovered by the academic Stephen Husarik in the collection of
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226:(24 October 1739 – 10 April 1807), was a German princess and composer. She became the duchess of Saxe-Weimar-Eisenach by marriage, and was also regent of the states of
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Genealogie ascendante jusqu'au quatrieme degre inclusivement de tous les Rois et
Princes de maisons souveraines de l'Europe actuellement vivans
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from 1758 to 1775. She transformed her court and its surrounding into the most influential cultural center of
Germany. Her invitation of
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Genealogy up to the fourth degree inclusive of all the Kings and
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One or more of the preceding sentences incorporates text from a publication now in the
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Anna Amalia was a notable composer. The majority of her works belong stylistically to the
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and they had two sons. Ernst August died in 1758 leaving her regent for their infant son,
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1286:] (in French). Bourdeaux: Frederic Guillaume Birnstiel. 1768. p. 52.
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Anna Amalia was well-educated as befitted a princess. She studied music with
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1215:. Biographisch-Bibliographisches Kirchenlexikon, retrieved 25 February 2011
329:, on 16 March 1756, sixteen-year-old Anna Amalia married eighteen-year-old
1332:(in German), vol. 1, Leipzig: Duncker & Humblot, pp. 386–387
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1166:"Herzogin Anna Amalie von Weimar und ihr Theater", in Robert Keil (ed.),
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1151:. Vol. 2 (11th ed.). Cambridge University Press. p. 59.
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1230:. Julie Anne Sadie, Rhian Samuel (First ed.). New York. 1994.
1048:"Search Results for Anna Amalia | Grove Music Online | Grove Music"
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1182:"Buried in History: The Musical Discovery of Dr. Stephen Husarik"
382:, considered the best theatre company in Germany at that time."
1018:. New York: Feminist Press at the City University of New York.
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Ernst August II Konstantin, Duke of Saxe-Weimar-Eisenach
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Free scores by
Duchess Anna Amalia of Brunswick-Wolfenbüttel
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Symphony (2 oboes, 2 flutes, 2 violins and double bass) 1765
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Ancestors of
Duchess Anna Amalia of Brunswick-Wolfenbüttel
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Ferdinand Albert I, Duke of
Brunswick-Wolfenbüttel-Bevern
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PRNewsWire: Goethe's forbidden love for Anna Amalia
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Ferdinand Albert II, Duke of Brunswick-Wolfenbüttel
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236:Abel Seyler
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