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was widely praised, as ScreenInvasion Critic
Gabriel Ruzin wrote, "Its bleak cinematography is notable and makes impressive work of cold blues, blacks, grays, and the unfriendly sterility of the film’s main setting that deftly complements Geoff’s
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in 2004. Her work in the
Australian film industry began in 1981 and her credits include numerous roles in feature films, documentaries, television and commercials.
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After studying cinematography at North Sydney TAFE, she became a camera assistant, working for some of
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described the film as, "highlighted by imaginative shots in claustrophobic interiors of the Max Planck
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in 2010 and the next year she was nominated for Best
Cinematography in the
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is an
Australian cinematographer and became an accredited member of the
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289:"The Monster's Within: LF Meets... Michael Eklund & Eron Sheean"
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This biographical article related to film in
Australia is a
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52:. She worked on the award-winning Australian TV series
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Anna Howard's
Australian Cinematographers Society Page
266:"Errors of the Human Body Fantastic Fest 2012 Review"
245:. BONZA - National Cinema & Television Database
201:. BONZA - National Cinema & Television Database
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318:. Fundacja Transatlantyk. Archived from
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291:. Liberation Frequency. Archived from
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185:References
110:Rabbit
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