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296:(“In the Beginning was the Garden”), on which she worked for thirty years, was published in German translation in 1965 and in the original Hungarian the following year. With regard to the recent revival of interest in Lesznai's life and work, Judith Szapor writes: “Young scholars, especially Petra Török and Csilla Markója consider the novel a masterpiece and argue that it should be valued equally for its historical sweep as a family saga, the psychological depth of her characters, and as a documentary source of the early-twentieth-century progressive scene it depicts.”
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288:(1900–1978), an artist and illustrator fifteen years her junior whom she knew from the Sunday Circle. The couple eventually married and, faced with the rising tide of anti-Semitism in Europe, immigrated to the United States in 1939.
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Defying expectations for women of her time, Lesznai was bohemian in spirit and lifestyle. She married at the age of seventeen, bore a son, and then divorced soon after. In 1913 she married the sociologist and historian
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Settling in New York City, Lesznai continued her work in art education, lecturing and teaching classes in
Hungarian art and design. In 1946 she opened her own school of painting. Her autobiographical novel
238:(“The Eight”), and in 1911 her work was shown as part of their second exhibition. Her painting and embroideries drew much of their inspiration from Hungarian folklore and folk art.
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Memoirs (unpublished). Extracts in: Éva Karádi, Erzsébet Vezér : "Georg Lukács, Karl
Mannheim und der Sonntagskreis". Frankfurt am Main: Sendler. Pages 129–140.
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Lesznai's early published writing includes essays, poetry, and original fairy tales. Beginning in 1908 she was a regular contributor to the literary journal
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Painted Dreams: Tales, fantasy and dreams in
Hungarian art of the early twentieth century, Freud-Museum London 12 November 2003-18 January 2004
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Anna
Lesznai, Biographical Profile with photographs, including some of her paintings: Emlékmúzeum igazgatója:
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Multi-talented, she was recognized equally for her artwork and her writing. She studied art in
Budapest with
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Anna
Lesznai died on October 2, 1966, in New York City. A major retrospective of her art was mounted by the
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281:(1917–1998). Anna Lesznai and Oszkár Jászi divorced in 1918 but maintained a close lifelong friendship.
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The
Wanderings of the Little Blue Butterfly in Fairyland, with original drawings by Anna Lesznai
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In 1919 Lesznai emigrated to Vienna along with sons George and Andrew and her companion
398:"Disputed Past: The Friendship and Competing Memories of Anna Lesznai and Emma RitoĂłk"
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her cousin. She adopted the pen name of Anna
Lesznai after the neighboring village of
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Jewish emigrants from
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349:, Trans. Ernst Lorsy. Karlsruhe: Stahlberg Verlag. 1965. 677 pages.
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The permanent exhibition “Crumbs of the broken cake of the world”:
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http://www.yivoencyclopedia.org/article.aspx/Hungarian_Literature
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AHEA: e-Journal of the
American Hungarian Educators Association
329:"Babonás ézrevételek a mese és a tragédia lélektanához“ in:
372:"Medium und Initiation. Béla Balázs: Märchen, Ästhetik, Kino"
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Anna Lesznai in YIVO (Yivo Institute for Jewish Research):
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http://baderech.hjm.org.il/Article.aspx/Hu/LesznaiAnna
429:. Budapest: Central European University Press, 2006
303:in Budapest in 1976. A permanent exhibition at the
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427:A Twentieth-Century Prophet: Oscar Jászi 1875–1957
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32:Anna Lesznai around 1910
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514:Hungarian embroiderers
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255:Béla Balázs
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156:avant-garde
89:Nationality
468:Categories
357:References
48:1885-01-03
152:Hungarian
99:Spouse(s)
211:Slovakia
180:Slovakia
172:Budapest
135:Children
93:American
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235:Nyolcak
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