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174:, in which emotions are conveyed through body positions and gestures. Morgan based her instruction on Delsarte's philosophy, emphasizing the connection between the positions of the body and the emotions of the mind. She also taught her students to balance flexibility and grace with force and meaning in their movements.
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and traveled to large cities, such as NYC and Boston, where they would put on shows. In 1884, Morgan then joined the New
Chicago Opera House Conservatory, where she began to focus on teaching drama. Although her productions were on a small scale, often being limited to the Conservatory stage, Morgan
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was known for her sophisticated choice of plays. In addition to the popular plays of the time, she put on adaptations of
Shakespearean tragedies, classic Greek tragedies, and contemporary poetry among others. In addition, she was the first to put on an American production of Shaw's
120:. She was the daughter of Mary Jane Thornton Morgan and Allen Denison Morgan, a gentleman farmer who served on the New York legislature in 1860-1861. She was the oldest child and had five siblings, two brothers and three sisters. They attended school in
166:. The curriculum of the studio included instruction in theatrical and political history, literature, playwriting, etiquette, acting, and stagecraft. Morgan was trained by
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By the late 19th century, Morgan was famous for being a dramatic reader with a naturalistic style that was unusual at the time. From 1880-1883, Morgan worked with the
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108:. She was essential in setting the standards for teaching speech and theater as a respected intellectual study and helped to begin the Little Theater movement.
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100:(1851–1936) was a teacher of the dramatic arts in the late 19th century, who set up her school, the Anna Morgan Studios, in
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until their father died in 1876 when her mother moved the family to
Chicago. In 1877, Morgan began her studies in
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Selected
Readings, designed to impart to the student an appreciation of literature in its wider sense
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In 1898, Morgan resigned from the
Conservatory and opened the Anna Morgan Studios in Chicago's
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In April 1899, she presented her pupils in the first U.S. performances of
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She died at her home in
Chicago on August 27, 1936, at the age of 85.
345:. Lanham, Maryland: Rowman and Littlefield. pp. 255–256.
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Notable
American Women, 1607–1950, a Biographical Dictionary
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James, Edward T; Janet Wilson James; Paul S. Boyer (1971).
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Anna Morgan wrote three books about speech and theatre.
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237:Notable American Women: A Biographical Dictionary
359:Marquis, Albert (1899). John W. Leonard (ed.).
250:"Anna Morgan, 82, Noted Teacher of Drama, Dies"
116:Anna Morgan was born on February 24, 1851, in
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235:Edward T. James, Janet Wilson James, eds.,
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239:(Harvard University Press, 1971), 578–579
363:. Chicago: A. N. Marquis & Company.
354:. Cambridge, MA: Belknap of Harvard UP.
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343:Rhetorical Theory by Women Before 1900
424:19th-century American women educators
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216:The Art of Speech and Deportment
419:Educators from New York (state)
404:19th-century American educators
310:"News and Gossip of the Rialto"
307:Funke, Lewis (July 15, 1956).
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409:People from Fleming, New York
375:Works by or about Anna Morgan
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266:– via Newspapers.com.
154:, with an all-female cast.
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279:"The Camera on 'Candida'"
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341:Donawerth, Jane (2002).
195:Important literary works
158:The Anna Morgan Studios
414:Educators from Chicago
204:An Hour with Delsarte
145:Redpath Lyceum Bureau
361:Who's Who in America
189:Caesar and Cleopatra
151:Caesar and Cleopatra
139:Legacy and influence
130:Hershey Music School
82:Hershey Music School
316:The New York Times
285:The New York Times
164:Fine Arts Building
106:Fine Arts Building
118:Fleming, New York
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388:Categories
262:January 2,
88:Occupation
72:, Illinois
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43:1851-02-24
191:in 1899.
126:elocution
78:Education
377:at the
335:Sources
184:Candida
170:in the
128:at the
102:Chicago
70:Chicago
51:Fleming
218:(1909)
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223:Notes
324:2011
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264:2021
179:Shaw
112:Life
59:Died
37:Born
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