194:, New York (1999â2007) where she led the departmentâs new media, public programs, and collaborative projects. From 2004â2006, she conceptualized and developed the "Museum as Hub" initiative and established its first partnerships in Cairo, Eindhoven, Mexico City, and Seoul. She also curated numerous museum and on-line exhibitions; initiated and produced the museumâs Digital Culture Programs; and organized inter-disciplinary roundtables, public programs, performances and broadcasts. She was formerly Curator of Contemporary Art and Design at Glasgow Museums (1994â1999), where she oversaw its collection of international contemporary art and design, exhibitions program, artistsâ residencies, commissions, and new acquisitions.
163:(2007). Barlow also initiated and oversaw programmatic partnerships with arts organizations in Brisbane, Bucharest, Cairo, Holon, Lisbon, London, Manchester, Riga, Tallinn, Tbilisi, Vilnius, Warsaw, and Zagreb. In 2014, she launched Art in Generalâs award-winning annual symposium "What Now?" on critical and timely issues in the field, establishing an educational partnership with the
223:(2002 and 2003); and has lectured, moderated or participated in talks at organizations including Istanbul Modern (2020); Govett-Brewster Gallery, New Plymouth, New Zealand (2019); Art Basel Conversations Programme, Art Basel Hong Kong (2019); Tate Modern (2018 and 2019); the Institute of Modern Art, Brisbane (2015); the
35:, Art Fund Museum of the Year 2018. There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including:
210:
2018, Belfast, Northern
Ireland (2018); âMontblanc Cultural Foundation Curatoriumâ (2017â2019); Curatorial Advisory Committee, Mumbai Art Room, India (2017); Exposure 8, Beirut Art Center, Lebanon (2016); kim? Contemporary Art Award, Latvia (2016 and 2015); T-HT Award, Zagreb, Croatia (2014); and the
260:
FĂŒsun Onur: Once upon a time... The
Pavilion of Turkeyâ59th International Art Exhibition of La Biennale di Venezia, eds. Bige Ărer and NilĂŒfer ĆaĆmazer, co-published by the Istanbul Foundation for Culture and Arts (Ä°KSV) with Mousse Publishing for the English edition, and Yapı Kredi Publications
253:
Artist texts on Shiraz Bayjoo, Huma Bhabha, Huguette Caland, and Jumana Manna for In the Heart of
Another Country: The Diasporic Imagination in the Sharjah Art Foundation Collection, edited by Omar Kholeif, co-published by Snoeck, Deichtorhallen, Hamburg and Sharjah Art Foundation (contributor,
174:
In 2023, Barlow curated the
Samdani Art Award for the sixth Dhaka Art Summit àŠŹàŠšà§àŠŻàŠŸ / Bonna, Bangladesh. She has curated and contributed to a number of biennial projects including âTactics for the Here and Nowâ; âNorth by Northeastâ, Latvian Pavilion at the 55th
197:
Barlow has been a jury member of numerous selection panels and awards including: 2023 Ars
Fennica Award, Helsinki, Finland (2023); The Arts Foundation Futures Awards for Visual Arts (2022), London, UK; Artist of Tomorrow, Prishtina, Kosovo (2020-22 and 2016);
183:, Georgia (Guest project curator, 2015) and âShifts and Interruptionsâ for The Jerusalem Show VII, presented in framework of second Qalandiya International (Guest film curator, 2014). In 2013, she curated the Centennial Edition âArmory Open Forumâ program for
306:
2012": Working with
Artists and Audiences on Commissions and Residenciesâ, Paperback, 594 pages, 91 visuals, English and Arabic, Sharjah Art Foundation, United Arab Emirates (editor, 2014)
316:âPigeons on the Grass Alas: Contemporary Curators Talk About The Fieldâ, eds. Paula Marincola and Peter Nesbitt, The Pew Center for Arts & Heritage, Philadelphia (contributor, 2013)
235:
National
Leadership Awards (2004). In 2020, Barlow was awarded an Honorary Fellowship by Arts University Plymouth in recognition of her outstanding contribution to arts and culture.
657:
906:
1080:
350:
Barlow has also published in numerous arts magazines and journals such as ArteEast
Quarterly, ArtPulse Magazine, The Journal for Curatorial Studies, and Ibraaz.
273:âThere Is No Real Solidarity without Physicalityâ, Interview with Zineb Sedira, PASS Journal, International Biennial Association (with Sylvie Fortin, 2021)
516:
171:, New York, and overseeing the symposia âCollaboration and Collectivityâ (2014); âThe Politics of Listeningâ (2015); and âOn Future Identitiesâ (2016).
838:
1252:
1236:
957:
477:
164:
1297:
284:âOtobong Nkanga in Conversation with Anne Barlowâ in Otobong Nkanga: From Where I Stand, Tate St Ives, UK (co-editor and contributor, 2019)
319:âOnly at the South Pole Do All Directions Point Northâ, in North by North East, Pavilion of Latvia at the 55th Venice Biennale, May 2013
1302:
216:
982:
264:âUnfinished Historiesâ in Petrit Halilaj: very volcanic over this green feather, Tate St Ives, UK (co-editor and contributor, 2021)
107:
in New York City (2007â2016). During her tenure at Art in
General, she commissioned and curated projects with artists including:
1312:
638:
497:
211:
Akbank
Curatorial Prize, Istanbul, Turkey (2013). Barlow has also been a panelist/advisor to funding organizations including:
859:"Cathy Wilkes to represent Great Britain at the 58th International Art Exhibition â La Biennale di Venezia | British Council"
403:
281:âThe Potential of Transparencyâ in Naum Gabo: Constructions for Real Life, Tate St Ives, UK (co-editor and contributor, 2020)
910:
858:
270:âForewordâ in Rana Begum: Space Light Colour, edited by Anita Dawood, Lund Humphries Publishers Ltd., UK (contributor, 2021)
1307:
427:
299:âOn Faithâ, in âWe Are All in This Aloneâ, Pavilion of the Republic of Macedonia, 56th Venice Biennale (contributor, 2015)
267:âJohn Wellsâ in The Story of Anchor Studio, ed. Elizabeth Knowles, Borlase Smart John Wells Trust, UK (contributor, 2021)
1201:
296:âWhat Now? The Politics of Listeningâ, Art in General, New York, and Black Dog Publishing, United Kingdom (editor, 2016)
740:
293:âWhat Now? On Future Identitiesâ, Art in General, New York and Black Dog Publishing, United Kingdom (co-editor, 2017)
128:
1031:
276:âAsymetrical Encountersâ in Haegue Yang: Strange Attractors, Tate St Ives, UK (co-editor and contributor, 2020)
207:
1081:"Plymouth College of Art awards Honorary Fellowships to Anne Barlow, Tim & Chris Britton & Jo Arscott"
761:
52:
452:
1292:
1256:
614:
224:
220:
136:
250:âUnconscious Kinshipsâ in Earthbound Whisperers: A Journal by Hera BĂŒyĂŒktaĆcıyan, Tate St Ives, UK (2023)
359:
340:
48:
40:
839:"Arts Foundation | NEWS: The Arts Foundation Futures Awards 2022 for Visual Arts: Finalists Announced!"
671:
180:
144:
156:
721:
203:
325:"Realities:united Featuring", ed. Florian Heilmeyer, Ruby Press, Berlin, Germany (contributor, 2010)
148:
108:
1152:
112:
44:
124:
76:
1232:
329:
116:
212:
199:
84:
28:
1128:
1104:
882:
658:"Boom! See the Politically Charged Art of the Bucharest Biennial's Explosive Fifth Edition"
322:âAnna K.E.â ed. Sabine Becker, Hatje Cantz Verlag, Ostfildern, Germany (contributor, 2012)
231:
Stockholm (2011); ARCO Madrid (2011); Center for Contemporary Art, Warsaw (2009); and the
184:
176:
88:
68:
379:
932:
346:âCopy It, Steal It, Share Itâ, Borusan Art Gallery, Istanbul, Turkey (contributor, 2003)
1253:"March Meeting 2012: Working with Artists and Audiences on Commissions and Residencies"
814:
168:
120:
104:
64:
56:
672:"Pavilion of Latvia at the 55th International Art Exhibition â la Biennale di Venezia"
1286:
790:
303:
287:âIntroductionâ in Huguette Caland, Tate St Ives, UK (co-editor and contributor, 2019)
247:âRadical Softnessâ in Outi Pieski, Tate St Ives, UK (co-editor and contributor, 2024)
140:
1176:
958:"Tate Intensive: Making Space, Holding Space, Giving Space â Course at Tate Modern"
190:
Prior to Art in General, Barlow was Curator of Education and Media Programs at the
100:
32:
576:
562:
548:
1226:
1032:"Latitudes: 'Curating emerging artists', ARCOMadrid, 16â20 February 2011, Madrid"
310:
257:âForewordâ, in Burçak Bingöl: Minor Vibrations on Earth, Tate St Ives, UK (2022)
160:
152:
72:
60:
36:
590:
1055:
1007:
765:
747:
692:
191:
132:
1272:
482:
336:
80:
534:
517:"35 Years of Championing New TalentâArt In General's Director Anne Barlow"
678:
501:
24:
725:
642:
228:
83:: Constructions for Real Life" (2020) and collaborating curator with
707:
243:
Barlow is editor/contributor to a number of publications including:
769:
1153:"The Story of Anchor Studio : Borlase Smart John Wells Trust"
520:
478:"From New York to St Ives: Anne Barlow, the new boss at the Tate"
290:âPASS No. 1â, International Biennial Association (co-editor 2018)
232:
1277:
1202:"There Is No Real Solidarity without Physicality: Zineb Sedira"
1129:"FĂŒsun Onur, The Pavilion of Turkey at la Biennale di Venezia"
741:"Museum as Hub: Eungie Joo and William Wells in Conversation"
1105:"IN THE HEART OF ANOTHER COUNTRY - Sharjah Art Foundation"
983:"Lives of Net Art: Christiane Paul â Talk at Tate Modern"
615:"Dhaka Art Summit 2023: Bonna - Announcements - e-flux"
909:(Press release). e-flux. 27 April 2017. Archived from
907:"Montblanc Cultural Foundation establishes Curatorium"
358:
Barlow holds a Masters in the History of Art from the
428:"Tate St Ives wins Art Fund Museum of the Year award"
639:"Bucharest Biennale 5: Tactics for the Here and Now"
404:"Tate St Ives wins Art Fund Museum of the Year 2018"
309:âBasim Magdy: Fictions of the Realâ, Film Program,
549:"What Now? 2014: Collaboration & Collectivity"
261:(YKY) for the Turkish edition (contributor, 2022).
883:"MAC International 2018 | Exhibitions at the MAC"
498:"Tate St Ives New Artistic Director Announcement"
476:Campbell-Johnston, Rachel (27 September 2017).
453:"Anna Boghiguian â Exhibition at Tate St Ives"
332:catalogue, Cardiff, Wales (contributor, 2004)
8:
563:"What Now? 2015: The Politics of Listening"
27:and director in the field of international
722:"The Armory Show 2013 Centennial Edition"
339:â, in Sculpture in 20th Century Britain,
99:Barlow was formerly Artistic Director of
1079:Plymouth, Arts University (2021-07-28).
933:"2019 Conversations Program | Hong Kong"
706:Senova, Basak (OctoberâNovember 2014).
370:
577:"What Now? 2016: On Future Identities"
165:Vera List Center for Art and Politics
7:
79:(2018). She was also co-curator of "
1006:Brisbane, Institute of Modern Art.
1109:www.intheheartofanothercountry.com
217:New York State Council on the Arts
14:
863:venicebiennale.britishcouncil.org
795:Museum of Contemporary Art Kiasma
656:Sutton, Benjamin (19 June 2012).
1228:Haegue Yang: Strange Attractors
328:âJacqueline Fraserâ, essay for
313:, London, United Kingdom (2013)
31:, and is currently Director of
1060:www.re-tooling-residencies.org
739:Inouye, Ryan (19 March 2012).
708:"FRACTURES â Chapter 5: Lines"
695:. 2nd Tbilisi Triennial. 2015.
535:"Anne Barlow â Projects index"
1:
537:. Art in General. 2007â2016.
515:Munn, Colin (5 April 2016).
215:, New York (2005 and 2006);
103:(2017â2018) and Director of
1298:British arts administrators
1133:pavilionofturkey22.iksv.org
343:, Leeds (contributor, 2003)
1329:
1303:Women arts administrators
710:. The Jerusalem Show VII.
129:Sara Greenberger Rafferty
1056:"RE-tooling RESIDENCIES"
693:"Self-Organized Systems"
591:"Samdani Art Award 2023"
179:(Co-Curator, 2013); 2nd
91:at Tate St Ives (2019).
1012:Institute of Modern Art
579:. Art in General. 2016.
565:. Art in General. 2015.
551:. Art in General. 2014.
432:www.theartnewspaper.com
380:"Tate St Ives Director"
1313:British women curators
1257:Sharjah Art Foundation
768:. 2007. Archived from
225:Sharjah Art Foundation
221:Rockefeller Foundation
1225:Yang, Haegue (2020).
762:"About Museum as Hub"
360:University of Glasgow
341:Henry Moore Institute
219:(2003â2005); and the
202:Selection Committee,
1308:British art curators
1200:gozde (2021-02-05).
204:58th Venice Biennale
137:Meriç AlgĂŒn Ringborg
1231:. Tate Publishing.
1157:www.bsjwtrust.co.uk
504:. 18 November 2016.
109:Dineo Seshee Bopape
1008:"What Can Art...?"
913:on 7 November 2017
791:"Ars Fennica 2023"
728:. 7 February 2013.
595:www.samdani.com.bd
85:Castello di Rivoli
49:Prabhakar Pachpute
41:Hera BĂŒyĂŒktaĆcıyan
1238:978-1-84976-737-8
724:(Press release).
677:(Press release).
660:. Blouin Artinfo.
641:(Press release).
500:(Press release).
330:Artes Mundi Prize
208:MAC International
181:Tbilisi Triennial
145:Anetta Mona ChiĆa
117:Adelita Husni-Bey
1320:
1261:
1260:
1249:
1243:
1242:
1222:
1216:
1215:
1213:
1212:
1197:
1191:
1190:
1188:
1187:
1173:
1167:
1166:
1164:
1163:
1149:
1143:
1142:
1140:
1139:
1125:
1119:
1118:
1116:
1115:
1101:
1095:
1094:
1092:
1091:
1076:
1070:
1069:
1067:
1066:
1052:
1046:
1045:
1043:
1042:
1028:
1022:
1021:
1019:
1018:
1003:
997:
996:
994:
993:
978:
972:
971:
969:
968:
953:
947:
946:
944:
943:
929:
923:
922:
920:
918:
903:
897:
896:
894:
893:
879:
873:
872:
870:
869:
855:
849:
848:
846:
845:
835:
829:
828:
826:
825:
811:
805:
804:
802:
801:
787:
781:
780:
778:
777:
758:
752:
751:
745:
736:
730:
729:
718:
712:
711:
703:
697:
696:
689:
683:
682:
676:
668:
662:
661:
653:
647:
646:
635:
629:
628:
626:
625:
611:
605:
604:
602:
601:
587:
581:
580:
573:
567:
566:
559:
553:
552:
545:
539:
538:
531:
525:
524:
512:
506:
505:
494:
488:
487:
473:
467:
466:
464:
463:
448:
442:
441:
439:
438:
424:
418:
417:
415:
414:
400:
394:
393:
391:
390:
375:
213:Creative Capital
200:British Pavilion
157:Surasi Kusolwong
53:TháșŁo NguyĂȘn Phan
29:contemporary art
1328:
1327:
1323:
1322:
1321:
1319:
1318:
1317:
1283:
1282:
1269:
1264:
1251:
1250:
1246:
1239:
1224:
1223:
1219:
1210:
1208:
1199:
1198:
1194:
1185:
1183:
1175:
1174:
1170:
1161:
1159:
1151:
1150:
1146:
1137:
1135:
1127:
1126:
1122:
1113:
1111:
1103:
1102:
1098:
1089:
1087:
1078:
1077:
1073:
1064:
1062:
1054:
1053:
1049:
1040:
1038:
1030:
1029:
1025:
1016:
1014:
1005:
1004:
1000:
991:
989:
980:
979:
975:
966:
964:
955:
954:
950:
941:
939:
931:
930:
926:
916:
914:
905:
904:
900:
891:
889:
881:
880:
876:
867:
865:
857:
856:
852:
843:
841:
837:
836:
832:
823:
821:
815:"2023 Archives"
813:
812:
808:
799:
797:
789:
788:
784:
775:
773:
760:
759:
755:
743:
738:
737:
733:
720:
719:
715:
705:
704:
700:
691:
690:
686:
674:
670:
669:
665:
655:
654:
650:
637:
636:
632:
623:
621:
613:
612:
608:
599:
597:
589:
588:
584:
575:
574:
570:
561:
560:
556:
547:
546:
542:
533:
532:
528:
514:
513:
509:
496:
495:
491:
475:
474:
470:
461:
459:
450:
449:
445:
436:
434:
426:
425:
421:
412:
410:
402:
401:
397:
388:
386:
377:
376:
372:
368:
356:
241:
185:The Armory Show
177:Venice Biennale
97:
89:Anna Boghiguian
69:Huguette Caland
19:
17:
16:British curator
12:
11:
5:
1326:
1324:
1316:
1315:
1310:
1305:
1300:
1295:
1285:
1284:
1281:
1280:
1278:Art in General
1275:
1268:
1267:External links
1265:
1263:
1262:
1244:
1237:
1217:
1192:
1181:Lund Humphries
1168:
1144:
1120:
1096:
1071:
1047:
1023:
998:
973:
948:
924:
898:
887:themaclive.com
874:
850:
830:
806:
782:
753:
731:
713:
698:
684:
681:. 1 June 2013.
663:
648:
645:. 24 May 2012.
630:
619:www.e-flux.com
606:
582:
568:
554:
540:
526:
507:
489:
468:
443:
419:
395:
369:
367:
364:
355:
352:
348:
347:
344:
333:
326:
323:
320:
317:
314:
307:
300:
297:
294:
291:
288:
285:
282:
278:
277:
274:
271:
268:
265:
262:
258:
255:
251:
248:
240:
237:
169:The New School
121:Marwa Arsanios
105:Art in General
96:
93:
65:Otobong Nkanga
57:Petrit Halilaj
15:
13:
10:
9:
6:
4:
3:
2:
1325:
1314:
1311:
1309:
1306:
1304:
1301:
1299:
1296:
1294:
1293:Living people
1291:
1290:
1288:
1279:
1276:
1274:
1271:
1270:
1266:
1258:
1254:
1248:
1245:
1240:
1234:
1230:
1229:
1221:
1218:
1207:
1203:
1196:
1193:
1182:
1178:
1172:
1169:
1158:
1154:
1148:
1145:
1134:
1130:
1124:
1121:
1110:
1106:
1100:
1097:
1086:
1082:
1075:
1072:
1061:
1057:
1051:
1048:
1037:
1033:
1027:
1024:
1013:
1009:
1002:
999:
988:
984:
977:
974:
963:
959:
952:
949:
938:
934:
928:
925:
912:
908:
902:
899:
888:
884:
878:
875:
864:
860:
854:
851:
840:
834:
831:
820:
816:
810:
807:
796:
792:
786:
783:
772:on 2014-10-31
771:
767:
763:
757:
754:
749:
742:
735:
732:
727:
723:
717:
714:
709:
702:
699:
694:
688:
685:
680:
673:
667:
664:
659:
652:
649:
644:
640:
634:
631:
620:
616:
610:
607:
596:
592:
586:
583:
578:
572:
569:
564:
558:
555:
550:
544:
541:
536:
530:
527:
522:
518:
511:
508:
503:
499:
493:
490:
485:
484:
479:
472:
469:
458:
454:
447:
444:
433:
429:
423:
420:
409:
405:
399:
396:
385:
381:
374:
371:
365:
363:
361:
353:
351:
345:
342:
338:
334:
331:
327:
324:
321:
318:
315:
312:
308:
305:
304:March Meeting
301:
298:
295:
292:
289:
286:
283:
280:
279:
275:
272:
269:
266:
263:
259:
256:
252:
249:
246:
245:
244:
238:
236:
234:
230:
226:
222:
218:
214:
209:
205:
201:
195:
193:
188:
186:
182:
178:
172:
170:
166:
162:
158:
154:
150:
149:Lucia TkĂĄÄovĂĄ
146:
142:
141:Shezad Dawood
138:
134:
130:
126:
122:
118:
114:
110:
106:
102:
94:
92:
90:
86:
82:
78:
74:
70:
66:
62:
58:
54:
50:
46:
45:Burçak Bingöl
42:
38:
34:
30:
26:
22:
1273:Tate St Ives
1247:
1227:
1220:
1209:. Retrieved
1206:Pass Journal
1205:
1195:
1184:. Retrieved
1180:
1177:"Rana Begum"
1171:
1160:. Retrieved
1156:
1147:
1136:. Retrieved
1132:
1123:
1112:. Retrieved
1108:
1099:
1088:. Retrieved
1084:
1074:
1063:. Retrieved
1059:
1050:
1039:. Retrieved
1035:
1026:
1015:. Retrieved
1011:
1001:
990:. Retrieved
986:
976:
965:. Retrieved
961:
951:
940:. Retrieved
936:
927:
915:. Retrieved
911:the original
901:
890:. Retrieved
886:
877:
866:. Retrieved
862:
853:
842:. Retrieved
833:
822:. Retrieved
818:
809:
798:. Retrieved
794:
785:
774:. Retrieved
770:the original
756:
734:
716:
701:
687:
666:
651:
633:
622:. Retrieved
618:
609:
598:. Retrieved
594:
585:
571:
557:
543:
529:
510:
492:
481:
471:
460:. Retrieved
456:
446:
435:. Retrieved
431:
422:
411:. Retrieved
407:
398:
387:. Retrieved
383:
373:
362:, Scotland.
357:
349:
242:
239:Publications
196:
189:
187:, New York.
173:
113:Donna Huanca
101:Tate St Ives
98:
87:, Turin for
33:Tate St Ives
20:
18:
311:Tate Modern
161:Ana Prvacki
159:(2007) and
153:Ohad Meromi
125:Basim Magdy
75:(2018) and
73:Amie Siegel
61:Haegue Yang
37:Outi Pieski
21:Anne Barlow
1287:Categories
1211:2024-05-15
1186:2024-05-15
1162:2024-05-15
1138:2024-05-15
1114:2024-05-15
1090:2024-05-15
1065:2020-04-21
1041:2020-04-21
1017:2020-04-21
992:2020-04-21
967:2020-04-21
942:2020-04-21
917:30 October
892:2020-04-21
868:2020-04-21
844:2024-05-15
824:2024-05-15
819:Arsfennica
800:2024-05-15
776:2017-10-30
766:New Museum
748:New Museum
624:2024-05-15
600:2024-05-15
462:2020-04-21
437:2020-04-21
413:2020-04-21
389:2020-04-21
366:References
192:New Museum
133:Jill Magid
77:Rana Begum
1036:Latitudes
937:Art Basel
483:The Times
354:Education
337:Naum Gabo
81:Naum Gabo
679:Artforum
502:The Tate
408:Art Fund
227:(2012);
206:(2019);
155:(2010);
151:(2013);
143:(2013);
139:(2013);
135:(2013);
131:(2014);
127:(2014);
123:(2015);
119:(2015);
115:(2015);
111:(2016);
71:(2019);
67:(2019);
63:(2020);
59:(2021);
55:(2022);
51:(2022);
47:(2022);
43:(2023);
39:(2024);
1259:. 2015.
1085:FE News
744:(Video)
25:curator
1235:
981:Tate.
956:Tate.
726:e-flux
643:e-flux
451:Tate.
378:Tate.
229:IASPIS
95:Career
675:(PDF)
521:Artsy
254:2023)
23:is a
1233:ISBN
987:Tate
962:Tate
919:2017
457:Tate
384:Tate
233:IMLS
147:and
167:at
1289::
1255:.
1204:.
1179:.
1155:.
1131:.
1107:.
1083:.
1058:.
1034:.
1010:.
985:.
960:.
935:.
885:.
861:.
817:.
793:.
764:.
746:.
617:.
593:.
519:.
480:.
455:.
430:.
406:.
382:.
1241:.
1214:.
1189:.
1165:.
1141:.
1117:.
1093:.
1068:.
1044:.
1020:.
995:.
970:.
945:.
921:.
895:.
871:.
847:.
827:.
803:.
779:.
750:.
627:.
603:.
523:.
486:.
465:.
440:.
416:.
392:.
335:â
302:â
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.