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253:, Goldthwaite explained that Stein "looked something like an immense dark brown egg. She wore, wrapped tight around her, a brown kimono-like garment and a large flat black hat, and stood on feet covered with wide sandals." Stein invited Goldthwaite to visit her home, yet she hesitated due to Stein's "shabby" appearance. But Goldthwaite soon realized Stein's presence in the art world when encountering the extensive contemporary painting collection hung on the walls of her apartment. Meeting one of the most influential pre-war
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In a 1934 radio interview, Goldthwaite offered her perspective on the work of women artists, observing: “the best praise that women have been able to command until now is to have it said that she paints like a man. But that women have a valid place as women artists is both obvious and logical. . . .
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to be cared for by various family members. Her aunt presented her to society as a promising young debutante who was destined to become a southern belle. This changed after her fiancé was killed in a duel. While visiting
Goldthwaite in Alabama, her uncle Henry Goldthwaite was impressed by her drawing
98:(June 28, 1869 – January 29, 1944) was an American painter and printmaker and an advocate of women's rights and equal rights. Goldthwaite studied art in New York City. She then moved to Paris where she studied modern art, including
269:, Goldthwaite drifted to different studios in an attempt to find the right teacher. After much difficulty, she joined a small group of young artists who worked at 86 Notre Dame des Champs. Their work was periodically critiqued by
354:
Goldthwaite later became known as one of the South's most important regional artists for her scenes of post-slave rural
African American life. She documented the lifestyle with oil paintings, watercolors, and etchings. The
397:, who focused on showing the work of American Modernists. Anne was given several one-woman shows in her Downtown Gallery in New York. From 1922 until 1944, she taught and took commissions from her residence in
429:. She was actively involved in woman's groups, and fought for equality in the South for ethnic minorities. Her work as an activist and artist intersected on several occasions, including the 1915
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and remained there for the majority of her childhood while her father looked for work. Upon the death of her parents, Goldthwaite and her two sisters returned to
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265:. She later said, "Fate gave me several years in Paris at the most exciting time: during the great reconstruction from art to modern art." During her time in
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On
January 29, 1944, Anne Goldthwaite died in New York after a long illness. Her funeral service and burial took place in
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She became known in the South for her scenes of post-slave rural
African American life. She was an organizer for the 1915
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and painting skills. To lift her spirits, he offered to support her financially for up to ten years if she relocated to
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157:. Since returning from Paris, she accepted commissions for works of art and exhibited her paintings in New York City.
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386:, where she was appointed president in 1937–1938. During her summers in Alabama, Goldthwaite advised students at the
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335:. Many of her subjects were fellow women artists. Katherine Dreier, a suffragist and cofounder of the organization
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awarded her two commissioned murals in
Alabama for her lifelong exploration of this subject. She completed
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Exhibition of
Painting and Sculpture by Women Artists for the Benefit of the Woman Suffrage Campaign
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Exhibition of
Painting and Sculpture by Women Artists for the Benefit of the Woman Suffrage Campaign
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327:. She began painting lovingly rendered portraits of her friends and family, including her sister
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We want to speak to . . . an audience that asks simply—is it good, not—was it done by a woman.”
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In 1915, she began to establish a consistent working schedule consisting of nine months in
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Back in the United States, she exhibited, along with other modern artists like
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Central to their lives : Southern women artists in the
Johnson Collection
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persons of the time gave
Goldthwaite an opportunity to join the art circle of
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to study art. Goldthwaite arrived in New York around 1898 and enrolled at the
145:. She set up residence in New York City and spent the summers with family in
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Blackman, Lynne; Johnson
Collection (Spartanburg, S.C.) (20 June 2018).
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Collection online. Metropolitan Museum of Art. Retrieved May 26, 2014.
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for 23 years and during the summers, she was an instructor at the
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and explored her interest in the early modern painting styles of
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Anne Goldthwaite : a catalogue raisonné of the graphic work
1054:. Columbia, South Carolina: University of South Carolina Press.
118:. She was a member of a group of artists that called themselves
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watercolor and black chalk on paper, Metropolitan Museum of Art
312:, and others. At the exhibition, Goldthwaite met fellow artist
296:(1910–11) at the landmark exhibition, alongside renown artists
649:, etching and drypoint, c. 1907, Syracuse Museum of Fine Arts
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watercolor and graphite on paper, Metropolitan Museum of Art
655:, etching, c. 1908, The Downtown Gallery, New York, New York
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American artist and advocate of women's rights (1869–1944)
805:), lithograph, c. 1931, Smithsonian American Art Museum
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Goldthwaite spent 23 years as a beloved teacher at the
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lithograph, not dated, Smithsonian American Art Museum
587:, lithograph, c. 1934, Smithsonian American Art Museum
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etching and drypoint, c. 1928, Cleveland Museum of Art
857:. Oxford: Oxford University Press. pp. 348–350.
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watercolor on ivory, 1935, Metropolitan Museum of Art
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Selma (No. 1), lithograph c. 1933 by Anne Goldthwaite
351:
Frances Greene Nix were all sitters for Goldthwaite.
331:, painter Rico Lebrun, and her first New York dealer
1484:. Montgomery, Ala.: Montgomery Museum of Fine Arts.
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lithograph, c. 1936, Smithsonian American Art Museum
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lithograph, c. 1934, Smithsonian American Art Museum
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oil on canvas, 1913, Smithsonian American Art Museum
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lithograph, c. 1935, Smithsonian American Art Museum
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lithograph, c. 1933, Smithsonian American Art Museum
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lithograph, c. 1936, Smithsonian American Art Museum
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lithograph, c. 1936, Smithsonian American Art Museum
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950:. New York, New York: Avon Books. pp. 178–179.
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etching, not dated, Smithsonian American Art Museum
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777:, etching, c. 1908, Montgomery Museum of Fine Arts
752:, etching, c. 1908, Montgomery Museum of Fine Arts
643:, etching, c. 1907, Montgomery Museum of Fine Arts
544:, etching, c. 1907, Montgomery Museum of Fine Arts
519:, etching, c. 1895, Montgomery Museum of Fine Arts
513:, etching, c. 1895, Montgomery Museum of Fine Arts
995:1913 Armory Show 50th Anniversary Exhibition 1963
691:), etching, c. 1908, Syracuse Museum of Fine Arts
619:etching, c. 1910, Smithsonian American Art Museum
605:etching, c. 1920, Smithsonian American Art Museum
1269:Cleveland Museum of Art. Retrieved May 26, 2014.
707:etching, c.1920, Smithsonian American Art Museum
507:, etching, 1918, Smithsonian American Art Museum
284:and contributed to the introduction of European
106:, and became a member of a circle that included
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347:, and portraitist and future director of the
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726:lithograph, c. 1933, Cleveland Museum of Art
631:lithograph, c. 1930, Cleveland Museum of Art
323:followed by the summer spent with family in
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625:etching, c. 1915, Cleveland Museum of Art
550:drypoint, c. 1928, Cleveland Museum of Art
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2054:Section of Painting and Sculpture artists
771:etching, c. 1922, Cleveland Museum of Art
667:etching, c. 1924, Cleveland Museum of Art
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554:East Tenth Street (Anne at the Window),
505:Avenue of the Allies - 5th Avenue, 1918
249:. According to Charlotte Rubinstein in
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2029:Activists from Montgomery, Alabama
1543:New Woman of the late 19th century
393:Goldthwaite's work was brought to
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2064:20th-century American printmakers
2044:National Academy of Design alumni
720:, Smithsonian American Art Museum
613:New Year's Night - Cafe Versaille
538:, Smithsonian American Art Museum
384:New York Society of Women Artists
357:Section of Painting and Sculpture
211:Charles Frederick William Mielatz
209:, where she studied etching with
401:. Her work was also part of the
316:, who became a lifelong friend.
1480:Breeskin, Adelyn Dohme (1982).
1173:Smithsonian American Art Museum
849:Ausfeld, Margaret Lynn (2011).
574:, glazed terracotta sculpture,
542:Chapelle du Val de Grâce (No.1)
471:Smithsonian American Art Museum
380:Art Students League of New York
151:Art Students League of New York
2049:20th-century American painters
713:oil on wood mounted on fiber,
695:Sarah Eakin Cowan (1873–1958),
523:Business Section of Boquehomo,
349:Montgomery Museum of Fine Arts
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1790:(Mary Chavelita Dunne Bright)
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122:and held annual exhibitions.
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1929:The Case of Rebellious Susan
831:, Metropolitan Museum of Art
765:, Metropolitan Museum of Art
647:On the Road to Fontainebleau
581:, Metropolitan Museum of Art
560:Garden Gate, Near Ascain #7,
501:, Metropolitan Museum of Art
1895:The Story of a Modern Woman
1028:Dixie Art Colony Foundation
973:The Johnson Collection, LLC
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2034:American women printmakers
1752:Elizabeth Barrett Browning
1621:Jennie Augusta Brownscombe
1267:Artists: Anne Goldthwaite.
893:www.newdealartregistry.org
689:Bookstalls Along the Seine
603:Negro Woman at a Fountain,
207:National Academy of Design
80:National Academy of Design
1596:Sophie Gengembre Anderson
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1024:"Anne Wilson Goldthwaite"
853:. In Marter, Joan (ed.).
818:, Cleveland Museum of Art
572:Head of a Negress, Rachel
229:, where she lived at the
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1967:Mrs. Warren's Profession
1666:Wilhelmina Weber Furlong
822:White Mules on a Bridge,
679:Portrait of a Young Man,
467:Portrait of a Young Man,
339:, future first lady and
280:Goldthwaite returned to
89:Portrayal of Southerners
1671:Elizabeth Shippen Green
1661:Susan Stuart Frackelton
1003:Henry Street Settlement
783:Cleveland Museum of Art
245:while sketching in the
1847:The Portrait of a Lady
1646:Alice Brown Chittenden
1626:Julia Margaret Cameron
948:American Women Artists
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481:The Church on the Hill
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294:The Church on the Hill
251:American Women Artists
192:. Her family moved to
2039:Painters from Alabama
1955:The Romance of a Shop
1706:Elizabeth Okie Paxton
1555:19th-century feminism
809:Young Woman in White,
705:Saturday in Alabama),
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635:Nude Reading (No. 1),
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1850:(serialized 1880–81)
1823:Alice Freeman Palmer
1721:Jessie Willcox Smith
1123:Search: Goldthwaite.
411:1932 Summer Olympics
290:New York Armory Show
231:American Girls' Club
184:. He was the son of
143:New York Armory Show
2024:American debutantes
1974:George Bernard Shaw
1962:George Bernard Shaw
1890:Ella Hepworth Dixon
1777:Ella Hepworth Dixon
1716:Pamela Colman Smith
1656:Emma Lampert Cooper
1560:First-wave feminism
1011:Library of Congress
1001:, sponsored by the
851:"Goldthwaite, Anne"
451:Montgomery, Alabama
341:Art Students League
325:Montgomery, Alabama
174:Montgomery, Alabama
147:Montgomery, Alabama
56:Montgomery, Alabama
1925:Henry Arthur Jones
1636:Minerva J. Chapman
1545:(born before 1880)
1169:"Anne Goldthwaite"
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750:St. Sulpice, Paris
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492:A Window at Night,
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465:Anne Goldthwaite,
345:Ellen Axson Wilson
247:Luxembourg Gardens
213:and painting with
190:George Goldthwaite
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1854:Elizabeth Barrett
1840:Isabel Archer in
1767:Annie Sophie Cory
1061:978-1-61117-955-2
769:The Jaehne House,
641:October in France
529:Cabin in Alabama,
517:Bulrushes (No. 2)
511:Bulrushes (No. 1)
373:Tuskegee, Alabama
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1832:Literature about
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1691:Elizabeth Nourse
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1591:Nina E. Allender
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623:New York Harbor,
597:Mending (No. 3),
591:Horse and Rider,
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388:Dixie Art Colony
369:Road to Muskegee
367:in 1937 and The
314:Katherine Dreier
302:Vincent Van Gogh
273:, a disciple of
155:Dixie Art Colony
149:. She taught at
131:Vincent Van Gogh
120:Académie Moderne
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333:Joseph Brummer
271:Charles Guerin
243:Gertrude Stein
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215:Walter Shirlaw
169:
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108:Gertrude Stein
91:
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86:Known for
83:
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70:New York, U.S.
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36:Self-portrait,
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1987:
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1906:Madame Bovary
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1871:The Awakening
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78:
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62:
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52:June 28, 1869
51:
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20:
1991:Ann Veronica
1989:
1977:
1965:
1953:
1943:Daisy Miller
1941:
1928:
1916:
1913:Henrik Ibsen
1904:
1893:
1883:Anna Lombard
1881:
1869:
1859:Aurora Leigh
1857:
1845:
1736:Anne Whitney
1701:Rose O'Neill
1681:Laura Knight
1631:Mary Cassatt
1616:Rosa Bonheur
1481:
1459:
1447:
1435:
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1399:
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1375:
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1172:
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808:
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774:
768:
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430:
423:equal rights
420:
392:
377:
368:
360:
353:
318:
310:Claude Monet
298:Mary Cassatt
293:
288:in the 1913
279:
250:
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171:
161:
159:
141:at the 1913
139:Claude Monet
127:Mary Cassatt
124:
95:
94:
35:
2019:1944 deaths
2014:1869 births
1986:H. G. Wells
1935:Henry James
1866:Kate Chopin
1842:Henry James
1795:Sarah Grand
1772:Ella D'Arcy
1762:Kate Chopin
870:25 November
579: 1929
499: 1933
485:Armory Show
306:Edgar Degas
255:avant-garde
180:during the
178:Confederacy
135:Edgar Degas
2008:Categories
1757:Mona Caird
1070:1022076481
1033:2020-06-02
978:2020-06-02
898:2016-03-05
889:"Registry"
836:References
793:Waterhole,
740:The Violin
659:Pool Room,
445:Later life
241:. She met
168:Early life
1815:Educators
1088:Olympedia
375:in 1939.
286:Modernism
182:Civil War
76:Education
1950:Amy Levy
1800:Amy Levy
1093:4 August
799:Ironing,
701:Saturday
566:Grazing,
417:Activism
399:New York
321:New York
188:senator
1979:Candida
1939:novella
1745:Writers
1574:Artists
1500:8409707
1474:Sources
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483:, 1913
409:at the
405:in the
282:America
275:CĂ©zanne
235:Fauvism
198:Alabama
186:Alabama
100:Fauvism
1994:(1909)
1982:(1898)
1970:(1893)
1958:(1888)
1931:(1894)
1921:(1879)
1909:(1856)
1886:(1901)
1874:(1899)
1862:(1856)
1498:
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1178:21 May
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926:AskArt
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469:1913,
343:pupil
239:Cubism
221:Career
137:, and
114:, and
104:Cubism
58:, U.S.
457:Works
267:Paris
227:Paris
1496:OCLC
1486:ISBN
1180:2021
1095:2020
1066:OCLC
1056:ISBN
872:2014
859:ISBN
425:and
329:Lucy
261:and
237:and
102:and
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