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Anne Goldthwaite

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42: 473: 488: 264:, Goldthwaite explained that Stein "looked something like an immense dark brown egg. She wore, wrapped tight around her, a brown kimono-like garment and a large flat black hat, and stood on feet covered with wide sandals." Stein invited Goldthwaite to visit her home, yet she hesitated due to Stein's "shabby" appearance. But Goldthwaite soon realized Stein's presence in the art world when encountering the extensive contemporary painting collection hung on the walls of her apartment. Meeting one of the most influential pre-war 681: 451:
In a 1934 radio interview, Goldthwaite offered her perspective on the work of women artists, observing: “the best praise that women have been able to command until now is to have it said that she paints like a man. But that women have a valid place as women artists is both obvious and logical. . . .
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to be cared for by various family members. Her aunt presented her to society as a promising young debutante who was destined to become a southern belle. This changed after her fiancé was killed in a duel. While visiting Goldthwaite in Alabama, her uncle Henry Goldthwaite was impressed by her drawing
109:(June 28, 1869 – January 29, 1944) was an American painter and printmaker and an advocate of women's rights and equal rights. Goldthwaite studied art in New York City. She then moved to Paris where she studied modern art, including 280:, Goldthwaite drifted to different studios in an attempt to find the right teacher. After much difficulty, she joined a small group of young artists who worked at 86 Notre Dame des Champs. Their work was periodically critiqued by 365:
Goldthwaite later became known as one of the South's most important regional artists for her scenes of post-slave rural African American life. She documented the lifestyle with oil paintings, watercolors, and etchings. The
408:, who focused on showing the work of American Modernists. Anne was given several one-woman shows in her Downtown Gallery in New York. From 1922 until 1944, she taught and took commissions from her residence in 440:. She was actively involved in woman's groups, and fought for equality in the South for ethnic minorities. Her work as an activist and artist intersected on several occasions, including the 1915 1544: 2064: 2079: 207:
and remained there for the majority of her childhood while her father looked for work. Upon the death of her parents, Goldthwaite and her two sisters returned to
2069: 276:. She later said, "Fate gave me several years in Paris at the most exciting time: during the great reconstruction from art to modern art." During her time in 417: 413: 2039: 1537: 2074: 2054: 1825: 2059: 1530: 1009: 1070: 281: 487: 2044: 217: 1500: 873: 394: 367: 221: 241: 188: 932: 481: 390: 351: 161: 2049: 359: 460:
On January 29, 1944, Anne Goldthwaite died in New York after a long illness. Her funeral service and burial took place in
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She became known in the South for her scenes of post-slave rural African American life. She was an organizer for the 1915
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and painting skills. To lift her spirits, he offered to support her financially for up to ten years if she relocated to
1905: 168:. Since returning from Paris, she accepted commissions for works of art and exhibited her paintings in New York City. 1977: 397:, where she was appointed president in 1937–1938. During her summers in Alabama, Goldthwaite advised students at the 347: 1864: 1762: 1631: 445: 346:. Many of her subjects were fellow women artists. Katherine Dreier, a suffragist and cofounder of the organization 90: 1133: 1606: 1676: 1681: 1671: 1013: 433: 370:
awarded her two commissioned murals in Alabama for her lifelong exploration of this subject. She completed
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Exhibition of Painting and Sculpture by Women Artists for the Benefit of the Woman Suffrage Campaign
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Exhibition of Painting and Sculpture by Women Artists for the Benefit of the Woman Suffrage Campaign
1984: 1972: 1900: 1787: 1726: 1666: 1570: 1565: 1277: 1021: 461: 335: 184: 157: 130: 66: 861: 1935: 1646: 355: 338:. She began painting lovingly rendered portraits of her friends and family, including her sister 200: 192: 1575: 452:
We want to speak to . . . an audience that asks simply—is it good, not—was it done by a woman.”
187:, on June 28, 1869. Her father, Richard W. Goldthwaite, served as an artillery captain for the 1928: 1888: 1777: 1506: 1496: 1076: 1066: 869: 437: 383: 444:, which she co-organized, and the unfurling of a suffrage banner of her own design at a 1916 1911: 1736: 1701: 1696: 1661: 1651: 1601: 1591: 899: 398: 339: 324: 312: 165: 141: 330:
In 1915, she began to establish a consistent working schedule consisting of nine months in
1815: 1792: 1741: 1621: 1179: 375: 1711: 285: 1989: 1798: 1782: 1686: 1611: 1596: 343: 288:. The group called themselves the Académie Moderne and held an exhibition each spring. 253: 225: 118: 17: 2018: 1916: 1721: 1706: 1616: 1034: 1017: 409: 405: 331: 292: 273: 269: 213: 126: 122: 979: 2001: 1953: 1923: 1893: 1869: 1746: 1691: 1641: 1626: 320: 308: 149: 137: 1996: 1945: 1876: 1852: 1805: 1772: 495: 316: 300: 265: 153: 145: 136:
Back in the United States, she exhibited, along with other modern artists like
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Central to their lives : Southern women artists in the Johnson Collection
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persons of the time gave Goldthwaite an opportunity to join the art circle of
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to study art. Goldthwaite arrived in New York around 1898 and enrolled at the
156:. She set up residence in New York City and spent the summers with family in 1553: 1094: 393:. She was also an active member of several artist organizations such as the 296: 1510: 680: 1960: 1810: 1061:
Blackman, Lynne; Johnson Collection (Spartanburg, S.C.) (20 June 2018).
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Collection online. Metropolitan Museum of Art. Retrieved May 26, 2014.
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for 23 years and during the summers, she was an instructor at the
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and explored her interest in the early modern painting styles of
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Anne Goldthwaite : a catalogue raisonnĂ© of the graphic work
1065:. Columbia, South Carolina: University of South Carolina Press. 129:. She was a member of a group of artists that called themselves 1526: 579:
watercolor and black chalk on paper, Metropolitan Museum of Art
323:, and others. At the exhibition, Goldthwaite met fellow artist 307:(1910–11) at the landmark exhibition, alongside renown artists 660:, etching and drypoint, c. 1907, Syracuse Museum of Fine Arts 743:
watercolor and graphite on paper, Metropolitan Museum of Art
666:, etching, c. 1908, The Downtown Gallery, New York, New York 27:
American artist and advocate of women's rights (1869–1944)
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Goldthwaite spent 23 years as a beloved teacher at the
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lithograph, not dated, Smithsonian American Art Museum
598:, lithograph, c. 1934, Smithsonian American Art Museum 567:
etching and drypoint, c. 1928, Cleveland Museum of Art
868:. Oxford: Oxford University Press. pp. 348–350. 708:
watercolor on ivory, 1935, Metropolitan Museum of Art
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Selma (No. 1), lithograph c. 1933 by Anne Goldthwaite
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Frances Greene Nix were all sitters for Goldthwaite.
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lithograph, c. 1936, Smithsonian American Art Museum
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lithograph, c. 1934, Smithsonian American Art Museum
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oil on canvas, 1913, Smithsonian American Art Museum
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lithograph, c. 1935, Smithsonian American Art Museum
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lithograph, c. 1933, Smithsonian American Art Museum
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lithograph, c. 1936, Smithsonian American Art Museum
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lithograph, c. 1936, Smithsonian American Art Museum
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etching, not dated, Smithsonian American Art Museum
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Retrieved May 26, 2014. 718:etching, c.1920, Smithsonian American Art Museum 518:, etching, 1918, Smithsonian American Art Museum 295:and contributed to the introduction of European 117:, and became a member of a circle that included 1538: 358:, and portraitist and future director of the 8: 737:lithograph, c. 1933, Cleveland Museum of Art 642:lithograph, c. 1930, Cleveland Museum of Art 334:followed by the summer spent with family in 1545: 1531: 1523: 636:etching, c. 1915, Cleveland Museum of Art 561:drypoint, c. 1928, Cleveland Museum of Art 40: 29: 2065:Section of Painting and Sculpture artists 782:etching, c. 1922, Cleveland Museum of Art 678:etching, c. 1924, Cleveland Museum of Art 1474: 1462: 1450: 1438: 1426: 1414: 1402: 1390: 1378: 1366: 1354: 1342: 1330: 1313: 1301: 1289: 1243: 1218: 1203: 1174: 1172: 1170: 1168: 1166: 1164: 1162: 1001: 999: 573:oil on canvas, 1912, Metropolitan Museum 175:and created works of art for the event. 2080:Olympic competitors in art competitions 1273: 1271: 1160: 1158: 1156: 1154: 1152: 1150: 1148: 1146: 1144: 1142: 957:Rubinstein, Charlotte Streifer (1986). 852: 565:East Tenth Street (Anne at the Window), 516:Avenue of the Allies - 5th Avenue, 1918 260:. According to Charlotte Rubinstein in 1269: 1267: 1265: 1263: 1261: 1259: 1257: 1255: 1253: 1251: 1129: 1127: 1125: 1123: 1121: 1119: 1117: 1115: 1010:Munson-Williams-Proctor Arts Institute 894: 892: 866:The Grove encyclopedia of American art 236:In 1906, Anne Goldthwaite traveled to 1326: 1324: 1322: 1239: 1237: 1235: 1233: 1231: 1229: 1227: 1214: 1212: 1024:, Utica, 1963. Copyright not renewed. 640:Night Series: Dog Baying at the Moon, 7: 2070:20th-century American women painters 1056: 1054: 974: 972: 970: 968: 952: 950: 948: 946: 927: 925: 923: 921: 919: 432:Anne Goldthwaite was an advocate of 183:Anne Wilson Goldthwaite was born in 2040:Activists from Montgomery, Alabama 1554:New Woman of the late 19th century 404:Goldthwaite's work was brought to 25: 2075:20th-century American printmakers 2055:National Academy of Design alumni 731:, Smithsonian American Art Museum 624:New Year's Night - Cafe Versaille 549:, Smithsonian American Art Museum 395:New York Society of Women Artists 368:Section of Painting and Sculpture 222:Charles Frederick William Mielatz 220:, where she studied etching with 412:. Her work was also part of the 327:, who became a lifelong friend. 1491:Breeskin, Adelyn Dohme (1982). 1184:Smithsonian American Art Museum 860:Ausfeld, Margaret Lynn (2011). 585:, glazed terracotta sculpture, 553:Chapelle du Val de Grâce (No.1) 482:Smithsonian American Art Museum 391:Art Students League of New York 162:Art Students League of New York 2060:20th-century American painters 724:oil on wood mounted on fiber, 706:Sarah Eakin Cowan (1873–1958), 534:Business Section of Boquehomo, 360:Montgomery Museum of Fine Arts 1: 1801:(Mary Chavelita Dunne Bright) 836: 823: 770: 725: 586: 543: 506: 133:and held annual exhibitions. 49: 1940:The Case of Rebellious Susan 842:, Metropolitan Museum of Art 776:, Metropolitan Museum of Art 658:On the Road to Fontainebleau 592:, Metropolitan Museum of Art 571:Garden Gate, Near Ascain #7, 512:, Metropolitan Museum of Art 1906:The Story of a Modern Woman 1039:Dixie Art Colony Foundation 984:The Johnson Collection, LLC 2096: 2045:American women printmakers 1763:Elizabeth Barrett Browning 1632:Jennie Augusta Brownscombe 1278:Artists: Anne Goldthwaite. 904:www.newdealartregistry.org 700:Bookstalls Along the Seine 614:Negro Woman at a Fountain, 218:National Academy of Design 91:National Academy of Design 1607:Sophie Gengembre Anderson 1561: 1035:"Anne Wilson Goldthwaite" 864:. In Marter, Joan (ed.). 829:, Cleveland Museum of Art 583:Head of a Negress, Rachel 240:, where she lived at the 39: 1978:Mrs. Warren's Profession 1677:Wilhelmina Weber Furlong 833:White Mules on a Bridge, 690:Portrait of a Young Man, 478:Portrait of a Young Man, 350:, future first lady and 291:Goldthwaite returned to 100:Portrayal of Southerners 1682:Elizabeth Shippen Green 1672:Susan Stuart Frackelton 1014:Henry Street Settlement 794:Cleveland Museum of Art 256:while sketching in the 18:Anne Wilson Goldthwaite 1858:The Portrait of a Lady 1657:Alice Brown Chittenden 1637:Julia Margaret Cameron 959:American Women Artists 685: 498: 492:The Church on the Hill 484: 305:The Church on the Hill 262:American Women Artists 203:. Her family moved to 2050:Painters from Alabama 1966:The Romance of a Shop 1717:Elizabeth Okie Paxton 1566:19th-century feminism 820:Young Woman in White, 716:Saturday in Alabama), 683: 646:Nude Reading (No. 1), 490: 475: 1861:(serialized 1880–81) 1834:Alice Freeman Palmer 1732:Jessie Willcox Smith 1134:Search: Goldthwaite. 422:1932 Summer Olympics 301:New York Armory Show 242:American Girls' Club 195:. He was the son of 154:New York Armory Show 2035:American debutantes 1985:George Bernard Shaw 1973:George Bernard Shaw 1901:Ella Hepworth Dixon 1788:Ella Hepworth Dixon 1727:Pamela Colman Smith 1667:Emma Lampert Cooper 1571:First-wave feminism 1022:Library of Congress 1012:, sponsored by the 862:"Goldthwaite, Anne" 462:Montgomery, Alabama 352:Art Students League 336:Montgomery, Alabama 185:Montgomery, Alabama 158:Montgomery, Alabama 67:Montgomery, Alabama 1936:Henry Arthur Jones 1647:Minerva J. Chapman 1556:(born before 1880) 1180:"Anne Goldthwaite" 1095:"Anne Goldthwaite" 980:"Anne Goldthwaite" 933:"Anne Goldthwaite" 761:St. Sulpice, Paris 686: 503:A Window at Night, 499: 485: 476:Anne Goldthwaite, 356:Ellen Axson Wilson 258:Luxembourg Gardens 224:and painting with 201:George Goldthwaite 2012: 2011: 1957:(serialized 1878) 1865:Elizabeth Barrett 1851:Isabel Archer in 1778:Annie Sophie Cory 1072:978-1-61117-955-2 780:The Jaehne House, 652:October in France 540:Cabin in Alabama, 528:Bulrushes (No. 2) 522:Bulrushes (No. 1) 384:Tuskegee, Alabama 104: 103: 16:(Redirected from 2087: 1912:Gustave Flaubert 1843:Literature about 1802: 1737:Annie Swynnerton 1702:Elizabeth Nourse 1697:Anna Lea Merritt 1662:Elizabeth Coffin 1602:Nina E. 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She taught at 142:Vincent Van Gogh 131:AcadĂ©mie Moderne 107:Anne Goldthwaite 78:January 29, 1944 54: 53: 1906-1913 51: 44: 34:Anne Goldthwaite 30: 21: 2095: 2094: 2090: 2089: 2088: 2086: 2085: 2084: 2015: 2014: 2013: 2008: 1844: 1838: 1820: 1816:Olive Schreiner 1797: 1793:Maria Edgeworth 1751: 1742:Candace Wheeler 1622:Enella Benedict 1580: 1576:Women's history 1557: 1551: 1521: 1503: 1490: 1487: 1482: 1481: 1473: 1469: 1461: 1457: 1449: 1445: 1437: 1433: 1425: 1421: 1413: 1409: 1401: 1397: 1389: 1385: 1377: 1373: 1365: 1361: 1353: 1349: 1341: 1337: 1329: 1320: 1312: 1308: 1300: 1296: 1288: 1284: 1276: 1249: 1244:Breeskin (1982) 1242: 1225: 1217: 1210: 1202: 1198: 1188: 1186: 1178: 1177: 1140: 1132: 1113: 1103: 1101: 1093: 1092: 1088: 1073: 1060: 1059: 1052: 1043: 1041: 1033: 1032: 1028: 1004: 997: 988: 986: 978: 977: 966: 956: 955: 944: 931: 930: 917: 908: 906: 898: 897: 890: 880: 878: 876: 859: 858: 854: 849: 839: 835:oil on canvas, 826: 822:oil on canvas, 814:Young Laundress 773: 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1432: 1429:, p. 86) 1428: 1423: 1420: 1417:, p. 99) 1416: 1411: 1408: 1404: 1399: 1396: 1392: 1387: 1384: 1380: 1375: 1372: 1369:, p. 67) 1368: 1363: 1360: 1357:, p. 50) 1356: 1351: 1348: 1345:, p. 87) 1344: 1339: 1336: 1332: 1327: 1325: 1323: 1319: 1315: 1310: 1307: 1303: 1298: 1295: 1291: 1286: 1283: 1279: 1274: 1272: 1270: 1268: 1266: 1264: 1262: 1260: 1258: 1256: 1254: 1252: 1248: 1245: 1240: 1238: 1236: 1234: 1232: 1230: 1228: 1224: 1221:, p. 36) 1220: 1215: 1213: 1209: 1206:, p. 82) 1205: 1200: 1197: 1185: 1181: 1175: 1173: 1171: 1169: 1167: 1165: 1163: 1161: 1159: 1157: 1155: 1153: 1151: 1149: 1147: 1145: 1143: 1139: 1135: 1130: 1128: 1126: 1124: 1122: 1120: 1118: 1116: 1112: 1100: 1096: 1090: 1087: 1082: 1078: 1074: 1068: 1064: 1057: 1055: 1051: 1040: 1036: 1030: 1027: 1023: 1019: 1018:New York City 1015: 1011: 1008:organized by 1007: 1002: 1000: 996: 985: 981: 975: 973: 971: 969: 965: 960: 953: 951: 949: 947: 943: 938: 934: 928: 926: 924: 922: 920: 916: 905: 901: 895: 893: 889: 877: 875:9780195335798 871: 867: 863: 856: 853: 846: 834: 831: 821: 818: 815: 812:(also called 811: 808: 805: 802: 799: 796: 793: 790: 787: 784: 781: 778: 768: 765: 762: 759: 756: 752: 749:(also called 748: 745: 742: 739: 736: 733: 723: 720: 717: 714:(also called 713: 710: 707: 704: 701: 697: 694: 691: 688: 682: 677: 676:Polo (No. 1), 674: 671: 668: 665: 662: 659: 656: 653: 650: 647: 644: 641: 638: 635: 632: 629: 625: 622:(also called 621: 620:At Montmartre 618: 615: 612: 609: 606: 603: 600: 597: 594: 584: 581: 578: 575: 572: 569: 566: 563: 560: 559:Cow and Calf, 557: 554: 551: 541: 538: 535: 532: 529: 526: 523: 520: 517: 514: 504: 501: 500: 497: 493: 489: 483: 479: 474: 467: 465: 463: 455: 453: 449: 447: 443: 439: 435: 427: 425: 423: 419: 415: 411: 407: 406:Edith Halpert 402: 400: 396: 392: 387: 385: 381: 377: 373: 369: 363: 361: 357: 353: 349: 345: 341: 337: 333: 328: 326: 322: 318: 314: 310: 306: 303:. She showed 302: 298: 294: 289: 287: 283: 279: 275: 274:Pablo Picasso 271: 270:Henri Matisse 267: 263: 259: 255: 251: 247: 243: 239: 231: 229: 227: 223: 219: 215: 214:New York City 210: 206: 205:Dallas, Texas 202: 198: 194: 190: 186: 178: 176: 174: 169: 167: 163: 159: 155: 151: 147: 143: 139: 134: 132: 128: 127:Pablo Picasso 124: 123:Henri Matisse 120: 116: 112: 108: 99: 95: 92: 89: 85: 77: 73: 68: 63:June 28, 1869 62: 58: 48: 43: 38: 31: 19: 2002:Ann Veronica 2000: 1988: 1976: 1964: 1954:Daisy Miller 1952: 1939: 1927: 1924:Henrik Ibsen 1915: 1904: 1894:Anna Lombard 1892: 1880: 1870:Aurora Leigh 1868: 1856: 1747:Anne Whitney 1712:Rose O'Neill 1692:Laura Knight 1642:Mary Cassatt 1627:Rosa Bonheur 1492: 1470: 1458: 1446: 1434: 1422: 1410: 1398: 1386: 1374: 1362: 1350: 1338: 1309: 1297: 1285: 1199: 1187:. Retrieved 1183: 1102:. Retrieved 1098: 1089: 1062: 1042:. Retrieved 1038: 1029: 1005: 987:. Retrieved 983: 958: 936: 907:. Retrieved 903: 879:. Retrieved 865: 855: 832: 827: 1930s 819: 813: 809: 803: 797: 791: 786:The Pantheon 785: 779: 766: 760: 754: 750: 746: 740: 734: 721: 715: 711: 705: 699: 696:Quai Votaire 695: 689: 675: 669: 663: 657: 651: 645: 639: 633: 627: 623: 619: 613: 607: 601: 596:Her Daughter 595: 582: 576: 570: 564: 558: 552: 539: 533: 527: 521: 515: 502: 491: 477: 459: 450: 441: 434:equal rights 431: 403: 388: 379: 371: 364: 329: 321:Claude Monet 309:Mary Cassatt 304: 299:in the 1913 290: 261: 235: 182: 172: 170: 152:at the 1913 150:Claude Monet 138:Mary Cassatt 135: 106: 105: 46: 2030:1944 deaths 2025:1869 births 1997:H. G. Wells 1946:Henry James 1877:Kate Chopin 1853:Henry James 1806:Sarah Grand 1783:Ella D'Arcy 1773:Kate Chopin 881:25 November 590: 1929 510: 1933 496:Armory Show 317:Edgar Degas 266:avant-garde 191:during the 189:Confederacy 146:Edgar Degas 2019:Categories 1768:Mona Caird 1081:1022076481 1044:2020-06-02 989:2020-06-02 909:2016-03-05 900:"Registry" 847:References 804:Waterhole, 751:The Violin 670:Pool Room, 456:Later life 252:. She met 179:Early life 1826:Educators 1099:Olympedia 386:in 1939. 297:Modernism 193:Civil War 87:Education 1961:Amy Levy 1811:Amy Levy 1104:4 August 810:Ironing, 712:Saturday 577:Grazing, 428:Activism 410:New York 332:New York 199:senator 1990:Candida 1950:novella 1756:Writers 1585:Artists 1511:8409707 1485:Sources 792:Tulips, 494:, 1913 420:at the 416:in the 293:America 286:CĂ©zanne 246:Fauvism 209:Alabama 197:Alabama 111:Fauvism 2005:(1909) 1993:(1898) 1981:(1893) 1969:(1888) 1942:(1894) 1932:(1879) 1920:(1856) 1897:(1901) 1885:(1899) 1873:(1856) 1509:  1499:  1189:21 May 1079:  1069:  937:AskArt 872:  480:1913, 354:pupil 250:Cubism 232:Career 148:, and 125:, and 115:Cubism 69:, U.S. 468:Works 278:Paris 238:Paris 1507:OCLC 1497:ISBN 1191:2021 1106:2020 1077:OCLC 1067:ISBN 883:2014 870:ISBN 436:and 340:Lucy 272:and 248:and 113:and 75:Died 60:Born 1987:'s 1975:'s 1963:'s 1938:'s 1926:'s 1914:'s 1903:'s 1879:'s 1867:'s 1855:'s 382:in 374:in 2021:: 1999:' 1948:' 1891:' 1505:. 1321:^ 1250:^ 1226:^ 1211:^ 1182:. 1141:^ 1114:^ 1097:. 1075:. 1053:^ 1037:. 1020:, 1016:, 998:^ 982:. 967:^ 945:^ 935:. 918:^ 902:. 891:^ 837:c. 824:c. 771:c. 726:c. 587:c. 544:c. 507:c. 464:. 424:. 401:. 319:, 315:, 311:, 228:. 144:, 140:, 121:, 50:c. 1546:e 1539:t 1532:v 1513:. 1193:. 1108:. 1083:. 1047:. 992:. 939:. 912:. 885:. 755:, 753:) 628:, 626:) 20:)

Index

Anne Wilson Goldthwaite

Montgomery, Alabama
National Academy of Design
Fauvism
Cubism
Gertrude Stein
Henri Matisse
Pablo Picasso
Académie Moderne
Mary Cassatt
Vincent Van Gogh
Edgar Degas
Claude Monet
New York Armory Show
Montgomery, Alabama
Art Students League of New York
Dixie Art Colony
Montgomery, Alabama
Confederacy
Civil War
Alabama
George Goldthwaite
Dallas, Texas
Alabama
New York City
National Academy of Design
Charles Frederick William Mielatz
Walter Shirlaw
Paris

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