953:"I don't think they make them like Annie any more... She had a belief in the creativity of ordinary people and never compromised on a parallel belief in excellence. She promoted women's work and diversity when it wasn't fashionable. She threw together volatile groups of creative people and often produced magic and sometimes, it has to be said, chaos. If you were an actor in her rehearsal room, every day was like having a full house – the quality of the attention she paid you was as enormous as she was as a personality. I did smile when I heard that she died on the same day as
189:. Ida and Cecil were keen on plays and theatre and placed an emphasis on education as a means of betterment. Castledine claimed to have been well-versed with Greek and Roman mythology and literature at the age of 5. A bright student, she considered her early career prospects to be firmly established by her gender and class – in press interviews she recalled making the choice to work as a teacher, having been presented with a choice between becoming a teacher or becoming a nurse.
146:, as well as being noted for her championing of new talent in British theatre and the arts, including work with new playwrights and the training of new directors. In supporting the development of British theatre, she was often likened to
966:"ne of the most energising and dynamic talents in the business. She was always a late starter... Castledine's work... combines an English working-class and feminist toughness tempered by a lyric, European sensibility."
754:: Placement Tutor from 2004 to 2010; teacher of the 'New Writing Production Module', 'The BAC Final Production Module', 'The Brecht Course', 'The Chekhov Course', and 'Lectures on Classic Texts'. Honorary Fellow.
1337:
894:"If women playwrights are not given enough practice through production and have to snatch what experience they can... it is because their work is not the first choice of those in power in our theatre."
429:
Cambridge Arts
Theatre on 13-16 October 2004, Oedipus Tyrannus, The Cambridge Greek Play of 2004, in the original language - A tradition that goes back to 1882 (The History of Cambridge Greek Play:
1246:
944:"Annie was fearless in her programming of Derby Playhouse, encouraging innovation, work of the highest quality and encouraging audiences to take as many risks as we ask artists to."
242:
While based in York, early in her directing career, Castledine ran her own small production company – Northern Studio
Theatre. Later in her career, she frequently collaborated with
889:"When you spend so many weeks in the presence of a great playwright with a challenging voice and a political consciousness, then your quality of life goes into the stratosphere."
123:
as "one of the arts world's best-known secrets" who "shaped some of the most influential players in
British theatre" and had a "genius for doing work that is unfashionable".
473:
in 2015. Castledine had suggested the piece for adaptation to McBurney, with the gift of an inscribed book, 20 years before. It has been performed across the UK and Europe.
454:. It was reviewed in the British press: "The superb Arcola staging made the case for Bernhard, a major European dramatist, for the first time, in effect, in this country."
2041:
1681:
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216:
Much of
Castledine's theatrical work was carried out on a freelance basis and involved productions for a great number of British theatres and companies, including the
196:, London, during her own training. After working in London state schools as a teacher, and as senior lecturer in drama at Bulmershe College, Castledine attended the
874:"Our priority then and now is to extend our hands across cultural barriers to grasp our common humanity. If we ignore that, we are condemning the whole human race."
1577:
433:). Production team included Designer: Simon Brimson-Lewis, Lighting Designer: Ben Payne, Musical Director / Composer: Sinan Savaskan, Choreographer: Shona Morris.
1828:
1985:
200:
as a mature student and found herself becoming preoccupied with directing plays. This early work was spotted by
Michael Winter, the then director of York's
173:
She was the eldest child of three born to Ida
Castledine (née Armstrong) and Walter Cecil Castledine, who worked as an electrical engineer employed by the
1237:
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981:" has defined herself as an outstanding director of European classical and contemporary plays, bringing a compelling visionary power to the stage."
904:"In doing it for us, the characters allow us to also experience the scream. Hugely cathartic, hugely important. Classless, timeless, placeless."
2362:
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192:
Castledine attributed some of her early interest in theatre directing to the influence of Honor
Mathews, who had been the head of drama at
1929:
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Castledine was also a long-standing Patron of the
British Regional Theatre Young Director Scheme, serving alongside fellow Patrons
2181:
81:
1855:"Book at Bedtime: Passionate Encounters -a Selection of Stories by Stefan Zweig - BBC Radio 4 FM - 26 January 2005 - BBC Genome"
791:
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1993:
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884:"I hadn't realised regional rep was about money. I thought it was about encouraging the young and being radical."
526:
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828:, first published by Methuen Drama for Bloomsbury Publishing in 1994, edited and introduced by Annie Castledine.
307:
757:
860:
Castledine was survived by her sister, brother, five nieces and a nephew. This family includes the classicist
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430:
899:"The curse of our theatre is the linear, suburban imagination which has to be literal about time and place."
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1829:"Simon McBurney: 'Theatre only exists in the eyes and minds of the audience' – Interviews – The Stage"
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185:. Her mother worked to run the household and bring up three children, while also donating time to the
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in
Cardiff. It was noted as the first-ever production to have the title part played by a woman,
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2016:
402:. Winner of the Bass Charrington London Fringe Award for Best Ensemble and Best Director.
127:
described her as an "outstanding director of
European classical and contemporary plays".
1880:"Afternoon Play: My Sister under the Skin - BBC Radio 4 FM - 9 March 2005 - BBC Genome"
925:
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909:"Theatre is an abused art form here. And it is undervalued because it is underfunded."
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1961:"'It could have been ghastly. People might have said I was worthless without him'"
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879:"Too many theatres are driven by caution and a desire to do work that is proven."
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in a season of new plays commissioned by Laura Harvey and Alan Ayckbourn at the
314:
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1905:"Saturday Playhouse: Gaslight - BBC Radio 4 FM - 11 October 1997 - BBC Genome"
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387:, the first African play to be staged at the Royal Court in London since 1966.
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in 1995, she directed an "impressive" and "unforgettable" production of the
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https://www.cambridgegreekplay.com/the-history-of-the-cambridge-greek-play
2017:"radio plays, drama,bbc,Hymn to Love: Steve Trafford, DIVERSITY website"
2318:
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957:. If those two met at the Pearly Gates, I wouldn't fancy his chances."
518:
Directed by Castledine and produced by Catherine Bailey Productions:
573:, starring Jane Birkin and Corin Redgrave. Originally broadcast on
469:. The one-person show was first devised, directed and performed by
719:
700:
186:
933:
A giant, a mother and a force for all that's best in the theatre.
835:, edited by Gabriella Giannachi and Mary Buckhurst, published by
231:(1987–90). Prior to which she was Associate Artistic Director at
1238:"'Your actress was great. But it's the boys that I'll remember'"
914:"When you have nothing else you have words, so use those words."
2278:"The time is right for regional theatres to start taking risks"
1708:"guest: pre tiata fahodzi / femi elufowoju jr | tiata fahodzi"
976:
928:
435:
https://www.cambridgegreekplay.com/plays/2004/oedipus-tyrannus
227:
Her career also included periods as the artistic director for
1794:
Giannachi, Gabriella; Luckhurst, Mary (11 September 1999).
1657:"Catherine Bailey, DIVERSITY website – radio drama, plays"
1488:, roguesandvagabonds.wordpress.com; accessed 13 June 2016.
1153:
1151:
1149:
768:, 'Four Contemporary Directors and the Stories They Tell'.
938:
Sarah Brigham, artistic director and chief executive of
764:: creation (2009–10) of a distance learning course with
2212:"Fellows & Honorary Fellows – Rose Bruford College"
1755:
Wandor, Michelene; Castledine, Annie (1 January 1994).
2237:"About Regional Theatre Young Director Scheme – RTYDS"
649:
written by Gillian Plowman. Originally broadcast on
162:
and initially worked as a teacher. She attended the
1522:
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in 1992, edited and introduced by Annie Castledine.
354:"a revelatory, award-winning pair of 1920s plays",
329:In 1990, Annie Castledine directed a production of
87:
73:
54:
28:
21:
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1159:"News: Death of Annie Castledine at the age of 77"
593:written by Mark Wheatley. Originally broadcast on
457:Annie Castledine played a role in the creation of
2305:ed. Annie Castledine, published by Methuen, 1991.
1332:
1330:
1129:"Annie Castledine: British theatre's unsung hero"
2107:"Boniface and Me, Afternoon Drama – BBC Radio 4"
1090:
1088:
106:(26 February 1939 – 4 June 2016), was a British
848:She died in June 2016, aged 77, in hospital in
603:adapted by Mark Wheatley from a short story by
130:She was regarded as an expert on the dramas of
16:British theatre director, teacher and dramaturg
2132:"Gracey and Me, Afternoon Drama – BBC Radio 4"
1462:"And All the Children Cried, New End, London"
1122:
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714:written by Sheila Yeger, starring Kim Hicks,
8:
2040:: CS1 maint: multiple names: authors list (
1680:: CS1 maint: multiple names: authors list (
1600:
1598:
1425:
1423:
1377:"India Song – Iona McLeish – Theatre Design"
1278:
1276:
718:and Rob Pickavance. Originally broadcast on
537:and Corin Redgrave. Originally broadcast on
150:– the "mother of modern (English) theatre".
418:In 2002, she directed Meredith Oakes' play
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487:Book at Bedtime: Three stories written by
482:By Annie Castledine and Pier Productions:
166:as a mature student and turned to theatre
18:
1930:"Braddon Lady Audleys Secret BBC Radio 4"
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2276:Billington, Michael (3 September 2003).
1789:
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1284:"Greek tragedy: setting the stage today"
235:(1985–87). She also worked regularly at
158:Born in 1939, Ann Castledine grew up in
1797:On Directing: Interviews with Directors
1695:On Directing: Interviews with Directors
1498:Billington, Michael (22 January 2001).
1431:"Gillian Wright – Burnett Crowther Ltd"
1268:On Directing: Interviews with Directors
1096:On Directing: Interviews with Directors
992:
833:On Directing: Interviews with Directors
317:, Colin Ellwood and Catherine Bailey.
204:, who offered her the chance to be his
2033:
1673:
1631:"Bread In The Bone theatre – about us"
1401:Billington, Michael (7 January 2000).
1361:: CS1 maint: archived copy as title (
1354:
376:London Award for Best Director (1991).
1959:Romney, Jonathan (8 September 1999).
7:
282:, Marcello Magni, Maureen Lawrence,
2157:"BFI Screenonline: Henry IV (1995)"
2082:"Drama on 3 – The Lovers of Viorne"
1986:"This insecure creature, c'est moi"
1500:"Reviews: theatre: A Wedding Story"
738:Guildhall School of Music and Drama
1606:"Gilead, Drama on 3 – BBC Radio 3"
14:
920:Quotations about Annie Castledine
212:Theatres and theatrical companies
2368:Alumni of the University of York
1460:Gardner, Lyn (30 January 2003).
1047:Coveney, Michael (7 June 2016).
2353:British women theatre directors
1528:"The way I see it: Jane Birkin"
1310:"Complicité – Annie Castledine"
1249:from the original on 2022-05-07
1205:from the original on 2022-05-07
2015:Deacon, Alison Deacon, Nigel.
1697:, Faber & Faber, p7. 1999.
1655:Deacon, Alison Deacon, Nigel.
1226:, Faber & Faber, 1999, p7.
868:Quotations by Annie Castledine
707:Directed by Annie Castledine:
680:Produced by Annie Castledine:
506:, starring Corin Redgrave and
443:in 2010, she co-directed with
350:In 1991, she co-directed with
325:Selected productions include:
254:Repeat collaborators included
1:
2363:Schoolteachers from Yorkshire
1127:Gardner, Lyn (4 April 2001).
1075:"The power behind the scenes"
1073:Gardner, Lyn (4 April 2001).
581:Hymn to Love – Homage to Piaf
2182:"The Colour of Light (1997)"
931:, director & producer: "
372:. These productions won the
1049:"Annie Castledine obituary"
740:, including productions of
237:Chichester Festival Theatre
2384:
1098:, Faber & Faber, 1999.
742:When Nora Left Her Husband
699:. Originally broadcast on
691:, adapted and directed by
667:. Originally broadcast on
639:. Originally broadcast on
625:. Originally broadcast on
607:. Originally broadcast on
583:. Originally broadcast on
567:Oh Sorry, Were You Asleep?
559:. Originally broadcast on
510:. Originally broadcast on
492:. Originally broadcast on
392:From The Mississippi Delta
2348:English theatre directors
2301:From the Introduction of
1817:– via Google Books.
1778:– via Google Books.
1270:, p. 7, Faber & Faber
964:, critic and journalist:
826:Plays by Women, Volume 10
379:In 1992–93, she directed
218:Royal Shakespeare Company
1729:Archives, The National.
1163:britishtheatreguide.info
812:Plays by Women, Volume 9
774:, Cambridge Greek plays.
758:University of Manchester
1735:nationalarchives.gov.uk
1731:"The Discovery Service"
1403:"An uneasy affirmation"
772:University of Cambridge
396:Endesha Ida Mae Holland
362:Purgatory in Ingolstadt
1800:. Palgrave Macmillan.
676:Television productions
424:Stephen Joseph Theatre
407:Royal National Theatre
390:In 1993, she directed
357:Pioneers in Ingolstadt
222:Royal National Theatre
104:Ann "Annie" Castledine
2358:People from Sheffield
820:Bloomsbury Publishing
814:, first published by
545:Lady Audley's Secret
500:Sister Under the Skin
370:Gate Theatre (London)
272:Josette Bushell-Mingo
183:Kiveton Park Colliery
2303:Plays by Women: Nine
1712:www.tiatafahodzi.com
1578:"Sign Up – LinkedIn"
762:Rose Bruford College
752:Rose Bruford College
615:The Lovers of Viorne
601:One Small Good Thing
461:, based on the book
47:Sheffield, Yorkshire
2161:screenonline.org.uk
1996:on 26 February 2016
1635:bredinthebone.co.uk
1381:cargocollective.com
712:The Colour of Light
703:on 28 October 1995.
689:William Shakespeare
321:Theatre productions
175:National Coal Board
136:William Shakespeare
2192:on August 18, 2016
1934:sensationpress.com
1835:. 19 February 2016
1553:"Complicité – Foe"
800:Michael Billington
665:Marilynne Robinson
663:from the novel by
381:Marching for Fausa
366:Marieluise Fleißer
198:University of York
194:Goldsmiths College
164:University of York
78:University of York
66:Eastbourne, Sussex
2021:suttonelms.org.uk
1661:suttonelms.org.uk
1290:. 1 February 2008
1201:. 15 March 1995.
1199:independent.co.uk
837:Faber & Faber
733:Bulmershe College
671:in November 2010.
643:in December 2007.
478:Radio productions
208:trainee in 1979.
101:
100:
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2252:"Plays By Women"
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1245:. 15 July 1997.
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746:Elfriede Jelinek
722:on 24 July 1997.
653:in October 2010.
629:in October 2004.
619:Marguerite Duras
531:Juliet Stevenson
527:Patrick Hamilton
496:in January 2005.
439:In 2010, at the
400:Cochrane Theatre
292:Beatrix Campbell
108:theatre director
61:
43:26 February 1939
42:
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23:Annie Castledine
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1338:"Archived copy"
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940:Derby Playhouse
922:
870:
858:
846:
831:Interviewed in
808:
729:
678:
637:Gillian Plowman
633:Boniface and Me
557:Francesca Annis
480:
448:Thomas Bernhard
341:Sherman Theatre
323:
252:
229:Derby Playhouse
214:
156:
148:Joan Littlewood
96:
92:
74:Alma mater
69:
63:
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284:Gillian Wright
280:Kathryn Hunter
264:Simon McBurney
256:Stephen Daldry
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971:Peter Brook
962:Lyn Gardner
784:Trevor Nunn
766:Polly Irvin
695:, starring
687:written by
669:BBC Radio 3
659:adapted by
651:BBC Radio 4
641:BBC Radio 4
635:written by
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617:written by
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595:BBC Radio 4
585:BBC Radio 3
575:BBC Radio 4
571:Jane Birkin
569:written by
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555:, starring
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529:, starring
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452:Heldenplatz
315:Roger Allam
311:Polly Irvin
304:Jane Birkin
125:Peter Brook
58:4 June 2016
2332:Categories
2186:bfi.org.uk
1348:2017-09-09
987:References
949:Mike Kenny
850:Eastbourne
818:Drama for
693:John Caird
661:Mike Kenny
244:Complicité
181:including
179:coal mines
154:Early life
82:Goldsmiths
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1288:cam.ac.uk
368:, at the
168:directing
160:Yorkshire
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