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number of her works that had been misattributed to Chase. At the time, her portrait of her mentor was on exhibit and ranked among the important self-portraits in which painters "capture the essence of themselves." Pisano observed that the obliteration of her signatures "in such a wanton way is the ultimate crime that could be perpetrated against an artist."
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In the 1920s, Lang's family sold her possessions and artworks. On a few of her paintings, including her portrait of Chase now at the
Metropolitan Museum, her signature was cut away or erased and replaced with fraudulent Chase signatures. In the 1970s, the art historian Ronald G. Pisano identified a
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Lang, although she was bereft after Chase's death in 1916 (she was his longtime mistress, according to her descendants), continued to paint overseas. In 1918, after a yearlong trip through Puerto Rico, Cuba and the
Dominican Republic, Lang returned to New York with plans to volunteer at battlefield
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Annie Lang was born in
Philadelphia on September 8, 1885, the second eldest of seven children of the Philadelphia attorney James Traquair Lang (1858–1920) and Winona Barker Sewell Lang (1862–1928). Among her paternal ancestors were the stone carver James Traquair (1756–1811), who worked with the
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ranked her acquisitions of Chase's paintings as "in all probability the finest private collection of his works in this country" and described her pictures as "very direct and forceful, painted in a virile manner." She worked alongside Chase at his summer schools in
Florence (1910, 1911), Bruges
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89:. Around 1911, she moved to Manhattan. She traveled widely during the summers, painting views of North Carolina, Venice, Florence, Bruges and Carmel, California. She posed for portraits by Chase (one belongs to the
567:
36:, known for experimental impasto brushstrokes and jewel-tone abstracted forms. She exhibited portraits, still lifes and landscapes at two dozen venues in Europe and the U.S., and institutions including the
125:(1904, 1907), Philadelphia Water Color Club (1907), American Art Society (1907), T Square Club (1908), and Pennsylvania Academy of the Fine Arts (1911, 1912). Her other Pennsylvania venues included the
93:), and she painted him (one of her portraits of Chase hangs at the Metropolitan Museum). Among her other sitters were the arts educator J. Liberty Tadd, the artist Helen Thurlow, the actress
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298:, 1928-63-4) from Chase, but a few months after his death, his widow Alice reclaimed the painting and Lang later acquired it. Alice Chase replaced it at the Met with her husband's
65:; Thomas Traquair (1790–1824), a lieutenant in the War of 1812; and the engraver George Shortread Lang (1799–1877). Annie Lang studied at the Public Industrial Art School, the
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included her portrait of Chase in a traveling show (1913–1914). Overseas she exhibited at the Roman Art
Exposition (1911) and the Anglo-American Exposition in London (1914).
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157:(1915), she received a silver medal for her portraits of women in kimono and Venice views. Among her other U.S. venues were the
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in
Pittsburgh (1911, 1913, 1914) and the State Normal School in West Chester, Pa. (1915). In New York, she showed at the
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255:, AU 5464). The Huntington also owns a few of Lang's letters (AU 3451 and 3452), as does the Smithsonian's
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259:(Carnegie Institute, Museum of Art records, correspondence, Box 73, folder 73.46, and Macbeth Gallery
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canteens in France. While preparing for the trip, she developed fatal bronchopneumonia (caused by the
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In 1910, Chase predicted that her "remarkable ability" boded well for the future of
American art.
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Works by Chase that Lang collected include his portrait of the artist Baron Hugo von
Habermann (
77:, where she won scholarships for travel in Europe. Her teachers, in addition to Chase, included
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One
Hundred Years: A Centennial Celebration of the National Association of Women Artists
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praised her ability to execute "evanescent gradations of color with such authority."
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At age 18, Annie Lang began displaying her artworks at
Philadelphia venues including
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304:(13.90), a portrait of herself sewing clothes for one of the couple's 13 children.
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323:(c. 1912)--have been featured in a Pennsylvania Academy of the Fine Arts show,
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galleries (1917). Knoedler also showed her collection of Chase's works. At the
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48:. She also earned praise for her collection of paintings by her mentor,
243:, 1977.183.1), the Pennsylvania Academy of the Fine Arts (portrait of
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acquired her works. She was acclaimed in publications including the
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Institutions that own her paintings include Lancasterhistory.org (
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Women in Motion: 150 Years of Women's Artistic Networks at PAFA
169:(1913) and Art Association of Richmond, Indiana (1913). The
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Huntington Library, Art Collection, and Botanical Gardens
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and the painter and poet Countess Gabriella Fabbricotti.
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Deaths from the Spanish flu pandemic in New York (state)
492:. Roslyn Harbor, N.Y.: Nassau County Museum of Fine Art.
32:(September 8, 1885 – November 8, 1918) was an American
188:(1912), Venice (1913), and Carmel, California (1914).
345:"Society of Independents Exhibit Their Paintings"
292:Portrait of a Lady in Black (Annie Traquair Lang)
25:Portrait of Lang (1911) by William Merritt Chase
317:From Mr. Chase's Studio Window, Bruges, Belgium
563:Philadelphia School of Design for Women alumni
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307:Five of Lang's paintings—the Tadd portrait;
239:, D62.x15), the Metropolitan Museum of Art (
231:, portrait of Helen Thurlow, 1951.013), the
165:(1912–1913), Muncie Art Association (1913),
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578:Deaths from pneumonia in New York (state)
290:, 71.847). In 1913, the Met had acquired
351:. Vol. 8 April 1917. April 8, 1917.
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155:Panama-Pacific International Exposition
67:Philadelphia School of Design for Women
444:. 15 December 1912. December 15, 1912.
408:. 16 November 1918. November 16, 1918.
274:(Grand Rapids Art Museum, 1935.1.4),
75:Pennsylvania Academy of the Fine Arts
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558:20th-century American women painters
426:. 6 November 1910. November 6, 1910.
284:Still Life (Fish from the Adriatic)
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387:. 14 April 1917. April 14, 1917.
327:(July 8, 2021 – July 24, 2022).
543:American Impressionist painters
553:20th-century American painters
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573:Deaths from bronchopneumonia
420:"Well Known Portrait Artist"
135:American Water Color Society
503:Kahn, Eve (November 2017).
268:Nelson-Atkins Museum of Art
263:, reel 2606, microfilmed).
171:American Federation of Arts
121:flagship store (1903), the
109:), and died on November 8.
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548:Painters from Philadelphia
488:Pisano, Ronald G. (1988).
473:"The Face in the Mirror".
296:Philadelphia Museum of Art
221:Surviving works and papers
212:Posthumous misattributions
206:Metropolitan Museum of Art
143:National Academy of Design
91:Philadelphia Museum of Art
38:Metropolitan Museum of Art
381:"'Mr. Lang' Wears Skirts"
131:New York Water Color Club
505:"A Portrait Takes Shape"
460:The International Studio
438:"Art at Home and Abroad"
367:The International Studio
257:Archives of American Art
237:Conversation in the Park
185:The International Studio
159:Art Institute of Chicago
123:Art Club of Philadelphia
46:The International Studio
280:National Gallery of Art
163:Corcoran Gallery of Art
288:Chrysler Museum of Art
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127:Carnegie International
63:Benjamin Henry Latrobe
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509:The Magazine Antiques
402:"Annie Traquair Lang"
363:"Annie Traquair Lang"
202:William Merritt Chase
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50:William Merritt Chase
34:Impressionist painter
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369:. 1 June 1917. 1917.
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167:St. Louis Art Museum
161:(1912, 1913, 1916),
139:Architectural League
462:. 1 May 1917. 1917.
272:Lady in Opera Cloak
247:, 1944.22) and the
233:Tweed Museum of Art
79:Elliot Daingerfield
30:Annie Traquair Lang
456:"In the Galleries"
301:For the Little One
253:Mary Hunter Austin
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147:National Arts Club
99:Mary Hunter Austin
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406:American Art News
385:American Art News
241:portrait of Chase
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16:American painter
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309:Tea Time Abroad
245:J. Liberty Tadd
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113:Achievements
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538:1918 deaths
533:1885 births
515:(6): 84–91.
311:(c. 1912);
235:in Duluth (
204:, c. 1910,
149:(1917) and
119:Wanamaker's
107:Spanish flu
95:Maude Adams
527:Categories
331:References
73:, and the
61:architect
56:Biography
475:Newsweek
315:(1913);
151:Knoedler
141:(1908),
137:(1907),
133:(1904),
513:CLXXXIV
261:records
192:Legacy
85:and
44:and
178:The
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393:^
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