Knowledge (XXG)

Annie Traquair Lang

Source 📝

22: 197: 217:
number of her works that had been misattributed to Chase. At the time, her portrait of her mentor was on exhibit and ranked among the important self-portraits in which painters "capture the essence of themselves." Pisano observed that the obliteration of her signatures "in such a wanton way is the ultimate crime that could be perpetrated against an artist."
216:
In the 1920s, Lang's family sold her possessions and artworks. On a few of her paintings, including her portrait of Chase now at the Metropolitan Museum, her signature was cut away or erased and replaced with fraudulent Chase signatures. In the 1970s, the art historian Ronald G. Pisano identified a
104:
Lang, although she was bereft after Chase's death in 1916 (she was his longtime mistress, according to her descendants), continued to paint overseas. In 1918, after a yearlong trip through Puerto Rico, Cuba and the Dominican Republic, Lang returned to New York with plans to volunteer at battlefield
60:
Annie Lang was born in Philadelphia on September 8, 1885, the second eldest of seven children of the Philadelphia attorney James Traquair Lang (1858–1920) and Winona Barker Sewell Lang (1862–1928). Among her paternal ancestors were the stone carver James Traquair (1756–1811), who worked with the
187:
ranked her acquisitions of Chase's paintings as "in all probability the finest private collection of his works in this country" and described her pictures as "very direct and forceful, painted in a virile manner." She worked alongside Chase at his summer schools in Florence (1910, 1911), Bruges
287: 89:. Around 1911, she moved to Manhattan. She traveled widely during the summers, painting views of North Carolina, Venice, Florence, Bruges and Carmel, California. She posed for portraits by Chase (one belongs to the 567: 36:, known for experimental impasto brushstrokes and jewel-tone abstracted forms. She exhibited portraits, still lifes and landscapes at two dozen venues in Europe and the U.S., and institutions including the 125:(1904, 1907), Philadelphia Water Color Club (1907), American Art Society (1907), T Square Club (1908), and Pennsylvania Academy of the Fine Arts (1911, 1912). Her other Pennsylvania venues included the 93:), and she painted him (one of her portraits of Chase hangs at the Metropolitan Museum). Among her other sitters were the arts educator J. Liberty Tadd, the artist Helen Thurlow, the actress 562: 298:, 1928-63-4) from Chase, but a few months after his death, his widow Alice reclaimed the painting and Lang later acquired it. Alice Chase replaced it at the Met with her husband's 65:; Thomas Traquair (1790–1824), a lieutenant in the War of 1812; and the engraver George Shortread Lang (1799–1877). Annie Lang studied at the Public Industrial Art School, the 173:
included her portrait of Chase in a traveling show (1913–1914). Overseas she exhibited at the Roman Art Exposition (1911) and the Anglo-American Exposition in London (1914).
577: 21: 557: 455: 154: 362: 542: 344: 300: 552: 66: 572: 74: 70: 437: 547: 142: 52:, with whom she traveled in Europe and California. She was considered the Chase pupil "who best assimilated his technique and verve." 138: 157:(1915), she received a silver medal for her portraits of women in kimono and Venice views. Among her other U.S. venues were the 227: 129:
in Pittsburgh (1911, 1913, 1914) and the State Normal School in West Chester, Pa. (1915). In New York, she showed at the
170: 134: 205: 90: 37: 256: 158: 130: 122: 252: 279: 162: 255:, AU 5464). The Huntington also owns a few of Lang's letters (AU 3451 and 3452), as does the Smithsonian's 166: 126: 86: 62: 201: 49: 259:(Carnegie Institute, Museum of Art records, correspondence, Box 73, folder 73.46, and Macbeth Gallery 196: 105:
canteens in France. While preparing for the trip, she developed fatal bronchopneumonia (caused by the
537: 532: 267: 78: 504: 232: 260: 176:
In 1910, Chase predicted that her "remarkable ability" boded well for the future of American art.
248: 146: 98: 266:
Works by Chase that Lang collected include his portrait of the artist Baron Hugo von Habermann (
77:, where she won scholarships for travel in Europe. Her teachers, in addition to Chase, included 401: 380: 295: 106: 490:
One Hundred Years: A Centennial Celebration of the National Association of Women Artists
240: 118: 526: 183:
praised her ability to execute "evanescent gradations of color with such authority."
117:
At age 18, Annie Lang began displaying her artworks at Philadelphia venues including
82: 33: 304:(13.90), a portrait of herself sewing clothes for one of the couple's 13 children. 244: 419: 94: 323:(c. 1912)--have been featured in a Pennsylvania Academy of the Fine Arts show, 153:
galleries (1917). Knoedler also showed her collection of Chase's works. At the
150: 48:. She also earned praise for her collection of paintings by her mentor, 243:, 1977.183.1), the Pennsylvania Academy of the Fine Arts (portrait of 40:
acquired her works. She was acclaimed in publications including the
225:
Institutions that own her paintings include Lancasterhistory.org (
195: 20: 325:
Women in Motion: 150 Years of Women's Artistic Networks at PAFA
169:(1913) and Art Association of Richmond, Indiana (1913). The 69:, Chase's summer art school on Long Island in Southampton's 249:
Huntington Library, Art Collection, and Botanical Gardens
101:
and the painter and poet Countess Gabriella Fabbricotti.
568:
Deaths from the Spanish flu pandemic in New York (state)
492:. Roslyn Harbor, N.Y.: Nassau County Museum of Fine Art. 32:(September 8, 1885 – November 8, 1918) was an American 188:(1912), Venice (1913), and Carmel, California (1914). 345:"Society of Independents Exhibit Their Paintings" 292:Portrait of a Lady in Black (Annie Traquair Lang) 25:Portrait of Lang (1911) by William Merritt Chase 317:From Mr. Chase's Studio Window, Bruges, Belgium 563:Philadelphia School of Design for Women alumni 8: 307:Five of Lang's paintings—the Tadd portrait; 239:, D62.x15), the Metropolitan Museum of Art ( 231:, portrait of Helen Thurlow, 1951.013), the 165:(1912–1913), Muncie Art Association (1913), 396: 394: 578:Deaths from pneumonia in New York (state) 290:, 71.847). In 1913, the Met had acquired 351:. Vol. 8 April 1917. April 8, 1917. 336: 155:Panama-Pacific International Exposition 67:Philadelphia School of Design for Women 444:. 15 December 1912. December 15, 1912. 408:. 16 November 1918. November 16, 1918. 274:(Grand Rapids Art Museum, 1935.1.4), 75:Pennsylvania Academy of the Fine Arts 7: 558:20th-century American women painters 426:. 6 November 1910. November 6, 1910. 284:Still Life (Fish from the Adriatic) 14: 387:. 14 April 1917. April 14, 1917. 327:(July 8, 2021 – July 24, 2022). 543:American Impressionist painters 553:20th-century American painters 1: 573:Deaths from bronchopneumonia 420:"Well Known Portrait Artist" 135:American Water Color Society 503:Kahn, Eve (November 2017). 268:Nelson-Atkins Museum of Art 263:, reel 2606, microfilmed). 171:American Federation of Arts 121:flagship store (1903), the 109:), and died on November 8. 594: 548:Painters from Philadelphia 488:Pisano, Ronald G. (1988). 473:"The Face in the Mirror". 296:Philadelphia Museum of Art 221:Surviving works and papers 212:Posthumous misattributions 206:Metropolitan Museum of Art 143:National Academy of Design 91:Philadelphia Museum of Art 38:Metropolitan Museum of Art 381:"'Mr. Lang' Wears Skirts" 131:New York Water Color Club 505:"A Portrait Takes Shape" 460:The International Studio 438:"Art at Home and Abroad" 367:The International Studio 257:Archives of American Art 237:Conversation in the Park 185:The International Studio 159:Art Institute of Chicago 123:Art Club of Philadelphia 46:The International Studio 280:National Gallery of Art 163:Corcoran Gallery of Art 288:Chrysler Museum of Art 208: 127:Carnegie International 63:Benjamin Henry Latrobe 26: 509:The Magazine Antiques 402:"Annie Traquair Lang" 363:"Annie Traquair Lang" 202:William Merritt Chase 199: 50:William Merritt Chase 34:Impressionist painter 24: 369:. 1 June 1917. 1917. 282:, 2014.136.15), and 167:St. Louis Art Museum 161:(1912, 1913, 1916), 139:Architectural League 462:. 1 May 1917. 1917. 272:Lady in Opera Cloak 247:, 1944.22) and the 233:Tweed Museum of Art 79:Elliot Daingerfield 30:Annie Traquair Lang 456:"In the Galleries" 301:For the Little One 253:Mary Hunter Austin 209: 147:National Arts Club 99:Mary Hunter Austin 27: 406:American Art News 385:American Art News 241:portrait of Chase 585: 517: 516: 500: 494: 493: 485: 479: 478: 477:. 18 March 1974. 470: 464: 463: 452: 446: 445: 434: 428: 427: 416: 410: 409: 398: 389: 388: 377: 371: 370: 359: 353: 352: 341: 321:Isabella Lothrop 71:Shinnecock Hills 16:American painter 593: 592: 588: 587: 586: 584: 583: 582: 523: 522: 521: 520: 502: 501: 497: 487: 486: 482: 472: 471: 467: 454: 453: 449: 436: 435: 431: 418: 417: 413: 400: 399: 392: 379: 378: 374: 361: 360: 356: 343: 342: 338: 333: 319:(c. 1912); and 313:A Bit of Venice 309:Tea Time Abroad 245:J. Liberty Tadd 223: 214: 194: 115: 58: 17: 12: 11: 5: 591: 589: 581: 580: 575: 570: 565: 560: 555: 550: 545: 540: 535: 525: 524: 519: 518: 495: 480: 465: 447: 442:New York Times 429: 424:Charlotte News 411: 390: 372: 354: 349:New York Times 335: 334: 332: 329: 228:Japanese Print 222: 219: 213: 210: 193: 190: 181:New York Times 145:(1912, 1914), 114: 111: 87:Thomas Anshutz 57: 54: 42:New York Times 15: 13: 10: 9: 6: 4: 3: 2: 590: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 554: 551: 549: 546: 544: 541: 539: 536: 534: 531: 530: 528: 514: 510: 506: 499: 496: 491: 484: 481: 476: 469: 466: 461: 457: 451: 448: 443: 439: 433: 430: 425: 421: 415: 412: 407: 403: 397: 395: 391: 386: 382: 376: 373: 368: 364: 358: 355: 350: 346: 340: 337: 330: 328: 326: 322: 318: 314: 310: 305: 303: 302: 297: 293: 289: 285: 281: 277: 276:Self-Portrait 273: 269: 264: 262: 258: 254: 251:(portrait of 250: 246: 242: 238: 234: 230: 229: 220: 218: 211: 207: 203: 198: 191: 189: 186: 182: 179: 174: 172: 168: 164: 160: 156: 152: 148: 144: 140: 136: 132: 128: 124: 120: 112: 110: 108: 102: 100: 97:, the writer 96: 92: 88: 84: 83:Cecilia Beaux 80: 76: 72: 68: 64: 55: 53: 51: 47: 43: 39: 35: 31: 23: 19: 512: 508: 498: 489: 483: 474: 468: 459: 450: 441: 432: 423: 414: 405: 384: 375: 366: 357: 348: 339: 324: 320: 316: 312: 308: 306: 299: 291: 283: 275: 271: 270:, 33–1599), 265: 236: 226: 224: 215: 200:Portrait of 184: 180: 177: 175: 116: 113:Achievements 103: 59: 45: 41: 29: 28: 18: 538:1918 deaths 533:1885 births 515:(6): 84–91. 311:(c. 1912); 235:in Duluth ( 204:, c. 1910, 149:(1917) and 119:Wanamaker's 107:Spanish flu 95:Maude Adams 527:Categories 331:References 73:, and the 61:architect 56:Biography 475:Newsweek 315:(1913); 151:Knoedler 141:(1908), 137:(1907), 133:(1904), 513:CLXXXIV 261:records 192:Legacy 85:and 44:and 178:The 529:: 511:. 507:. 458:. 440:. 422:. 404:. 393:^ 383:. 365:. 347:. 81:, 294:( 286:( 278:(

Index


Impressionist painter
Metropolitan Museum of Art
William Merritt Chase
Benjamin Henry Latrobe
Philadelphia School of Design for Women
Shinnecock Hills
Pennsylvania Academy of the Fine Arts
Elliot Daingerfield
Cecilia Beaux
Thomas Anshutz
Philadelphia Museum of Art
Maude Adams
Mary Hunter Austin
Spanish flu
Wanamaker's
Art Club of Philadelphia
Carnegie International
New York Water Color Club
American Water Color Society
Architectural League
National Academy of Design
National Arts Club
Knoedler
Panama-Pacific International Exposition
Art Institute of Chicago
Corcoran Gallery of Art
St. Louis Art Museum
American Federation of Arts

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.