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The angel is dressed sumptuously and holds his arms crossed in a sign of reverence to the Virgin. She is seated on a throne and holds in her hand her traditional attribute of a book, symbol of the scriptures that will come true. With an gesture, she seems to accept the commission entrusted to her by
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Thanks to the use of perspective, the play of the arches directs the viewer's gaze into the background of the painting toward the door. The effect, however, is more decorative than realistic and creates some uncertainty. For example, the connection of the columns to the ceiling: at their bases they
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and another fragmented
Annunciation, composed of two panels with the angel and the Virgin and broken at an unknown time. Both are stored at the National Gallery in Washington. The second work shows the angel in profile and is dated to
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167:. It remained in the church until around the beginning of the 19th century—its disappearance from the church was only mentioned in editorial comments from the 1832–1838 edition of
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seem to be in the foreground, but at their capitals they seem further back. The two protagonists don't seem to inhabit the space but simply appear juxtaposed against it.
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229:) to that of the 15th century and the Renaissance. The artwork is a delicate, ornamental scene, with precise chromatic effect. Masolino sets the scene not on a
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In 1567, the panel was transferred to another chapel, and in 1576 it was placed in the church's sacristy, when it was substituted by a more modern
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but in a furnished room. He evokes the traditional separation of panels with a central column that divides the scene in two.
148:(where Masolino worked from 1424 to 1425). The date of the painting is tied to the question of Masolino's capacity for using
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His figure is of elegant aristocracy with a mantle that creates drapery of articulate, moving lines in the
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in
Scotland. It passed on in inheritance until it was found in London in 1915 by the antiquarian
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style. The tapered fingers are typical of
Masolino: they look both ethereal and unrealistic.
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marks the passage from the
Annunciation iconography of the 14th century (exemplified by the
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200:, who in 1916 gave it to Henry Goldman of New York. On April 26, 1937, it was bought by the
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The artwork was painted for the altar of the
Guardini chapel on the left wall of the
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in
Florence. It is not known whether the work was painted before or after the
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148 cm Ă— 115 cm (58 in Ă— 45 in)
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188:. The painting was then sold and exported from Florence, perhaps by
407:"Spatial Imagery of the Annunciation in Fifteenth Century Florence"
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the Lord, while a divine light illuminates the ceiling above her.
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333:"How was the Brancacci Chapel originally seen?"
222:Annunciation with St. Margaret and St. Ansanus
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204:of Pittsburgh, which then donated it to the
202:A.W. Mellon Educational and Charitable Trust
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452:"The Annunciation by Masolino da Panicale"
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559:Paintings in the National Gallery of Art
370:The Burlington Magazine for Connoisseurs
107:is a tempera on panel painting dated to
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506:"A Masolino Partially Reconstructed"
510:Source: Notes in the History of Art
190:Francis Douglas, 8th Earl of Wemyss
331:Rowlands, Eliot W. (5 July 2015).
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271:These works by Masolino inspired
121:. It is in the collection of the
16:Painting by Masolino da Panicale
135:Chiesa di San Niccolò Oltrarno
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554:Paintings of the Annunciation
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477:"Masolino: Italian painter"
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360:Borenius, Tancred (1916).
405:Spencer, John R. (1955).
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504:Joannides, Paul (1985).
481:Encyclopedia Britannica
337:www.theartnewspaper.com
123:National Gallery of Art
89:National Gallery of Art
198:Robert Langton Douglas
212:Description and style
246:International Gothic
208:in Washington, D.C.
125:in Washington, D.C.
456:Web Gallery of Art
308:"The Annunciation"
281:now at the Prado.
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206:National Gallery
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527:25 February
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312:www.nga.gov
266: 1430
182: 1800
163:painted by
150:perspective
138: [
543:Categories
516:(4): 1–5.
317:2021-02-02
285:References
77:Dimensions
522:0737-4453
431:0004-3079
382:0951-0788
184:notes by
258:Panicale
154:Masaccio
105:Masolino
85:Location
72:on panel
40:Masolino
174:Le Vite
129:History
70:tempera
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66:Medium
36:Artist
192:, to
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529:2021
518:ISSN
488:2021
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