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A biographical dictionary, containing an historical account of all the engravers, from the earliest period of the art of engraving to the present time, and a short list of their most esteemed works. With the cyphers, monograms, and particular marks, used by each master, accurately copied from the
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originals, and properly explained. To which is prefixed an essay on the rise and progress of the art of engraving, both on copper and on wood. With several curious specimens of the performances of the most ancient artists
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Die Frauen: Culturgeschichtliche
Schilderungen des Zustandes und Einflusses der Frauen in den verschiedenen Zonen und Zeitaltern von Dr. Gustav Klemm
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Larcher was a pupil of Poilly, and based many of her engravings on artists such as
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147:"Antoinette Larcher | Judith standing with her foot on the head of Holofernes"
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177:. Wellcome Library. London : Printed by J. Davis for R. Faulder.
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Judith standing with her foot on the head of
Holofernes (1729)
64:" was finished about 1729 and is currently housed at the
132:(in German). Arnoldische Buchhandlung. p. 266.
45:Larcher signed her works as "Toinette Larcher".
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22:(born 1685, Paris -unknown) was a French
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205:18th-century French women artists
126:Klemm, Gustav Friedrich (1858).
151:The Metropolitan Museum of Art
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210:18th-century French engravers
56:Larcher's engraving titled "
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66:Metropolitan Museum of Art
170:Strutt, Joseph (1785).
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102:www.britishmuseum.org
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200:Engravers from Paris
98:"Antoinette Larcher"
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20:Antoinette Larcher
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154:. Retrieved
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195:1685 births
40:Il Garofalo
189:Categories
156:2023-07-11
107:2023-07-11
79:References
62:Holofernes
24:engraver
36:Raphael
73:Crozat
58:Judith
30:Works
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
