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431:. His large-scale works also earned him the description as the âgrand bourgeoisâ of painting, and Manet's criticism that his style was sometimes "excessive". Nonetheless this series is an astonishing achievement, both a valuable record of the city as it was just before the turn of the century and a brilliant demonstration of the ability of a painter to capture the hustle and bustle of a great city while retaining a sense of light and atmosphere that is true to nature.
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Dictionnaire universel des contemporains: contenant toutes les personnes notables de la France et des pays étrangers...: ouvrage rédigé et tenu à jour, avec le concours d'écrivains et de savants de tous les pays (SixiÚme éd. entiÚrement refondue et considérablement augmentée)/ par G.
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376:. Just as Paris was important as a venue for the artist to exhibit, it also provided subjects for his brush. Ready to produce large works, unlike many of his contemporaries who sought a more immediate effect, he painted several views of the capital, often using the
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Guillemet showed an early interest in sailing, a pursuit which was actively discouraged by his parents. He briefly studied law, but this too proved to be a false start. It was in 1859, when he received a commission from a local collector to copy
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Nos peintres et sculpteurs, graveurs, dessinateurs : portraits et biographies suivis d'une notice sur les Salons français depuis 1673, les Sociétés de Beaux-Arts, la Proriété aertistique, etc. p.199
400:, but buoyed by his initial success, he returned throughout his career to painting views of Paris, with several more works acquired by the state, encouraged by the consistent praise of his friend,
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361:. When CĂ©zanne finally exhibited at the Salon in 1882, his entry described him as âpupil of Guillemetâ. It was Guillemet, in fact, who introduced Manet to CĂ©zanne and who first took
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and remained a lifelong admirer of the artist. This meeting led to
Guillemet's studying with Corot's pupil Achille Oudinot, and it was through Oudinot, who had property at
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and Paris, vue prise de Meudon. In 1891 Guillemet painted a view up the Seine from the sight of these pictures towards the eastern end of the
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Lâensemble unique de la correspondance manuscrite, en grande partie inĂ©dite, dâAntoine
Guillemet Ă Ămile Zola, Ă©crite entre 1867 et 1901.
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Explication des ouvrages de peinture et dessins, sculpture, architecture et gravure des artistes vivans...Salon 1882
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Two years later, while still only twenty-one, Guillemet was introduced to Corot by
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Société des artistes français, catalogue illustré, Salon 1882, p.32, no.520
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298:. Like many of the young artists, Guillemet affectionately called
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723:, site Oxford Index (subscription or library membership required)
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Catalogue des collections de peinture du musée de
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Guillemet's ambitious entry was a nine-foot painting titled
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Peinture au musée de Dijon; Magnin, Jeanne 1929, p.288
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and in the same year he produced the present picture,
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shows. Guillemet continued to paint coastal scenes in
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with its bustling traffic as a central motif. At the
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600:p. 45, Guillemet no.1264
476:Landscape with Farmhouse
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365:to Manet's studio.
351:Henri Fantin-Latour
323:Antoine-Louis Barye
262:, he studied under
242:. Antoine Guillemet
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1271:Other media
1247:Max Slevogt
1222:Henry Moret
1067:Tom Roberts
946:Exhibitions
831:Edgar Degas
799:Originators
729:Gallica BnF
660:Gallica BnF
614:Gallica Bnf
602:archive.org
586:Gallica BnF
441:The Balcony
370:Paris Salon
355:Edgar Degas
349:and later,
239:The Balcony
93:Nationality
1398:Categories
1283:Literature
1104:Henri Beau
1036:Australian
548:References
402:Ămile Zola
363:Ămile Zola
282:'s famous
157:Commandeur
73:1918-05-19
47:1843-06-30
680:GUILLEMET
448:Paintings
280:GĂ©ricault
258:, in the
256:Chantilly
225:Biography
191:Chantilly
167:Signature
101:Education
55:Chantilly
1297:See also
1093:Canadian
964:American
749:Archived
736:Archived
674:Vapereau
398:Normandy
311:Daubigny
203:Dordogne
133:Movement
85:Dordogne
1353:Related
1344:The Ten
1155:artists
1095:artists
1038:artists
966:artists
920:Dealers
889:Patrons
698:Joconde
645:Sources
419:titled
407:In the
215:Realism
207:painter
137:Realism
527:Pupils
345:, and
321:, and
147:Awards
96:French
1378:Nadar
1278:Music
1153:Other
436:Manet
378:Seine
300:Corot
535:and
357:and
303:Papa
270:and
260:Oise
195:Oise
67:Died
59:Oise
41:Born
217:to
1400::
696:;
598:;
582:;
578:;
539:.
444:.
404:.
353:,
341:,
337:,
333:,
329:,
317:,
313:,
274:.
236::
221:.
139:,
782:e
775:t
768:v
654:.
201:(
193:(
87:)
83:(
75:)
71:(
61:)
57:(
49:)
45:(
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