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Art and
Interactive and/or Digital Technologies, a reference in programmed art. In 2004, he launched the sonicobject label with Adrian Johnson, a label of creative mobile phone ringtones, bringing together 16 sound artists and more than 200 ringtones, now available under a Creative Commons license. In 2020, during the lockdown, he launched the Manif.app platform (renamed weprotest.xyz in 2024) for anonymous online demonstrations on a shared map.
297:
He develops several software and collaborative platforms in the field of art and social life. In 1997, under the pseudonym
Georges Victor, he launched olalaParis, the first distribution list for announcements of artistic events in France. In 2000, he founded the portal gratin.org, Research Group in
289:
and participated as an author and as technical director of the CD-Rom "Just From Cyntha" by
Alberto Sorbelli. In 1999, he co-authored with Vincent Epplay the "infinite CD for unlimited music", the first CD-Rom of generative music. In 2019, he designed deep hormone software for the work CliMax with
242:
In 1995, Antoine
Schmitt began an artistic activity using "programming as the heart of digital aesthetics". He articulates his work around the notion of artificial being which allows him to approach the human being and the nature of reality in a new way. A pioneer of
247:, his work is internationally recognized by numerous awards, residencies, exhibitions and concerts. Using programming as an artistic material, he collaborates with many artists from other fields of art (
134:
Antoine
Schmitt taught himself programming at the age of sixteen on the family computer and was fascinated by its metaphysical and experimental aspects. He obtained his civil engineering degree from
294:
of several audiovisual shows presented around the world (Tempest, Chronostasis, Cascades, ATOTAL, Nacht, Videoscope). In 2021, he created a series of generative and semi-autonomous NFTs.
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Since 1995 he has been an independent programmer in the fields of multimedia, human-machine interactions and connected objects, and works with many specialized companies (Hyptique,
823:
Michel
Durampart; Françoise Bernard; Hervé Zénouda; Franck Renucci (11 July 2013). "Esthétique de la cause — Esthétique de la caresse, Une exposition d'Antoine Schmitt".
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He was first a programmer and project manager in the service company Act
Informatique between 1985 and 1991, and specialized in the field of
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937:(Interview). Vol. 2, no. 9. Interviewed by Ada Ackerman. K. Revue trans-européenne de philosophie et arts. pp. 114–121.
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He has been represented in Paris by the
Galerie Charlot since 2010, and in Berlin by the DAM Projects gallery since 2023.
203:. Between 1996 and 2003, he developed and distributed specialized software bricks (plugins), in particular asFFT Xtra for
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and human-machine interactions. He developed tools, carried out missions and conducted research in the fields of
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207:. Between 2001 and 2006, he was a behavioral designer for domestic robotics products for the company
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Anne
Laforet (2013). "Antoine Schmitt, still living H, I, J. & Entretien avec Antoine Schmitt".
591:"Pummeling, high definition cubes & beats flying beyond Dionysian Dread: A response to ATOTAL"
181:, distributed persistent messaging systems). He participated in the design and programming of the
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environment and created the NSNotificationQueue class, which is still an integral part of
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Mouvement : Cinétisme et modèles dynamiques dans la musique et les arts plastiques
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466:"Aesthetics of the cause - Aesthetics of the caress - An exhibition by Antoine Schmitt"
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Screengrab
International festival (Townsville, Australia, nominated , 2014)
911:"Faire mouvement, La cinétique à l'épreuve de l'œuvre d'Antoine Schmitt".
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533:"Who is Antoine Schmitt, pioneer of digital creation exhibited in Paris?"
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Groupe de Recherche en Art et Technologies Interactives et/ou Numériques
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Hortense Gauthier. Since 2011, he has been the author with the musician
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Festival International UNESCO de Video-Dance (Paris, first prize, 2002)
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In 1998, he published a Manifesto of the work of art on computer which
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Voeux de l’Internet (Issy-les-Mx, FR, E-Toile d’Or category Art, 2012)
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Les images et les sons dans les hypermédias artistiques contemporains
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positions the computer in itself as a new medium of artistic creation
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173:, specializing in human-machine interfaces for development software (
165:(1989). From 1991 to 1994, he worked as a programmer for the company
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627:"Research Group in Art and Interactive and/or Digital Technologies"
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Media Architecture Biennale 16 (Sidney, Australia, nominated, 2016)
447:
186:
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J. Sage Elwell (2020). "Antoine Schmitt, Christ Mourant (2006)".
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161:. He collaborated technically with Jacques Serrano on his work
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Bains Numériques Enghien les Bains (Enghien, nominated, 2014)
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426:"Antoine Schmitt, de l'art de la programmation informatique"
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Stuttgarder Filmwinter Festival (Stuttgard, nominated, 2014)
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Conservation de l’art numérique : théorie et pratique
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459:
457:
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Andreas Broekmann (2016). "Antoine Schmitt Vexation 1".
379:
New Technological Art Award (Bruxelles, nominated, 2012)
915:. Delatour France. 30 November 2021. pp. 329–346.
503:"Antoine Schmitt or the ubiquity of his machine beings"
966:
976:
825:
Savoirs en action: Culture et réseaux méditerranéens
932:"Du carré au pixel, Entretien avec Antoine Schmitt"
589:Assoc. Prof. Jonathan W. Marshall (24 March 2023).
361:
Festival CYNETart (Dresden, honorary mention, 2004)
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Festival Interférences (Belfort, first prize, 2000)
317:festival. In 2009, his work Nabazmob, created with
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58:
50:
39:
27:
20:
406:Stuttgart Filmwinter (Stuttgart, nominated, 2018)
388:Victor Vasarely (Aix-en-Provence, finalist, 2013)
376:Digital Turku (Turku, FI, honorary mention, 2011)
743:Fred Forest (2008). "Net.art et art génératif".
337:Festival medi@terra (Athens, first prize, 1999)
385:Share Festival (Torino, special mention, 2012)
962:Official Site of Antoine Schmitt (Programmer)
358:Festival machinista (Russie, nominated, 2003)
8:
271:, Matthew Bourne, Hortense Gauthier, etc.).
259:, Delphine Doukhan, K.Danse, Patrice Belin,
698:"Schmitt et Birgé, des lapins communicants"
660:"An app for demonstrating from your sofa!"
400:Kasseler DokFest (Kassel, nominated, 2014)
17:
957:Official Site of Antoine Schmitt (Artist)
865:. Leonardo, MIT Press. pp. 145–146.
679:"An application for demonstrating online"
424:Aude de Bourbon Parme (4 November 2018).
352:Vida 5.0 (Madrid, honorary mention, 2002)
570:Vincent Epplay, Antoine Schmitt (1999).
808:(in French). nouvelles Ă©ditions Scala.
733:"L'art programmé selon Antoine Schmitt"
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880:Aude de Bourbon-Parme (October 2018).
827:(CNRS Alpha ed.). CNRS Ă©ditions.
696:Francis Marmande (19 September 2007).
518:"Manifesto of the artwork on computer"
464:Franck Renucci, Hervé Zénouda (2013).
340:Möbius Prize (Paris, nominated, 1999)
7:
863:Machine Art in the twentieth century
791:"Antoine Schmitt, démiurge de l'art"
309:festival in 2001. In 2007, his work
305:received an honorary mention at the
806:Art contemporain et nouveaux médias
764:"Chapitre 5 : Antoine Schmitt"
677:Charlotte Rabatel (21 April 2020).
640:Marie Lechner (24 September 2004).
609:"Point de vue : Art & NFT"
501:Véronique Godé (3 November 2021).
313:received second prize at the same
285:, the first artistic CD-Rom, with
14:
572:"infinite CD for unlimited music"
117:, especially in the field of the
747:. Cercle d’art. pp. 88–90.
349:(Berlin, honorary mention 2001)
321:, received second prize at the
192:In 1997, he assisted filmmaker
882:"Pourquoi ça bouge et comment"
155:geographic information systems
109:who revolves in the fields of
1:
987:Gallery DAM Projects (Berlin)
894:Religion and the Digital Arts
177:) and communication systems (
367:(Berlin, second prize, 2007)
476:Bernard, Françoise (2013).
1028:
789:Caroline Châtelet (2011).
373:(Linz, second prize, 2009)
151:artificial neural networks
930:Schmitt, Antoine (2022).
846:. ZKM. pp. 329–346.
551:Alberto Sorbelli (1996).
54:visual artist, programmer
516:Antoine Schmitt (1998).
371:Festival Ars Electronica
982:Gallery Charlot (Paris)
977:manif.app weprotest.xyz
541:], Thierry Voisin, 2021
531:Thierry Voisin (2021).
143:artificial intelligence
762:Hervé Zénouda (2008).
713:Selective bibliography
887:. Transfuge magazine.
480:. CNRS. p. 239.
444:"NSNotificationQueue"
365:Festival transmediale
347:Festival transmediale
772:Éditions L'Harmattan
719:Jim Andrews (2003).
281:In 1995, he created
34:Strasbourg (France)
738:. Images Magazine.
553:"Just From Cyntha"
505:. ArtsHebdoMedias.
319:Jean-Jacques Birgé
257:Jean-Jacques Birgé
255:, Vincent Epplay,
77:antoineschmitt.com
872:978-0-262-03506-4
853:978-3-7091-1467-4
723:. turbulence.org.
721:"Antoine Schmitt"
664:L'Est républicain
478:Savoirs en Action
234:, Intuis, etc…).
226:, Incandescence,
119:connected objects
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323:Ars Electronica
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211:(Dal, Dal:Dal,
196:in testing his
175:Project Builder
159:computer vision
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85:Antoine Schmitt
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311:Still Living
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194:Chris Marker
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1012:1961 births
1002:Digital art
253:Atau Tanaka
169:founded by
111:digital art
104:programming
67:digital art
996:Categories
646:Libération
411:References
325:festival.
303:Vexation 1
232:Kingfisher
171:Steve Jobs
130:Programmer
89:Strasbourg
87:, born in
943:2609-2484
896:. Brill.
613:Art Press
301:His work
230:, enero,
138:in 1984.
125:Biography
40:Education
804:(2011).
731:(2006).
702:Le Monde
537:Télérama
430:Le Monde
261:Don Nino
220:Virtools
213:Nabaztag
201:Immemory
187:Mac OS X
183:OPENSTEP
107:engineer
796:. Novo.
683:Le Soir
593:. Tura.
576:discogs
95:, is a
73:Website
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850:
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812:
778:
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484:
332:Awards
265:Cubenx
238:Artist
228:violet
209:violet
198:CD-Rom
163:Cigale
157:, and
97:french
935:(PDF)
885:(PDF)
794:(PDF)
736:(PDF)
448:Apple
59:Style
939:ISSN
917:ISBN
898:ISBN
867:ISBN
848:ISBN
829:ISBN
810:ISBN
776:ISBN
749:ISBN
482:ISBN
470:CNRS
179:Mail
167:NeXT
113:and
102:and
93:1961
46:1984
31:1961
28:Born
474:in
224:BBC
215:).
91:in
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