425:
262:
282:(Karl Lanckoronski) a large man of huge charm, who had a fine collection of art at his palace in Vienna, persuaded Seilern he should collect also, and in 1931, after the death of his grandmother, when he received his share of an enormous inheritance, he was able to devote himself to the study of art history and to serious collecting. During the years 1930 to 1933 he travelled widely, particularly in Africa, in search of big-game (as the trophies that could be seen at his house at Princes Gate after the war testified) though his bags were reputedly always packed with art books. He even acquired a pilot's license in Berlin.
447:, where he rarely opened the blinds and electric light was largely eschewed as he said it distorted colours in pictures. At Princes Gate the ground floor was devoted to his enormous art library, and therefore pictures were hung mainly on the first floor, well-spaced, as in a museum. Other rooms in the house, of course, also held pictures: for example, on the second floor there was a charmingly decorated room called the card-room, which was apparently rarely shown to visitors but in which, eventually, he hung his Tiepolos, and behind this was a private study, hung with a group of
241:
199:
815:, who was a close friend of his mother and father and who had acted as an usher at their wedding in New York in February 1898, and who, along with the other ushers, had been given a gold cigarette box by 'Carlo' Seilern by way of thanks. The first portrait was in a group portrait with his two brothers which was certainly painted in London in the summer of 1906 and was exhibited at Knoedler in New York in December that year.
341:
677:, a Jewish art collector persecuted by Nazis, requested the return of eight drawing by Lovis Corinth, Pierre Auguste Renoir, Giuseppe Bernardino Bison, Giovanni Battista Crosato, Domenico Fossati and Domenico Piola that Seilern had gifted to the Courtauld in 1978. Seilern had acquired them at the Berlin auction on May 18 and May 19, 1933. The U.K.
782:
Seilern never married, was extremely reserved, and his private life is undocumented although he had many women friends, and was evidently fond of his brother
Charles's four children, his cousin Paul Methuen (whose pictures he bought occasionally, apparently never keeping them but giving them away as
773:
called 'The Return of the
Prodigal Son' and Seilern's nephews and nieces received substantial bequests of groups of art works in the collection, like the DĂĽrer engravings, Greek vases, German and Austrian paintings not in the published catalogue (that hung principally on the bedroom floor at Princes
705:
Whilst he lived he was persuaded by
Johannes Wilde, who had quickly been appointed by Anthony Blunt deputy director of The Courtauld Institute of Art, London, to leave the majority of the paintings and drawings in his collections to the Courtauld Institute Galleries, which already had bequests given
794:
After the war he also acquired Hog Lane Farm close to
Chesham, Buckinghamshire, where he bred pigs (Courtauld Institute students of the 1950s sometimes alleged to have seen him outside 20 Portman Square in a sports car with a pet pig beside him) and grew orchids and fruit which he enjoyed giving to
368:
from his house in Vienna), Seilern decided in 1939 to return to
England, bringing with him his already large art collection and his library. Based in England now he was able to provide finance to support to another art historian fleeing from Nazi-occupied Austria, Ludwig MĂĽnz, as well as helping
802:
He was a large man with quite a booming voice, and according to James Byam Shaw possessed something of a dual character, being business-like and intellectual with his male friends, but with women of all ages had all the charm and manners of an aristocrat from the former Austro-Hungarian Empire.
827:
in
Washington DC). Both are unlocated. A head and shoulders of Antoine peeping out from behind a red curtain and dated 1909 was in his possession at Princes Gate at his death in 1978 and is now in a private collection in Austria; what appears to be a reduced version of the full-length portrait
458:
The war over, he resumed collecting works of art, buying them privately for the most part rather than at auctions, never from a photograph, and never when pressed by a dealer, pictures left 'on approval' frequently being returned. He devoted time to studying them in depth and cataloguing them
463:(he lent his Michelangelo drawings to the 1975 exhibition there – which he would otherwise not have done except that it was being held in honour of his friend Johannes Wilde), and in 1945 he gave the National Gallery anonymously a very fine full-length portrait of
167:
He had two older brothers, Count
Charles Hugo ("Chappie"), born 1899, and Count Oswald Seilern, born 1900. His mother died five days after he was born. Thereafter the three Seilern boys divided their time between their grandmother, Anna Woerishoffer, in
726:, another art historian, was given the responsibility under his will of ensuring that the collection was moved to the Courtauld and appropriately displayed. This included his Michelangelo drawings, his Rubens collection, his Tiepolos, Parmigianino's
1161:
Ernst
Vegelin van Claerbergen, 'Everything connected with Rubens interests me': collecting Rubens' oil sketches: the case of Count Antoine Seilern' in Natalya Gritsay, Alexey Larionov, Stephanie-Suzanne Durante and Ernst Vegelin van Claerbergen,
397:, that he appeared at the door of Professor Jan van Gelder in Amsterdam to pick up three oil sketches by Rubens he had bought for Seilern from the Koenig collection in 1940 and had deposited as 'Swedish property' at an Amsterdam bank.
819:, 5 December 1906, called the group 'graceful' and on 8 December 1906 commented that '...The boys are about 4, 6, and 7 years in age, and they have been painted out of doors.' The second was in late 1906, a full-length dressed in
661:(1894) as well as a signed and dated bust-length portrait of himself as a boy by Muller-Ury, which was unframed and stored in a cupboard. Starting in 1955 Seilern began the publication of a catalogue in seven volumes assisted by
184:), though until America entered the First World War Mrs Woerishoffer spent 1912 to 1916 with her grandsons in Vienna. Anna Woerishoffer's wealth derived mainly from the German-language New York newspaper, the
496:
839:
aged 13 in 1898 and posthumously as an adult (like her sister she died young, but in a car crash), and his much beloved grandmother, Mrs
Charles Woerishoffer, seated in a lakeland, around 1912.
1181:'Early Chinese Ceramics, Archaic Bronzes, Paintings and Works of Art: the Property of the Estate of the Late Count Antoine Seilern, sold by Order of Beneficiaries.' Christie's, London, 1982
1187:'The Count Oswald Seilern Collection: from the library of the late Count Oswald Seilern; with two additions from the collection of the late Count Antoine Seilern.' Christie's, London, 2003
969:
Catalogue of drawings in the collection formed by Sir Thomas
Phillipps, Bart., F.R.S., now in the possession of his grandson T. Fitzroy Phillipps Fenwick of Thirlestaine House, Cheltenham
673:
Of the artworks donated by Seilern, more than one hundred have been listed in the Spoliation Reports for UK Museums because of gaps in the provenance in the years 1933–1945. The heirs of
312:
Meanwhile, Seilern had started to collect seriously, and was being advised by Wilde, and Ludwig Burchard, the great Rubens scholar. His collection of Rubens' paintings would soon include
491:(Seilern retained about two dozen drawings). The proceeds of the sale of the catalogue of his own collection, when it appeared, would be given to the National Art-Collections Fund (now
156:
Woerishoffer (1875–1901). He therefore enjoyed citizenship of both Austria and the United Kingdom. His ancestors had been ennobled after successful involvement with the
1154:
Stephen Conrad, 'Re-introducing Adolfo Müller-Ury 1862–1947: The artist, two dealers, four counts and the Kaiser: A hitherto unknown episode in international art history' in
33:
285:
However, in 1933, Count Karl Wilczek, another family friend who was also an art historian, recommended Seilern take private lessons with the great Hungarian art historian
424:
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and who was vouched for by his friend Jan van Gelder. Seilern wrote his doctoral dissertation on the Venetian influences on the ceiling paintings of Sir
665:
of the most important parts of the collection, though he waited in vain for Wilde to produce catalogue entries on his important Michelangelo drawings.
293:
to study the history of art with Karl Maria Swoboda, Julius Schlosser and Hans Sedlmayr. Unusually, perhaps, his subsidiary subject at university was
1247:
161:
1272:
152:, England. He was the youngest of the three sons of Count Carl Seilern und Aspang (1866–1940) and the American heiress Antoinette "Nettie"
128:, to be one of a handful of important collectors who was also a respected scholar. The bulk of his collection was bequeathed anonymously to the
1054:
1028:
718:, Mark Gambier-Parry and other benefactors. This bequest was made after his death with the condition that it be made anonymously, and be called
232:
in order to study for an engineering certificate until 1924. He then worked briefly for a Yugoslavian lumber company, and in Vienna in finance.
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309:) which he completed in 1939. Rubens remained a lifelong passion and he later remarked, "Everything connected with Rubens interests me."
190:, and her late husband's success on Wall Street. Seilern, like his older brothers, grew up with a passion for horse-racing and shooting.
517:
394:
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accurately, though he was also a generous anonymous benefactor of public collections; for example, he lent to exhibitions held at the
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in Vienna was bequeathed two paintings: a copy by Van Dyck of a Titian called 'Madonna and Child with St Dorothy' and a painting by
476:
332:
and other masters. Between the wars and whilst studying in Vienna he had kept his art collection in an apartment at Brahmsplatz 1.
762:
he had retained from his grandmother's collection in New York. The Courtauld also received his papers relating to the collection.
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Seilern died in hospital in London in the early hours of 6 July 1978; he was 76. He was buried on 13 July in the churchyard in
847:
Between 1955 and 1971 Antoine Seilern published an illustrated catalogue of his collection in seven parts; he was assisted by
124:(17 September 1901 – 6 July 1978) was an Anglo-Austrian art collector and art historian. He was considered, along with Sir
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1029:"Report of the Spoliation Advisory Panel in respect of 8 drawings now in the possession of the Samuel Courtauld Trust"
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160:. His father's sister Ida was married to Phillip Hennessy, whose sister Nora was the wife of the Royal Academician
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first published in 1660; and 12 by Tiepolo (including six oil sketches for paintings for the Monastery Church of
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Eventually his collection would come to include masterpieces not just by Rubens (32 paintings – oil sketches and
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in Wales where his collection was important enough to be hidden with works of art from the National Gallery and
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Paintings and Drawings of Continental Schools Other than Flemish and Italian at 56 Princes Gate, London SW7
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as well presenting anonymously to the British Museum in 1946 the majority of the important collection of
180:, in the company of nannies and governesses (and frequently chaperoned by the Swiss-born American artist
1184:'Albrecht DĂĽrer: Prints from the Collection of the late Count Antoine Seilern.' Christie's, London, 1998
914:
The Burlington Magazine, vol. 123, no. 942, The Burlington Magazine Publications Ltd., 1981, pp. 561–548
751:
229:
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Seilern returned to London at the end of the war to live in a great gloomy house he had acquired at 56
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851:. He dedicated the catalogue to his grandmother, Mrs Charles Woerishoffer. The catalogue consists of:
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Corrigenda & addenda to the catalogue of Paintings & Drawings at 56 Princes Gate, London SW7
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drawings (some 1250 in number) belonging to Mr. Thomas FitzRoy Fenwick, which had been assembled by
385:. Seilern then enlisted in the ranks of the British Army (though aged thirty-eight), serving in the
220:
Seilern relinquished his Austrian citizenship. However, despite this, he graduated in 1920 from the
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with a rabbit on a string (first exhibited in January 1907 at Knoedler and in February 1908 at the
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manuscripts, and German and Austrian paintings. He is recorded as owning a three-quarter length
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by Nazi Germany in 1938, and because of his British citizenship (he had apparently hung the
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393:. It was at the end of the Second World War, whilst acting as a German interpreter in the
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404:(now called the Seilern Triptych) by the "Master of Flémalle", now usually identified as
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Count Antoine Edward Seilern und Aspang was born on 17 September 1901 at Frensham Place,
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mainly, but also some of the artist's copies of Old Masters like Raphael's portrait of
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presents), and enjoyed long friendships with scholars like Wilde, Ludwig Burchard,
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936:. Oxford University Press, 2004. doi:10.1093/ref:odnb/56382. Accessed April 2013.
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590:(one of the most important collections of his landscape drawings in existence),
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630:. Surprisingly perhaps, he commissioned a ceiling painting in triptych form of
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in 1647–56, commissioned to make a series of prints for the book known as the
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912:“London. The Princes Gate Collection at the Courtauld Institute Galleries.”
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from 1338, which Seilern had purchased in 1956, as well as modern works by
835:
Muller-Ury also painted portraits of his mother in 1898, two of his aunt
307:
Die venezianischen Voraussetzungen der Deckenmalerei des Peter Paul Rubens
743:
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Anthony Blunt, 'Antoine Seilern: Connoisseur in the Grand Tradition' in
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Italian Paintings & Drawings at 56 Princes Gate, London SW7: Addenda
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Flemish Paintings & Drawings at 56 Princes Gate, London SW7: Addenda
369:
Johannes Wilde and his Jewish wife to leave Vienna. The Director of the
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Dennis Farr, 'Seilern und Aspang, Count Antoine Edward (1901–1978)' in
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132:. Known as the "Princes Gate bequest", most of it is on display at the
57:
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Not everything at Princes Gate was bequeathed to the Courtauld as the
911:
832:, Switzerland; the group portrait is only known through photographs.
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61:
787:, Michael Kitson, and unusually, as he was perforce also a dealer,
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Michael Levey, 'Count Seilern's Italian Pictures and Drawings' in
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250:, paint and gold leaf on panel, painted circa 1425, attributed to
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197:
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James Byam Shaw, 'Count Antoine Seilern (1901–78)' (obituary) in
634:
for the entrance hall of his home in Princes Gate by his friend
862:
Italian Paintings & Drawings at 56 Princes Gate, London SW7
856:
Flemish Paintings & Drawings at 56 Princes Gate, London SW7
228:(1920–1921) and then, at the start of 1922, he enrolled at the
1004:"U.K. Rejects Nazi Victim Heirs' Claim for Courtauld Drawings"
400:
It was when the war was at its height that Seilern purchased
1171:
Outsider II – Always Almost: Never Quite, An Autobiography
1124:, Courtauld Institute Galleries, London, 1981, pp. vii-xv
1084:
Outsider II: Always Almost, Never Quite: An Autobiography
738:, the Kokoschka ceiling and Bernardo Daddi's masterpiece
774:
Gate), and the pictures at the farm in Buckinghamshire.
320:), and large numbers of paintings, drawings, copies and
297:(Child Psychology), taught by a lady who was a pupil of
638:. He also possessed fine Chinese bronzes, Greek vases,
209:, oil on panel 1635–1640, 64 x 90 cm; now in the
96:
Antoine Edward Graf Seilern und Aspang; Anton Seilern
1106:'Count Seilern's Flemish Paintings and Drawings' in
948:
Helen Braham (January 1991) "My Little Collection".
930:
Seilern und Aspang, Count Antoine Edward (1901–1978)
433:
Triptych: The Virgin and Child Enthroned with Saints
348:(1582-1643), oil on canvas, painted 1633 or 1634 by
377:, sponsored Wilde who was reunited with Seilern at
108:
100:
92:
84:
69:
42:
23:
1055:"Nazi victim's art will not be returned to family"
983:"Search Results for "seilern" – Collections Trust"
886:Recent Acquisitions at 56 Princes Gate, London SW7
408:, one of his finest purchases, which he bought at
1158:, Volume 4, No. 2, Summer 2003, pp. 57–65.
483:, Cheltenham, and which had been catalogued by
352:(1599–1641), donated by Antoine Seilern to the
402:The Entombment with Donor and the Resurrection
971:. : privately printed for T. Fitzroy Fenwick.
795:his friends. For convenience he often rode a
236:Early collecting and the study of art history
8:
487:of the museum in 1935 and bought by Seilern
1129:The Oxford Dictionary of American Biography
697:, approximately 80 km west of Vienna.
981:UK Spoliation Report - Collections Trust.
811:He was painted at least twice as a boy by
247:Seilern Triptych: The Entombment of Christ
20:
610:, Van Dyck, Canaletto, Francesco Guardi,
1078:
1076:
963:
961:
944:
942:
888:, 2 volumes. London: Shenval Press, 1971
882:, 2 volumes. London: Shenval Press, 1969
870:, 2 volumes. London: Shenval Press, 1961
864:, 2 volumes. London: Shenval Press, 1959
858:, 2 volumes. London: Shenval Press, 1955
420:Collecting and cataloguing art 1945–1978
1147:Helen Braham,'My Little Collection' in
934:Oxford Dictionary of National Biography
903:
512:– and 20 drawings); 14 small copies by
47:Count Antoine Edward Seilern und Aspang
1258:British Army personnel of World War II
267:Christ and the Woman Taken in Adultery
924:
922:
920:
465:William Feilding, 1st Earl of Denbigh
346:William Feilding, 1st Earl of Denbigh
194:Further education and business career
7:
828:survives in a private collection in
534:, south of Madrid), and pictures by
516:after pictures in the collection of
681:decided against the heirs in 2009.
518:Archduke Leopold Wilhelm of Austria
16:British art historian and collector
606:, 30 drawings by or attributed to
316:(which was once the possession of
278:A friend in Vienna, the old Count
14:
1203:Familie Seilern | Antoine Seilern
1110:(December 1955), pp. 396–398
626:, and drawings and engravings by
477:Sir Thomas Phillipps, 1st Baronet
1173:(London, 2012), pp. 128–133
1120:Helen Braham, 'Introduction' to
754:and others, and two pictures by
701:Bequest to the Courtauld Gallery
31:
1248:20th-century English historians
1144:(January 1979), pp. 10–23.
1137:(November 1978), pp. 760–2
520:during his Governorship of the
451:pictures including a fine late
224:in Vienna before attending the
104:art collector and art historian
1273:Military personnel from Surrey
1151:(January 1991), pp. 35–41
1031:. 24 July 2009. Archived from
582:. There were also drawings by
1:
1164:Rubens: A Touch of Brilliance
894:. London: Shenval Press, 1971
876:. London: Shenval Press, 1969
735:Rest on the Flight into Egypt
740:Virgin and Child with Saints
112:bequest of art works to the
1268:Intelligence Corps soldiers
1253:20th-century art collectors
1122:The Princes Gate Collection
1117:(March 1960) pp. 122–3
967:Arthur Ewart Popham (1935)
778:Personal life and character
720:The Princes Gate Collection
324:also by Rubens, as well as
1289:
679:Spoiliation Advisory panel
669:Nazi era Provenance issues
187:Neue-Yorker Staats-Zeitung
158:Pragmatic Sanction of 1713
130:Courtauld Institute of Art
514:David Teniers the Younger
30:
1263:Royal Artillery soldiers
1198:Uni Wien | Anton Seilern
767:Kunsthistorisches Museum
412:as a work attributed to
1156:The British Art Journal
1135:The Burlington Magazine
1115:The Burlington Magazine
1108:The Burlington Magazine
825:Corcoran Gallery of Art
712:Viscount Lee of Fareham
1238:English art historians
1228:English art collectors
760:Narcisse Virgilio DĂaz
632:The Myth of Prometheus
509:Baldassare Castiglione
436:
357:
314:Landscape by Moonlight
275:
258:
226:Wiener Handelsakademie
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207:Landscape by Moonlight
172:, and their father in
1149:The Antique Collector
950:The Antique Collector
752:Pierre-Auguste Renoir
652:Clemens von Pausinger
427:
362:annexation of Austria
343:
264:
243:
230:Technische Hochschule
201:
122:Count Antoine Seilern
25:Count Antoine Seilern
1177:Auction catalogues:
1082:Brian Sewell (2012)
910:Brown, Christopher.
598:landscape drawings,
336:The Second World War
1243:People from Farnham
837:Carola Woerishoffer
817:The New York Herald
604:Stefano della Bella
522:Spanish Netherlands
318:Sir Joshua Reynolds
695:Schloss Schönbühel
527:Theatrum Pictorium
481:Thirlestaine House
479:in the library at
437:
414:Adriaen Isenbrandt
395:Intelligence Corps
358:
280:Karol Lanckoroński
276:
259:
254:(1375/1379-1444),
214:
1233:Counts of Austria
1086:London: Quartet.
1008:www.lootedart.com
813:Adolfo MĂĽller-Ury
650:of his mother by
640:Limbourg brothers
592:Hugo van der Goes
560:Francesco de Mura
303:Peter Paul Rubens
295:Kinderpsychologie
291:Vienna University
256:Courtauld Gallery
211:Courtauld Gallery
203:Peter Paul Rubens
182:Adolfo MĂĽller-Ury
134:Courtauld Gallery
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114:Courtauld Gallery
79:, London, England
50:17 September 1901
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729:Virgin and Child
708:Samuel Courtauld
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602:, Parmigianino,
584:Giovanni Bellini
576:Sebastiano Ricci
485:Arthur E. Popham
469:Anthony van Dyck
445:South Kensington
383:Royal Collection
371:National Gallery
354:National Gallery
350:Anthony van Dyck
93:Other names
77:South Kensington
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1166:(London, 2003)
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722:. His friend
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544:Quentin Massys
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272:Pieter Bruegel
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548:Lorenzo Lotto
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101:Occupation(s)
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1101:Bibliography
1083:
1063:. Retrieved
1058:
1049:
1037:. Retrieved
1033:the original
1023:
1011:. Retrieved
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986:. Retrieved
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843:Publications
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600:Michelangelo
568:Parmigianino
542:, Van Dyck,
525:
507:
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493:The Art Fund
488:
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441:Princes Gate
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344:Portrait of
326:oil sketches
313:
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185:
166:
162:Lord Methuen
153:
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121:
120:
18:
1223:1978 deaths
1218:1901 births
988:30 November
748:Edgar Degas
675:Curt Glaser
655: [
379:Aberystwyth
274:, Courtauld
136:in London.
126:Denis Mahon
85:Nationality
73:6 July 1978
1212:Categories
1065:1 February
1039:1 February
1013:1 February
899:References
580:Tintoretto
495:) and the
473:Old Master
410:Christie's
366:Union Jack
216:After the
140:Early life
807:Portraits
716:Roger Fry
608:Rembrandt
416:in 1942.
64:, England
1094:. p. 130
955:(1): 38.
756:Daubigny
744:Pissarro
691:Frensham
552:Magnasco
532:Aranjuez
830:Lucerne
644:Holbein
624:Picasso
620:CĂ©zanne
612:Watteau
572:Pittoni
504:modelli
489:en bloc
467:by Sir
453:CĂ©zanne
360:At the
356:in 1945
330:Tiepolo
322:modelli
146:Farnham
88:British
58:Farnham
1142:Apollo
1090:
821:ermine
648:pastel
578:, and
391:Norway
373:, Sir
178:Vienna
174:London
150:Surrey
62:Surrey
797:moped
685:Death
659:]
616:Degas
556:Manet
540:Degas
148:, in
1088:ISBN
1067:2024
1041:2024
1015:2024
990:2022
758:and
732:and
622:and
244:The
176:and
70:Died
43:Born
706:by
328:by
270:by
154:née
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992:.
305:(
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