391:
259:
implied here, but also a change of position – of the erotic type." By dramatically "shattering the relations of sentences and individual words" in his poems, he creates the effect of estrangement, the conventional usage of language and images within everyday language is opened to new interpretations. In combination with an extremely condensed language, Leitner's poetic approach has proven to be exceptionally productive in bringing contemporary phenomena into the domains of verse: "His verse mimics the high velocity of contemporary experience in the meters of a new age – no word, no syllable, no character too much." "Leitner relentlessly works with chiastic and superimposed semantic vectors that are capable of producing paradoxical and bamboozling effects. He frequently mixes word families, crosses through boundaries of word fields, splices word compounds, contrives unusual sequences of associations, and shatters those which we might expect."
342:
421:(German: The Truth about Uncle Spam): "He is somebody who restlessly fights for the public awareness of the literary genre." The openness of Leitner's verse makes it possible that "it does not transform into pretentious verse, providing solitary pleasures for a few like-minded souls, but rather, he attempts at developing verse that is capable of reaching a wider public." It is precisely this characteristic of his poetry—it's acceptability and accessibility—which transforms Leitner's person to a crystallization point for public debates on the role of poetry within society. "While many contemporary poets feebly flail their limbs on dry land, Leitner swims sleekly through a turbulent sea of language."
438:
been threatened to be cut by their fatherland." Leitner highlighted in this debate that poetry, which is supposed to be publicly funded, ought to be accessible to the public as well; otherwise, it should be privately financed. Thus the debate was not generally about governmental subsidies for the arts, in particular for literature. Instead, in
Leitner's eyes, it was a debate on the conditions of and for aesthetic production. If a poet is to be funded by the state out of tax-payer resources, then such poets should accept the fact that it is "not poetry that is providing for their material needs, but rather subsidies and prize money, which are often provided from tax-payer money."
201:, etc.). Many of his poems have been included in anthologies, focusing on contemporary poetry in German. Leitner's poetic work has always stood in critical relation to his editorial work, which not only informs and influences his work as an author, but also places his own poetry in a unique situation in terms of aesthetic production, as various commentators have noted. While attempting to locate Anton G. Leitner's persona within the literary landscape of contemporary poetry in 1986, Manfred Lange wrote: "He's hard to classify, and that makes him likeable. He doesn't give you ready-to-use worldviews, but thoughts, perspectives, and a strong plea for new departures."
308:, the master of zero-gravity. Some of these delicate poems seem a bit lost and displaced amongst other pieces that have been hammered out with the sledgehammer. The poem, CIRCUMNAVIGATING THE LITTLE WORLD (German: KLEINE WELT RUNDE), for instance, reads: 'Everything, I need / around me: you, I mean you / are the hinge but you swing / in circles with me.' At the same time, these poems are testimony to the fact that it is indeed possible to gain ground for delicate literary forms, despite the overpowering force of the talk show culture: to gain terrain for the 'wisdom / of a melon,' to gain a language able to call upon the antiquity of
433:
independent and committed publishers. Only curious readers looking forward to these books can help us survive, for poetry mainly thrives on the commitment of enthusiastic publishers." Leitner does not write with his back to the audience, but skillfully involves "poetry into daily communicative processes." Many poets, some of whom have entirely resigned from the necessity of finding an audience, oppose the intentional structure inherent in the compositional principle advocated by
Leitner. The debate on a pluralistic public/governmental support of poetry, initiated by
425:
514:: 170 characters per message) or texts associated with the cultural sphere of Bavaria in Ois is Easy. In such projects, Leitner's editorial work has defined many formal parameters in the art form under real market conditions. In its review of the Bavarian anthology Ois is Easy, the Bayerischer Rundfunk said: "Here's a collection of texts from Bavaria, in many registers, in High German and in Dialect, from every cultural and linguistic region of Bavaria. The poets lined up in this anthology range from
288:, often varies the motif of uncertainty: "Anton G. Leitner goes beyond that: and what is there to do, when angels no longer know what they are and what their mission is? In this slender poem of no more than 27 words, angels are, above all, exhausted. The author is able to place each word with such ambiguity that the poem raises more questions than answers." While some commentators capitulate in the face of a supposed "pessimism," others accentuate the notion of a "cynical reason:"
136:
20:
210:
234:, have discovered to be characteristic of Leitner's work is a form of poetry that balances the ambiguity inherent in outward intelligibility and inward magic. With Leitner, the poet, "the art of the enjambment achieves a height that fringes on charlatanry" (Nitzberg). Nitzberg furthermore remarks that Leitner does not show us "smoothly rippling oceanic waves, but tiny painful drops."
366:: "by means of hearty verbal wit and twisted word play, Leitner incites a lust for poetry." Leitner does not hide behind fictions of seriousness: "the publisher and publicist does not care very much for the widely held notion that poetry is something for quiet retreats. He thinks that poetry is part of everyday life and should be fun." In his preface to Der digitale Hai ist high
159:, amused by the young and independent organization, wrote: "This young movement does not exhaust its effort in intimate orange tea readings." One important platform within the IJA was the Munich-based publication, Der Zettel, in which many now widely celebrated writers published their first poems and have frequently been flanked by international authors, such as
222:
apprehension, but do not simply remain as scattered pieces, "as
Leitner's technique of fragmentation along with his steady shifts in pitch, tone, and perspective are embedded in a comprehensive design." The immediate evidence of his imagery, displayed in his verse, has been noted by his admirers as well as his rivals. In the weekly newspaper based in Hamburg,
378:(2016), a collection of narrative poetry, resumes the stylistic devices of caricature and humor. By writing in Upper Bavarian dialect the author reconnects with his linguistic roots. Sabine Zaplin acknowledges that Leitner shares "the lust for provocation, the unerring sense for ambiguity and a fine-tuned antenna for the interstices of language" with
552:, which is today one of the largest literary magazine exclusively dedicated to poetry. From 1994 to 2007 as well as from 2020 to 2022 he was its sole editor. Between 2008 and 2019 as well as 2023, Leitner has invited a new co-editor each year. The magazine is published annually. It ranks among the most sold literary magazines in the German language.
155:, and others. He was the chairman of the organization until 1991. Under Leitner's aegis, the IJA organized the Festival Interactions / "Young Literature Days" ("Tage junger Literatur") in cooperation with IBM-Germany at the Gasteig Cultural Center in 1988. It remains to this day the largest literary festival in the Bavarian capital of Munich. The
502:(German: Fire, Water, Air & Earth): "Looking at this anthology, I can envision a new beginning for poetry." He further said that Leitner has found an appropriate balance between contemporary poetry and poetry of past periods. "At the same time," says Ortheil, "he identified texts that make an interesting selection." The critic
258:
offers interesting material exemplifying an extreme form of the enjambment: here the line breaks frequently give the poem an entirely new direction. In the beginning, Leitner's poem seems to bring us into a car: 'Preferably, // he lay / obliquely. She // stands up.' A dialog full of tensions may be
437:
in 2011, showed that clearly. While some poets and publishers became angry over Kutsch's criticism of badly planned public endowments of poetry, Leitner defended Kutsch saying that "some comments (by contemporary poets) sound as though they have been written by moody children whose allowances have
361:
have recently honored him with the title of
Jokester: "Leitner wants to unearth the madness and idiocy that surrounds us every day, but he does so playfully, without any kind of moralistic resentment or invectives." Numerous critics have remarked on Leitner's enlightened irony. In a review of Der
533:
For
Leitner, the poetic anthology is an editorial project that by nature always remains inconclusive, but still must be constantly undertaken. The very form of the anthology shapes literary history, in that it shows which texts are able to hold their position with a larger audience over a longer
386:
emphasizes that the usage of dialect corresponds well with the content of
Leitner's poetry: "The Bavarian language flows round and smooth, interlaced by onomatopoeia and infused with anarchy. Observations of everyday life are formed into an accurate portrait of Bavarian nature, sometimes coarse,
370:
wrote, "It's rare that a poet brings together three special qualities in his personality, as in the case of Anton G. Leitner. That guy has a feeling for the language; he has a lust for the language; he's obsessed with sex—where else do these three qualities come together? Humor, wit, and common
432:
Consequently, his motifs and thematic concepts are developed in view of a real-reader situation that includes—but also searches beyond—academic special interest groups. His verse aims at reaching a wide public and achieves just this. He begins with a prying curiosity. "We all should support
67:
Although he specializes on poetry, Leitner is also the author of short stories, essays, as well as literary critique and reviews. Additionally, he has published children's books and audiobooks. He has been instrumental in raising public awareness for the art form since the early 80s and has
221:
said that in
Leitner's work "what is happing between the words, is a conquest of new territories:" in a lingually recorded terrain, "large spaces emerge amongst the seemingly trusted and established networks." His poetry, critics say, captures reality in fragments that are broken in their
357:(German: Die Wahrheit über Uncle Spam), critics from that newspaper wrote: " is playfully light and aerial because he does not trust in false claims to intellectual depth, his miniatures are wonderful reads." While earlier in his career, he was called "pessimistic," critics such as
390:
333:: " is refracted in evident fact that in an environment dominated by market capitalism, political disorientation, and the vane apostasy of product labels, there is no authentic existence – not even in the believable simulacrum called utopia."
1810:
43. Jg. Bd. 1, 1998 Nr. 189 S. 209: "In keiner Phase seiner lyrischen
Entwicklung ist Leitner steckengeblieben, sondern hat nach seinem eigenen Motto Schreite fort, Schritt inzwischen den Weg gefunden, der ihn wohl allmählich, aber sicher zu
68:
concentrated his efforts on fostering a broad environment for poetry that crosses cultural and intergenerational boundaries. In doing so, he has not shied away from controversy and critical public debate on the role of poetry within society.
163:. Leitner's personal reading style has been influenced by the many public performances within the ranks of the Initiative. During his enrollment as a law student, he already edited poetry and prose focused on aspiring authors for
320:
The mode of critique evident in
Leitner's poetry, which operates with a subjectivity that is well aware of its post-modern loss of normative frameworks, places his poetry in close proximity with the spirit of philosophical
493:
Anton G. Leitner's work as a publisher has shaped the face of German editing practice with respect to poetry. He has encouraged a fresh and uninhibited style in dealing with poetry that is aimed at a general audience.
2576:, May 22nd, 1997: "Die Presse lobt das klug durchdachte Konzept der Zeitschrift, spricht von ihr als einem Forum aktuellen Denkens über Gedichte, charakterisiert ‚Das Gedicht‘ als Panorama aktueller deutscher Poesie."
271:
observed the specific form of critique within
Leitner's verse: "By way of his language, Leitner creates the resistance that reality is no longer able to offer him." In his review entitled "Love and social critique,"
1730:
11.03.1986: "Schreite fort, Schritt: Ein Wortspiel, aber auch eine Zwischen-den-Zeilen-Anklage, nicht stures Vorwärtsgehen ist gemeint, sondern Gehen als Bewegung gegen die Starrheit und die Gewöhnlichkeit."
509:
Noteworthy is Leitner's innovative energy in constituting poetic formats by centering a body of texts around a common principle – for example, his anthology SMS-Lyrik, on poetry in the text message format
33:
He has also gained a widespread reputation as an editor, reciter, and organizer of literary events. Since 1980, Leitner edited over 40 anthologies for major publishers in the German language, such as
2718:
341:
179:
Currently, 16 volumes of poems stand out in Leitner's larger contribution to the art form, which also includes over 40 poetry anthologies, as well as more than 30 issues of the magazine
127:, private prints, which already indicated a remarkable talent in the realization of editorial and publishing projects, as his early books Füllhorn and Nachböen (1980/1981) show.
292:"Is Leitner working on a style of poetry that is something like a cynical reason? Maybe . We are confronted with poems that are reminiscent of Haikus, of Leitner's models
123:), because "he prefers dealing with poems rather than sitting around at courts." Early on, as a high school student, Leitner published, parallel to his childhood friend
2744:
242:
Leitner sabotages conventional ways of verse construction by a systematic usage of the enjambment, whereby he attains a multiple coding of his lines with meaning.
2693:
349:
Contrary to the opinions of some of his enemies, who never tire to credit Leitner's poetry with supposed incomprehensibility, other commentators – such as the
2532:
466:. He was the editor of the poetry series in the edition Chrismon from 2007/2008. In the Eichborn Verlag, his audio book was published under the title
1900:
07.06.2001 S. 4.: "In seinen spannungsvoll verkanteten Spracheruptionen wird zarte Melancholie immer wieder durch witzige Wortspiele abgefedert."
409:
Not only around the person of Anton G. Leitner, but particularly in the flow of his work does poetry become the center of public debate, so that
1823:
führen wird, nämlich zur Demontage des Wortes, um neue Sinngebung der Teilelemente in der Brechung, im Sprachspiel, in der Remontage zu finden."
230:
wrote: "The verbal simulacrum/Blendwerk frequently only frames sentences full of serenity and poetry." What Nitzberg, as well as, for example,
104:
2819:
2773:
1547:
1527:
1513:
1499:
1485:
1471:
1457:
1443:
1429:
1409:
1395:
1381:
1367:
1353:
1339:
1325:
1311:
1297:
1283:
1269:
1255:
1241:
1227:
1213:
876:
859:
845:
831:
805:
797:
789:
763:
749:
115:(Higher Regional Court) Munich from 1990–1993. Since 1993, he lives and works professionally as an author, critic, editor, and publisher in
1672:
382:, a renowned Bavarian author well known for his authentic presentation of Bavarian dialect and the people of Old Bavaria. Rudolf Siegl of
316:– to discover niches here and there in which verses like these are possible: 'My house / is dark / because it is / built / on shadows.'"
2847:
2627:
96:
1744:
Sprudelnder Quell des Anstoßes. Gedichte machen nicht satt, aber glücklich: Das Leben des Lyrikers und Provokateurs Anton G. Leitner,
2798:
1612:
1594:
1569:
1199:
1185:
1171:
1154:
1140:
1123:
1106:
1084:
1066:
1052:
1034:
1016:
998:
980:
958:
928:
905:
735:
721:
707:
693:
679:
665:
1868:
25.04.2001: Jürgen Nendza schrieb dort: "Die idyllische Beschaulichkeit des Exotischen wird in Leitners Beobachtungen unterlaufen."
885:
Translated from the German by Fouad EL-Auwad, Reihe Lyrik-Salon Spezial bei Books on Demand, Norderstedt 2023, ISBN 9783757815509.
1651:
2044:
1666:
2520:
2660:
2590:
1562:
Experimente mit dem Echolot. Der modernen Dichtung auf den Grund gehen; die besten Aufsätze aus zehn Jahren "Das Gedicht"
424:
2811:
530:, and many more to Ludwig Steinherr. This book is a fresh sounding out of the present-day literary scene in Bavaria."
143:
In the early 80s, he founded the Initiative of Young Authors (IJA German: "Initiative Junger Autoren") together with
276:
has verified that observation while exploring Leitner's collection of poems "Schreite fort, Schritt." Leitner, says
167:
and was member of the jury for the national competition "Schüler schreiben" at the "Conference of Young Authors" in
2862:
523:
471:
451:
45:
112:
103:(a secondary school with a strong humanistic tradition), he studied law and philosophy from 1982 to 1988 at the
519:
2411:
2359:
2028:
1707:
301:
1623:
2852:
2573:
1655:
387:
sometimes profound, sometimes pigheaded, but always laid-back – this is indeed how Upper Bavarians sound."
34:
2857:
2185:
1909:
1877:
1739:
1723:
609:
350:
218:
190:
2556:
2842:
2614:
2217:
2169:
2133:
1847:
1803:
1787:
1600:
330:
326:
217:
Various critics have placed Leitner's poetic approach at a gap between modernism and postmodernism. The
1968:
2101:
2837:
2598:
2504:
2316:
Anton G. Leitner: Die Wahrheit über Uncle Spam. Neue Gedichte über den alltäglichen Wahn- und Unsinn,
2206:
Anton G. Leitner: Die Wahrheit über Uncle Spam. Neue Gedichte über den alltäglichen Wahn- und Unsinn,
2201:
819:
592:
198:
1582:
840:
Translated from the German by Joël Vincent, Alidades | collection Bilingues, Thonon-les-Bains 2020,
185:. His poems have also been featured in magazines, newspapers, television and radio broadcasts (e.g.
2249:
815:
495:
329:
has commented on the battle for authenticity documented in Leitner's work in a review published in
186:
2391:
2149:
2087:
2060:
1862:
1094:
455:
447:
434:
293:
268:
49:
39:
2395:
1771:
1632:
629:
615:
503:
446:
Since 1980, Leitner edited more than 40 anthologies for prominent German publishers, including
2815:
2794:
2769:
2668:
2635:
2375:
2285:
Sabine Zaplin, feature for the Bayerischer Rundfunk, B5 Kultur, date of broadcast: 08.06.2016
1628:
1618:
1608:
1590:
1565:
1543:
1523:
1509:
1495:
1481:
1467:
1453:
1439:
1425:
1405:
1391:
1377:
1363:
1349:
1335:
1321:
1307:
1293:
1279:
1265:
1251:
1237:
1223:
1209:
1195:
1181:
1167:
1150:
1136:
1119:
1102:
1080:
1062:
1048:
1030:
1012:
994:
976:
954:
924:
901:
872:
855:
841:
827:
801:
793:
785:
759:
745:
731:
717:
703:
689:
675:
661:
135:
76:
2140:
03.09.1986: "Es überwiegt der Zorn und das Entsetzen über eine aus den Fugen geratenen Welt."
227:
2265:
1755:
487:
367:
353:– have given quite different assessments of his work. With respect to his poetry collection
160:
1932:
1866:
Anton G. Leitners neuer Gedichtband "Das Meer Tropft aus dem Hahn." Meer voll Sprachinseln,
231:
2594:
2343:
2327:
2233:
363:
124:
1020:
1002:
205:"So! Cease / Hearing / The silence of / things." Poetry as a Necessitating Breaking Point
2491:
2311:
566:
483:
475:
459:
414:
322:
297:
164:
53:
19:
362:
digitale Hai ist high (German for The Digital Shark is High), Peter Kapp wrote in the
2831:
2790:
1098:
534:
period of time. In this sense, the anthology in Leitner's view is an "open project."
410:
358:
277:
243:
152:
148:
209:
1038:
962:
527:
515:
273:
156:
144:
1812:
2407:
966:
601:
Cultural Prize of the Southern German literary association Münchner Turmschreiber
2539:
1816:
549:
543:
404:
305:
246:, for example, highlighted this procedure during a discussion of Leitner's poem
61:
2585:
1882:
Lyrik mit und von Anton G. Leitner. Urlaubsstimmung durch die Kraft der Poesie,
379:
1070:
313:
116:
2672:
2639:
548:
In 1993, Anton G. Leitner and Ludwig Steinherr founded the literary magazine
108:
1820:
1278:(Edition Chrismon). Hansisches Druck- & Verlagshaus, Frankfurt/M. 2008,
1264:(Edition Chrismon). Hansisches Druck- & Verlagshaus, Frankfurt/M. 2008,
1236:(Edition Chrismon). Hansisches Druck- & Verlagshaus, Frankfurt/M. 2007,
950:
823:
120:
1691:
2471:
2455:
2439:
2423:
2296:
Review of Schnablgwax. Bairisches Verskabarett by Anton G. Leitner, 2016.
2117:
2012:
1996:
1980:
1944:
1832:
1673:
Martin Wagner's interview with Anton G. Leitner in Eins zu Eins. Der Talk
984:
309:
285:
251:
223:
194:
139:
Cover: Schreite fort, Schritt (1986), illustrations by Michael Gattnarzik
2745:"Deutscher Verlagspreis 2023: Erneute Auszeichnung für Anton G. Leitner"
2719:"Verlagsprämien und Empfehlungen "Bayerns beste Independent Bücher 2022"
2534:
Erotische Lyrik im Kreuzfeuer: Lieber Weißbier als erregendes Vorspiel.
479:
107:. Having attained his bar examination in 1989, he completed his legal
2694:"Zeitschrift "Das Gedicht": Anton G. Leitner aus Weßling erhält Preis"
770:
Kopf. Bahnhof. Gedichte von Anton G. Leitner. Bilder von Alfred Wäspi.
714:
Der digitale Hai ist high. Oder Die Gesänge eines gefischten Fischers.
1163:
1132:
1115:
784:
Lichtung Verlag / Anton G. Leitner Verlag, Viechtach / Weßling 2016,
657:
582:
463:
371:
sense. This is a mixture that can rarely be found in German poetry."
168:
100:
92:
57:
1147:
Himmelhoch jauchzend - zu Tode betrübt. Poesie für alle Liebeslagen.
1776:
Hebamme für neue Talente. Der Bundesring junger Autoren in München,
1009:
Nichts geht mehr - aber spielt ruhig weiter! Liebe made in Germany.
947:
Dichte, denn die Welt ist leck. Gedichte junger Münchner Autoren II
1760:
Unterwegs in die Öffentlichkeit. Junge Autoren helfen sich selber,
686:
Bild Schirm schneit, roter Stich. Einhundert ausgewählte Gedichte.
506:
wrote in Die Zeit: "I cannot possibly fathom a better selection."
208:
134:
60:. He is the co-founder and editor-in-chief of the poetry magazine
18:
2476:
Lyrische Gebrauchsanweisung. Vom Märchenkönig bis zur Schickeria,
80:
2787:
Wörter kommen zu Wort. 50 Gedichte aus 10 Jahren "Das Gedicht".
1696:
Wir sind Irrfahrer. Anton G. Leitner über die Macht der Poesie,
1661:
1091:
Wörter kommen zu Wort. 100 Gedichte aus 10 Jahren "Das Gedicht"
2553:
Kulturpreis der Stiftung Lesen für den Anton G. Leitner Verlag
2254:"Alles dreht sich mir im Kreis" - Katzen, Wale, digitale Haie,
1466:
edition DAS GEDICHT im Anton G. Leitner Verlag, Weßling 2015,
511:
1893:
1234:
Mutters Hände, Vaters Herz. Familiengedichte aus 2500 Jahren
756:
Die Wahrheit über Uncle Spam und andere Enthüllungsgedichte.
1304:
Ein Nilpferd schlummerte im Sand. Gedichte für Tierfreunde.
1262:
Im Ursprung ein Ei sprang. Gedichte vom Werden und Vergehen
752:(illustriert von Peter Boerboom und Paula und Carola Vogt).
1206:
Die Arche der Poesie. Lieblingsgedichte deutscher Dichter.
1478:
Mach dein erstes Türchen auf! Neue Gedichte zur Weihnacht
1360:
Feuer, Wasser, Luft & Erde. Die Poesie der Elemente.
1130:
Es sitzt ein Vogel auf dem Leim. Rabenschwarze Gedichte.
72:
1506:
Der Himmel von morgen. Gedichte über Gott und die Welt.
1450:
Weltpost ins Nichtall. Poeten erinnern an August Stramm
1416:
Ein Känguru mit Stöckelschuh. Neue Gedichte für Kinder.
728:
Im Glas tickt der Sand. Echtzeitgedichte 1980 bis 2005.
700:
Das Meer tropft aus dem Hahn. Fließ, Blätter. 1998-2001
2768:
also available as an audiobook from: beefree records,
2302:
Frühjahr 2017, Nr. 24. MUH GmbH, Truchtlaching, S. 24.
1536:
Reclam Verlag, Ditzingen 2021, ISBN 978-3-15-011315-8.
1276:
Ohne dich bin ich nicht ich. Poesie in jeder Beziehung
674:(Edition Lyrik; Bd. 4). Landpresse, Weilerswist 1994,
498:
has confirmed this in a review of Leitner's anthology
30:(born 16 June 1961) is a German writer and publisher.
2507:, Sendung vom 24. September 1996, 22:20 Uhr
883:
Wohin die Reise gehen könnte. Lyrik deutsch-arabisch.
267:
Relatively early in his career, the literary scholar
1898:
Von der Insel für die Insel. Leitner am Lit-Telefon,
1178:
Zum Teufel, wo geht's in den Himmel? Poetische Wege.
544:
DAS GEDICHT. Zeitschrift für Lyrik, Essay und Kritik
538:
DAS GEDICHT. Zeitschrift für Lyrik, Essay und Kritik
2587:
Bisherige Preisträger des Victor Otto Stomp Prieses
1667:Interview with Anton G. Leitner in the alpha-Forum
1587:Taschenlexikon zur bayerischen Gegenwartsliteratur
1222:(RUB; 18368) Philipp Reclam jun., Stuttgart 2007,
1605:Autorinnen und Autoren in Bayern. 20. Jahrhundert
64:, which has been published annually since 1993.
1520:Die Bienen halten die Uhren auf. Naturgedichte.
1402:Gedichte für Zeitgenossen. Lyrik aus 50 Jahren.
290:
2106:Leitners Lyrik. Liebe und Gesellschaftskritik,
814:. Translated from the German by Richard Dove,
1027:Im Flügelschlag der Sinne. Erotische Gedichte
8:
2570:Das Gedicht erhält Victor-Otto-Stomps-Preis,
2348:Anton G. Leitner. Der digitale Hai ist high,
2332:Anton G. Leitner. Der digitale Hai ist high,
2238:Anton G. Leitner. Der digitale Hai ist high,
1639:Anton G. Leitner – Ein Leben für die Poesie.
1059:Heiß auf dich. 100 Lock- und Liebesgedichte.
949:. Sonnenreiter-Publikation (private print),
923:(Pixi-Bücher; 1200). Carlsen, Hamburg 2003,
180:
2138:Fortschritt-Gedichte in Richtung Untergang,
1792:Fortschritt-Gedichte in Richtung Untergang,
1029:. Initiative Junger Autoren, München 1991,
991:Eiszeit-Heißzeit. Literatur der 80er Jahre.
778:Carl-Walter Kottnik, Hamburg 2015, no ISBN.
772:Carl-Walter Kottnik, Hamburg 2013, no ISBN.
744:. Verlag Sankt Michaelsbund, München 2011,
2613:Akademische Vorlesungen zur Kogge-Tagung,
838:voix en plein trafic / Stimmen im Verkehr.
345:Cover: Die Wahrheit über Uncle Spam (2011)
213:Cover: Das Meer tropft aus dem Hahn (2001)
1161:Herz, was soll das geben? Liebesgedichte.
869:Erinnerungsstücke und nachgerufene Verse.
2222:Menschliche Schafe gibt es immer wieder,
1652:Literature by and about Anton G. Leitner
1390:Verlag Sankt Michaelsbund, Munich 2010,
1376:Verlag Sankt Michaelsbund, Munich 2010,
1248:Zu mir oder zu dir? Verse für Verliebte.
423:
417:while discussing Leitner's poetry book,
389:
340:
2628:"Anton G. Leitner erhält "Poetentaler""
1684:
1624:Kürschners Deutscher Literatur-Kalender
1418:Verlag Sankt Michaelsbund, Munich 2012.
1220:"Kinder, Kinder!" Gedichte zur Kindheit
1675:, Bayern 2, Bayerischer Rundfunk 2012.
1669:, BR-alpha, Bayerischer Rundfunk 2009.
1641:Anton G. Leitner Verlag, Weßling 2021.
1540:Lichtblicke. Gedichte, die Mut machen.
921:Napoleons erster Fall. Eine Geschichte
1464:Pausenpoesie. Gedichte zum Neustarten
1374:Die Hoffnung fährt schwarz. Gedichte.
1362:Philipp Reclam jun., Stuttgart 2009,
782:Schnablgwax. Bairisches Verskabarett.
776:So a Gschiss. Bairisches Schnablgwax.
105:Ludwig Maximilian's University Munich
7:
2810:Book to the online anthology of the
2659:Weßling, Wolfgang Prochaska (2016).
2503:Zeitschriftenschau, Hörfunkbeitrag,
1965:Meer – Insel – Liebe. Ein Vorspruch,
1929:Meer – Insel – Liebe. Ein Vorspruch,
898:Still Leben Ohne Dichter. Erzählung.
376:Schnablgwax. Bairisches Verskabarett
95:. After graduating in 1981 from the
2743:Zeitung, Süddeutsche (2023-07-18).
1432:(together with Gabriele Trinckler).
1388:"Ois is easy". Gedichte aus Bayern.
1314:(together with Gabriele Trinckler).
1300:(together with Gabriele Trinckler).
1202:(together with Gabriele Trinckler).
1113:Ein Poet will Dein sein. Liedlyrik.
871:edition Das Gedicht, Weßling 2023,
702:. Lyrikedition 2000, München 2002,
656:. Bundesring junger Autoren (BjA),
624:Verlagsprämie des Freistaats Bayern
2158:Bild Schirm schneit, roter Strich,
1564:. Lyrikedition 2000, Munich 2002,
1446:(zusammen mit Gabriele Trinckler).
1194:Dtv, Munich 2006 (Neuausg. 2010),
1188:(together with Siegfried Völlger).
730:Edition lichtung, Viechtach 2006,
14:
2192:Jg. 43 Bd. 4 1998 Nr. 192 S. 203.
2176:Jg. 43 Bd. 4 1998 Nr. 192 S. 203.
1607:. Verlag Bayerland, Dachau 2004,
931:(illustrations by Jörg Hülsmann).
866:Vater, unser See wartet auf dich.
716:Lyrikedition 2000, München 2004,
2692:Summer, Gerhard (3 April 2022).
2597:, listing of all award winners,
2517:Lyriker spielen um den Aufstieg.
2364:Die Solidarität der Neugierigen,
1712:Die Solidarität der Neugierigen,
654:Schreite fort, Schritt. Gedichte
2045:Westdeutsche Allgemeine Zeitung
1694:. Die Zeitung für Luxemburger,
1522:Reclam Verlag, Ditzingen 2020,
1508:Reclam Verlag, Ditzingen 2018,
1494:Reclam Verlag, Ditzingen 2017,
1480:Reclam Verlag, Ditzingen 2016,
1452:Daedalus Verlag, Münster 2015,
758:Daedalus Verlag, Münster 2011,
710:(Nachdr. d. Ausg. Berlin 2001).
2521:Frankfurter Allgemeine Zeitung
2380:Fischzüge im Meer der Sprache,
1460:(zusammen mit Hiltrud Herbst).
1077:SMS-Lyrik. 160 Zeichen Poesie.
1047:Landpresse, Weilerswist 2000,
742:Ei für zwei. Gedichtbilderbuch
688:Landpresse, Weilerswist 1997,
500:Feuer, Wasser, Luft & Erde
1:
2611:Schlechte Zeiten für Lyriker.
1962:Das Meer tropft aus dem Hahn,
1926:Das Meer tropft aus dem Hahn,
1627:. Saur Verlag, München 2005,
900:Verlag Kowalke, Berlin 1997,
852:Wadlbeissn. Zupackende Verse.
470:and includes love poems from
2812:2. Ökumenischen Kirchentages
2069:Die Wahrheit über Uncle Spam
1055:(together with Axel Kutsch).
419:Die Wahrheit über Uncle Spam
2298:In: Josef Winkler (Hrsg.):
1662:Anton G. Leitner's Homepage
1534:Verse für alle Liebeslagen.
1290:Gedichte für Nachtmenschen.
854:Volk Verlag, München 2021,
405:Poetry in the Public Sphere
399:Poetry in the public sphere
280:in an analysis of the poem
263:Poetry as cultural critique
254:: "Anton G. Leitner's poem
131:Initiative of Young Authors
16:German writer and publisher
2879:
2848:German publishers (people)
1985:Das Wort beim Wort nehmen,
1949:Das Wort beim Wort nehmen,
1913:Der Vulkan in der Analyse,
1542:Reclam Verlag, Ditzingen,
1149:Dtv/Hanser, München 2004,
822:and Yulia Kudryavitskaya,
541:
402:
355:The Truth about Uncle Spam
2634:(in German). 2015-07-21.
2523:, 23. September 1999
2274:Der digitale Hai ist high
1250:Dtv/Hanser, Munich 2008,
1180:Dtv/Hanser, Munich 2005,
1079:Dtv/Hanser, Munich 2002,
1061:Dtv/Hanser, Munich 2002,
394:Cover: Schnablgwax (2016)
71:Leitner is co-founder of
2661:"Leidenschaft und Lyrik"
2557:Bayerische Staatszeitung
2494:, 19. November 1993
2300:MUH. Bayerische Aspekte.
812:Selected Poems 1981-2015
599:Bayerischer Poetentaler,
573:Victor Otto Stomps-Prize
520:Hans Magnus Enzensberger
428:Cover: Wadlbeissn (2021)
2444:Wechselfälle der Liebe,
2174:Spiel mit Perspektiven,
2033:Nicht bei dieser Hitze,
1808:Schreite fort, Schritt,
1728:Schreite fort, Schritt,
1656:German National Library
1589:. Piper, München 1986,
1011:Goldmann, Munich 1989,
993:Goldmann, Munich 1988,
975:Goldmann, Munich 1987,
384:MUH. Bayerische Aspekte
374:Leitner's publication,
97:Wittelsbacher-Gymnasium
2617:, September 30th, 1996
2568:Die Lyrik-Zeitschrift
2543:, 25. Januar 2000
2082:Schreite fort, Schritt
2049:Kritik in aller Kürze,
1836:Der Verleger als Poet,
1436:Gedichte für Reisende.
1192:Der Garten der Poesie.
631:Deutscher Verlagspreis
617:Deutscher Verlagspreis
608:Cultural Prize of the
565:Cultural Prize of the
442:Publishing and editing
429:
395:
346:
337:Humor – irony – parody
318:
304:, and of the verse of
214:
181:
140:
24:
23:Anton G. Leitner, 2020
2396:Aufgescheuchte Kinder
2360:Kölner Stadt-Anzeiger
2029:Kölner Stadt-Anzeiger
2001:Feuilleton Literatur,
1708:Kölner Stadt-Anzeiger
1348:. Dtv, München 2009,
1334:. Dtv, München 2009,
1320:. Dtv, München 2009,
1095:Artemis & Winkler
1045:Unterwegs ins Offene.
915:Children's Literature
448:Artemis & Winkler
427:
393:
344:
212:
138:
35:Artemis & Winkler
22:
2601:, October 23rd, 2012
2599:Bayerischer Rundfunk
2574:Neue Zürcher Zeitung
2559:, November 8th, 1996
2505:Bayerischer Rundfunk
2190:Zwischen den Zeilen,
2150:Ulrich Johannes Beil
2088:Ulrich Johannes Beil
2061:Ulrich Johannes Beil
1884:11./12. August 2001.
1863:Aachener Nachrichten
973:Gedichte über Leben.
820:Anatoly Kudryavitsky
415:RBB cultural program
269:Ulrich Johannes Beil
199:Bayerischer Rundfunk
91:Leitner was born in
2723:www.stmwk.bayern.de
2428:Lustvoll zur Lyrik,
2250:Stuttgarter Zeitung
2186:Süddeutsche Zeitung
1910:Süddeutsche Zeitung
1878:Süddeutsche Zeitung
1762:18.01.1987 S. VIII.
1740:Süddeutsche Zeitung
1724:Süddeutsche Zeitung
1583:Dietz-Rüdiger Moser
1438:Dtv, München 2015,
1424:Dtv, München 2012,
1422:Weihnachtsgedichte.
816:Paul-Henri Campbell
610:Süddeutsche Zeitung
593:Landkreis Starnberg
496:Hanns-Josef Ortheil
351:Süddeutsche Zeitung
238:Style and technique
219:Süddeutsche Zeitung
191:Süddeutsche Zeitung
121:County of Starnberg
81:Poets of the Planet
2615:Mindener Tageblatt
2593:2013-06-17 at the
2218:Starnberger Merkur
2134:Starnberger Merkur
2080:Anton G. Leitner:
1960:Anton G. Leitner:
1924:Anton G. Leitner:
1848:Deutsche Tagespost
1788:Starnberger Merkur
1601:Alfons Schweiggert
1404:Dtv, Munich 2011,
1306:Dtv, Munich 2009,
1292:Dtv, Munich 2008,
1208:Dtv, Munich 2007,
430:
396:
347:
228:Alexander Nitzberg
215:
141:
25:
2863:German male poets
2820:978-3-939905-60-8
2774:978-3-929433-29-6
2108:16.06.1995 S. 13.
2003:08.12.2011 S. 71.
1969:Joachim Sartorius
1933:Joachim Sartorius
1853:17.05.1986 S. 15.
1838:21.04.2001 S. 42.
1778:26.06.1986 S. 38.
1548:978-3-15-011377-6
1528:978-3-15-011249-6
1514:978-3-15-011051-5
1500:978-3-15-011099-7
1492:Heimat. Gedichte.
1486:978-3-15-011080-5
1472:978-3-929433-26-5
1458:978-3-89126-310-5
1444:978-3-423-14393-6
1430:978-3-423-14165-9
1410:978-3-423-14006-5
1396:978-3-939905-71-4
1382:978-3-939905-60-8
1368:978-3-15-010727-0
1354:978-3-423-13779-9
1340:978-3-423-13778-2
1326:978-3-423-13777-5
1312:978-3-423-13754-6
1298:978-3-423-13726-3
1284:978-3-938704-70-7
1270:978-3-938704-59-2
1256:978-3-423-62341-4
1242:978-3-938704-36-3
1228:978-3-15-018368-7
1214:978-3-423-13561-0
877:978-3-929433-39-5
860:978-3-86222-352-7
846:978-2-919376-71-1
832:978-1-9995903-8-3
806:978-3-929433-34-0
798:978-3-929433-28-9
790:978-3-929433-27-2
764:978-3-89126-192-7
750:978-3-939905-81-3
672:Kleine Welt Runde
589:Kulturförderpreis
579:Kogge-Förderpreis
413:commented in the
232:Joachim Sartorius
113:Oberlandesgericht
77:PEN International
2870:
2823:
2808:
2802:
2783:
2777:
2766:
2760:
2759:
2757:
2756:
2740:
2734:
2733:
2731:
2730:
2715:
2709:
2708:
2706:
2705:
2689:
2683:
2682:
2680:
2679:
2656:
2650:
2649:
2647:
2646:
2624:
2618:
2608:
2602:
2583:
2577:
2566:
2560:
2550:
2544:
2530:
2524:
2514:
2508:
2501:
2495:
2485:
2479:
2469:
2463:
2453:
2447:
2437:
2431:
2421:
2415:
2405:
2399:
2389:
2383:
2376:Eßlinger Zeitung
2373:
2367:
2357:
2351:
2341:
2335:
2325:
2319:
2309:
2303:
2292:
2286:
2283:
2277:
2263:
2257:
2247:
2241:
2231:
2225:
2215:
2209:
2199:
2193:
2183:
2177:
2167:
2161:
2147:
2141:
2131:
2125:
2115:
2109:
2102:Darmstädter Echo
2099:
2093:
2078:
2072:
2058:
2052:
2042:
2036:
2026:
2020:
2010:
2004:
1994:
1988:
1978:
1972:
1958:
1952:
1942:
1936:
1922:
1916:
1907:
1901:
1891:
1885:
1875:
1869:
1860:
1854:
1845:
1839:
1830:
1824:
1801:
1795:
1785:
1779:
1769:
1763:
1756:Der Tagesspiegel
1753:
1747:
1737:
1731:
1721:
1715:
1705:
1699:
1689:
1619:Joseph Kürschner
1166:, Leipzig 2005,
1135:, Leipzig 2004,
1118:, Leipzig 2004,
1021:Thomas C. Becker
1003:Thomas C. Becker
184:
161:Vladimir Sorokin
43:
28:Anton G. Leitner
2878:
2877:
2873:
2872:
2871:
2869:
2868:
2867:
2828:
2827:
2826:
2809:
2805:
2784:
2780:
2767:
2763:
2754:
2752:
2742:
2741:
2737:
2728:
2726:
2717:
2716:
2712:
2703:
2701:
2691:
2690:
2686:
2677:
2675:
2665:sueddeutsche.de
2658:
2657:
2653:
2644:
2642:
2632:sueddeutsche.de
2626:
2625:
2621:
2609:
2605:
2595:Wayback Machine
2584:
2580:
2567:
2563:
2551:
2547:
2531:
2527:
2515:
2511:
2502:
2498:
2486:
2482:
2470:
2466:
2454:
2450:
2438:
2434:
2422:
2418:
2406:
2402:
2390:
2386:
2374:
2370:
2358:
2354:
2344:Rheinische Post
2342:
2338:
2328:Rheinische Post
2326:
2322:
2312:RBB Kulturradio
2310:
2306:
2293:
2289:
2284:
2280:
2264:
2260:
2248:
2244:
2234:Rheinische Post
2232:
2228:
2216:
2212:
2202:RBB Kulturradio
2200:
2196:
2184:
2180:
2168:
2164:
2148:
2144:
2132:
2128:
2116:
2112:
2100:
2096:
2079:
2075:
2059:
2055:
2043:
2039:
2027:
2023:
2011:
2007:
1995:
1991:
1979:
1975:
1959:
1955:
1943:
1939:
1923:
1919:
1908:
1904:
1892:
1888:
1876:
1872:
1861:
1857:
1846:
1842:
1831:
1827:
1802:
1798:
1786:
1782:
1772:Münchner Merkur
1770:
1766:
1754:
1750:
1738:
1734:
1722:
1718:
1706:
1702:
1690:
1686:
1682:
1648:
1579:
938:
826:, Dublin 2018,
824:Survision Books
645:
640:
581:of the City of
558:
546:
540:
444:
407:
401:
364:Rheinische Post
339:
265:
240:
207:
177:
133:
125:Helmut Krausser
89:
37:
17:
12:
11:
5:
2876:
2874:
2866:
2865:
2860:
2855:
2853:German editors
2850:
2845:
2840:
2830:
2829:
2825:
2824:
2803:
2778:
2761:
2749:Süddeutsche.de
2735:
2710:
2698:Süddeutsche.de
2684:
2651:
2619:
2603:
2578:
2572:news article,
2561:
2545:
2525:
2509:
2496:
2492:Basler Zeitung
2480:
2464:
2448:
2432:
2416:
2400:
2384:
2368:
2352:
2336:
2320:
2304:
2294:Rudolf Siegl:
2287:
2278:
2258:
2242:
2226:
2210:
2194:
2178:
2162:
2142:
2126:
2110:
2094:
2073:
2053:
2037:
2021:
2017:Abends, immer,
2005:
1989:
1973:
1953:
1937:
1917:
1902:
1886:
1870:
1855:
1851:Schreite fort,
1840:
1825:
1796:
1780:
1764:
1748:
1732:
1716:
1700:
1683:
1681:
1678:
1677:
1676:
1670:
1664:
1659:
1647:
1646:Online sources
1644:
1643:
1642:
1636:
1616:
1598:
1578:
1575:
1574:
1573:
1558:
1557:
1554:
1551:
1550:
1537:
1531:
1517:
1503:
1489:
1475:
1461:
1447:
1433:
1419:
1413:
1399:
1385:
1371:
1357:
1343:
1329:
1315:
1301:
1287:
1273:
1259:
1245:
1231:
1217:
1203:
1189:
1175:
1158:
1144:
1127:
1110:
1088:
1074:
1056:
1042:
1024:
1006:
988:
970:
943:
942:
937:
934:
933:
932:
917:
916:
913:
910:
909:
894:
893:
890:
887:
886:
880:
863:
849:
835:
809:
779:
773:
767:
753:
739:
725:
711:
697:
683:
669:
650:
649:
644:
641:
639:
638:Selected works
636:
635:
634:
626:
620:
612:
606:Tassilo-Preis,
602:
595:
585:
575:
569:
567:Stiftung Lesen
557:
554:
542:Main article:
539:
536:
524:Michael Krüger
468:Herzenspoesie,
443:
440:
411:Salli Sallmann
403:Main article:
400:
397:
359:Salli Sallmann
338:
335:
323:existentialism
298:Giannis Ritsos
264:
261:
244:Steffen Jacobs
239:
236:
206:
203:
176:
173:
153:Nicola Bardola
132:
129:
88:
85:
75:and member of
15:
13:
10:
9:
6:
4:
3:
2:
2875:
2864:
2861:
2859:
2858:Living people
2856:
2854:
2851:
2849:
2846:
2844:
2841:
2839:
2836:
2835:
2833:
2821:
2817:
2813:
2807:
2804:
2800:
2799:3-491-91110-9
2796:
2792:
2788:
2785:als Hörbuch:
2782:
2779:
2775:
2771:
2765:
2762:
2750:
2746:
2739:
2736:
2724:
2720:
2714:
2711:
2699:
2695:
2688:
2685:
2674:
2670:
2667:(in German).
2666:
2662:
2655:
2652:
2641:
2637:
2633:
2629:
2623:
2620:
2616:
2612:
2607:
2604:
2600:
2596:
2592:
2589:
2588:
2582:
2579:
2575:
2571:
2565:
2562:
2558:
2554:
2549:
2546:
2542:
2541:
2536:
2535:
2529:
2526:
2522:
2518:
2513:
2510:
2506:
2500:
2497:
2493:
2489:
2484:
2481:
2477:
2473:
2468:
2465:
2461:
2457:
2452:
2449:
2445:
2441:
2436:
2433:
2429:
2425:
2420:
2417:
2413:
2409:
2404:
2401:
2397:
2393:
2388:
2385:
2381:
2377:
2372:
2369:
2365:
2361:
2356:
2353:
2349:
2345:
2340:
2337:
2333:
2329:
2324:
2321:
2317:
2313:
2308:
2305:
2301:
2297:
2291:
2288:
2282:
2279:
2275:
2271:
2267:
2266:Günter Kunert
2262:
2259:
2255:
2251:
2246:
2243:
2239:
2235:
2230:
2227:
2223:
2219:
2214:
2211:
2207:
2203:
2198:
2195:
2191:
2187:
2182:
2179:
2175:
2171:
2166:
2163:
2159:
2155:
2151:
2146:
2143:
2139:
2135:
2130:
2127:
2123:
2119:
2114:
2111:
2107:
2103:
2098:
2095:
2091:
2089:
2086:Nachwort von
2083:
2077:
2074:
2070:
2066:
2062:
2057:
2054:
2050:
2046:
2041:
2038:
2034:
2030:
2025:
2022:
2018:
2014:
2009:
2006:
2002:
1998:
1993:
1990:
1986:
1982:
1977:
1974:
1970:
1966:
1963:
1957:
1954:
1950:
1946:
1941:
1938:
1934:
1930:
1927:
1921:
1918:
1914:
1911:
1906:
1903:
1899:
1895:
1890:
1887:
1883:
1879:
1874:
1871:
1867:
1864:
1859:
1856:
1852:
1849:
1844:
1841:
1837:
1834:
1829:
1826:
1822:
1818:
1814:
1809:
1805:
1800:
1797:
1793:
1789:
1784:
1781:
1777:
1773:
1768:
1765:
1761:
1757:
1752:
1749:
1745:
1741:
1736:
1733:
1729:
1725:
1720:
1717:
1713:
1709:
1704:
1701:
1697:
1693:
1688:
1685:
1679:
1674:
1671:
1668:
1665:
1663:
1660:
1657:
1653:
1650:
1649:
1645:
1640:
1637:
1634:
1630:
1626:
1625:
1620:
1617:
1614:
1613:3-89251-340-6
1610:
1606:
1602:
1599:
1596:
1595:3-492-00774-0
1592:
1588:
1584:
1581:
1580:
1576:
1571:
1570:3-935877-13-7
1567:
1563:
1560:
1559:
1555:
1553:
1552:
1549:
1545:
1541:
1538:
1535:
1532:
1529:
1525:
1521:
1518:
1515:
1511:
1507:
1504:
1501:
1497:
1493:
1490:
1487:
1483:
1479:
1476:
1473:
1469:
1465:
1462:
1459:
1455:
1451:
1448:
1445:
1441:
1437:
1434:
1431:
1427:
1423:
1420:
1417:
1414:
1411:
1407:
1403:
1400:
1397:
1393:
1389:
1386:
1383:
1379:
1375:
1372:
1369:
1365:
1361:
1358:
1355:
1351:
1347:
1344:
1341:
1337:
1333:
1330:
1327:
1323:
1319:
1316:
1313:
1309:
1305:
1302:
1299:
1295:
1291:
1288:
1285:
1281:
1277:
1274:
1271:
1267:
1263:
1260:
1257:
1253:
1249:
1246:
1243:
1239:
1235:
1232:
1229:
1225:
1221:
1218:
1215:
1211:
1207:
1204:
1201:
1200:3-423-13860-2
1197:
1193:
1190:
1187:
1186:3-423-62228-8
1183:
1179:
1176:
1173:
1172:3-379-00857-5
1169:
1165:
1164:Reclam Verlag
1162:
1159:
1156:
1155:3-423-62186-9
1152:
1148:
1145:
1142:
1141:3-379-00824-9
1138:
1134:
1133:Reclam Verlag
1131:
1128:
1125:
1124:3-379-00825-7
1121:
1117:
1116:Reclam Verlag
1114:
1111:
1108:
1107:3-538-06954-9
1104:
1100:
1096:
1092:
1089:
1086:
1085:3-423-62124-9
1082:
1078:
1075:
1072:
1068:
1067:3-423-62088-9
1064:
1060:
1057:
1054:
1053:3-930137-96-8
1050:
1046:
1043:
1040:
1039:Anton Wallner
1036:
1035:3-926684-15-1
1032:
1028:
1025:
1022:
1018:
1017:3-442-09642-1
1014:
1010:
1007:
1004:
1000:
999:3-442-21036-4
996:
992:
989:
986:
982:
981:3-442-21013-5
978:
974:
971:
968:
964:
963:Friedrich Ani
960:
959:3-88684-056-5
956:
952:
948:
945:
944:
940:
939:
935:
930:
929:3-551-05739-7
926:
922:
919:
918:
914:
912:
911:
907:
906:3-932191-05-6
903:
899:
896:
895:
891:
889:
888:
884:
881:
878:
874:
870:
867:
864:
861:
857:
853:
850:
847:
843:
839:
836:
833:
829:
825:
821:
817:
813:
810:
807:
803:
799:
795:
791:
787:
783:
780:
777:
774:
771:
768:
765:
761:
757:
754:
751:
747:
743:
740:
737:
736:3-929517-75-2
733:
729:
726:
723:
722:3-86520-052-4
719:
715:
712:
709:
708:3-935877-14-5
705:
701:
698:
695:
694:3-930137-53-4
691:
687:
684:
681:
680:3-930137-20-8
677:
673:
670:
667:
666:3-925638-03-2
663:
659:
655:
652:
651:
647:
646:
642:
637:
633:
632:
627:
625:
621:
619:
618:
613:
611:
607:
603:
600:
596:
594:
590:
586:
584:
580:
576:
574:
570:
568:
564:
560:
559:
555:
553:
551:
545:
537:
535:
531:
529:
525:
521:
517:
516:Friedrich Ani
513:
507:
505:
501:
497:
491:
489:
485:
481:
477:
473:
469:
465:
461:
457:
453:
449:
441:
439:
436:
426:
422:
420:
416:
412:
406:
398:
392:
388:
385:
381:
377:
372:
369:
368:Günter Kunert
365:
360:
356:
352:
343:
336:
334:
332:
328:
327:Thomas Krüger
324:
317:
315:
311:
307:
303:
302:J. R. Jimenez
299:
295:
289:
287:
283:
279:
278:Lutz Rathenow
275:
274:Fritz Deppert
270:
262:
260:
257:
256:Abends, immer
253:
249:
248:Abends, immer
245:
237:
235:
233:
229:
225:
220:
211:
204:
202:
200:
196:
192:
188:
183:
174:
172:
170:
166:
162:
158:
154:
150:
149:Michael Lentz
146:
145:Friedrich Ani
137:
130:
128:
126:
122:
118:
114:
110:
106:
102:
98:
94:
86:
84:
82:
78:
74:
69:
65:
63:
59:
55:
51:
47:
41:
36:
31:
29:
21:
2843:German poets
2806:
2786:
2781:
2776:Weßling 2003
2764:
2753:. Retrieved
2748:
2738:
2727:. Retrieved
2722:
2713:
2702:. Retrieved
2697:
2687:
2676:. Retrieved
2664:
2654:
2643:. Retrieved
2631:
2622:
2610:
2606:
2586:
2581:
2569:
2564:
2552:
2548:
2538:
2533:
2528:
2516:
2512:
2499:
2487:
2483:
2475:
2467:
2460:Ois is easy,
2459:
2451:
2443:
2435:
2427:
2419:
2408:lyrikzeitung
2403:
2392:lyrikzeitung
2387:
2379:
2371:
2363:
2355:
2347:
2339:
2331:
2323:
2315:
2307:
2299:
2295:
2290:
2281:
2273:
2269:
2261:
2253:
2245:
2237:
2229:
2221:
2213:
2205:
2197:
2189:
2181:
2173:
2165:
2157:
2153:
2145:
2137:
2129:
2121:
2113:
2105:
2097:
2085:
2081:
2076:
2071:2011 S. 114.
2068:
2064:
2056:
2048:
2040:
2032:
2024:
2016:
2008:
2000:
1992:
1984:
1976:
1964:
1961:
1956:
1948:
1940:
1928:
1925:
1920:
1912:
1905:
1897:
1889:
1881:
1873:
1865:
1858:
1850:
1843:
1835:
1828:
1807:
1799:
1791:
1783:
1775:
1767:
1759:
1751:
1743:
1735:
1727:
1719:
1711:
1703:
1695:
1687:
1638:
1622:
1604:
1586:
1561:
1539:
1533:
1519:
1505:
1491:
1477:
1463:
1449:
1435:
1421:
1415:
1401:
1387:
1373:
1359:
1346:smile. lyrik
1345:
1332:relax. lyrik
1331:
1318:power. lyrik
1317:
1303:
1289:
1275:
1261:
1247:
1233:
1219:
1205:
1191:
1177:
1160:
1146:
1129:
1112:
1090:
1076:
1069:(co-editor:
1058:
1044:
1037:(co-editor:
1026:
1019:(co-editor:
1008:
1001:(co-editor:
990:
983:(co-editor:
972:
967:Norbert Kron
946:
920:
897:
882:
868:
865:
851:
837:
811:
781:
775:
769:
755:
741:
727:
713:
699:
685:
671:
653:
630:
623:
616:
605:
598:
588:
578:
572:
562:
547:
532:
528:Reiner Kunze
508:
499:
492:
467:
445:
431:
418:
408:
383:
375:
373:
354:
348:
319:
294:G. Ungaretti
291:
281:
266:
255:
247:
241:
216:
178:
157:Tagesspiegel
142:
90:
70:
66:
32:
27:
26:
2838:1961 births
2751:(in German)
2725:(in German)
2700:(in German)
2540:Der Spiegel
2537:, article,
2490:, Artikel,
2488:Das Gedicht
2478:18.08.2010.
2462:07.09.2010.
2446:04.11.2004.
2430:13.09.2003.
2414:24.11.2011.
2398:24.11.2011.
2382:04.03.2005.
2350:10.05.2005.
2334:10.05.2005.
2318:25.08.2011.
2276:27.02.2004.
2256:05.09.2009.
2240:10.05.2005.
2224:25.06.2011.
2208:25.08.2011.
2124:24.04.1999.
2051:23.08.2011.
2035:30.07.1998.
2019:02.03.2005.
1987:04.10.2001.
1951:04.10.2001.
1915:17.04.2001.
1817:Ernst Jandl
1794:03.09.1986.
1746:26.01.2011.
1698:22.08.2006.
800:(E-Book) /
550:DAS GEDICHT
504:Franz Schuh
435:Axel Kutsch
380:Georg Queri
306:Karl Krolow
182:DAS GEDICHT
79:as well as
62:DAS GEDICHT
38: [
2832:Categories
2791:Düsseldorf
2755:2023-07-24
2729:2022-10-12
2704:2022-08-03
2678:2018-08-08
2645:2018-08-08
2366:8.08.2001.
1714:8.08.2001.
1680:References
1577:Literature
1099:Düsseldorf
1071:Anja Utler
808:(Hörbuch).
792:(Print) /
314:Propertius
73:PEN Berlin
2673:0174-4917
2640:0174-4917
2519:Artikel,
2172:Nr. 192,
2170:Die Horen
1821:Karl Riha
1813:Paul Wühr
1804:Die Horen
1692:Tageblatt
1658:catalogue
1633:0343-0936
1621:(Begr.):
951:Rosenheim
936:As editor
643:As author
488:Gernhardt
331:Die Horen
109:clerkship
2814:. 2010,
2789:Patmos,
2591:Archived
2472:Die Welt
2456:Bayern 2
2440:Die Welt
2424:Die Welt
2154:Vorwort,
2118:Die Welt
2065:Nachwort
2013:Die Welt
1997:Die Zeit
1981:Die Zeit
1945:Die Zeit
1833:Die Welt
1806:Nr. 189
985:Olaf Alp
563:AusLese,
484:Wedekind
460:Goldmann
310:Catullus
286:Die Welt
252:Die Welt
224:Die Zeit
195:Die Zeit
189:, mare,
187:Brigitte
165:Goldmann
54:Goldmann
2801:(1 CD).
2270:Preface
1654:in the
1603:(ed.):
1585:(ed.):
480:Klabund
117:Weßling
111:at the
83:(PoP).
2818:
2797:
2793:2002,
2772:
2671:
2638:
2412:Kinder
2122:Engel,
1631:
1611:
1593:
1568:
1556:Essays
1546:
1526:
1512:
1498:
1484:
1470:
1456:
1442:
1428:
1408:
1394:
1380:
1366:
1352:
1338:
1324:
1310:
1296:
1282:
1268:
1254:
1240:
1226:
1212:
1198:
1184:
1170:
1153:
1139:
1122:
1105:
1101:2002,
1083:
1065:
1051:
1033:
1023:u.a.).
1015:
997:
979:
969:u.a.).
961:(with
957:
953:1985,
941:Poetry
927:
904:
875:
858:
844:
830:
804:
796:
788:
762:
748:
734:
720:
706:
692:
678:
664:
660:1986,
658:Aachen
648:Poetry
628:2023:
622:2022:
614:2022:
604:2016:
597:2015:
587:2001:
583:Minden
577:1999:
571:1997:
561:1996:
556:Awards
486:, and
472:Goethe
464:Reclam
462:, and
456:Hanser
454:, dtv/
175:Poetry
169:Berlin
101:Munich
93:Munich
58:Reclam
56:, and
50:Hanser
48:, dtv/
2160:1997.
2092:1986.
1971:2001.
1935:2001.
892:Prose
476:Heine
282:Angel
42:]
2816:ISBN
2795:ISBN
2770:ISBN
2669:ISSN
2636:ISSN
2272:in:
1967:von
1931:von
1819:und
1629:ISSN
1609:ISBN
1591:ISBN
1566:ISBN
1544:ISBN
1524:ISBN
1510:ISBN
1496:ISBN
1482:ISBN
1468:ISBN
1454:ISBN
1440:ISBN
1426:ISBN
1406:ISBN
1392:ISBN
1378:ISBN
1364:ISBN
1350:ISBN
1336:ISBN
1322:ISBN
1308:ISBN
1294:ISBN
1280:ISBN
1266:ISBN
1252:ISBN
1238:ISBN
1224:ISBN
1210:ISBN
1196:ISBN
1182:ISBN
1168:ISBN
1151:ISBN
1137:ISBN
1120:ISBN
1103:ISBN
1081:ISBN
1063:ISBN
1049:ISBN
1031:ISBN
1013:ISBN
995:ISBN
977:ISBN
955:ISBN
925:ISBN
902:ISBN
873:ISBN
856:ISBN
842:ISBN
828:ISBN
802:ISBN
794:ISBN
786:ISBN
760:ISBN
746:ISBN
732:ISBN
718:ISBN
704:ISBN
690:ISBN
676:ISBN
662:ISBN
312:and
87:Life
2156:zu
2067:zu
518:to
512:SMS
452:dtv
284:in
250:in
99:in
46:dtv
2834::
2747:.
2721:.
2696:.
2663:.
2630:.
2555:,
2474:,
2458:,
2442:,
2426:,
2410:,
2394:,
2378:,
2362:,
2346:,
2330:,
2314:,
2268:,
2252:,
2236:,
2220:,
2204:,
2188:,
2152:,
2136:,
2120:,
2104:,
2084:,
2063:,
2047:,
2031:,
2015:,
1999:,
1983:,
1947:,
1896:,
1894:tz
1880:,
1815:,
1790:,
1774:,
1758:,
1742:,
1726:,
1710:,
1097:,
1093:.
1073:).
1041:).
1005:).
987:).
965:,
818:,
591:,
526:,
522:,
490:.
482:,
478:,
474:,
458:,
450:,
325:.
300:,
296:,
226:,
197:,
193:,
171:.
151:,
147:,
52:,
44:,
40:de
2822:.
2758:.
2732:.
2707:.
2681:.
2648:.
2090:,
1635:.
1615:.
1597:.
1572:.
1530:.
1516:.
1502:.
1488:.
1474:.
1412:.
1398:.
1384:.
1370:.
1356:.
1342:.
1328:.
1286:.
1272:.
1258:.
1244:.
1230:.
1216:.
1174:.
1157:.
1143:.
1126:.
1109:.
1087:.
908:.
879:.
862:.
848:.
834:.
766:.
738:.
724:.
696:.
682:.
668:.
510:(
119:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
