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Anton Kannemeyer

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158:. In "Pappa in Afrika", Tintin becomes a white African, depicted either as a white liberal or as a racist white imperialist in Africa. In this stereotyped satire, the whites are superior, literate and civilised, and the blacks are savage and dumb. In "Peekaboo", a large acrylic work, the white African is jumping up in alarm as a black man figure pokes his head out of the jungle shouting an innocuous ' 128:
in 1992 and has become revered for its subversive stance and dark humor. He has been criticized for making use of "offensive, racist imagery". Kannemeyer himself said that he gets "lots of hate mail from white
327: 408: 287: 351: 433: 144:. “X is for Xenophobia”, part of his "Alphabet of Democracy", depicts Ernesto Nhamwavane, a Mozambican immigrant who was burnt alive in 244: 428: 413: 148:
in 2008. Some of Kannemeyer's works deal with the issues of race relations and colonialism, by appropriating the style of
101: 97: 423: 93: 163: 418: 305: 154: 121: 262: 316: 162:!' A cartoon called "The Liberals" has been interpreted as an attack on white fear, bigotry and 284: 240: 338: 170:) are about to rape a white lady, who calls her attackers "historically disadvantaged men". 291: 116:. He studied graphic design and illustration at the University of Stellenbosch, and did a 379: 393: 117: 402: 368: 145: 88:(born 1967) is a South African comics artist, who sometimes goes by the pseudonym 130: 67: 167: 141: 137: 113: 46: 159: 149: 380:
Anton Kannemeyer: Fear of a Black Planet at Michael Stevenson - ArtThrob
273: 352:"What a (Self) Portrait Can Do: Picturing South Africa in New York" 306:
Denying the privileged a voice - Arts - Mail & Guardian Online
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His works challenge the rigid image of Afrikaners promoted under
140:, and depict Afrikaners having nasty sex and mangling their 239:. Johannesburg, South Africa: Jacanda Media. p. 214. 120:
degree in illustration after graduating. Together with
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Anton Kannemeyer - The Haunt of Fears - New York Times
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The Brilliant Weirdness of Die Antwoord - NYTimes.com
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Book Review – As sharp as a sushi knife | City Press
166:: a group of anonymous black people (who look like 73: 61: 53: 28: 23: 263:The profane world of Anton Kannemeyer - ArtThrob 394:Anton Kannemeyer - White Fright | ION MAGAZINE 8: 258: 256: 20: 235:Kannemeyer, Anton; Botes, Conrad (2006). 100:, and was also a senior lecturer at the 227: 7: 301: 299: 369:Pappa in Afrika -The M&G Online 285:Brodie/Stevenson - Anton Kannemeyer 14: 350:Heller, Maxwell (January 2012). 237:The Big Bad Bitterkomix handbook 180:The Big Bad Bitterkomix Handbook 92:. Kannemeyer has lectured the 1: 124:, he co-founded the magazine 112:Anton Kannemeyer was born in 409:South African comics artists 16:South African comics artist 450: 434:White South African people 102:University of Stellenbosch 290:February 3, 2012, at the 152:’s comics, namely from 98:Technikon Witwatersrand 429:Artists from Cape Town 274:Comic creator: Joe Dog 186:Fear of a Black Planet 94:University of Pretoria 414:South African artists 198:Alphabet of Democracy 164:political correctness 155:Tintin in the Congo 356:The Brooklyn Rail 83: 82: 441: 382: 377: 371: 366: 360: 359: 347: 341: 336: 330: 325: 319: 314: 308: 303: 294: 282: 276: 271: 265: 260: 251: 250: 232: 86:Anton Kannemeyer 76: 64: 44: 40: 38: 32:Anton Kannemeyer 24:Anton Kannemeyer 21: 449: 448: 444: 443: 442: 440: 439: 438: 399: 398: 390: 385: 378: 374: 367: 363: 349: 348: 344: 337: 333: 326: 322: 315: 311: 304: 297: 292:Wayback Machine 283: 279: 272: 268: 261: 254: 247: 234: 233: 229: 225: 204:Pappa in Afrika 176: 110: 74: 62: 45: 42: 41:30 October 1967 36: 34: 33: 17: 12: 11: 5: 447: 445: 437: 436: 431: 426: 421: 416: 411: 401: 400: 397: 396: 389: 388:External links 386: 384: 383: 372: 361: 342: 331: 320: 309: 295: 277: 266: 252: 245: 226: 224: 221: 220: 219: 216:Bitterkomix 17 213: 210:Bitterkomix 16 207: 201: 195: 192:Bitterkomix 15 189: 183: 175: 172: 118:Master of Arts 109: 106: 81: 80: 77: 71: 70: 65: 59: 58: 57:South African 55: 51: 50: 49:, South Africa 30: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 446: 435: 432: 430: 427: 425: 424:Living people 422: 420: 417: 415: 412: 410: 407: 406: 404: 395: 392: 391: 387: 381: 376: 373: 370: 365: 362: 357: 353: 346: 343: 340: 335: 332: 329: 324: 321: 318: 313: 310: 307: 302: 300: 296: 293: 289: 286: 281: 278: 275: 270: 267: 264: 259: 257: 253: 248: 246:1-77009-303-6 242: 238: 231: 228: 222: 217: 214: 211: 208: 205: 202: 199: 196: 193: 190: 187: 184: 181: 178: 177: 173: 171: 169: 165: 161: 157: 156: 151: 147: 143: 139: 134: 132: 127: 123: 119: 115: 107: 105: 103: 99: 95: 91: 87: 78: 72: 69: 66: 60: 56: 52: 48: 43:(age 56) 31: 27: 22: 19: 375: 364: 355: 345: 334: 323: 312: 280: 269: 236: 230: 215: 209: 203: 197: 191: 185: 179: 174:Bibliography 153: 146:Johannesburg 135: 125: 122:Conrad Botes 111: 89: 85: 84: 75:Pseudonym(s) 18: 419:1967 births 126:Bitterkomix 54:Nationality 403:Categories 223:References 131:Afrikaners 68:Cartoonist 37:1967-10-30 168:golliwogs 142:Afrikaans 138:Apartheid 114:Cape Town 108:Biography 47:Cape Town 288:Archived 160:peekaboo 90:Joe Dog 79:Joe Dog 63:Area(s) 243:  218:(2016) 212:(2013) 206:(2010) 200:(2010) 194:(2008) 188:(2008) 182:(2006) 150:HergĂ© 241:ISBN 29:Born 133:". 405:: 354:. 298:^ 255:^ 104:. 96:, 39:) 358:. 249:. 35:(

Index

Cape Town
Cartoonist
University of Pretoria
Technikon Witwatersrand
University of Stellenbosch
Cape Town
Master of Arts
Conrad Botes
Afrikaners
Apartheid
Afrikaans
Johannesburg
Hergé
Tintin in the Congo
peekaboo
political correctness
golliwogs
ISBN
1-77009-303-6


The profane world of Anton Kannemeyer - ArtThrob
Comic creator: Joe Dog
Brodie/Stevenson - Anton Kannemeyer
Archived
Wayback Machine


Denying the privileged a voice - Arts - Mail & Guardian Online
The Brilliant Weirdness of Die Antwoord - NYTimes.com

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