22:
55:
From a critical perspective, his work addresses social, political, and communications issues from all around the world, such as the relationship between public and private space within specific social frameworks, and investigates channels of information, and the ways they may be used to censor or
120:
in
Rochester, the Banff Centre in Alberta, Arteleku in San Sebastian, The National Studio for Contemporary Arts Le Fresnoy, and the University of Western Sydney. He maintained a relationship with the MIT in Cambridge for longer than 35 years (1977-2014), which is of special importance. There,
116:, the Cooper Union in New York, the Fine Arts Academy in Beijing (CAFA), the Art University in Tokyo, the University of São Paulo, and the University of Buenos Aires. He has also been invited as a resident artist and consulting advisor at various research and education centers including the
60:– to allude the "ever-expanding presence" of mass media, advertising and audiovisual material in the public space – and "critical subjectivity" – to refer to the critical modes of perception, thought, and subject configuration. These concepts are key to understand his artistic proposal.
107:
Within the academic field, Muntadas has taught and directed seminars at diverse institutions throughout Europe and the United States, including the
National School of Fine Arts in Paris, the Fine Arts Schools in Bordeaux and Grenoble, the
132:, the National Endowment for the Arts, the New York State Council on the Arts, Arts Electronica in Linz, Laser d'Or in Locarno, the Premi Nacional d’Arts Plàstiques awarded by the Catalan Government and the 2005
46:
since 1971. His work often addresses social, political and communications issues through different media: such as photography, video, text and image publications, the
Internet, and multi-media installations.
63:
His projects are presented in different mediums, such as photography, video, publications, the
Internet, installations and urban interventions, and have been exhibited in numerous museums, including the
2135:
21:
136:. One of his most recent awards is the Premio Velázquez de las Artes Plásticas 2009 granted by the Spanish Ministry of Culture. In 2016 he was invited to Geneva in the framework of the
1891:
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Muntadas first exercised as a research fellow, then as a lecturer and professor in practice. Currently, he is teaching at the Veneto
Institute of Architecture in Venice.
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in Madrid, the Museo de Arte
Moderno in Buenos Aires, the Museu de Arte Moderna in Rio de Janeiro, the
1998:
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held a collective exhibition at the PalmaDotze gallery in Santa
Margarida los Monjos (
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39:
2065:"The Muntadas Archive Association. Center of Studies and Research (ARXIU/AM)"
2010:
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Kassel (1977, 1997), the
Whitney Biennal of American Art (1991), the 51st
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Veni, Vidi, Vici [proyecto especial para el homenaje, con Coralí Mercader
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Ordeal of
Picasso's heirs. The New York Times Magazine. April 20th, 1980
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Muntadas has received several prizes and grants, including those of the
1755:
Projectes / Propostes. Proyectos / Propuestas. Projects / Proposals
20:
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post No Bills / Defense / d’Afficher / Prohibido fijar carteles
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2032:"Antoni Muntadas gana el Premio Nacional de Artes Plásticas"
92:(1976, 2005) and those in São Paulo, Lyon, Taipei, Gwangju,
1882:(Centro-Museo Vasco de Arte Contemporáneo), Vitoria-Gasteiz
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Acción / Situación: Hoy. Proyecto A Través De
Latinoamérica
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Concierto Sensorial / Concert Sensorial / Sensorial Concert
56:
promulgate ideas. Following this line, he coined the terms
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Most important Muntadas projects between 1971 and 2019:
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in California, the Musée Contemporain de Montreal, the
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1999:"Miralda y Muntadas, arte entre viñedos del Penedès"
1559:…quien la hace la paga…que cada uno aguante su vela…
1487:
On Translation: Açik Radyo (Myths & Stereotypes)
1892:Turin Civic Gallery of Modern and Contemporary Art
1351:On Translation: The Internet Project (Automatique)
1862:Some important collections with Muntadas works:
1429:Situation #7 / #10 / #13 / #17 / #21 / #25 / #31
96:and La Havana. Muntadas with the Catalan artist
1132:ATENCIÓN: LA PERCEPCIÓN REQUIERE PARTICIPACIÓN.
952:STANDARTD / Específico – Spécifique – Specific
8:
2136:Antoni Muntadas at Mediateca Media Art space
1809:Asian Protocols: Arroz Conejo (camiseta)
1493:The New York Times Magazine / April 20. 1980
1168:Muntadas – Media Architecture Installations.
461:Serie de acciones nº3 (acciones liberadoras)
2112:The Muntadas Archive Association (ARXIU/AM)
1050:Osservato o Speculazione 1991. Voyeuristica
1922:Museo Nacional Centro de Arte Reina Sofía
1565:Aller/Retour. Citoyenneté et déplacements
425:Propuesta de INFORMACIÓ < D’ARTCONCEPT
126:John Simon Guggenheim Memorial Foundation
74:Museo Nacional Centro de Arte Reina Sofía
827:1983-1993. Between the Frames: The Forum
704:On Translatiorn: Sicherheitsvorschriften
1971:
1250:2003-2006: On Translation: Die Sammlung
134:National Award for Plastic Arts (Spain)
2040:(in Spanish). Madrid. 17 November 2005
1821:On Translation: Fortune Cookie
1928:Museu d'Art Contemporani de Barcelona
1126:On Translation: Comemorações Urbanas.
110:University of California in San Diego
104:) to celebrate its 30th anniversary.
82:Museu d’Art Contemporani de Barcelona
7:
2059:
2057:
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1977:
1975:
1517:. On Translation: Warning / ВНИМАНИЕ
1216:On Translation: The Interview Sibila
335:Experiencia Sangría – Films - Slides
1773:Media Sites / Media Monuments: Roma
1737:Media Sites / Media Monuments: Roma
251:Experiencia 5 (comunicación táctil)
1916:Museum of Contemporary Art Antwerp
1898:Museum of Contemporary Art, Zagreb
1577:Maqueta para “monumento al whisky"
1535:Salt & Sugar…No sugar, No salt
389:Reconocimiento táctil de un cuerpo
14:
1997:Bosco, Roberta (9 January 2020).
1084:Marseille: Mythes et Stéréotypes.
1078:Words: The Press Conference Room.
2083:"Antoni Muntadas | Arts at CERN"
1665:On Translation: Pille, 2006-2014
1267:On Translation: Erinnerungsräume
1731:Architektur / Räume / Gesten II
1511:On Translation: Stand by Moscow
2085:. 13 June 2019. Archived from
1960:Collection, Madrid and Tangier
1904:Institut Valencià d'Art Modern
1613:Asian Protocols: Cartographies
1441:On Translation. Petit et Grand
1345:On Translation: Social Network
1333:On Translation: El tren urbano
1291:On Translation: The Bookstore.
1198:On Translation: The Bookstore
1046:Doppio Senso: Spettato-Re 1991
1:
2186:American installation artists
1815:What are your concerns?
1689:Dérive Veneziane: The Edition
1625:Blackboard Dialog: Redefining
1399:Projecte / Proyecto / Project
1186:On Translation: Il telefonino
1120:On Translation: The Audience.
1072:Architektur / Räume / Gesten.
1006:Stadia / Furniture / Audience
824:1983-1985. haute CULTURE I-II
798:Media Sites / Media Monuments
407:Tactile Recognition of a Body
371:Mano derecha / Mano izquierda
2166:Spanish contemporary artists
1839:Asian Protocols: The Edition
1785:Guadiana
1481:On Translation: Miedo I y II
1457:On Translation: Celebracions
1451:2009. Mirar / Ver / Percibir
1393:On Translation: Miedo / Jauf
1321:On Translation: Fear / Miedo
1108:La siesta / The Nap / Dutje.
1024:Architektur / Räume / Gesten
850:This is Not an Advertisement
764:Watching the Press / Reading
692:Yesterday / Today / Tomorrow
503:Mercados, Calles, Estaciones
233:Espacio (Acción-Interacción)
2181:American conceptual artists
1940:Museum of Modern Art (MoMA)
1369:On Translation: Die Schlage
1210:Estamos condenados al éxito
1204:On Translation: The Message
1180:On Translation: The Edition
1174:On Translation: The Adapter
1144:On Translation: El Aplauso.
1036:Words: The Press Conference
976:Mirroir / Fauteil / Fenêtre
560:Homenaje a Salvadro Allende
413:La piel y veinte materiales
323:Reconocimiento de un cuerpo
281:Acción Bolsas (Wall Street)
114:San Francisco Art Institute
78:Musée Jeu de Paume in Paris
2202:
2176:Artists from New York City
1868:National Gallery of Canada
1845:Complicado
1619:Asian Protocols: Fragments
1375:Bienvenido Mister Marshall
1297:On Translation: I Giardini
1273:On Translation: La Alameda
1228:On Translation: The Symbol
1156:On Translation: Die Stadt.
16:Spanish artist (born 1942)
1984:"Muntadas: Entre/Between"
1315:On Translation: Listening
1285:On Translation: TwoSpaces
1222:On Translation: L’Affiche
509:Celebration of the Senses
239:Acciones subsensoriales 1
1934:Museu d'Art Jaume Morera
1803:La conferencia de prensa
1797:In Girum Revisited
1653:On Translation: Cimitero
1589:On Translation: Segurity
1583:On Translation: Go Round
1423:The Construction of Fear
1138:On Translation: Warning.
908:1987-1988. Nature Mortes
874:Cross-Cultura Television
596:Diario 10 - 22 diciembre
566:Diario 10 – 22 diciembre
353:Recognition of a Terrain
305:Reconeixement d’un espai
1986:(Collective catalogue).
1982:The Museo Reina Sofía.
1827:Finisterre: The Edition
1767:Tale padre, tale figlia
1595:On Translation: Warning
1463:On Translation: Vuitton
1446:2009. Himne dels Himnes
1261:On Translation: On View
1162:On Translation: Warning
868:Exposición – Exhibition
838:Political Advertisement
479:Reflexões sobre a norte
263:Estructura táctil móvil
118:Visual Studies Workshop
42:artist, who resides in
2171:Artists from Barcelona
2161:Artists from Catalonia
1874:Centre George Pompidou
1743:On Translation: Strand
1725:On Translation: Himnes
1719:On Translation: Abroad
1601:Protocolli Veneziani I
994:Stadium I-XV1989-1998.
656:Barcelona Distrito Uno
554:Cadaqués – Canal Local
329:Experincia Parcel Post
138:Arts at CERN programme
130:Rockefeller Foundation
25:
1886:Fundação de Serralves
1833:Guadiana: The Edition
1677:Public/Private Space
1529:Carteras sin ministro
1018:The Limousine Project
856:Marco / Cadre / Frame
590:Cadaqués, Canal local
542:About (2) “228.30.54”
467:Anuncios por palabras
449:Proyecto: 4 elementos
341:Propuesta MORI’S FORM
245:Mensaje Experiencia 3
197:Columna de materiales
24:
1659:On Translation: FIFA
1469:En tiempos de crisis
1417:On Translation: Lloc
1363:Stuttgart (for H.H.)
1357:Histoires du Couteau
1012:Home, Where is Home?
964:Video is Television?
958:Video is Television?
862:Media Hostage S.S.S.
792:. Selling the Future
644:Pamplona - Grazalema
519:1974. Confrontations
365:2 pulsos / 2 latidos
311:Mano -Pelota – Pared
299:Polución audiovisual
66:Museum of Modern Art
1851:Complicado (puzzle)
1749:Palabras, Palabras…
1499:Alphaville e outros
1475:Fear, Panic, Terror
982:Souvenir de Mirabel
970:TVE: Primer intento
916:Monumento genéritdo
804:The Close-Up Series
662:Retrat de Pep Suñol
620:Espacio / Situación
578:Emisión / Recepción
572:. ARTE<->LIFE
293:Escala subsensorial
269:Localización Bolsas
215:Cámara subsensorial
70:Berkeley Art Museum
1779:Finisterre
1713:In Girum Revisited
1695:Prohibido Prohibir
1309:Melitón – Cadaqués
1255:Lo hecho en México
524:Retratos a 11/1/74
515:TV / FEB 27 / 1 PM
383:Huellas corporales
167:Homenaje a Picasso
26:
1952:Walker Art Center
1910:Guggenheim Museum
1701:Asian Protocols:
898:Derrière les Mots
814:Nord / Sud (Elne)
786:Media Ecology Ads
734:Personal / Public
710:Between The Lines
497:ARTE<->LIFE
485:Arts Awareness II
68:in New York, the
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1946:The Banff Centre
1918:(M HKA), Belgium
1683:Dérive Veneziane
1647:Nessuno come noi
1607:...Baixa a bola!
1505:. About Academia
1387:Cuide la pintura
1381:Morgen Toiletten
1339:We are Fantastic
911:1987. Génériques
752:Transmission MIT
632:Emissió/Recepció
377:Transformaciones
179:Formes al carrer
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2131:Video Data Bank
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2089:on 13 June 2019
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1435:Aqua…Quo Vadis?
1114:On Translation.
892:Quarto do fundo
844:Pintar es fácil
686:On Subjectivity
221:Escalera táctil
209:Experiencia 1 B
203:Experiencia 1 A
155:Los subsentidos
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58:media landscape
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1109:
1105:
1103:
1099:
1097:
1093:
1091:
1087:
1085:
1081:
1079:
1075:
1073:
1069:
1067:
1063:
1059:
1057:
1053:
1051:
1047:
1043:
1041:
1037:
1033:
1031:
1027:
1025:
1021:
1019:
1015:
1013:
1009:
1007:
1003:
1001:
997:
995:
991:
989:
985:
983:
979:
977:
973:
971:
967:
965:
961:
959:
955:
953:
949:
947:
943:
941:
937:
935:
931:
929:
925:
923:
919:
917:
913:
910:
907:
905:
901:
899:
895:
893:
889:
887:
883:
881:
877:
875:
871:
869:
865:
863:
859:
857:
853:
851:
847:
845:
841:
839:
835:
833:
829:
826:
823:
821:
817:
815:
811:
809:
805:
801:
799:
795:
793:
789:
787:
783:
781:
777:
775:
771:
769:
765:
761:
759:
755:
753:
749:
747:
743:
741:
737:
735:
731:
729:
725:
723:
722:La Televisión
719:
717:
713:
711:
707:
705:
701:
699:
695:
693:
689:
687:
683:
681:
680:Liège 12/9/77
677:
675:
671:
669:
665:
663:
659:
657:
653:
651:
650:N / S / E / O
647:
645:
641:
639:
635:
633:
629:
627:
623:
621:
617:
615:
611:
609:
605:
603:
599:
597:
593:
591:
587:
585:
584:Confrontation
581:
579:
575:
573:
569:
567:
563:
561:
557:
555:
551:
549:
545:
543:
539:
537:
533:
531:
527:
525:
521:
518:
516:
512:
510:
506:
504:
500:
498:
494:
492:
488:
486:
482:
480:
476:
474:
470:
468:
464:
462:
458:
456:
452:
450:
446:
444:
440:
438:
434:
432:
428:
426:
422:
420:
416:
414:
410:
408:
404:
402:
401:La Vanguardia
398:
396:
392:
390:
386:
384:
380:
378:
374:
372:
368:
366:
362:
360:
359:Experiencia 7
356:
354:
350:
348:
344:
342:
338:
336:
332:
330:
326:
324:
320:
318:
314:
312:
308:
306:
302:
300:
296:
294:
290:
288:
287:Sensorial Way
284:
282:
278:
276:
272:
270:
266:
264:
260:
258:
254:
252:
248:
246:
242:
240:
236:
234:
230:
228:
227:Experiencia 2
224:
222:
218:
216:
212:
210:
206:
204:
200:
198:
194:
192:
188:
186:
182:
180:
176:
174:
173:Experiencia 4
170:
168:
164:
162:
158:
156:
152:
151:
149:
143:
141:
139:
135:
131:
127:
122:
119:
115:
111:
105:
103:
99:
95:
91:
87:
83:
79:
75:
71:
67:
61:
59:
50:
48:
45:
41:
38:
35:, 1942) is a
34:
30:
23:
19:
2091:. Retrieved
2087:the original
2077:
2068:
2042:. Retrieved
2035:
2026:
2014:. Retrieved
2002:
1992:
1958:Gloria Kirby
1894:(GAM), Turin
1861:
1850:
1844:
1838:
1832:
1826:
1820:
1814:
1808:
1802:
1796:
1790:
1784:
1778:
1772:
1766:
1760:
1754:
1748:
1742:
1736:
1730:
1724:
1718:
1712:
1706:
1700:
1694:
1688:
1682:
1676:
1670:
1664:
1658:
1652:
1646:
1640:
1634:
1628:
1624:
1618:
1612:
1606:
1600:
1594:
1588:
1582:
1576:
1570:
1564:
1558:
1552:
1546:
1540:
1534:
1528:
1522:
1516:
1510:
1504:
1498:
1492:
1486:
1480:
1474:
1468:
1462:
1456:
1450:
1445:
1440:
1434:
1428:
1422:
1416:
1410:
1404:
1398:
1392:
1386:
1380:
1374:
1368:
1362:
1356:
1350:
1344:
1338:
1332:
1326:
1320:
1314:
1308:
1302:
1296:
1290:
1284:
1278:
1272:
1266:
1260:
1254:
1246:Tout va Bien
1245:
1239:
1233:
1227:
1221:
1215:
1209:
1203:
1197:
1191:
1185:
1179:
1173:
1167:
1161:
1155:
1149:
1143:
1137:
1131:
1125:
1119:
1113:
1107:
1101:
1095:
1089:
1083:
1077:
1071:
1066:Ciudad Museo
1065:
1062:Ciudad Museo
1061:
1055:
1049:
1045:
1039:
1035:
1029:
1023:
1017:
1011:
1005:
1000:Home / House
999:
993:
987:
981:
975:
969:
963:
957:
951:
945:
939:
933:
928:CEE / Heysel
927:
921:
915:
904:TV Générique
903:
897:
891:
885:
879:
873:
867:
861:
855:
849:
843:
837:
831:
819:
813:
807:
803:
797:
791:
785:
779:
773:
767:
763:
757:
751:
746:Picturephone
745:
739:
733:
727:
721:
715:
709:
703:
697:
691:
685:
679:
673:
667:
661:
655:
649:
643:
642:1975 -1980.
637:
631:
625:
619:
613:
607:
601:
595:
589:
583:
577:
571:
565:
559:
553:
547:
541:
535:
529:
523:
514:
508:
502:
496:
490:
484:
478:
472:
466:
460:
454:
448:
442:
436:
430:
424:
418:
412:
406:
400:
394:
388:
382:
376:
370:
364:
358:
352:
346:
340:
334:
328:
322:
317:Eines Raumes
316:
310:
304:
298:
292:
286:
280:
274:
268:
262:
257:Poema táctil
256:
250:
244:
238:
232:
226:
220:
214:
208:
202:
196:
191:Piano táctil
190:
185:Manipulables
184:
178:
172:
166:
160:
154:
147:
123:
106:
62:
57:
54:
28:
27:
18:
2151:1942 births
2093:29 February
1858:Collections
1761:Puntuacions
1527:2011-2012.
1192:“Un petit…”
1154:1999-2004.
1148:1999-2000.
1136:1999-... .
1124:1998-2002.
1118:1998-2000.
1112:1995-2002.
1082:1992-1995.
1064:1991-2011.
1060:1991-2011.
992:1989-2011.
988:CEE Project
986:1989-1998.
950:1988-1989.
866:1985-1987.
836:1984-2008.
806:1982-1992.
796:1982-2007.
774:Wet and Dry
740:Rambla 24 H
716:Dos Colores
696:1978-1979.
660:1976-2009.
636:1975-1976.
602:Arte D vida
536:Five Senses
530:Mexico D.F.
501:1973-1974.
455:Tactile Box
275:West – Side
2145:Categories
2016:5 February
1942:, New York
1912:, New York
1906:, Valencia
1671:PARA QUEM?
1635:Good News!
1102:Portraits.
802:1982-2010.
768:Television
758:Media Eyes
40:multimedia
2011:1134-6582
1900:, Croatia
1707:Textbooks
1571:How Much?
1327:Gestes II
1150:Meetings.
1096:Portrait.
1030:CEE Print
934:Passatges
790:1982-2006
674:Snowflake
614:Biography
443:13 Street
347:Acción TV
86:Documenta
33:Barcelona
2069:ARXIU/AM
2037:El Mundo
1936:, Lleida
1924:(MNCARS)
1888:, Oporto
1870:, Ottawa
1541:. Warum?
1234:Dealings
1056:Contexto
946:Warnings
728:Dialogos
626:Transfer
431:Acciones
161:Vacuflex
144:Projects
94:Istanbul
80:and the
44:New York
2129:in the
2044:21 June
2003:El País
1930:(MACBA)
1876:, Paris
1411:Cercas.
1160:1999-…
880:Slogans
832:Credits
808:Stadium
702:1978-…
491:Presión
419:Mensaje
395:Actions
102:Penedès
51:Artwork
2009:
1849:2018.
1843:2018.
1837:2018.
1831:2018.
1825:2018.
1819:2018.
1813:2018.
1807:2018.
1801:2017.
1795:2017.
1789:2017.
1783:2017.
1777:2017.
1771:2017.
1765:2017.
1759:2017.
1753:2017.
1747:2017.
1741:2017.
1735:2017.
1729:2017.
1723:2016.
1717:2016.
1711:2016.
1705:2016.
1699:2016.
1693:2015.
1687:2015.
1681:2015.
1675:2014.
1669:2014.
1663:2014.
1657:2014.
1651:2014.
1645:2014.
1639:2014.
1633:2014.
1627:2014.
1623:2014.
1617:2014.
1611:2014.
1605:2014.
1599:2013.
1593:2013.
1587:2013.
1581:2013.
1575:2013.
1569:2013.
1563:2013.
1557:2013.
1551:2013.
1545:2012.
1533:2012.
1521:2011.
1509:2011.
1497:2011.
1491:2010.
1485:2010.
1479:2010.
1473:2010.
1467:2009.
1461:2009.
1455:2009.
1439:2008.
1433:2008.
1427:2008.
1421:2008.
1415:2008:
1409:2008.
1405:Quejas
1403:2007.
1397:2007.
1391:2007.
1385:2007.
1379:2006.
1373:2006.
1367:2006.
1361:2006.
1355:2006.
1349:2005.
1343:2005.
1337:2005.
1331:2005.
1325:2005.
1319:2005.
1313:2005.
1307:2005.
1301:2005.
1295:2005.
1289:2001.
1283:2004.
1277:2004.
1271:2004.
1265:2004.
1259:2004.
1253:2004.
1244:2003.
1240:Gestes
1238:2003.
1232:2003.
1226:2002.
1220:2002.
1214:2002.
1208:2002.
1202:2001.
1196:2001.
1190:2001.
1184:2001.
1178:2000.
1172:2000.
1166:1999.
1142:1999.
1130:1999.
1106:1995.
1100:1995.
1094:1994.
1088:1994.
1076:1991.
1070:1991.
1054:1991.
1048:1991.
1044:1991.
1038:1991.
1034:1991.
1028:1991.
1022:1991.
1016:1990.
1010:1990.
1004:1990.
998:1990.
980:1989.
974:1989.
962:1989.
956:1989.
944:1988.
938:1988.
932:1988.
926:1988.
920:1988.
914:1988.
902:1987.
896:1987.
890:1987.
884:1987.
878:1987.
872:1987.
860:1985.
854:1985.
848:1985.
842:1985.
830:1984.
818:1983.
812:1983.
784:1982.
778:1982.
772:1981.
766:1981.
762:1981.
756:1981.
750:1981.
744:1981.
738:1981.
732:1980.
726:1980.
720:1980.
714:1979.
708:1979.
690:1978.
684:1978.
678:1977.
672:1977.
666:1977.
654:1976.
648:1976.
630:1975.
624:1975.
618:1975.
612:1975.
606:1974.
600:1974.
594:1974.
588:1974.
582:1974.
576:1974.
564:1974.
558:1974.
552:1974.
546:1974.
540:1974.
534:1974.
528:1974.
522:1974.
513:1974.
507:1974.
495:1973.
489:1973.
483:1973.
477:1973.
471:1973.
465:1973.
459:1973.
453:1973.
447:1973.
441:1973.
435:1973.
429:1973.
423:1973.
417:1972.
411:1972.
405:1972.
399:1972.
393:1972.
387:1972.
381:1972.
369:1972.
363:1972.
357:1972.
351:1972.
345:1972.
339:1972.
333:1972.
327:1972.
321:1972.
315:1972.
309:1972.
303:1972.
297:1972.
291:1972.
285:1972.
279:1972.
273:1972.
267:1972.
261:1972.
255:1972.
249:1972.
243:1971.
237:1971.
231:1971.
225:1971.
219:1971.
213:1971.
207:1971.
201:1971.
195:1971.
189:1971.
183:1971.
177:1971.
171:1971.
165:1971.
159:1971.
153:1971.
128:, the
112:, the
1966:Notes
1279:Space
968:1989.
375:1972.
2095:2024
2046:2019
2018:2020
2007:ISSN
1641:KJE?
1539:2012
1515:2011
1503:2011
1040:Room
668:Bars
570:1974
922:ECU
2147::
2067:.
2054:^
2034:.
2001:.
1974:^
1303:MD
140:.
2097:.
2071:.
2048:.
2020:.
31:(
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