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272:. His debut as author, together with his brother Aldo, dates back to 1965 with L’arte della percussione (The art of the percussion): the first European treatise, in three volumes (with guiding records) on classical, jazz and African-Latin-American percussion. It was a huge international success and probably the first time that an American publisher (Leeds Music Corporation in New York) showed an interest for Italian didactic books, requesting editor Suvini-Zerboni they be translated into English.
281:
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1053:- developed as exercises to be read and practiced through constant and precise acceleration of movements (made possible by the change in figuration) -, drummers will study technique, reading and rhythm at the same time. This way, not only will they put an end to that monotonous “in rhythm” practice, they will also develop control of the speed of the beats.
1047:
There is no rhythmic control of the execution of this kind of monotonous and repetitive practice because the drummer is playing by memory and practically by ear. There is no music being read and practice is aimed solely at one type of execution: “in rhythm”, accentuating the downbeat (which is always
201:, printed the following in November 1987: “He is a real authority on rhythm: as an internationally known percussionist and virtuoso, Antonio Buonomo is a versatile and passionate teacher who has published many works on his favorite subject, from pure percussion technique and rhythm perspectives.”
99:
530:
work recommended by the jury of the
National Contest of Children's Music composition, by the Province of Como, world premiere performance in the concert hall of the Conservatory G. Verdi in Como (Curci editions EC
1089:
accents: an exercise that will come in very handy when playing in an orchestra where the conductor is holding the rhythm by beating the main accents and will also hold the secondary rhythm of the subdivision.
166:
Antonio
Buonomo has to be given the credit of being the first one in Italy ever to prove that percussion instruments had a life of their own, since they include all parameters of the triple music root:
112:
The fifth of ten children, he began studying music before he even knew how to read or write. He was already performing at the age of 12 (as a conservatory student), playing the trumpet and
181:
He continued his cultural operation until percussion courses were established inside
Italian conservatories. He carried it out by writing ad hoc compositions and participating in
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and specialization courses on an international level, training an entire generation of musicians with his method that are now featured soloists in illustrious orchestras and
179:. So, these instruments were not (as many people used to think) a rhythm section to accompany other instruments or to simulate weather phenomena such as thunders or storms.
975:"Rhythm is the principle of life and of all arts. Rhythmic music accompanies us in our daily activities, and even babies, as soon as they come into the world, have already
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works were used as exams in national and international competitions and were adopted by high musical culture institutions in Italy and abroad. He has held
969:"A musician must find the real rhythm inside himself: it's the only thing that will lead him to a humanized performance where the metronome is of no use."
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for percussion instruments have been published by the main houses of this sector and include teaching materials as well as music for plays and television
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Having achieved great success among young people through daily concerts that were even held in schools (from middle schools to universities), in 1975 he
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90:. They have been performed for the occasion of prestigious avant-garde musical events, television and radio programs as well as in public concerts.
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is a study based upon the classics (outdated) that consists in repeating rhythmic models by heart over and over again, gradually gaining speed.
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the first classical, pop and contemporary all-percussion
Italian music record in which he gathered the outcome of his studies and ideas.
143:(Abruzzo's newspaper) wrote. He was director of one of the first contemporary rhythmic music bands and professor at the conservatories
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by
Gaetano Braga, commissioned to Buonomo by the author's hometown Administration, for the centenary of his death. (Curci editions
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programs, as well as by playing pieces for percussion, that had never been performed in Italy, during the concerts he conducted.
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In 1983, the
Minister of Public Education invited him to be part of the commission that drafted the program for percussion and
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Sequences for drums and drum sets can be read or listened to in CD or practiced with the help of an animated video: a kind of
972:"Forbidding spontaneous, by ear performance, is the same as to force a child to learn to read before he has learned to speak."
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966:"Everybody can create sounds by beating on any percussion, but only those produced by an expert touch can be called sounds."
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year to act as assistant conductor and music consultant, contributing to the creation of the Missa
Solemnis pro Jubileo, by
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Performing as first percussion in Bartok's Sonata for Two Pianos and
Percussion (Teatro San Carlo premiere - November 1969)
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370:* (Instinctive study of the drum set for children and beginners) book with CD - BMG Ricordi Editions ISMN M-2151-0569-0;
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Le mani - Lo strumento naturale per suonare e accompagnare* (Hands The natural instrument for playing and accompanying )
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Antonio
Buonomo playing Paganini's Carnevale di Venezia during a concert for the “Casa dello scugnizzo” (April 1952)
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The most significant steps of his career, during which he has known and has collaborated with music legends like
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He became much more popular as his artistic commitment grew, of course. Italy's most influential newspaper, the
23:
Antonio
Buonomo conducting one of Europe's first percussion instrument ensembles (Naples Scarlatti Hall 1966)
960:"A simple performer can become an artist by turning stage fright into an emotion to convey to the listener."
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he has participated in major European festivals, like the International Contemporary Music Festival at the
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128:. A career that was built on “coming up through the ranks” and playing just about any musical genre, from
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that allows drummers to check rhythm because the notes light up on the screen on the beat while playing.
390:(Born for the music) book with audio book - Curci editions. ISMN 979-0-2159-0114-8, ISMN 9790215 105690;
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Just by studying the sequences and the various fingering, practicing will prepare the drummer for:
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A technique needs constant and appropriate study in order to preserve all its potential intact.
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Antonio Buonomo says that “Being born into a family of musicians doesn't give you much choice”.
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963:"True music is not what we play or hear, but what gets to the listener without interference."
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Battute e frasi celebri di musicisti * (Diary of phrases and mottos from Bach to Schömberg )
438:
History, analysis and learning of rhythmic music and the rhythm of words - Simeoli Editions.
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premiere in the Concert Season of the Pescara's Music Academy (Curci editions EC11353);
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DANZE ETNICHE per ensemble di percussioni ** (Ethnic dances for percussion ensemble)
338:(Music between rhythm and creativity) - 2 volumes Curci editions EC 10644 EC 10645;
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160:
448:
L'alfabeto del batterista percussionista * (The Percussionist-Drummer’s Alphabet)
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single, double and triple stroke rolls with accentuated downbeats and off-beats;
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fundamental rhythmic figures from two to fifteen beats (downbeats and off-beats)
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Solfeggio and musical interpretation of classical, jazz and contemporary genres
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344:(study and application of fundamental techniques) - Curci editions EC 10894;
1117:“Press notes” from p. 6 of the book Sapere per suonare, Curci editions
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402:(when to play becomes a spontaneous gesture - book with CD - Curci editions;
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technique - Italian melodies - jazz improvisation - Suvini-Zerboni editions;
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Exhibition on Avant-garde and Musical Research in Naples during the 1970s)
414:
The rhythms of dance in piano teaching - MP3 download - Simeoli editions.
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Antonio Buonomo in a typical photograph (years 50) to distribute to fans
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Lastly, the advantage of practicing without missing a beat: going from
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61:
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to search by vocal chords and object-instruments ( RAI premiere 1975);
436:
Quando il jazz lo facevano i tamburi* (When jazz was played by drums)
307:(The technique of the vibraphone) - Suvini-Zerboni editions SZ 6882;
172:
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121:
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60:, Antonio Buonomo's professional experience includes performing as
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of the Conservatory “N. Piccinni” in Bari (Curci editions EC 11548
426:
Musical fairytale to read, tell and recite - Simeoli Kids Editions.
295:- three volumes Suvini-Zerboni editions SZ6361/a - 6361/b - 6361/c;
182:
113:
862:
Rhythm variations on Mozartian themes for percussion instruments;
424:
Biancaneve e le note parlanti* (Snow White and the talking notes)
1001:
Ensemble Tempo di percussione (conductor and solo percussionist)
376:
When technique becomes music (book with CD) - Carisch Editions;
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premiere at the Theatre of Arts - Rome (Curci editions EC9908);
450:
Methodology from A to Z with video examples - Simeoli Editions.
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482:(The art of the fugue during wartime) - Effepilibri editions.
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151:, Luisa D'Annunzio in Pescara and Santa Cecilia in Rome. His
301:(Self-taught drum playing) - Suvini-Zerboni editions SZ 661;
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Editors’ catalogues: Curci, Ricordi, Carisch, Effepilibri
412:
I CLASSICI DELLA MUSICA ETNICA** (Classics of ethnic music)
186:
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464:
2023 - List of didactic works, compositions and narrative.
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139:“His career is immense and he has come a long way” as
124:
in front of an audience of American soldiers from the
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1023:
Big band “Melodie di mezzo mondo” (principal trumpet)
364:(Grip, sound, technique) - Curci editions EC 11299;
326:
Il suono della percussione (The sound of percussion)
1010:
Corpo Musicale Aeronautica Rome (principal trumpet)
711:The future of technique for percussion instruments
1123:Encyclopedia of Neapolitan Music (Magmata Edition)
520:for mimes, narrator and audience (premiere at the
1013:Orchestra Stabile Napoletana (principal trumpet)
547:elaboration in contemporary style of the famous
495:(Special Centenary Edition) - Simeoli editions.
916:(**) Italian, English, German and Spanish text
850:for vibraphone, grand piano drums, and celesta;
780:(fragment) Ritual dances for percussion sextet;
470:(**) Italian, English, German and Spanish text
256:study for percussionists; he was called by the
1007:Orchestra Pomeriggi Musicali Milan (timpanist)
541:season, Naples 1975 (Curci editions EC 11355);
8:
998:Teatro dell’Opera Rome (assistant conductor)
322:(Collective music) - Curci editions EC10314;
320:Musica d’insieme per strumenti a percussione
64:soloist in various orchestras (such as the "
1048:the loudest) like when one begins speaking.
836:for narrator (voice), percussion and Cello;
717:(an e-book in pdf format) - Curci editions
667:5 sheets for a timpanist - Curci editions.
565:RAI premiere 1976 (Curci editions EC 9867);
506:Main compositions – performed and published
416:2019 - Antonio Buonomo - Davide Summaria -
410:2018 - Antonio Buonomo - Davide Summaria -
76:'s first all-percussion instrument groups.
211:and others, can be summarized as follows:
661:(transcription - Curci editions EC10314);
1073:paradiddles with final triple beats and
1029:RAI Orchestra Neapolitan Music (trumpet)
766:for vocal chords and object-instruments;
675:
279:
97:
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1107:and testimonials of the world of music
1004:Italian Symphony Orchestra (timpanist)
808:for voice solo, chorus and percussion;
794:for voice solo, chorus and percussion;
268:, which had its world premiere at the
7:
1120:Autobiography (Effepilibri editions)
599:Concert Hall S. Cecilia Conservatory
480:L’arte della fuga in tempo di guerra
72:" of Venice) and director of one of
1320:21st-century Italian male musicians
1315:20th-century Italian male musicians
1026:Havana orquesta (principal trumpet)
995:Teatro La Fenice Venice (timpanist)
297:1967 - Aldo and Antonio Buonomo - '
988:Teatro San Carlo Naples (trumpet,
420:- MP3 download - Simeoli editions.
309:1973 - Aldo and Antonio Buonomo -
303:1969 - Aldo and Antonio Buonomo -
288:1965 - Aldo and Antonio Buonomo -
14:
891:"L'innato istinto della batteria"
601:- Rome (Curci editions EC 11354);
493:Dichiarazioni d'amore e di guerra
1255:21st-century classical composers
1250:Italian male classical composers
979:assimilated it by inheritance."
631:(transcription) premiere at the
454:From the studio to the limelight
404:2014 - Aldo e Antonio Buonomo -
400:The innate instinct of the drums
336:La musica tra ritmo e creativitĂ
316:- Suvini-Zerboni editions SZ698;
226:he participated in the Italy on
221:Edinburgh International Festival
948:(set to music by D. Summaria);
655:- Rome (Piccola Vela editions);
645:- Rome (Piccola Vela editions);
563:Bach for percussion instruments
350:(Music theory) - Curci edition
132:and marching bands to jazz and
56:" of Naples and "S.Cecilia" of
1300:20th-century Italian musicians
1220:Conservatorio Luisa D'Annunzio
591:of the Conservatory of Naples;
1:
939:(set to music by D. Summaria)
874:Concert study for Snare Drum;
314:from Beethoven to Stockhausen
709:Percussion and drums school*
406:Method for drum and drum-set
149:S.Pietro a Majella in Naples
54:S.Pietro a Majella in Naples
1245:Italian classical composers
1066:single, double, and triple
822:for percussion instruments;
328:- Curci editions EC 10503;
293:(The art of the percussion)
52:at the conservatories of "
1336:
615:international drum contest
581:(Curci editions EC 11458);
1152:Edition Official Web site
1126:Artistic acknowledgements
957:"Rhythm is music's life."
925:The two souls of the drum
635:(Curci editions EC10314);
629:4 antiche danze ungheresi
491:2020 - Antonio Buonomo -
478:2010 - Antonio Buonomo -
458:2023 - Antonio Buonomo -
452:2023 - Antonio Buonomo -
446:2022 - Antonio Buonomo -
440:2021 - Antonio Buonomo -
434:2020 - Antonio Buonomo -
428:2019 - Antonio Buonomo -
422:2019 - Antonio Buonomo -
398:2013 - Antonio Buonomo -
386:2009 - Antonio Buonomo -
372:2004 - Antonio Buonomo -
366:2001 - Antonio Buonomo -
360:1998 - Antonio Buonomo -
346:1996 - Antonio Buonomo -
340:1991 - Antonio Buonomo -
324:1982 - Antonio Buonomo -
318:1979 - Antonio Buonomo -
299:Il batterista autodidatta
1270:Classical percussionists
1211:Conservatorio S. Cecilia
914:(*) Italian-English text
468:(*) Italian-English text
432:- Simeoli Kids Editions.
305:La tecnica del vibrafono
290:L’Arte della percussione
248:tours outside of Europe.
116:with his father in many
1310:21st-century trumpeters
1305:20th-century trumpeters
1295:Italian music educators
1229:Edizioni Suvini-Zerboni
992:and solo percussionist)
867:"Suoni a fior di pelle"
330:1989 - Antonio Buonomo
1265:Italian percussionists
1260:Experimental composers
1142:www.drumsoloartist.com
1130:Click on Photo gallery
1020:Naples (percussionist)
731:"Percussion and drums"
681:
672:Pop music compositions
374:Beyond the rudiments**
285:
106:In the preface to his
103:
24:
929:La strada del ritorno
828:La strada del ritorno
786:The Battle of Jericho
703:Videos and slideshows
679:
605:The Battle of Jericho
575:La strada del ritorno
368:Born for the drum set
283:
258:Opera Theatre in Rome
241:solo performances of
101:
22:
1275:Classical trumpeters
1016:Orchestra Scarlatti
983:Main collaborations
937:Primavera all’antica
879:"Nati per la musica"
633:Cilea Theatre Naples
1280:Italian bandleaders
456:- Simeoli Editions.
444:- Simeoli Editions.
408:- Simeoli editions.
245:premiered in Italy;
199:Corriere della Sera
1182:2011-02-08 at the
1114:Curci in the world
1077:(flam, drag etc.).
1051:With new rudiments
682:
579:“Ravello Concerts”
388:Nati per la musica
348:Sapere per suonare
286:
243:contemporary music
219:(1960/61) and the
134:contemporary music
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25:
1231:Official Web site
1222:Official Web site
1213:Official Web site
1204:Official Web site
1195:Official Web site
1186:Official Web site
1170:Official Web site
1161:Official Web site
946:Foglie di lacrime
855:"Latino classico"
752:for 5 performers;
690:Tango del veliero
501:978-88-31317-04-7
488:978-88-6002-020-8
462:- Curci Editions.
392:2012 - Buonomo -
311:Studi d’orchestra
68:" of Naples and "
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641:premiere at the
613:premiere at the
611:Skin-deep sounds
549:Angel's Serenade
545:Leggenda Valacca
539:Opening “Agimus”
537:premiere at the
36:Italian composer
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130:popular music
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126:Allied Forces
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88:documentaries
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48:Professor of
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40:percussionist
37:
33:
29:
21:
1226:(in Italian)
1217:(in Italian)
1208:(in Italian)
1199:(in Italian)
1193:Casa Ricordi
1190:(in Italian)
1174:(in Italian)
1165:(in English)
1156:(in Italian)
1147:(in Italian)
1104:
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978:
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715:Master Notes
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665:Oro Cristof*
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80:compositions
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1285:1932 births
1202:Effepilibri
1087:subdivision
1085:accents to
1068:paradiddles
942:Ritmo amico
758:Spazio zero
687:(slow song)
512:Spazio zero
332:Clara Perra
260:during the
236:Irene Papas
1239:Categories
1101:References
910:(trailer).
898:(trailer);
886:(trailer);
800:Deep river
738:(trailer);
659:Alla turca
639:Deep River
205:Stravinsky
145:N.Piccinni
118:nightclubs
50:percussion
1043:Rudiments
990:timpanist
952:Aphorisms
772:Afrikania
713:DVDv and
597:premiere
587:premiere
577:premiere
535:Afrikania
270:Colosseum
209:Hindemith
147:in Bari,
141:Il Centro
108:biography
94:Biography
78:His many
70:La Fenice
66:San Carlo
30:(born in
1180:Archived
1105:Reviews
1083:division
842:Marialuì
342:Timpani*
193:recorded
157:seminars
153:didactic
1095:Karaoke
908:YouTube
896:YouTube
884:YouTube
872:YouTube
860:YouTube
848:YouTube
834:YouTube
820:YouTube
806:YouTube
792:YouTube
778:YouTube
764:YouTube
750:YouTube
744:Kluster
736:YouTube
698:MarialĂą
569:Kluster
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528:Akwadum
262:Jubilee
254:solfège
238:(1986);
223:(1963);
177:harmony
62:timpani
38:, solo
721:
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173:melody
169:rhythm
122:Naples
74:Europe
32:Naples
1150:Curci
933:Vuoto
920:Poems
518:Vuoto
276:Books
234:with
228:Stage
183:radio
114:drums
719:ISBN
619:ISBN
553:ISBN
497:ISBN
484:ISBN
378:ISBN
352:ISBN
185:and
175:and
82:and
58:Rome
42:and
1018:RAI
906:on
894:on
882:on
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832:on
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230:in
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187:TV
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46:.
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