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201:, but found few commissions or work. he completed a series of watercolors of paintings in the National Gallery. He returned to Florence, where he stayed with the fellow painter
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through the next several decades. The acceptance of teachers in art from Italy alone was based on the unofficial government policy of accepting military advice from
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to fight with the Manara Legion, against the
Austrians. In 1859, he was again to briefly join Cavour's armed forces in Bologna.
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from life. His career in Japan was cut short by serious illness, which forced him to return to Italy in 1878.
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under the supervision of the
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techniques to Japan, and exerted a significant role in the development of modern
Japanese
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There are a number of monuments to
Fontanesi in his native Reggio Emilia, including the
139:(Western style) painting. He is known for his works in the romantic style of the French
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294:(died 1885) for the preparatory course. The trio greatly influenced the development of
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He participated in important artistic exhibitions, displaying his works in
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122:(23 February 1818 – 17 April 1882) was an Italian painter who lived in
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In 1848, he joined a group of
Garibaldian volunteers, that went to
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263:), (later part of the University of Technology, and later the
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Upon recommendation of the
Italian minister to Tokyo, Count
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Foreign advisors to the government in Meiji-period Japan
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Yamada, Chisaburo (July 1940). "Japanese Modern Art".
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and oil paints to his
Japanese students, who included
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Discovering the Arts of Japan: A Historical
Overview
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429:. Stabilimento di Carlo Ferrari. pp. 122–131.
240:in Turin from 1869 to 1876. Among his pupils was
232:. He was nominated professor at the Academy of
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129:between 1876 and 1878. He introduced European
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228:and the Triennial Exhibition of Fine Art in
424:Catalogo Illustrato La Biennale de Venezia
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112:(The Course to the Pasture), oil on wood,
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259:In 1876, the Technical Fine Arts School (
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321:Fontanesi introduced the techniques of
532:Academic staff of Accademia Albertina
337:. He also taught western concepts of
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282:contracted three Italian artists as
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398:. Oxford University Press (2003).
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537:19th-century Italian male artists
426:Volume 4 (Mostra Retrospettiva)
310:, agricultural advice from the
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507:19th-century Italian painters
265:Tokyo Institute of Technology
517:Italian expatriates in Japan
249:Monument in Parco del Popolo
167:. From 1841 to 1846 he made
16:Italian painter (1818–1882)
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527:Foreign educators in Japan
502:People from Reggio Emilia
306:, industrial advice from
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384:. Prentice Hall (2001).
382:History of Japanese Art
276:Alessandro Fè d'Ostiani
394:Sadao Tsuneko, et al.
191:Exposition Universelle
151:Fontanesi was born in
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512:Italian male painters
420:Calderini, M (1901).
181:In 1850, he moved to
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292:Giovanni Cappelletti
452:Monumenta Nipponica
238:Accademia Albertina
110:Ritorno dal pascolo
439:Biennale, page 124
261:Kobu Bijutsu Gakko
187:landscape painting
165:Vincenzo Carnevali
161:Prospero Minghetti
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380:Mason, Penelope.
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359:Oyatoi gaikokujin
120:Antonio Fontanesi
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71:(1882-04-17)
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339:perspective
88:Nationality
486:Categories
375:References
147:Early life
96:Occupation
47:1818-02-23
347:sketching
353:See also
331:Asai Chū
323:charcoal
222:Florence
473:2382598
343:anatomy
316:Germany
230:Bologna
169:theatre
91:Italian
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327:crayon
304:France
278:, the
199:London
183:Geneva
99:artist
469:JSTOR
269:Tokyo
234:Lucca
226:Genoa
218:Milan
214:Turin
195:Paris
176:Milan
127:Japan
81:Italy
77:Turin
400:ISBN
386:ISBN
345:and
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66:Died
41:Born
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