187:. From that day on Machín was determined to become a singer. Machín's ambition was to sing opera, but at the beginning of the 20th century this was difficult for a poor colored Cuban. Thus, he focused on singing popular music. At the age of twenty he had become the idol of the young women in his neighbourhood. Machín would sing them serenades in the moonlight. He worked as a mason, also travelling across Cuba as a singer. In 1926 he moved to Havana where he met a Spaniard who helped him get a contract to sing at a small café in Havana.
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177:, Spain. Machín was one of sixteen children. His early years were difficult: he was forced to work at the age of eight to help pay some of his father's numerous debts. One day, he was in the street by his house singing quietly. A priest that walked by heard him and immediately encouraged him to sing at a party. He sang
309:. He also had an extensive recording career singing with various Spanish bands; the total of recordings in Europe may be as many as four hundred, giving him a lifetime total of about 600 numbers recorded. If that is approximately right, he would be one of the most recorded Cuban singers of the 20th century, but behind
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in the late 1930s, where he would remain until his death. In Paris, he formed
Antonio Machín y su Orquesta, with Simons on piano, and continued to record in the city (where Cuban music had been popular since the late twenties). After moving to Madrid he married María de los Ángeles Rodríguez, from
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Sublette says it sold a million copies of the Marks sheet music. It is not so easy to check on record sales from those days, but a million copies of the 78rpm would seem quite reasonable. Sublette, Ned 2004.
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In Havana, Machín was exposed to many genres of music. He joined several trios, quartets and sextets. In 1924 Machín formed a duo with the trovador
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Machín was a mixed-race son of a Cuban woman, Leoncia Machín, and a
Spanish father, José Lugo Padrón, who emigrated to Cuba from
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He died in Madrid in 1977 and was buried in the San
Fernando Cemetery in the city of Seville. He is best known for singing
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hotel during the 1970s. The 400 recordings in Europe, mostly in Spain, was Machín's estimation.
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y su
Orquesta, in addition to performing with Orquesta Machín and Cuarteto Machín.
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Si te quieres por el poco divertir: historia del pregón musical latinoamericano.
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craze of the 1930s. Machín did not return to Cuba after this tour, settling in
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by
Cristobal Diaz Ayala, (Fundación Musicalia. San Juan, Puerto Rico, 1998).
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Cuando salí de La Habana; 1898-1997: Cien años de música cubana por el mundo
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for 1992 (Trade & Travel
Publications), met Machín playing piano in a
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In New York, Machín recorded approximately 200 numbers, and formed the
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substituted on some recordings. Machín sang with other groups such as
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Eduardo Jover. (La Esfera de los Libros. Madrid, 2002).
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Another important source is Díaz Ayala, Cristóbal 1988.
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Cuba and its music: from the first drums to the mambo
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451:by Antonio Burgos, (El Mundo de Andalucía. 2001).
406:Nigel Gallop, who wrote the music sections of the
237:in 1932. The other members were the Puerto Ricans
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395:Diccionario enciclopédico de la música en Cuba
469:Discography of American Historical Recordings
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249:) and Daniel Sánchez (second voice and
384:Cubanacan, San Juan P.R. p235 et seq.
265:y su Orquesta, Orquesta Antillana de
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210:'s orchestra, the house band at the
153:, recorded in New York, 1930, with
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449:Calle Antonio Machin. El recuadro
16:Spanish-Cuban singer and musician
510:Cuban people of Canarian descent
505:Cuban people of Galician descent
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495:20th-century Cuban male singers
218:(The Peanut Vendor, written by
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98:María de los Ángeles Rodríguez
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500:People from Sagua la Grande
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465:Antonio Machín recordings
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129:Antonio Abad Lugo Machín
82:Cemetery of San Fernando
42:Antonio Abad Lugo Machín
409:South American Handbook
397:. La Habana. vol3, p49.
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280:In 1935 he moved to
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275:Armando Valldespí
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133:Sagua la Grande
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490:1977 deaths
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352:Cuba portal
319:El Manisero
271:Julio Roque
259:Mario Bauzá
216:El manisero
208:Don Azpiazú
204:Manuel Luna
155:Don Azpiazú
150:El Manisero
479:Categories
338:References
311:Celia Cruz
163:son pregón
328:Madrecita
196:Trío Luna
180:Ave María
169:Biography
185:Schubert
119:Children
467:at the
414:Majorca
299:Seville
243:trumpet
198:, with
175:Galicia
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88:, Spain
86:Seville
330:, and
294:Madrid
286:London
282:Europe
251:guitar
224:rhumba
159:rhumba
141:Madrid
93:Spouse
67:Madrid
290:Paris
145:Spain
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305:and
288:and
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202:and
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60:Died
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38:Born
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