175:, he sketches a character who has more vices than virtues, common to a powerful social class in terms of economics, rank and alleged moral superiority; in the play, his refusal to marry in return prevents the marriage of his sister, and his arrogant, prejudiced and capricious attitude cause headaches for his servants, friends and doctor. The rest of the characters who surround him have no choice but to weave a web of deceit in which he is made to believe that he is cursed and will die if he does not marry. He uses all the means at his disposal to achieve this. This was the most famous work of his day and was performed over a century and a half. Another of his most successful works was
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57:, whom he replaced as the government's official poet in 1694. In 1696 the city council of Madrid hired him as composer of the "Hieroglyphs for the tomb of the Queen Mother, Mariana", performed during the funeral rites on May 19 at the convent of Santo Domingo el Real; 1698 he became a chamberlain of King
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was performed for Luis's wedding. In 1722 he published a collection of his works under the title of "New comedies", which shows him as a follower of Calderón's style, reworking many seventeenth century comedies and heralding the popularism of
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The city council also entrusted him with the inscriptions on the King's catafalque in the same church, and he composed his funeral rites in verse. Finally, in honour of
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195:, as it does not have such an ambiguous ending. This play was performed every year at the festival of the dead until it was replaced by Zorrilla's work.
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Comedias de don
Antonio de Zamora gentil-hombre que fue de la casa de su magestad, y su oficial de la Secretaría de Indias, parte de Nueva España
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Comedias de don
Antonio de Zamora gentil-hombre que fue de la casa de su magestad, y su oficial de la Secretaría de Indias, parte de Nueva España
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In 1689, he already held a post within the
Ministry for the Indies, New Spain department. He was a friend of the playwright
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83:, he was forced to hide from pro-Austrian supporters. He celebrated Philip V's entrance into Madrid with the
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Zamora was also attracted by folkloric and fantastical themes, as shown for example by his popular comedy
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He cultivated the dramatic genres popular at the time: religious and saint-based comedies (
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His dramatic works were published in four volumes in Madrid, 1722, under the title of
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in 1707, and was performed in the Buen Retiro
Colisseum with music by
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There are no unmet deadlines and no unpaid debts, or the Stone Guest
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Comedias Nuevas con los mismos saynetes con que se executaron
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Comedias Nuevas con los mismos saynetes con que se executaron
159:) and figurehead comedies, of which are particularly notable
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represent a transition period towards the popularism of
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The morning star of Madrid and divine laborer San Isidro
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A painting by Goya inspired by one of Zamora's plays
206:, which he named "musical drama"; his libretto for
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105:was composed in celebration of the birth of
247:The lawsuit of the landlady and the stake
68:, crown prince of France and father of
96:Epinicio métrico, Prosphonema numeroso
293:. Madrid: Revista de Occidente, 1964.
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289:Germán Bleiberg and Julián Marías,
187:, a less subtle piece than that of
312:Spanish dramatists and playwrights
291:Diccionario de Literatura Española
90:, which followed the precedent of
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30:, December 7, 1727) was a Spanish
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243:The gurruminos and the gurruminas
191:and more realistic than that of
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81:War of the Spanish Succession
208:The wind is the joy of love
75:A fervent supporter of the
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169:The one bewitched by force
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202:). He also developed the
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200:The magician of Salerno
161:Don Domingo de don Blas
43:El Hechizado Por Fuerza
255:The judgement of Paris
165:Don Bruno de Calahorra
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153:The defense of Tarifa
85:sacramental ordinance
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26:, November 1, 1660 -
307:Spanish male writers
113:; his musical drama
145:The Maid of Orleans
251:The peddler's love
111:Antonio de Literes
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16:Spanish playwright
167:, and especially
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103:Love conquers all
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235:Ramón de la Cruz
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301:Categories
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59:Charles II
32:playwright
239:The slaps
49:Biography
204:zarzuela
185:Don Juan
100:zarzuela
229:). His
173:Molière
147:(about
107:Louis I
181:legend
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24:Madrid
265:Works
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253:and
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