169:, 389) However, in a later edition of the same songs (published posthumously in 1587) his publisher removed the dots used as microtone accidentals; evidently they were either too hard to sing, or the notation was too unfamiliar. In the preface he also mentions that music is best when it appeals to the senses, and avoids mathematical subtleties.
122:). Most of his music is for four unaccompanied voices. He wrote in the preface to his first book of chansons (1576) that he intended to publish five or six books in total, including many pieces which he wrote much earlier in his life; this would seem to indicate that about half of his music has not survived (
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and careful underlining of words and phrases with appropriate and symbolic melodic and harmonic material. He was careful to use contrasting textures and meters, for example switching from duple to triple meter several times during the course of a composition.
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Details of his life are relatively scanty for an otherwise prominent composer of the period, probably because he never held a salaried position as a musician at an establishment whose records have survived. He was born at
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of Pierre de
Ronsard, poems which describe the stages and incidents in a love affair gone sour. Some of the harmonic language used in the chansons is daring, and approaches the experimental level of
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between 1576 and 1578, and, two years later, two books of sacred music (a third was published posthumously, in 1582). A total of 83 chansons and one
Italian
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His first two volumes of chansons are for four voices, and are settings of the
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Bertrand's sacred works, contained in his three publications of
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37:) (1530/1540 – probably 1581) was a French composer of the
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Airs spirituels contenant plusieurs hymnes et cantiques
337:, edited by Laura Macy (Accessed December 31, 2005).
295:, edited by Laura Macy (Accessed December 31, 2005).
227:Premier livre de sonets chrestiens mis en musique
349:. 20 vols. London: Macmillan Publishers Ltd.
277:Three chansons also published separately in 1570
237:Second livre de sonets chrestiens mis en musique
347:The New Grove Dictionary of Music and Musicians
288:Dobbins, Frank. 2005. "Anthoine de Bertrand".
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266:Second livre des amours de Pierre de Ronsard
106:have survived of his secular music, and one
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369:Free scores by Antoine de Bertrand
268:(4vv, 1578) (total of 25 chansons)
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27:French composer of the Renaissance
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161:, made to express the word 'death
45:, and late in his life he wrote
409:French male classical composers
260:Les amours de Pierre de Ronsard
210:St. Bartholomew's Day Massacre
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414:16th-century French composers
53:, under the influence of the
404:French Renaissance composers
373:Choral Public Domain Library
307:. New York: W. W. Norton.
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139:Je suis tellement amoureux
429:People murdered in France
305:Music in the Renaissance
272:Tiers livre de chansons
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293:(subscription access)
145:writing, using "only
419:Microtonal musicians
18:Anthoine de Bertrand
157:and another in the
108:chanson spirituelle
94:Music and influence
31:Antoine de Bertrand
399:People from Cantal
333:Grove Music Online
291:Grove Music Online
212:a decade earlier.
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194:sonets chrestiens
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159:hautecontre
155:bassecontre
59:Protestants
39:Renaissance
383:Categories
282:References
178:villanella
167:Reese 1954
151:enharmonic
198:Huguenots
147:chromatic
135:Vicentino
112:canticles
76:Fontanges
51:canticles
303:. 1954.
174:madrigal
143:diatonic
104:madrigal
100:chansons
84:Toulouse
80:Auvergne
43:chansons
35:Anthoine
371:in the
254:Secular
249:, 1582)
233:, 1580)
55:Jesuits
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229:(4vv,
221:Sacred
131:Amours
116:motets
33:(also
247:Paris
216:Works
78:, in
47:hymns
351:ISBN
309:ISBN
231:Lyon
192:and
149:and
69:Life
49:and
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