Knowledge (XXG)

Anyeint

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20: 300:), a formal speech by troupe members to introduce themselves and thank the show's patron. Comedians then provide an introductory slapstick skit, before inviting the lead actress to the stage for a performance, during which they will provide improvised jokes and playful insults to the audience. At the end of the dance set, comedians direct jokes at the actress, who rebuts them and defends herself. 325:
word meaning "gentle". The form originated as a royal court dance performed by female dancers and was originally confined to the royal court. However, after the end of the Konbaung dynasty in 1885, anyeint troupes were forced to seek work outside and popularized a hybrid dance and comedic performance
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In the colonial era, famous anyeint actresses often became recording artists and were the headlines of anyeint shows, as composers wrote individual songs and dances suited to them. However, the importance of the lead actress has diminished. Anyeint reached its height in the 1970s, during a period of
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administrations, troupes commonly included political satire and critiques, including social commentary, as part of their skits. However, since 1988, regulations have become stricter, with comedians who perform political satire subject to arrest. From 1988 to 1992, a military curfew at night
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troupes in the country, now mandates a full dress rehearsal to audit for any questionable content (such as jokes targeted at government officials, or cross-dressing scenes).
402:, has frequently performed in anyeint. In 1986, he formed the Mya Ponnama Anyeint troupe, whose performances have appeared on television. The Burmese performance art 391:, lit. "Rose Master") in 2010, censorship of play contents have become stricter; the Myanmar Motion Picture Enterprise, the censorship body that regulates all 673: 617: 446: 801: 212:
theater. Although lead actresses were once the main focus of performances, the focus has now shifted to the comedic skits performed.
1674: 880: 521: 1611: 1374: 841: 1755: 1639: 1308: 1616: 1589: 1479: 1298: 578: 1158: 1679: 1740: 1228: 343: 263:, Kyaw Kyaw Bo, have featured as comedians. Comedians typically dressed in checkered-patterned Taungshay-style 47: 1544: 1339: 1323: 1271: 900: 1594: 1078: 638:
Diamond, Catherine (2000). "Burmese Nights: the Pagoda Festival Pwe in the Age of Hollywood's 'Titanic'".
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of popular troupes' performances are also widely distributed; politically insensitive ones, including
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Anyeint performances begin with a recitation and explanation of ancient verses, followed by a
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Thee Lay Thee & Colorful Anyeint, Burmese Performance Troupe, a success in San Francisco
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performed by clowns. The result is a sequence of solo and group dances. The costumes of
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Continuum encyclopedia of popular music of the world: Volume 5 Asia and Oceania
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that has become popular throughout Burma, especially appealing to the growing
313:), although this portion is now omitted from contemporary anyeint programmes. 235:, although this term is falling out of usage) provide entertainment while the 209: 197: 1213: 1093: 1041: 838: 403: 303:
In the past, the anyeint performance was concluded with a verse play called
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revival. In more recent times, well-known film actors and singers, such as
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around 1900, by comedian U Chit Phwe and his wife, dancer Ma Sein Thone.
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Guyot, James F. (Feb 1997). "Burma in 1996: One Economy, Two Polities".
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performers are identical to those worn by puppets in traditional
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has also performed anyeint, which is an influence in his
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or to music are interspersed with comedic dialogue and
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word for traditional entertainment. While classical
180:). Well-known film actresses and singers, including 116:
troupes such as Thee Lay Thee & Say Yaung Zoun (
1630: 1317: 1227: 1102: 992: 924: 433:Seekins, Donald M. (2006) "Anyeint (Anyeint Pwe)" 144:, which have large Burmese immigrant populations. 346:, with one of the most influential troupes being 27:troupe (Eternal Rose) in Singapore on 6 Mar 2011. 608:Falconer, John; Luca Invernizzi Tettoni (2000). 553:"VCD Political Comedy Draws Laughter in Rangoon" 282:(xylophone) music, accompanies the performance. 196:dances to instrumental music and singing either 93:, in theatrical performances. It is a form of 874: 386: 308: 295: 276:A small all-male music orchestra, led by the 230: 220: 175: 153: 127: 117: 39: 23:Comedians performing together as part of the 8: 713: 711: 458:Myanmar Anyeint, Myanmar theatre performance 158:), have been banned by Burmese authorities. 105:can be quite formal and almost ritualistic, 709: 707: 705: 703: 701: 699: 697: 695: 693: 691: 374:prohibited all-night anyeint performances. 881: 867: 859: 765:(2). University of California Press: 192. 646:(3). Cambridge University Press: 227–248. 633: 631: 629: 429: 427: 425: 423: 273:, an influential 19th-century performer. 473:Shepherd, John (2005) "Myanmar (Burma)" 435:Historical dictionary of Burma (Myanmar) 419: 132:) have performed overseas, including 60: 7: 495:"Thee Lay Thee & Say Yaung zon" 437:Scarecrow Press, Lanham, Maryland, 247:were successful comedians in early 109:is considered light entertainment. 718:Diamond, Catherine (Spring 2009). 612:. Tuttle Publishing. p. 218. 577:Zon Pann Pwint (13 October 2009). 14: 166:The lead singer and dancer in an 81:entertainment form that combines 551:Paung, Shah (27 December 2007). 520:Thein, Cherry (4 October 2010). 321:The name "anyeint" comes from a 1675:Dance in mythology and religion 610:Burmese design and architecture 215:Slapstick comedians, known as 1: 188:, are often featured as lead 1772: 170:performance is called the 16:Burmese entertainment form 896: 736:10.1162/dram.2009.53.1.93 652:10.1017/s0266464x00013865 387: 377:Since the release of the 309: 296: 231: 221: 176: 154: 128: 119:သီးလေးသီးနှင့်ဆေးရောင်ဆုံ 118: 112:In recent years, popular 85:with instrumental music, 70: 40: 792:Phanida (12 July 2011). 398:The Burmese comedian, 28: 640:New Theatre Quarterly 477:Continuum, page 197, 22: 1640:Dance and disability 356:Dancer of the Ganges 1685:Dance on television 829:, February 2, 2009. 77:) is a traditional 1756:Indigenous theatre 844:2010-04-30 at the 589:on 7 November 2011 29: 1728: 1727: 1680:Dance occupations 1617:Wallis and Futuna 619:978-962-593-882-0 447:978-0-8108-5476-5 239:changes outfits. 62:[ʔəɲḛiɰ̃] 1763: 1715:History of dance 1700:Dance technology 1645:Dance and health 1595:African-American 883: 876: 869: 860: 853: 836: 830: 820: 814: 813: 811: 809: 800:. 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Retrieved 802:the original 798:Mizzima News 797: 787: 762: 759:Asian Survey 758: 752: 727: 723: 678:. Retrieved 676:(in Burmese) 668: 643: 639: 609: 603: 591:. Retrieved 587:the original 582: 572: 560:. Retrieved 556: 546: 534:. Retrieved 530:the original 525: 515: 503:. 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Index

Eternal Rose group performed as comedians in Singapore
Burmese
MLCTS
[ʔəɲḛiɰ̃]
Burmese
Burmese
dance
song
comedy routines
Burmese
Thailand
Singapore
United States
VCDs
May Than Nu
Yadana Khin
a cappella
slapstick
marionette
Zarganar
Kutho
Ye Lay
Nay Toe
Htun Htun
longyi
U Po Sein
pattala
Burmese language
merchant
British Burma

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