Knowledge (XXG)

Anytime (Brian McKnight album)

Source πŸ“

489: 527: 522: 473: 468: 517: 512: 507: 463: 458: 453: 29: 693:, as again no physical single was released for it. The fourth and final single was "Hold Me" hit number 35 on the Hot 100 and number 12 on the Hot R&B/Hip-Hop Songs. The music video for "Hold Me" was released for the week ending on November 8, 1998. 2662: 2397: 563:
is as strong as its predecessor – but "You Should Be Mine" and "Hold Me" suggest that he may be better off pursuing a new, hip-hop-influenced direction." In a contemporary review,
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chart in May 1998. Since it was not released as a physical single, it was ineligible to chart on the Hot 100, but was still one of the most played songs on the radio during 1998.
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felt that McKnight "continues with the mellow, romantic urban R&B that has become his trademark, but there's a new twist McKnight hasn't exhausted its possibilities yet –
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album,” McKnight, who was used to writing and producing most of his music by himself, decided to work with a wider range of musicians on the
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a "collection of mostly tired joints McKnight's solo effort pales in comparison to work by emerging-soul craftsmen like
126: 2365: 121: 1150:"You Should Be Mine (Don't Waste Your Time)" contains a sample from "I Got Ants in My Pants", written and performed by 2544: 322:
Upon its release, the album garnered generally mixed reviews from music critics and broke into the top 20 on the US
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a "cut" rating, indicating "an album that isn't worth your time or money – sometimes a Neither, more often a Dud."
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became the fire. I was doing things then that I had never done before, that an audience had never heard or seen."
2063: 1873: 679: 678:, whose own career was at its peak during 1997. The title track was an even bigger hit, reaching number 6 on the 632: 330: 389: 312: 671: 291:(1995), McKnight consulted a wider range of collaborators to work with him on the album, including producers 2358: 2287: 149: 2414: 376: 2012: 337:(RIAA), indicating sales in excess of 2.0 units, and spawned several singles, including the top 20 hit " 2647: 2291: 2234: 2204: 2183: 1877: 2200: 2175: 2442: 1144: 414: 62: 2625: 2611: 2604: 2590: 2484: 2116: 643:
had sold 1.7 million copies by January 1999. It was eventually certified double pltianum by the
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on September 23, 1997, in the United States. Following his moderately successful second album
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exposing to a wider McKnight audience, McKnight elaborated in a 2012 interview: "If
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sound of his older work, with the former acts taking his music further into the
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ranked the album fourth on its 1998 Top R&B/Hip-Hop Albums year-end chart.
1639: 933: 838: 799: 663:" became McKnight's biggest hit in four years, peaking at number 17 on the US 292: 111: 1143:"Anytime" contains an uncredited sample of "Outside Your Door" performed by 1403: 636: 573:"signaled the start of a new phase in McKnight's career." In his review for 131: 617:
became McKnight's highest-charting album yet, peaking at number 13 on the
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marked McKnight's last record with Mercury Records before moving to
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chart. A steady seller, it was certified double platinum by the
2354: 624:. McKnight's first album to do so, it also reached the top on 2260:"American album certifications – Brian Mc Knight – Anytime" 1829: 1421:
Suzie Katayama – orchestra contractor/coordinator and cello
2201:"Brian McKnight Chart History (Top R&B/Hip-Hop Albums)" 689:
s third single "The Only One for Me" hit number 14 on the
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chart, spending three weeks at number one. According to
2196: 2194: 374:(RIAA), it only sold half as much as its predecessor 2554: 2529: 2406: 724: 710: 329:, while becoming McKnight's first album to top the 207: 158: 96: 84: 68: 56: 48: 35: 21: 1726:Doug "The Colonel" Kern – assistant engineer 2088:Brackett, Nathan; Hoard, Christian David (2004). 2663:Albums produced by Troy Taylor (record producer) 2282: 2280: 2223: 2221: 2219: 2217: 2215: 1981:Shipments figures based on certification alone. 2312: 2310: 2308: 2171: 2169: 2083: 2081: 504: 2366: 1804:Rich Travali – recording and mixing engineer 277:is the third studio album by American singer 8: 450: 2026: 2024: 2022: 2020: 2373: 2359: 2351: 2003: 2001: 1999: 1940: 1897: 1838: 1536:– background vocals and vocal arrangement 1188:"Jam Knock" contains an interpolation of " 787:You Should Be Mine (Don't Waste Your Time) 661:You Should Be Mine (Don't Waste Your Time) 425: 360:marked McKnight's third studio album with 339:You Should Be Mine (Don't Waste Your Time) 226:You Should Be Mine (Don't Waste Your Time) 27: 18: 2264:Recording Industry Association of America 1602:– background vocals and drum programming 645:Recording Industry Association of America 372:Recording Industry Association of America 335:Recording Industry Association of America 1157:"Hold Me" contains an interpolation of " 701: 2228:Samuels, Anita M. (December 26, 1998). 1995: 1977: 1777:Ed Rasso – assistant mix engineer 1478:Bill K. Meyers – orchestra arrangement 16:1997 studio album by Brian McKnight 2288:"R&B/Hip-Hop Albums: Best of 1998" 2254: 2252: 2230:"Comebacks, Rap Smashes Spark R&B" 2140: 2138: 2124: 2114: 2064:"Robert Christgau: CG: Brian McKnight" 1810:Bill Whittington – recording engineer 1705:Doug Elkins – assistant engineer 551:garnered generally mixed reviews from 1738:John "JM" Meredith – second engineer 1693:"Bassy" Bob Brockmann – mix engineer 431: 7: 2145:McNeill, Darren M. (November 1997). 2057: 2055: 2053: 1798:Mary Ann Souza – assistant engineer 1675:Tom Bender – assistant mix engineer 486: 1783:David Retinas – orchestra engineer 1711:Dan Evans – production coordinator 1699:Andy Cardenas – recording engineer 1259:Peter Black – all instruments 506: 1750:Axel Niehaus – recording engineer 866:Show Me the Way Back to Your Heart 14: 2658:Albums produced by Brian McKnight 2091:The New Rolling Stone Album Guide 1762:Joe Perrera – recording engineer 1756:Greg Parker – assistant engineer 1496:Anthony Nance – drum programming 1304:Lisa Cochran – background vocals 1215:– lead vocals, background vocals 452: 370:(1995) was certified gold by the 1816:Chris Wood – recording engineer 1768:Herb Powers – mastering engineer 1744:Carl Nappa – recording engineer 1687:Peter Black – mix engineer 1385:Mark Hammond – drum programming 1349:Kim Fleming – background vocals 525: 520: 515: 510: 505: 487: 471: 466: 461: 456: 451: 2176:"Brian McKnight Chart History ( 2032:"The Real Brian McKnight Pt. 2" 1915:US Top R&B/Hip-Hop Albums ( 1899:Year-end chart performance for 1771:Pierre Smith – second engineer 1606:, rhythm and vocal arrangement 1235:, rhythm and vocal arrangement 555:. Stephen Thomas Erlewine from 2007:Erlewine, Stephen Thomas. 1415:– additional drum programming 1316:Louise De Tullio – alto flute 1247:Rick Baptist – trumpet/cornet 711: 1: 2538:From There to Here: 1989-2002 2209:. Retrieved January 8, 2020. 2188:. Retrieved January 8, 2020. 1840:Weekly chart performance for 1472:Joe Meyer β€“ French horn 1397:Tom Hemby – classical guitar 591:." In his consumer guide for 566:The Rolling Stone Album Guide 499:The Rolling Stone Album Guide 1884: 1866: 1265:Gary Bovyer – bass clarinet 1681:Brant Biles – mix engineer 1621:Brad Warnaar – French horn 1569:Gerry Rotella – alto flute 889:"Every Time We Say Goodbye" 364:. While his previous album 258:Released: November 10, 1998 240:Released: November 16, 1997 2679: 2478:I'll Be Home for Christmas 2062:Christgau, Robert (1997). 1874:Top R&B/Hip-Hop Albums 1732:Paul Logus – mix engineer 1633:Don Williams – percussion 1563:Anatoly Rosinsky – violin 1466:Jerry McPherson – guitars 1355:Armen Garabedian – violin 1289:Jon Clarke – English horn 674:chart. It featured rapper 633:Top R&B/Hip-Hop Albums 331:Top R&B/Hip-Hop Albums 2388: 1978: 1963: 1955: 1952: 1949: 1914: 1909: 1906: 1871: 1857: 1850: 1847: 1818:(tracks 1, 2, 5, 6, 8–12) 1792:– production coordinator 1660:Bob Zimmitt – percussion 1627:John Wittenberg – violin 1361:Berj Garabedian – violin 1322:David Duke – French horn 1108: 1066: 1049: 1032: 1015: 928: 911: 885: 860: 781: 755: 729: 721: 718: 715: 680:Billboard Hot 100 Airplay 672:Hot R&B/Hip-Hop Songs 439: 436: 266: 231:Released: August 19, 1997 218: 203: 166: 26: 1490:Ralph Morrison – violin 1373:Harris Goldman – violin 1217:(tracks 1, 2, 4–6, 8–12) 1112:"When the Chariot Comes" 579:, Darren McNeill called 404:, and Peter Block. With 313:urban adult contemporary 1800:(tracks 1, 2, 5, 8, 11) 1542:Steve Richards – cello 1527:Barbra Porter – violin 1484:Oscar Meza, Jr. – bass 1433:Dan Greco – percussion 1367:James Getzoff – violin 1334:Chris Ermacoff – cello 1277:Susan Chatman – violin 1231:, keyboard programming 1227:, additional keyboards 249:Released: April 7, 1998 2398:Awards and nominations 2094:. Simon and Schuster. 1779:(tracks 1, 5, 6, 8, 9) 1695:(tracks 1, 5, 6, 8, 9) 1512:Bob Peterson – violin 1498:(tracks 1, 2, 6, 8, 9) 1451:Mike Markman – violin 1439:Janet Lakatos – viola 1391:Scott Haupert – viola 1379:Endre Granat – violin 1310:Larry Corbett – cello 1271:Denyse Buffum – viola 1241:Murray Adler – violin 613:In the United States, 127:Ron "Amen-Ra" Lawrence 2653:Brian McKnight albums 2066:. RobertChristgau.com 1581:Haim Shtrum – violin 1575:John Scanlon – viola 1506:Maria Newman – viola 1328:Bruce Dukov – violin 1019:"The Only One for Me" 932:"Hold Me" (featuring 281:. It was released by 246:"The Only One For Me" 1642:– background vocals 1427:Peter Kent – violin 1298:– background vocals 1036:"Til I Get Over You" 670:and number 4 on the 427:Professional ratings 412:was the spark, then 2570:I Can't Go for That 1946: 1942:Certifications for 1903: 1844: 1654:David Young – bass 1648:Ken Yerke – violin 1593:Rudy Stein – cello 1557:Jay Rosen – violin 1521:– drum programming 1343:– drum programming 1283:Ron Clark – violin 1253:Bob Becker – viola 1221:(tracks 1, 6, 8, 9) 1145:Meshell Ndegeocello 953:Jean-Claude Olivier 707: 428: 2626:Used to Be My Girl 2612:Find Myself in You 2530:Compilation albums 2485:Evolution of a Man 2347:(list of releases) 1941: 1898: 1848:Chart (1997–1998) 1839: 1587:Dan Smith – cello 1500:, all instruments 1460:– rap vocals 1445:Joy Lyle – violin 1219:, all instruments 915:"You Got the Bomb" 839:Sean "Puffy" Combs 702: 426: 422:Critical reception 390:Sean "Puffy" Combs 311:deviated from the 52:September 23, 1997 2635: 2634: 2563:The Way Love Goes 1987: 1986: 1982: 1933: 1932: 1926: 1925: 1889: 1888: 1722:(tracks 2, 4, 12) 1677:(tracks 2, 4, 12) 1296:DJ (Step Up) Clue 1194:John Robert Smith 1183:Gregory E. Jacobs 1134: 1133: 1080:John Robert Smith 1053:"I Belong to You" 988:Gregory E. Jacobs 659:The lead single " 609:Chart performance 594:The Village Voice 589:Rahsaan Patterson 546: 545: 270: 269: 255:"Hold Me (Remix)" 199: 198: 2670: 2375: 2368: 2361: 2352: 2326: 2325: 2314: 2303: 2302: 2300: 2298: 2284: 2275: 2274: 2272: 2270: 2256: 2247: 2246: 2244: 2242: 2225: 2210: 2198: 2189: 2173: 2164: 2163: 2161: 2159: 2142: 2133: 2132: 2126: 2122: 2120: 2112: 2110: 2108: 2085: 2076: 2075: 2073: 2071: 2059: 2048: 2047: 2045: 2043: 2028: 2015: 2005: 1980: 1947: 1904: 1845: 1830: 1819: 1813: 1807: 1801: 1795: 1786: 1780: 1774: 1765: 1759: 1753: 1747: 1741: 1735: 1729: 1723: 1714: 1708: 1702: 1696: 1690: 1684: 1678: 1663: 1657: 1651: 1645: 1636: 1630: 1624: 1618: 1609: 1605: 1596: 1590: 1584: 1578: 1572: 1566: 1560: 1554: 1545: 1539: 1530: 1524: 1515: 1509: 1503: 1499: 1493: 1487: 1481: 1475: 1469: 1463: 1454: 1448: 1442: 1436: 1430: 1424: 1418: 1409: 1400: 1394: 1388: 1382: 1376: 1370: 1364: 1358: 1352: 1346: 1337: 1331: 1325: 1319: 1313: 1307: 1301: 1292: 1286: 1280: 1274: 1268: 1262: 1256: 1250: 1244: 1238: 1234: 1230: 1226: 1222: 1218: 1179:Ronald R. Brooks 1098: 983:Ronald R. Brooks 948:Samuel J. Barnes 713: 708: 688: 630: 599:Robert Christgau 530: 529: 528: 524: 523: 519: 518: 514: 513: 509: 508: 492: 491: 482:Robert Christgau 476: 475: 474: 470: 469: 465: 464: 460: 459: 455: 454: 429: 303:and songwriters 259: 256: 250: 247: 241: 238: 232: 229: 168: 167: 80: 79: 75: 31: 19: 2678: 2677: 2673: 2672: 2671: 2669: 2668: 2667: 2638: 2637: 2636: 2631: 2550: 2525: 2499:More Than Words 2402: 2384: 2379: 2335: 2330: 2329: 2316: 2315: 2306: 2296: 2294: 2286: 2285: 2278: 2268: 2266: 2258: 2257: 2250: 2240: 2238: 2227: 2226: 2213: 2199: 2192: 2174: 2167: 2157: 2155: 2144: 2143: 2136: 2123: 2113: 2106: 2104: 2102: 2087: 2086: 2079: 2069: 2067: 2061: 2060: 2051: 2041: 2039: 2038:. June 10, 2012 2030: 2029: 2018: 2006: 1997: 1992: 1964:United States ( 1957:Certified units 1939: 1934: 1896: 1894:Year-end charts 1852: 1837: 1827: 1822: 1817: 1811: 1805: 1799: 1793: 1784: 1778: 1772: 1763: 1757: 1751: 1745: 1739: 1733: 1727: 1721: 1720:– mix engineer 1712: 1707:(tracks 10, 12) 1706: 1700: 1694: 1688: 1682: 1676: 1666: 1661: 1655: 1649: 1643: 1634: 1628: 1622: 1616: 1607: 1603: 1594: 1588: 1582: 1576: 1570: 1564: 1558: 1552: 1543: 1537: 1528: 1522: 1519:Poke & Tone 1513: 1507: 1501: 1497: 1491: 1485: 1479: 1473: 1467: 1461: 1452: 1446: 1440: 1434: 1428: 1422: 1416: 1407: 1398: 1392: 1386: 1380: 1374: 1368: 1362: 1356: 1350: 1344: 1335: 1329: 1323: 1317: 1311: 1305: 1299: 1290: 1284: 1278: 1272: 1266: 1260: 1254: 1248: 1242: 1236: 1232: 1228: 1224: 1220: 1216: 1203: 1171:Shirley Murdock 1135: 1124: 1101: 1096: 1084: 1008: 999:Poke & Tone 992: 973:Shirley Murdock 901: 853: 832: 771: 745: 699: 691:Rhythmic Top 40 686: 657: 628: 611: 526: 521: 516: 511: 472: 467: 462: 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12) 1377: 1375:(tracks 2, 12) 1371: 1369:(tracks 2, 12) 1365: 1363:(tracks 2, 12) 1359: 1357:(tracks 2, 12) 1353: 1347: 1341:Charles Farrar 1338: 1336:(tracks 2, 12) 1332: 1330:(tracks 2, 12) 1326: 1324:(tracks 2, 12) 1320: 1314: 1312:(tracks 2, 12) 1308: 1302: 1293: 1287: 1285:(tracks 2, 12) 1281: 1279:(tracks 2, 12) 1275: 1273:(tracks 2, 12) 1269: 1263: 1257: 1255:(tracks 2, 12) 1251: 1245: 1243:(tracks 2, 12) 1239: 1225:(tracks 2, 12) 1213:Brian McKnight 1209: 1202: 1199: 1198: 1197: 1192:", written by 1186: 1167:Larry Troutman 1163:Roger Troutman 1161:", written by 1155: 1148: 1132: 1131: 1128: 1125: 1123: 1122: 1119: 1115: 1113: 1110: 1106: 1105: 1102: 1100: 1099: 1094:The Characters 1091: 1087: 1085: 1083: 1082: 1077: 1073: 1071: 1068: 1064: 1063: 1060: 1057: 1054: 1051: 1047: 1046: 1043: 1040: 1037: 1034: 1030: 1029: 1026: 1023: 1020: 1017: 1013: 1012: 1009: 1007: 1006: 1001: 995: 993: 991: 990: 985: 980: 975: 970: 968:Larry Troutman 965: 963:Roger Troutman 960: 955: 950: 945: 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Retrieved 2035: 1979: 1971:2Γ— Platinum 1943: 1927: 1916: 1900: 1878: 1860: 1841: 1668: 1667: 1613:Keith Thomas 1551:– keyboards 1223:, keyboards 1205: 1204: 1190:I Can't Wait 1175:Tupac Shakur 1159:I Get Around 1137: 1136: 978:Tupac Shakur 877:Keith Thomas 872:Diane Warren 844:Ron Lawrence 805:Ron Lawrence 703: 683: 665: 658: 648: 640: 625: 619: 614: 612: 602: 592: 580: 574: 570: 564: 560: 548: 547: 535: 497: 413: 409: 405: 402:Diane Warren 394:Keith Thomas 388:, including 385: 381: 375: 365: 357: 356: 342: 324: 321: 317:hip hop soul 308: 305:Diane Warren 297:Keith Thomas 286: 273: 272: 271: 212: 189: 181: 180: 171: 150:Keith Thomas 145:Trackmasters 37:Studio album 2648:1997 albums 2605:Back at One 2591:Let It Snow 2443:Back at One 2393:Discography 2320:(booklet). 2158:January 11, 2125:|work= 2070:January 11, 2042:January 11, 1600:Troy Taylor 1549:Cory Rooney 1534:Kelly Price 1152:James Brown 1070:"Jam Knock" 1056:Peter Black 1004:Cory Rooney 958:Cory Rooney 825:James Brown 815:Kelly Price 810:Mason Betha 722:Producer(s) 569:wrote that 415:Back at One 140:Troy Taylor 108:Peter Black 2642:Categories 2598:Crazy Love 2297:January 8, 2269:January 8, 2241:January 9, 2107:January 9, 1990:References 1974:2,000,000 1746:(track 11) 1734:(track 11) 1689:(track 10) 1683:(track 10) 1662:(track 12) 1640:Willie Max 1635:(track 12) 1608:(track 11) 1604:(track 11) 1571:(track 12) 1435:(track 12) 1406:– guitars 1345:(track 11) 1318:(track 12) 1291:(track 12) 1267:(track 12) 1261:(track 10) 1249:(track 12) 1237:(track 11) 1233:(track 11) 934:Willie Max 800:Sean Combs 585:Eric BenΓ©t 353:Background 293:Sean Combs 162:chronology 122:The Hitmen 112:Sean Combs 2450:Superhero 2436:Bethlehem 2292:Billboard 2235:Billboard 2206:Billboard 2185:Billboard 2178:Billboard 2127:ignored ( 2117:cite book 1917:Billboard 1910:Position 1879:Billboard 1861:Billboard 1853:position 1812:(track 4) 1806:(track 7) 1794:(track 4) 1764:(track 3) 1758:(track 4) 1752:(track 3) 1713:(track 3) 1701:(track 3) 1669:Technical 1644:(track 7) 1617:(track 4) 1553:(track 7) 1538:(track 3) 1523:(track 7) 1502:(track 5) 1468:(track 4) 1462:(track 3) 1417:(track 5) 1408:(track 4) 1404:Dann Huff 1399:(track 4) 1387:(track 4) 1351:(track 4) 1306:(track 4) 1300:(track 7) 1229:(track 5) 1206:Musicians 1201:Personnel 733:"Anytime" 719:Writer(s) 666:Billboard 649:Billboard 637:Soundscan 626:Billboard 620:Billboard 597:, critic 325:Billboard 237:"Anytime" 191:Bethlehem 132:Stevie J. 2147:"Review" 2013:AllMusic 1773:track 3) 1740:track 3) 1127:McKnight 1118:McKnight 1090:McKnight 1076:McKnight 1042:McKnight 1039:McKnight 1025:McKnight 1022:McKnight 921:McKnight 918:McKnight 904:McKnight 895:McKnight 849:Stevie J 829:McKnight 774:McKnight 765:McKnight 748:McKnight 557:Allmusic 446:AllMusic 213:Anytime 98:Producer 49:Released 39: by 2577:Love Is 2555:Singles 2513:Genesis 2492:Just Me 2429:Anytime 2345:Discogs 2340:Anytime 2324:. 1997. 2322:Mercury 2318:Anytime 2009:Anytime 1959:/sales 1950:Region 1944:Anytime 1901:Anytime 1842:Anytime 1138:Samples 759:"Could" 704:Anytime 684:Anytime 668:Hot 100 655:Singles 641:Anytime 615:Anytime 603:Anytime 581:Anytime 571:Anytime 561:Anytime 549:Anytime 410:Anytime 406:Anytime 386:Anytime 358:Anytime 343:Anytime 319:genre. 309:Anytime 274:Anytime 209:Singles 195:(1998) 186:(1997) 182:Anytime 177:(1995) 91:Mercury 63:R&B 22:Anytime 2619:To You 2520:Exodus 2506:Better 2464:Gemini 2457:U-Turn 2407:Albums 2098:  1928: 1825:Charts 1181:, and 1121:Barnes 768:Barnes 725:Length 440:Rating 437:Source 69:Length 2180:200)" 1097:(co.) 1059:Black 716:Title 687:' 629:' 601:gave 542:mixed 211:from 86:Label 58:Genre 2545:Gold 2299:2020 2271:2020 2243:2019 2160:2019 2152:Vibe 2129:help 2109:2019 2096:ISBN 2072:2020 2044:2019 1966:RIAA 1851:Peak 1458:Mase 1130:4:31 1104:4:33 1062:4:45 1045:4:57 1028:5:12 1011:3:49 924:4:41 907:4:05 881:3:55 856:4:49 791:Mase 777:4:26 751:4:33 676:Mase 587:and 576:Vibe 537:Vibe 2471:Ten 2343:at 2011:at 1872:US 1867:13 1863:200 1858:US 1109:12. 1067:11. 1050:10. 712:No. 622:200 341:". 327:200 2644:: 2307:^ 2290:. 2279:^ 2262:. 2251:^ 2232:. 2214:^ 2203:. 2193:^ 2182:. 2168:^ 2149:. 2137:^ 2121:: 2119:}} 2115:{{ 2080:^ 2052:^ 2034:. 2019:^ 1998:^ 1968:) 1922:4 1919:) 1885:1 1882:) 1177:, 1173:, 1169:, 1165:, 1033:9. 1016:8. 929:7. 912:6. 886:5. 861:4. 782:3. 756:2. 730:1. 639:, 631:s 400:, 396:, 392:, 349:. 299:, 295:, 78:14 74:54 2628:" 2624:" 2621:" 2617:" 2614:" 2610:" 2607:" 2603:" 2600:" 2596:" 2593:" 2589:" 2586:" 2582:" 2579:" 2575:" 2572:" 2568:" 2565:" 2561:" 2374:e 2367:t 2360:v 2301:. 2273:. 2245:. 2162:. 2131:) 2111:. 2074:. 2046:. 1876:( 1196:. 1185:. 1154:. 1147:. 936:) 868:" 864:" 793:) 785:" 228:" 224:" 76::

Index


Studio album
Brian McKnight
Genre
R&B
Label
Mercury
Producer
Sean Combs
Charles Farrar
The Hitmen
Ron "Amen-Ra" Lawrence
Stevie J.
Troy Taylor
Trackmasters
Keith Thomas
Brian McKnight
I Remember You
Bethlehem
Singles
You Should Be Mine (Don't Waste Your Time)
Brian McKnight
Mercury Records
I Remember You
Sean Combs
Keith Thomas
Poke & Tone
Diane Warren
urban adult contemporary
hip hop soul

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