40:
For one concert, Byard used the two ensembles together, on either side of a stage at the New
England Conservatory. He referred to it as his "Stereophonic Ensemble", because of the effects that could be created by having the bands playing together but separated spatially.
37:, where Byard taught. He commented that he was "running up and down the road between Boston and New York and I said why not get a band together in New York, too?"
64:. Vocalists and tap dancers were also sometimes featured. Central, however, where Byard's own compositions; he also wrote all of the band's arrangements.
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For a time, two versions of the band existed: one of New York musicians, and the other of students from the
82:
131:
Stokes, W. Royal (May 27, 1979) "This Music Is
Unmistakably American: Jaki Byard's Big-Band Stand".
30:
Accounts vary on when the Apollo
Stompers was formed. These range from the 1950s to the mid-1970s.
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Wilson, John S. (November 29, 1986) "Jazz: At the Blue Note, Basie and Byard Bands".
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156:
Bourne, Kay (December 7, 1978) "Stevie Wonder Writes New
American Classics".
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The band played a diverse range of material, including compositions by
169:Joyce, Mike (May 30, 1979) "Byard at Blues Alley".
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72:As "Jaki Byard and the Apollo Stompers":
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147:. npr.org. Retrieved June 16, 2021.
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35:New England Conservatory of Music
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23:was a jazz big band led by
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171:The Washington Post
133:The Washington Post
184:The New York Times
93:(Soul Note, 1988)
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158:Bay State Banner
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98:My Mother's Eyes
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21:Apollo Stompers
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90:Phantasies II
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16:Jazz big band
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145:"Jaki Byard"
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68:Discography
54:Fats Waller
50:Eubie Blake
106:References
78:Phantasies
25:Jaki Byard
203:Big bands
83:Soul Note
48:in 1978,
197:Category
186:. p. 14.
173:. p. B6.
160:. p. 16.
135:. p. L4.
85:, 1984)
101:(1998)
60:, and
19:The
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114:^
56:,
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27:.
81:(
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