555:'s description, the record soon confirmed these journalists' speculation – namely that Harrison had long been stockpiling his songs, unable to include more than two compositions on each Beatles album, and that "he'd spent a lot longer jamming with his heavyweight friends than anyone could have guessed." The album was a major critical and commercial success, despite its retail price – which was over £5 in the United Kingdom and $ 13.98 in the United States – being considerable for the time. Some of the
29:
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was commonplace during the sessions and indicative of the free spirit that characterised the project. Aside from giving
Harrison the opportunity to record several songs of his that had been overlooked for inclusion on the Beatles' releases, the album allowed him to include longer instrumental breaks
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first triple album, the first one released as a pointed statement", adding that "'Plug Me In' and 'I Remember Jeep' and 'Thanks for the
Pepperoni' are the sound of a contented artist happily forgetting you are there". He says that while the jam tracks are an indulgence, they nevertheless contribute
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as "a very significant flaw" but recognises that its content "proved to be of immense musical importance", with the formation of Derek and the
Dominos. AllMusic critic Bruce Eder similarly sees the third disc as "historically important as the sessions that spawned Eric Clapton's band Derek and the
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a separate design treatment from the first two LPs. The disc's sleeve and face labels contained a jam jar painted by Wilkes, showing a piece of fruit inside the jar and two apple leaves on the outside. To complete the literal pun on the words "apple jam", he painted the title on the jar's lid. The
487:". Recorded at the same session as "Plug Me In", it again includes guitar solos by Harrison, Clapton and Mason. Leng comments on Harrison's soloing being "uncannily" similar to Clapton's style, saying that Harrison leads for most of the track, which includes his "hottest licks" since the Beatles' "
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disc: "For the jams, I didn't want to just throw in the cupboard, and yet at the same time it wasn't part of the record; that's why I put it on a separate label to go in the package as a kind of bonus." He said he came to appreciate the quality of the jams when mixing the album, especially the
592:
Leng comments that
Harrison displayed a remarkable lack of ego in affording Clapton a large share of the spotlight on the jam disc. Author Robert Rodriguez similarly writes of Harrison's graciousness in this regard, citing "I Remember Jeep" as a Clapton "guitar showcase". In a 1972 interview,
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sessions, he and his fellow musicians would improvise on an idea and then ask to hear the jam played back, only to discover that the engineer had failed to capture the performance on tape. As a result, a stereo tape was left running throughout the subsequent sessions to capture any impromptu
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contained "some exceptional hard rock and roll" and "Plug Me In" was "one of the best rock tunes ever heard". He concluded: "The album should sell for around $ 10. It's worth $ 50." Less impressed with
Harrison's religious stance in the main body of songs, Peter Reilly of
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Harrison said he was pleased that all the musicians benefited financially from the jam disc, since he had arranged for the publishing royalties to be shared among the contributors. Writing in his 2010 autobiography, Whitlock says he still received quarterly payments for
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around this time. Although
Harrison credited Clapton as the second guitarist on the track, the part was played by Voormann. According to Voormann, "He thought it was Eric, because I was playing a little thing like Eric." The other musicians were keyboard players
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pressings in North
America carried a sticker on the front of the box stating, "2 George Harrison LPs Plus 1 Apple Jam Session" and "3 LPs for the Price of 2". In the UK, excerpts from "I Remember Jeep" and "Plug Me In" were included in the 10 December
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The tape from the session captures Lennon and Starr's delight at
Harrison's arrival. Seeing Harrison's slide guitar, Lennon asks, "Is it tuned to open E, then?", to which Harrison jokes, "No, it's probably F-sharp, because it was strung so slack
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interview, Harrison dismissed the idea that the title was inspired by eating pizza during the session. He credited it to Bruce's piece "Religions, Inc.", in which "he goes on about the pope and things, and then he goes, 'And thanks for the
125:. Music critics have traditionally viewed the jams as dispensable next to the two LPs of songs. Some writers nevertheless recognise the disc's historical importance as a document of Derek and the Dominos' first recording session.
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tracks so that "It's Johnny's
Birthday" became the opener and "Out of the Blue" closed the album. He said that this was the correct sequence, but it had not been possible in 1970 because of running time considerations for vinyl.
754:, Mac Randall states that the album is an exceptional work, but its admirers tend to overlook how the last 30 minutes comprise "a bunch of instrumental blues jams that nobody listens to more than once". Reviewing for
512:
names of the contributing musicians appeared on the back of the sleeve, separate from the musician credits for the main album, which were printed on the inside of the box housing the three LPs. In many countries, the
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If people who bought the whole set didn't like the jams, well they still had the proper albums and they hadn't paid any more for the extra disc; and if they did like the jams, then it was a free bonus for them.
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as "frankly forgettable", adding that its inclusion "rather illustrates the excesses of the record industry in 1970 and the baronial power of an ex-Beatle to do whatever the hell he wanted to". Jayson Greene of
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Clapton biographer David
Bowling picks "Thanks for the Pepperoni" as the best track and says that while Clapton's presence typically inspired such jams, it was the "informal and relaxed settings" when making
467:. On 12 May that year – at which point the track was titled "Jam Peace" – Harrison, Lennon and Ono overdubbed handclaps at EMI Studios, and Harrison added the Moog part live as the final mix was being done.
453:. Inglis comments on the jam's similarity to Cream's songs, describing it as a "musically sophisticated fusion of jazz/blues tempos within a contemporary rock format". The main session took place at
551:
on 27 November 1970. Although not the first rock triple LP, it was the first triple set issued by a single act. The music press were shocked when the release was first announced. In music historian
818:. Until Harrison changed this credit along with the title of the jam in 1970, the track preceded the first official use of Lennon and Ono's Plastic Ono Band moniker – for their "
786:, his preferred keyboard instrument. Whitlock comments on "Out of the Blue": "I love how it gets completely spaced out at the end. Everyone is really listening to each other."
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highlights Harrison's guitar playing, the "rollicking" piano, and Keys' saxophone contribution, which he likens to the "jam ending" on the Rolling Stones' 1971 track "
491:". According to Leng, the sequence of guitar solos is: Harrison up to the 1:30 mark; Mason, 1:40–3:00; Harrison, 3:00–3:17; Clapton, 3:18–4:46; Harrison, 4:47–5:52.
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670:: "Harrison playing guitar with such dynamite contemporaries as Eric Clapton and Dave Mason – nice, but not really a very exciting addition to the album."
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each taking guitar solos. It was taped on 18 June, a session that marked the recording debut of Clapton, Whitlock, Radle and Gordon's short-lived band
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527:. On the first US copies, the only songwriting information on the disc's face labels was the standard inclusion of a performing rights organisation,
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Harrison later recalled that Lennon was especially negative, telling a mutual friend that Harrison "must be fucking mad, putting three records out".
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389:, which had come together to help Harrison record his album. Harrison also contributed on guitar to both sides of the band's debut single, "
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than was typically the case in his former band's work; he also welcomed the chance to record with the musicians he had met while a guest on
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was originally scheduled for release with the catalogue number STBO-639, indicating a two-record set. In a December 2000 interview with
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As with all the tracks on the third disc, "It's Johnny's Birthday" carried a Harrison songwriting credit on the original UK release of
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claimed for royalties, with the result that the composer's credit for Harrison's track was changed to acknowledge Martin and Coulter.
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Although acknowledging that the location for the 18 June 1970 recording has been given as Apple Studio, the compilers of the 2021
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during the same session. Whitlock recalls "Plug Me In" as an early example of him playing piano, the style of which he credits to
2001:
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463:
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Many critics viewed the third disc as inessential and some complained that it drove up the price for the album. Don Heckman of
161:
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named Jeep who had recently gone missing. The line-up on the eight-minute track was Clapton and Harrison on electric guitars,
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Unterberger has also written that session tapes reveal an abundance of high-quality Harrison songs not formally recorded for
1756:
2613:
2319:
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750:
520:, since rivalries between competing record companies prevented Harrison from acknowledging him in the main album credits.
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995:
748:, both view the jam disc as a complement to the high-quality, spiritual-themed songs on the first two LPs. In the 2004
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for comic effect. He presented Lennon with a tape of the song at EMI on 9 October, when Lennon was recording his song "
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2479:
362:
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to mark the occasion. Recording took place at EMI Studios on 7 October as Harrison was carrying out final mixing on
66:, three of which were recorded during the album sessions, and "It's Johnny's Birthday", a 30th birthday tribute to
28:
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Apple Jam took their name after performing a Harrison-themed concert in 2007. In 2009, the band members included
2986:
2946:
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795:
When asked later what instrument he played on "Out of the Blue", Aronowitz shrugged and replied, "Typewriter?"
349:
The track features Harrison on vocals and all instruments – a carnival-style organ and two tracks of acoustic
198:'s guitar playing. The title of the third disc was a pun combining the idea of a jam session and the Beatles'
2649:
2606:
2419:
2366:
944:
597:, citing this as an example of Harrison's generosity since "He just gave it to us without saying a word."
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wrote that "he seems freer and more involved" in the collaborative set-up reflected in the jam tracks.
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and comments that many of those bands would have issued it as a genuine album track. Beatles historian
269:. Originally 20 minutes in length and referred to in Harrison's notes as "Jam (3)", it was recorded at
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858:. He rues that Harrison chose to fill the third LP with "disposable jams" rather than these songs.
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638:
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instrumental; in author Simon Leng's description, the improvisation is achieved through guitar
78:, which was one of the first triple albums in rock history. It was given a dedicated design by
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2009:
1991:
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book for the album list EMI's Studio 3, based on the recollection of EMI recording engineer
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562:
556:
398:
146:
101:, the group recorded songs intended for their debut single that same day. Other tracks on
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Two of the jams date from a 18 June 1970 session that marked the official formation of
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to the album's legacy as a convention-defying release and provided the forerunner to
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71:
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1983:
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921:"The Hope and Wisdom of George Harrison's 1970 Solo Album 'All Things Must Pass'"
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a "blockbuster" and a major artistic statement by the former Beatle, but said of
224:"Out of the Blue" opens abruptly, with the musicians already playing a mid-tempo
2951:
2931:
2900:
2426:
718:
480:
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on 29 March 1969, shortly before Harrison started production on Preston's first
366:
327:
258:
156:
138:
118:
67:
63:
19:
This article is about the George Harrison record. For jam made from apples, see
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sleeve was the only place where Clapton was listed as a musical contributor to
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1950:
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33:
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including children's versions of their songs on the band's 1980 triple album
433:
The title for "I Remember Jeep" originated from the name of Clapton's dog, a
713:
378:
358:
354:
236:
and "shifting dynamics" over a single-chord theme. The contributors include
2190:
2091:, Capitol Records/Calderstone Productions (Los Angeles, CA/London, 2021).
2042:, Capitol Records/Calderstone Productions (Los Angeles, CA/London, 2021).
1946:
1883:
1857:
1795:"George Harrison's All Things Must Pass: 50 years of music in god's name"
755:
735:
331:
2701:
1547:
Dave Thompson, "The Music of George Harrison: An album-by-album guide",
357:
and assistant engineer Eddie Klein. Harrison treated the recording with
2311:
782:
Although Spizer lists Whitlock as the pianist, Whitlock says he played
335:
940:"How George Harrison Made the Greatest Beatles Solo Album of Them All"
814:
The artist credit listed on the May 1969 EMI tape box and acetate was
707:
writes that Harrison's 1970 album "in the cultural imagination ... is
164:' European tour in December 1969. Harrison recalled that early in the
692:
s George Chesterton says that rock "never got more imperial" than on
948: /loudersound.com, 27 November 2016 (retrieved 26 March 2021).
280:
Leng compares "Out of the Blue" to the extended jams typical of the
2858:
1970:
All Together Now: The First Complete Beatles Discography 1961–1975
314:"It's Johnny's Birthday" is a 49-second track sung to the tune of
229:
49:
27:
2132:
Mystical One: George Harrison – After the Break-up of the Beatles
1061:
1059:
1057:
2027:, Rolling Stone Press/Simon & Schuster (New York, NY, 2002;
306:. According to Spizer, Aronowitz most likely played percussion.
233:
2705:
2315:
2006:
Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones
475:
The title for "Thanks for the Pepperoni" came from a line on a
16:
Bonus disc on George Harrison's 1970 All Things Must Pass album
1935:(4th edn), Fireside/Simon & Schuster (New York, NY, 2004;
1477:
1458:
1298:
1296:
1155:
1153:
1151:
1149:
273:
on 2 July 1970, the penultimate day of full band sessions for
74:' way of placating record buyers for the high retail price of
1373:
1371:
1197:
1195:
1118:
1116:
2210:
Layla and Other Assorted Love Songs by Derek and the Dominos
479:
comedy album. The track is a six-minute jam in the style of
1799:
685:
2162:
While My Guitar Gently Weeps: The Music of George Harrison
93:
as recording artists. Augmented by Harrison and guitarist
322:" and delivered in a style that author Ian Inglis terms "
2117:
A Day in the Life: The Music and Artistry of the Beatles
1917:
Eric Clapton FAQ: All That's Left to Know About Slowhand
1901:
The Beatles Diary Volume 2: After the Break-Up 1970–2001
334:, Lennon's wife, had requested a musical gift from him,
1765:, 20 December 1970, p. 104 (retrieved 3 November 2020).
1245:
1243:
405:, as well as a rare contribution from Mason during the
683:
yet the album's "guitar high point" is the jam disc.
2225:
Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980
1543:
1541:
82:, with a logo depicting a jam jar and apple leaves.
2924:
2850:
2832:
2807:
2789:
2637:
2577:
2553:
2528:
2489:
2443:
2397:
2358:
2351:
2177:
Eight Arms to Hold You: The Solo Beatles Compendium
2055:, Cambridge University Press (Cambridge, UK, 2009;
2040:
Archival Notes – the Making of All Things Must Pass
1517:
1515:
353:– along with vocal contributions from Beatles aide
1673:"Alan White from Yes: What the Beatles mean to me"
531:. In December 1970, "Congratulations" songwriters
2073:, Visible Ink Press (Farmington Hills, MI, 1999;
1277:
1275:
1273:
1047:
1045:
727:that "seem to have brought out the best in him".
673:Among more recent assessments, Damian Fanelli of
365:" in one of the studios there, with Voormann and
169:recordings, leading to the tracks that appear on
1466:(subscription required; retrieved 15 July 2012).
1139:
1137:
1957:, Trewin Copplestone Publishing (London, 1978;
1776:"Dark Horse: The Top 10 George Harrison Albums"
1403:
1401:
1035:
1033:
1031:
1029:
1027:
1025:
1023:
1021:
1019:
1017:
624:and one of the drummers who played on the main
600:When preparing the 30th anniversary edition of
573:
296:, who was in London to write a piece about the
1718:Peter Reilly, "Entertainment: George Harrison
1681:, 11 September 2009 (retrieved 26 March 2021).
1176:
1174:
976:
974:
958:
956:
954:
915:
913:
679:writes that "Winners abound at every turn" on
2717:
2690:George Harrison: Living in the Material World
2327:
2297:Bobby Whitlock: A Rock 'n' Roll Autobiography
1931:Nathan Brackett & Christian Hoard (eds),
1803:, 27 November 2020 (retrieved 20 March 2021).
1699:Mike Gormley, "Old Un-Fancy George Returns",
393:" and "Roll It Over", which were produced by
292:". The musician credits also list journalist
8:
2841:The Layla Sessions: 20th Anniversary Edition
2179:, 44.1 Productions (Chesterfield, MO, 2000;
1662:, 31 October 2018 (retrieved 26 March 2021).
996:"George Harrison: 'All Things' in Good Time"
2281:, Backbeat Books (San Francisco, CA, 2006;
1886:(archived version retrieved 26 March 2021).
1002:, 8 January 2001 (retrieved 26 March 2021).
604:in 2000, Harrison changed the order of the
449:, on drums. Harrison also added effects on
2724:
2710:
2702:
2355:
2334:
2320:
2312:
2263:, 498 Productions (New Orleans, LA, 2005;
2197:, Workman Publishing (New York, NY, 2008;
2071:MusicHound Rock: The Essential Album Guide
1968:Harry Castleman & Walter J. Podrazik,
1784:, 16 April 2020 (retrieved 20 March 2021).
1757:"Pop: Two and a Half Beatles on Their Own"
929:, 18 April 2020 (retrieved 26 March 2021).
52:" disc) included in English rock musician
2880:Nobody Knows You When You're Down and Out
2466:Ballad of Sir Frankie Crisp (Let It Roll)
990:
988:
986:
189:, Harrison explained the addition of the
2279:The Unreleased Beatles: Music & Film
2134:, Guernica Editions (Toronto, ON, 2006;
1972:, Ballantine Books (New York, NY, 1976;
145:and one of many musicians who played on
2227:, Backbeat Books (Milwaukee, WI, 2010;
2195:1,000 Recordings to Hear Before You Die
2045:Michael Frontani, "The Solo Years", in
1920:, Backbeat Books (Milwaukee, WI, 2013;
1535:, 19 June 2016 (retrieved 3 July 2016).
869:
775:
745:1,000 Recordings to Hear Before You Die
309:
228:. Lasting eleven minutes, the jam is a
48:is the third LP (often described as a "
2147:The Words and Music of George Harrison
2052:The Cambridge Companion to the Beatles
2008:, Broadway Books (New York, NY, 2001;
1462:, 5 December 1970, p. 2; available at
1311:Castleman & Podrazik, pp. 92, 207.
962:Mike Hennessey, "The Harrison Tapes",
326:sing-along". Harrison recorded it for
7:
2164:, Hal Leonard (Milwaukee, WI, 2006;
2149:, Praeger (Santa Barbara, CA, 2010;
1482:, IPC Ignite! (London, 2005), p. 22.
1480:: Beatles – The Solo Years 1970–1980
2915:Got to Get Better in a Little While
2798:Layla and Other Assorted Love Songs
2245:, McGraw-Hill (New York, NY, 1978;
2038:Don Fleming & Richard Radford,
105:include musical contributions from
62:. It consists of four instrumental
2299:, McFarland (Jefferson, NC, 2010;
1955:The Beatles: An Illustrated Record
1386:Harrison & Cooper, pp. 55, 85.
14:
2261:The Beatles Solo on Apple Records
2175:Chip Madinger & Mark Easter,
1933:The New Rolling Stone Album Guide
1065:Castleman & Podrazik, p. 197.
636:Previewing the triple LP for the
381:track with Harrison, Clapton and
2099:The George Harrison Encyclopedia
2087:& Rachel Cooper (curators),
1705:, 6 December 1970; available at
1443:Castleman & Podrazik, p. 94.
642:in 1970, Mike Gormley said that
244:, both of whom began working as
162:Delaney & Bonnie and Friends
1903:, Omnibus Press (London, 2001;
445:, Clapton's former bandmate in
441:on piano, Voormann on bass and
2212:, Rodale (New York, NY, 2006;
2101:, Virgin Books (London, 2003;
2089:All Things Must Pass Scrapbook
2069:& Daniel Durchholz (eds),
1821:Graff & Durchholz, p. 529.
1452:Alan Smith, "George Harrison:
1365:Madinger & Easter, p. 433.
1302:Madinger & Easter, p. 427.
1159:Madinger & Easter, p. 432.
1:
2512:Isn't It a Pity (Version Two)
2388:Isn't It a Pity (Version One)
1839:Brackett & Hoard, p. 367.
1553:, 25 January 2002, pp. 16–17.
1377:Harrison & Cooper, p. 55.
1347:Fleming & Radford, p. 27.
1290:Harrison & Cooper, p. 54.
1210:Fleming & Radford, p. 39.
1201:Harrison & Cooper, p. 53.
1122:Fleming & Radford, p. 33.
1110:Harrison & Cooper, p. 52.
751:The Rolling Stone Album Guide
464:That's the Way God Planned It
2684:1971 Ronnie Spector sessions
822:" single – by several weeks.
2894:Have You Ever Loved a Woman
2645:George Harrison discography
2119:, Pan Books (London, 1996;
1990:, Sanctuary (London, 2003;
762:describes the inclusion of
202:to create a reference to a
3003:
2614:Woman Don't You Cry for Me
2566:"Thanks for the Pepperoni"
1860:(retrieved 28 April 2012).
612:The Seattle-based Beatles
471:"Thanks for the Pepperoni"
290:Can't You Hear Me Knocking
18:
2739:
36:-designed face label for
2947:The Allman Brothers Band
2543:"It's Johnny's Birthday"
1709:(subscription required).
1593:Carr & Tyler, p. 92.
1131:Whitlock, pp. 75–76, 82.
330:'s 30th birthday, after
310:"It's Johnny's Birthday"
2650:Break-up of the Beatles
2607:When Every Song Is Sung
2420:Behind That Locked Door
1746:Frontani, pp. 158, 166.
1249:Hertsgaard, pp. 307–08.
547:Apple Records released
1602:Schaffner, pp. 142–43.
578:
40:
2733:Derek and the Dominos
2674:Derek and the Dominos
2628:Early Takes: Volume 1
2593:I Don't Want to Do It
1660:Record Collector News
1654:15 April 2021 at the
1584:Frontani, pp. 157–58.
1416:Spizer, pp. 226, 228.
885:Rodriguez, pp. 83–85.
455:Olympic Sound Studios
387:Derek and the Dominos
133:According to bassist
91:Derek and the Dominos
56:'s 1970 triple album
31:
2958:All Things Must Pass
2937:Delaney & Bonnie
2823:Live at the Fillmore
2669:Radha Krishna Temple
2480:All Things Must Pass
2367:I'd Have You Anytime
2344:All Things Must Pass
1869:Unterberger, p. 288.
1852:All Things Must Pass
1848:Richie Unterberger,
1728:, April 1971, p. 91.
1720:All Things Must Pass
1638:Huntley, pp. 304–05.
1525:All Things Must Pass
1454:All Things Must Pass
1434:Huntley, pp. 305–06.
1338:Whitlock, pp. 81–82.
1237:Unterberger, p. 294.
1083:Clayson, pp. 278–79.
856:All Things Must Pass
740:All Things Must Pass
725:All Things Must Pass
694:All Things Must Pass
681:All Things Must Pass
664:All Things Must Pass
626:All Things Must Pass
602:All Things Must Pass
568:All Things Must Pass
549:All Things Must Pass
525:All Things Must Pass
518:All Things Must Pass
501:All Things Must Pass
407:All Things Must Pass
344:All Things Must Pass
298:All Things Must Pass
275:All Things Must Pass
177:All Things Must Pass
166:All Things Must Pass
152:All Things Must Pass
76:All Things Must Pass
59:All Things Must Pass
2563:: "I Remember Jeep"
2540:: "Out of the Blue"
2473:Awaiting on You All
2295:with Marc Roberty,
2243:The Beatles Forever
2130:Elliot J. Huntley,
2063:), pp. 153–82.
1793:George Chesterton,
1575:Huntley, pp. 63–64.
1329:Reid, pp. 104, 105.
1267:Hertsgaard, p. 308.
1189:Harry, pp. 11, 239.
820:Give Peace a Chance
738:, in his entry for
499:In his artwork for
485:Roll Over Beethoven
282:San Francisco scene
2887:Key to the Highway
2452:Beware of Darkness
2275:Richie Unterberger
2239:Nicholas Schaffner
2223:Robert Rodriguez,
1762:The New York Times
1702:Detroit Free Press
1611:Badman, pp. 16–17.
1523:"George Harrison:
1475:Chris Hunt (ed.),
1168:Schaffner, p. 142.
760:Richie Unterberger
659:The New York Times
639:Detroit Free Press
632:Critical reception
377:"Plug Me In" is a
246:the Rolling Stones
141:since their years
97:, and produced by
41:
2974:
2973:
2866:Bell Bottom Blues
2699:
2698:
2663:Encouraging Words
2573:
2572:
2305:978-0-7864-6190-5
2233:978-1-4165-9093-4
2218:978-1-59486-369-1
2203:978-0-7611-5385-6
2155:978-0-313-37532-3
2107:978-0-7535-0822-0
2061:978-1-139-82806-2
1926:978-1-61713-454-8
1880:"George Harrison"
1850:"George Harrison
1690:Rodriguez, p. 76.
1647:Gillian G. Gaar,
1629:Rodriguez, p. 72.
1320:Rodriguez, p. 77.
1281:Leng, pp. 100–01.
1258:Rodriguez, p. 28.
1051:Leng, pp. 101–02.
894:Leng, pp. 99–100.
696:but he dismisses
566:album feature on
429:"I Remember Jeep"
300:sessions for the
220:"Out of the Blue"
2994:
2925:Related articles
2726:
2719:
2712:
2703:
2638:Related articles
2621:Beware of ABKCO!
2356:
2336:
2329:
2322:
2313:
1914:David Bowling,
1887:
1876:
1870:
1867:
1861:
1846:
1840:
1837:
1831:
1828:
1822:
1819:
1813:
1812:Bowling, p. 124.
1810:
1804:
1791:
1785:
1774:Damian Fanelli,
1772:
1766:
1753:
1747:
1744:
1738:
1735:
1729:
1716:
1710:
1707:Rock's Backpages
1697:
1691:
1688:
1682:
1669:
1663:
1645:
1639:
1636:
1630:
1627:
1621:
1618:
1612:
1609:
1603:
1600:
1594:
1591:
1585:
1582:
1576:
1573:
1567:
1560:
1554:
1545:
1536:
1519:
1510:
1507:
1501:
1498:
1492:
1489:
1483:
1473:
1467:
1464:Rock's Backpages
1450:
1444:
1441:
1435:
1432:
1426:
1423:
1417:
1414:
1408:
1405:
1396:
1393:
1387:
1384:
1378:
1375:
1366:
1363:
1357:
1356:Bowling, p. 222.
1354:
1348:
1345:
1339:
1336:
1330:
1327:
1321:
1318:
1312:
1309:
1303:
1300:
1291:
1288:
1282:
1279:
1268:
1265:
1259:
1256:
1250:
1247:
1238:
1235:
1229:
1226:
1220:
1219:Clayson, p. 292.
1217:
1211:
1208:
1202:
1199:
1190:
1187:
1181:
1178:
1169:
1166:
1160:
1157:
1144:
1143:Whitlock, p. 82.
1141:
1132:
1129:
1123:
1120:
1111:
1108:
1102:
1099:
1093:
1090:
1084:
1081:
1075:
1072:
1066:
1063:
1052:
1049:
1040:
1037:
1012:
1009:
1003:
992:
981:
978:
969:
968:, 15 April 1972.
960:
949:
936:
930:
919:Kenneth Womack,
917:
908:
901:
895:
892:
886:
883:
877:
874:
859:
852:
846:
843:
837:
829:
823:
816:Plastic Ono Band
812:
806:
802:
796:
793:
787:
780:
730:Roger Catlin of
691:
588:
451:Moog synthesizer
3002:
3001:
2997:
2996:
2995:
2993:
2992:
2991:
2987:George Harrison
2977:
2976:
2975:
2970:
2920:
2846:
2828:
2803:
2785:
2735:
2730:
2700:
2695:
2633:
2569:
2549:
2524:
2485:
2439:
2434:Run of the Mill
2393:
2347:
2340:
2310:
2113:Mark Hertsgaard
2085:Olivia Harrison
2019:The Editors of
1988:George Harrison
1890:
1877:
1873:
1868:
1864:
1847:
1843:
1838:
1834:
1829:
1825:
1820:
1816:
1811:
1807:
1792:
1788:
1773:
1769:
1754:
1750:
1745:
1741:
1737:Huntley, p. 61.
1736:
1732:
1717:
1713:
1698:
1694:
1689:
1685:
1670:
1666:
1656:Wayback Machine
1649:"Apple Jammin'"
1646:
1642:
1637:
1633:
1628:
1624:
1619:
1615:
1610:
1606:
1601:
1597:
1592:
1588:
1583:
1579:
1574:
1570:
1562:The Editors of
1561:
1557:
1546:
1539:
1521:Jayson Greene,
1520:
1513:
1508:
1504:
1499:
1495:
1491:Spizer, p. 230.
1490:
1486:
1474:
1470:
1451:
1447:
1442:
1438:
1433:
1429:
1424:
1420:
1415:
1411:
1407:Spizer, p. 228.
1406:
1399:
1395:Huntley, p. 60.
1394:
1390:
1385:
1381:
1376:
1369:
1364:
1360:
1355:
1351:
1346:
1342:
1337:
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1328:
1324:
1319:
1315:
1310:
1306:
1301:
1294:
1289:
1285:
1280:
1271:
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1248:
1241:
1236:
1232:
1227:
1223:
1218:
1214:
1209:
1205:
1200:
1193:
1188:
1184:
1179:
1172:
1167:
1163:
1158:
1147:
1142:
1135:
1130:
1126:
1121:
1114:
1109:
1105:
1100:
1096:
1091:
1087:
1082:
1078:
1073:
1069:
1064:
1055:
1050:
1043:
1039:Spizer, p. 226.
1038:
1015:
1010:
1006:
994:Timothy White,
993:
984:
980:Spizer, p. 225.
979:
972:
961:
952:
937:
933:
918:
911:
903:The Editors of
902:
898:
893:
889:
884:
880:
875:
871:
867:
862:
853:
849:
844:
840:
830:
826:
813:
809:
803:
799:
794:
790:
781:
777:
773:
689:
634:
590:
580:
563:Top of the Pops
557:Capitol Records
545:
497:
473:
431:
426:
399:Jerry Lee Lewis
375:
320:Congratulations
312:
222:
217:
212:
210:Musical content
147:George Harrison
131:
70:. The disc was
54:George Harrison
24:
21:Fruit preserves
17:
12:
11:
5:
3000:
2998:
2990:
2989:
2979:
2978:
2972:
2971:
2969:
2968:
2961:
2954:
2949:
2944:
2939:
2934:
2928:
2926:
2922:
2921:
2919:
2918:
2911:
2904:
2897:
2890:
2883:
2876:
2873:Tell the Truth
2869:
2862:
2854:
2852:
2848:
2847:
2845:
2844:
2836:
2834:
2830:
2829:
2827:
2826:
2819:
2811:
2809:
2805:
2804:
2802:
2801:
2793:
2791:
2787:
2786:
2784:
2783:
2776:
2769:
2766:Bobby Whitlock
2762:
2755:
2748:
2740:
2737:
2736:
2731:
2729:
2728:
2721:
2714:
2706:
2697:
2696:
2694:
2693:
2686:
2681:
2676:
2671:
2666:
2659:
2652:
2647:
2641:
2639:
2635:
2634:
2632:
2631:
2624:
2617:
2610:
2603:
2600:I Live for You
2596:
2589:
2586:Beautiful Girl
2581:
2579:
2575:
2574:
2571:
2570:
2568:
2567:
2564:
2557:
2555:
2551:
2550:
2548:
2547:
2544:
2541:
2532:
2530:
2526:
2525:
2523:
2522:
2515:
2508:
2501:
2493:
2491:
2487:
2486:
2484:
2483:
2476:
2469:
2462:
2455:
2447:
2445:
2441:
2440:
2438:
2437:
2430:
2423:
2416:
2413:If Not for You
2409:
2401:
2399:
2395:
2394:
2392:
2391:
2384:
2377:
2370:
2362:
2360:
2353:
2349:
2348:
2341:
2339:
2338:
2331:
2324:
2316:
2309:
2308:
2293:Bobby Whitlock
2290:
2272:
2254:
2236:
2221:
2206:
2188:
2173:
2158:
2143:
2128:
2110:
2092:
2082:
2064:
2047:Kenneth Womack
2043:
2036:
2017:
1999:
1981:
1966:
1944:
1929:
1912:
1899:Keith Badman,
1896:
1889:
1888:
1871:
1862:
1841:
1832:
1823:
1814:
1805:
1786:
1767:
1748:
1739:
1730:
1711:
1692:
1683:
1664:
1640:
1631:
1622:
1613:
1604:
1595:
1586:
1577:
1568:
1555:
1537:
1511:
1502:
1500:Badman, p. 16.
1493:
1484:
1468:
1445:
1436:
1427:
1418:
1409:
1397:
1388:
1379:
1367:
1358:
1349:
1340:
1331:
1322:
1313:
1304:
1292:
1283:
1269:
1260:
1251:
1239:
1230:
1228:Badman, p. 14.
1221:
1212:
1203:
1191:
1182:
1180:Inglis, p. 32.
1170:
1161:
1145:
1133:
1124:
1112:
1103:
1101:Harry, p. 293.
1094:
1085:
1076:
1074:Davis, p. 336.
1067:
1053:
1041:
1013:
1004:
982:
970:
950:
931:
909:
896:
887:
878:
868:
866:
863:
861:
860:
847:
838:
824:
807:
797:
788:
774:
772:
769:
633:
630:
620:, formerly of
581:– Harrison to
572:
544:
541:
496:
493:
472:
469:
430:
427:
425:
422:
414:Archival Notes
403:Little Richard
391:Tell the Truth
374:
371:
311:
308:
255:Bobby Whitlock
221:
218:
216:
213:
211:
208:
204:fruit preserve
137:, a friend of
135:Klaus Voormann
130:
127:
111:Klaus Voormann
15:
13:
10:
9:
6:
4:
3:
2:
2999:
2988:
2985:
2984:
2982:
2967:
2966:
2962:
2960:
2959:
2955:
2953:
2950:
2948:
2945:
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2898:
2895:
2891:
2888:
2884:
2881:
2877:
2874:
2870:
2867:
2863:
2860:
2856:
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2853:
2849:
2843:
2842:
2838:
2837:
2835:
2831:
2825:
2824:
2820:
2818:
2817:
2813:
2812:
2810:
2806:
2800:
2799:
2795:
2794:
2792:
2790:Studio albums
2788:
2782:
2781:
2777:
2775:
2774:
2770:
2768:
2767:
2763:
2761:
2760:
2756:
2754:
2753:
2749:
2747:
2746:
2742:
2741:
2738:
2734:
2727:
2722:
2720:
2715:
2713:
2708:
2707:
2704:
2692:
2691:
2687:
2685:
2682:
2680:
2679:Wall of Sound
2677:
2675:
2672:
2670:
2667:
2665:
2664:
2660:
2658:
2657:
2653:
2651:
2648:
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2583:
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2565:
2562:
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2556:
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2534:
2533:
2531:
2527:
2520:
2516:
2513:
2509:
2506:
2502:
2499:
2495:
2494:
2492:
2488:
2481:
2477:
2474:
2470:
2467:
2463:
2460:
2459:Apple Scruffs
2456:
2453:
2449:
2448:
2446:
2442:
2435:
2431:
2428:
2424:
2421:
2417:
2414:
2410:
2407:
2403:
2402:
2400:
2396:
2389:
2385:
2382:
2378:
2375:
2374:My Sweet Lord
2371:
2368:
2364:
2363:
2361:
2357:
2354:
2350:
2346:
2345:
2337:
2332:
2330:
2325:
2323:
2318:
2317:
2314:
2306:
2302:
2298:
2294:
2291:
2288:
2287:0-87930-892-3
2284:
2280:
2276:
2273:
2270:
2269:0-9662649-5-9
2266:
2262:
2258:
2255:
2252:
2251:0-07-055087-5
2248:
2244:
2240:
2237:
2234:
2230:
2226:
2222:
2219:
2215:
2211:
2207:
2204:
2200:
2196:
2192:
2189:
2186:
2185:0-615-11724-4
2182:
2178:
2174:
2171:
2170:1-4234-0609-5
2167:
2163:
2159:
2156:
2152:
2148:
2144:
2141:
2140:1-55071-197-0
2137:
2133:
2129:
2126:
2125:0-330-33891-9
2122:
2118:
2114:
2111:
2108:
2104:
2100:
2096:
2093:
2090:
2086:
2083:
2080:
2079:1-57859-061-2
2076:
2072:
2068:
2065:
2062:
2058:
2054:
2053:
2048:
2044:
2041:
2037:
2034:
2033:0-7432-3581-9
2030:
2026:
2022:
2021:Rolling Stone
2018:
2015:
2014:0-7679-0312-9
2011:
2007:
2003:
2002:Stephen Davis
2000:
1997:
1996:1-86074-489-3
1993:
1989:
1985:
1982:
1979:
1978:0-345-25680-8
1975:
1971:
1967:
1964:
1963:0-450-04170-0
1960:
1956:
1952:
1948:
1945:
1942:
1941:0-7432-0169-8
1938:
1934:
1930:
1927:
1923:
1919:
1918:
1913:
1910:
1909:0-7119-8307-0
1906:
1902:
1898:
1897:
1895:
1894:
1885:
1881:
1875:
1872:
1866:
1863:
1859:
1855:
1853:
1845:
1842:
1836:
1833:
1830:Moon, p. 345.
1827:
1824:
1818:
1815:
1809:
1806:
1802:
1801:
1796:
1790:
1787:
1783:
1782:
1781:Guitar Player
1777:
1771:
1768:
1764:
1763:
1758:
1755:Don Heckman,
1752:
1749:
1743:
1740:
1734:
1731:
1727:
1726:
1725:Stereo Review
1721:
1715:
1712:
1708:
1704:
1703:
1696:
1693:
1687:
1684:
1680:
1679:
1674:
1668:
1665:
1661:
1657:
1653:
1650:
1644:
1641:
1635:
1632:
1626:
1623:
1620:Leng, p. 100.
1617:
1614:
1608:
1605:
1599:
1596:
1590:
1587:
1581:
1578:
1572:
1569:
1565:
1564:Rolling Stone
1559:
1556:
1552:
1551:
1544:
1542:
1538:
1534:
1533:
1528:
1526:
1518:
1516:
1512:
1509:Harry, p. 70.
1506:
1503:
1497:
1494:
1488:
1485:
1481:
1479:
1478:NME Originals
1472:
1469:
1465:
1461:
1460:
1455:
1449:
1446:
1440:
1437:
1431:
1428:
1425:Harry, p. 13.
1422:
1419:
1413:
1410:
1404:
1402:
1398:
1392:
1389:
1383:
1380:
1374:
1372:
1368:
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1350:
1344:
1341:
1335:
1332:
1326:
1323:
1317:
1314:
1308:
1305:
1299:
1297:
1293:
1287:
1284:
1278:
1276:
1274:
1270:
1264:
1261:
1255:
1252:
1246:
1244:
1240:
1234:
1231:
1225:
1222:
1216:
1213:
1207:
1204:
1198:
1196:
1192:
1186:
1183:
1177:
1175:
1171:
1165:
1162:
1156:
1154:
1152:
1150:
1146:
1140:
1138:
1134:
1128:
1125:
1119:
1117:
1113:
1107:
1104:
1098:
1095:
1092:Leng, p. 102.
1089:
1086:
1080:
1077:
1071:
1068:
1062:
1060:
1058:
1054:
1048:
1046:
1042:
1036:
1034:
1032:
1030:
1028:
1026:
1024:
1022:
1020:
1018:
1014:
1011:Harry, p. 18.
1008:
1005:
1001:
1000:billboard.com
997:
991:
989:
987:
983:
977:
975:
971:
967:
966:
965:Record Mirror
959:
957:
955:
951:
947:
946:
941:
938:John Harris,
935:
932:
928:
927:
922:
916:
914:
910:
906:
905:Rolling Stone
900:
897:
891:
888:
882:
879:
876:Leng, p. 101.
873:
870:
864:
857:
851:
848:
842:
839:
834:
828:
825:
821:
817:
811:
808:
801:
798:
792:
789:
785:
784:Hammond organ
779:
776:
770:
768:
765:
761:
757:
753:
752:
747:
746:
741:
737:
733:
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721:
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687:
682:
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676:Guitar Player
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650:Stereo Review
645:
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631:
629:
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598:
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589:
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584:Record Mirror
577:
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569:
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558:
554:
553:Dave Thompson
550:
542:
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494:
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459:Apple Records
456:
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448:
444:
440:
439:Billy Preston
436:
428:
423:
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418:Phil McDonald
415:
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325:
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318:'s 1968 hit "
317:
316:Cliff Richard
307:
305:
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303:New York Post
299:
295:
291:
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283:
278:
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187:Timothy White
184:
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116:
112:
108:
107:Billy Preston
104:
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81:
77:
73:
72:Apple Records
69:
65:
61:
60:
55:
51:
47:
46:
39:
35:
30:
26:
22:
2964:
2963:
2956:
2839:
2821:
2814:
2796:
2778:
2773:Duane Allman
2771:
2764:
2757:
2750:
2745:Eric Clapton
2743:
2688:
2661:
2654:
2626:
2619:
2560:
2546:"Plug Me In"
2536:
2535:
2519:Hear Me Lord
2505:Art of Dying
2406:What Is Life
2342:
2296:
2278:
2260:
2257:Bruce Spizer
2242:
2224:
2209:
2194:
2176:
2161:
2160:Simon Leng,
2146:
2145:Ian Inglis,
2131:
2116:
2098:
2088:
2070:
2050:
2039:
2024:
2020:
2005:
1987:
1984:Alan Clayson
1969:
1954:
1932:
1915:
1900:
1892:
1891:
1878:Bruce Eder,
1874:
1865:
1851:
1844:
1835:
1826:
1817:
1808:
1798:
1789:
1779:
1770:
1760:
1751:
1742:
1733:
1723:
1719:
1714:
1700:
1695:
1686:
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1659:
1643:
1634:
1625:
1616:
1607:
1598:
1589:
1580:
1571:
1563:
1558:
1548:
1530:
1524:
1505:
1496:
1487:
1476:
1471:
1457:
1453:
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1430:
1421:
1412:
1391:
1382:
1361:
1352:
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1334:
1325:
1316:
1307:
1286:
1263:
1254:
1233:
1224:
1215:
1206:
1185:
1164:
1127:
1106:
1097:
1088:
1079:
1070:
1007:
963:
945:Classic Rock
943:
934:
924:
907:, pp. 39–40.
904:
899:
890:
881:
872:
855:
850:
841:
836:pepperoni.'"
832:
831:In his 2000
827:
810:
800:
791:
778:
763:
749:
743:
739:
729:
724:
717:
708:
702:
697:
693:
684:
680:
674:
672:
667:
663:
657:
655:
648:
643:
637:
635:
625:
614:tribute band
611:
605:
601:
599:
594:
591:
587:, April 1972
582:
579:
574:
567:
561:
548:
546:
537:Phil Coulter
524:
522:
517:
513:
508:
500:
498:
474:
462:
443:Ginger Baker
432:
413:
411:
406:
395:Phil Spector
376:
373:"Plug Me In"
351:slide guitar
348:
343:
340:Janis Joplin
313:
301:
297:
294:Al Aronowitz
286:Bruce Spizer
279:
274:
265:and drummer
250:horn section
223:
200:Apple Studio
196:Eric Clapton
190:
180:
176:
175:
170:
165:
150:
132:
115:Ginger Baker
102:
99:Phil Spector
87:Eric Clapton
84:
75:
57:
44:
43:
42:
37:
25:
2952:Pattie Boyd
2932:Blind Faith
2901:Little Wing
2808:Live albums
2427:Let It Down
1671:Joe Bosso,
719:Sandinista!
533:Bill Martin
481:Chuck Berry
477:Lenny Bruce
367:Ringo Starr
328:John Lennon
271:EMI Studios
259:Gary Wright
139:the Beatles
119:Gary Wright
68:John Lennon
2942:Dave Mason
2816:In Concert
2780:Dave Mason
2759:Carl Radle
2752:Jim Gordon
2656:Doris Troy
2498:I Dig Love
2444:Side three
2208:Jan Reid,
2095:Bill Harry
2067:Gary Graff
1951:Tony Tyler
1678:MusicRadar
1456:(Apple)",
865:References
767:Dominos".
732:MusicHound
628:sessions.
618:Alan White
505:Tom Wilkes
435:Weimaraner
409:sessions.
383:Dave Mason
324:music hall
267:Jim Gordon
263:Carl Radle
261:, bassist
238:Bobby Keys
194:"fire" in
143:in Hamburg
129:Background
123:Bobby Keys
95:Dave Mason
80:Tom Wilkes
34:Tom Wilkes
2965:Apple Jam
2561:Apple Jam
2537:Apple Jam
2529:Side five
2490:Side four
1532:Pitchfork
833:Billboard
764:Apple Jam
714:the Clash
704:Pitchfork
698:Apple Jam
668:Apple Jam
644:Apple Jam
606:Apple Jam
595:Apple Jam
514:Apple Jam
509:Apple Jam
495:Packaging
379:hard rock
359:varispeed
355:Mal Evans
242:Jim Price
191:Apple Jam
182:Billboard
171:Apple Jam
103:Apple Jam
45:Apple Jam
38:Apple Jam
2981:Category
2833:Reissues
2578:Outtakes
2554:Side six
2398:Side two
2359:Side one
2191:Tom Moon
2025:Harrison
1947:Roy Carr
1884:AllMusic
1858:AllMusic
1652:Archived
1566:, p. 40.
1550:Goldmine
805:before."
756:AllMusic
736:Tom Moon
363:Remember
332:Yoko Ono
89:'s band
2381:Wah-Wah
2049:(ed.),
1893:Sources
662:deemed
543:Release
489:The End
461:album,
336:Donovan
185:editor
157:jamming
155:album,
2908:Anyday
2303:
2285:
2267:
2249:
2231:
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2183:
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2105:
2077:
2059:
2031:
2012:
1994:
1976:
1961:
1949:&
1939:
1924:
1907:
424:Side B
226:groove
215:Side A
2859:Layla
2851:Songs
2352:Songs
926:Salon
771:Notes
690:'
507:gave
447:Cream
234:riffs
230:blues
50:bonus
2301:ISBN
2283:ISBN
2265:ISBN
2247:ISBN
2229:ISBN
2214:ISBN
2199:ISBN
2181:ISBN
2166:ISBN
2151:ISBN
2136:ISBN
2121:ISBN
2103:ISBN
2075:ISBN
2057:ISBN
2029:ISBN
2010:ISBN
1992:ISBN
1974:ISBN
1959:ISBN
1937:ISBN
1922:ISBN
1905:ISBN
734:and
535:and
483:'s "
401:and
338:and
257:and
240:and
121:and
64:jams
32:The
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1459:NME
742:in
709:the
622:Yes
529:BMI
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