560:, but the B-side would have something more psychedelic, more genuine rock. That gap between the two sides felt strange to me and the other members of Happy End, so we decided to not worry about whether what we created would sell. We just wanted to do something original. If you make something original, it's probably better to sing it in Japanese." Although, he did note that Hosono had initially felt that they should sing in English; "I think Hosono-san had the intention of wanting to do something that would go beyond just Japan. For me, I wanted to share something that was good about everyday Japanese life. That was the basis of my lyrics. It's something that's interesting to people even beyond Japan, but I actually think it would have needed a really good translator to connect."
417:. As Matsumoto explained: "We had already given up on Japan, and with , we were saying bye-bye to America too—we weren't going to belong to any place." While the band officially disbanded on December 31, 1972, the album was released in February 1973. They had their last concert on September 21, 1973, titled City -Last Time Around, with a live album of the show released as
583:". Matsumoto said, "We literally had no promotion, and they stopped selling our albums shortly after they came out — everything afterward was a re-issue. But the important thing about Happy End is that parents show it to their kids. Older workers show it to new co-workers. The older students share it with younger classmates. That's how our music has passed down."
44:
564:
material for use in experimentation. for Happy End, the
Japanese language functioned not as a repository of tradition or identity but as an alienated and alienating tongue — a source of noise.” Singer-songwriter Sachiko Kanenobu wrote that "they had a poetic way of writing that was never part of Japanese rock music before".
563:
According to music critic Ian Martin, Happy End pioneered a style of songwriting that combined
Japanese-language lyrics with Western-influenced folk rock in a one-syllable one-note rhythmic form. In 2012, Michael K. Bourdaghs wrote, “For Matsumoto, the Japanese language was above all a source of raw
465:
and composed of covers of their songs by different artists was released in 2002. Hosono was involved in selecting the contributors and in Kicell's cover of "Shin Shin Shin", Matsumoto determined the cover art and title, and Suzuki participated in Yōichi Aoyama's cover of "Hana Ichi Monme". In 2003,
408:
producing. Although Hosono later described the work with Parks as "productive," the album sessions were tenuous, and the members of Happy End were disenchanted with their vision of
America they had anticipated. A language barrier along with opposition between the Los Angeles studio personnel and
437:
and Suzuki continued work as a guitarist and solo musician. Matsumoto became one of the most successful lyricists in the country and Ohtaki worked as a songwriter and solo artist, releasing one of Japan's best-selling and most critically acclaimed albums,
351:) was released in August on the experimental record label URC (Underground Record Club). This album marked an important turning point in Japanese music history, as it sparked what would be known as the "Japanese-language Rock Controversy"
1138:
377:, regarding whether rock music sung entirely in Japanese was sustainable. Previously, almost all popular rock music in Japan was sung in English. The success of Happy End's debut album and their second,
43:
409:
Happy End was also apparent, which further frustrated the group. These feelings were conveyed in the closing track "Sayonara
America, Sayonara Nippon", which received some contributions from Parks and
501:
on August 21–22, 2015 featuring numerous artists. Matsumoto, Hosono and Suzuki opened each day by performing "Natsu
Nandesu" and "Hana Ichi Monme", immediately followed by "Haikara Hakuchi" with
1170:
590:
at number 4 on their list of the 100 most important
Japanese pop acts. Ohtaki and Hosono also appear on the list as solo artists, ranked number 9 and 44 respectively. In September 2007,
302:
that was becoming popular, Matsumoto said Hosono got into it too, and "we started shifting toward that style." In
October 1969, Hosono and Matsumoto formed a group named Blue Valentine
1130:
1744:
1050:
1023:
2136:
429:
After breaking up, all four members continued to work together and contribute to each other's solo albums and projects. Hosono and Suzuki formed Tin Pan Alley with
1871:
2156:
2141:
571:", with each member continuing to contribute to its development after the group's break up. The band is also considered progenitors of what would become the "
530:
Happy End are credited as the first rock act to sing in
Japanese. Matsumoto later reflected that, "There were two strings of music back in the day. You had
2151:
1340:
487:, commemorating Matsumoto's 45th anniversary as a lyricist, Matsumoto, Hosono and Suzuki recorded the previously unreleased Happy End song "Shūu no Machi"
1160:
1679:
508:
The three surviving members of Happy End reunited again on
November 5–6, 2021 for a two-day concert, that also featured numerous other artists, at the
1903:
1943:
1642:
1615:
1315:
1278:
1736:
1648:
1284:
356:
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328:. The band began recording their own album in April 1970. Matsumoto stated that at the time Happy End started, they were influenced by
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1414:
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1015:
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scene, which was a really interesting music community because it had a huge
American influence owing to the navy base in nearby
512:
to celebrate Matsumoto's 50th anniversary. Also in 2021, Suzuki's band Skye recorded the unreleased Happy End song "Chigiregumo"
1991:
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1838:
1806:
374:
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1936:
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294:, "really progressive sounds for the time." When their keyboardist, Hiro Yanagida, started getting more into music like
275:
238:
186:
61:
1714:
505:. They also closed the shows with "Shūu no Machi", and finally "Kaze wo Atsumete" alongside a number of other artists.
286:
student whom he heard was quite skilled. After playing shows together, Hosono eventually invited Matsumoto to join the
545:
468:
1584:
1131:"Lyricist Takashi Matsumoto on Happy End, writing for pop and helping change the course of Japanese music history"
1270:
498:
1332:
2031:
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444:
in 1981. Happy End reunited for a one-off performance at the International Youth Anniversary All Together Now
1929:
1893:
2086:
2068:
2052:
1333:"Versalite artist Van Dyke Parks talks about the Beats, Horatius, Sinatra, Pythagoras, Ry Cooder; and 60s"
759:
721:
434:
388:
340:
579:, wrote that, given the impact they had, it would not be an exaggeration to call Happy End the "Japanese
2109:
575:" style. Masataka Miyanaga, Japanese music critic and founder and professor of Beatles University at
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214:
155:
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576:
480:
321:
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2015:
430:
2023:
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to most Japanese at the time. They are considered to be among the most influential artists in
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379:
1424:
1672:"Mom's Back to Her Crazy Life: An Interview With Japanese Folk Pioneer Sachiko Kanenobu"
2115:
1983:
1975:
1952:
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1207:
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990:
667:
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405:
393:
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279:
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191:
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88:
57:
53:
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released a year later, proved the sustainability of Japanese-language rock in Japan.
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1967:
537:
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1999:
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band Apryl Fool, which the drummer described as being influenced by bands like
1542:
329:
1510:
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the greatest Japanese rock album of all time. It was also named number 15 on
369:. There were highly publicized debates held between prominent figures in the
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1801:
1770:
1704:
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1092:
587:
226:
102:
320:. The group changed their name to Happy End and were the backing band for
17:
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572:
553:
549:
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right after Apryl Fool disbanded. In March 1970, Hosono, Matsumoto and
823:, recorded 8/9/70, 8/21/71, 4/14/71, 8/7/71, released August 25, 1989)
2097:
1862:"Finally! "The 100 Greatest Japanese Rock Albums of All Time" Listed"
1769:[Greatest-hits albums by City Pop musicians!] (in Japanese).
1709:
1634:
Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-pop
1547:
1515:
1483:
1451:
1266:
Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop
647:
497:. A special two-day concert for the same anniversary was held at the
2007:
1054:
568:
567:
Happy End's music has been cited as one of the origins of modern "
536:, old-style Japanese pop music that had already existed, and then
1921:
1925:
454:
concert on June 15, 1985, which was released as the live album
254:
466:
their song "Kaze wo Atsumete" appeared in the American movie
809:, recorded 4/12/70, 8/7/71, 4/14/71, released July 15, 1986)
433:, before Hosono started the pioneering electronic music act
1608:
Quit Your Band: Musical Notes From the Japanese Underground
1308:
Widening the Horizon: Exoticism in Post-War Popular Music
556:. Their singles would have an A-side, that was more like
540:. There were bands tied to that latter movement like
1737:"City pop revival is literally a trend in name only"
373:
industry, most notably the members of Happy End and
2079:
2042:
1959:
1051:"Japan's Latest (Revival) Music Buzz, New City Pop"
168:
164:
144:
116:
95:
84:
74:
69:
34:
274:When his band Burns needed a bass player, drummer
48:Happy End in September 1971. From left to right:
1699:
1697:
1423:(in Japanese). December 31, 2013. Archived from
796:(recorded 6/15/1985, released September 5, 1985)
789:, recorded 9/21/1973, released January 15, 1974)
479:Eiichi Ohtaki died on December 30, 2013, from a
1575:"鈴木茂、小原礼、林立夫、松任谷正隆からなるバンド・SKYEが満を持してデビューアルバム発売"
919:
899:
865:
845:
784:
733:
362:
218:
1637:. Columbia University Press. pp. 173–74.
974:
962:
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818:
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778:
749:
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515:
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354:
345:
305:
245:, the band's pioneering sound was regarded as
1937:
1237:TJ Mook Kike! Legendary Japanese Rock 1969-79
1230:TJ Mook Kike! Densetsu no Nihon Rokku 1969-79
483:at the age of 65. For the 2015 tribute album
8:
1125:
1123:
1121:
1119:
1117:
1115:
1258:
1256:
1239:]. Takarajima Press. 2004. p. 33.
229:band active from 1969 to 1972. Composed of
1944:
1930:
1922:
1479:"作詞家・松本隆45周年記念2days公演決定 元はっぴいえんど3人ら豪華歌手集結"
1263:Bourdaghs, Michael K. (October 18, 2011).
1082:
1080:
1078:
1076:
257:described Happy End's music as "rock with
31:
1543:"松本隆作詞楽曲だけで日本武道館2days 「はっぴいえんど」ら出演者第1弾発表"
1363:"スピッツ、くるり、ハナレグミら参加のはっぴいえんどトリビュートアルバム初配信！"
1829:"Top 100 Japanese pops Artists - No.44"
1511:"松本隆、45周年公演で細野晴臣&鈴木茂に感謝「素晴らしいメンバー」"
1310:. John Libbey Publishing. p. 120.
1016:"Flipping through rock's baby pictures"
1007:
463:Happy End Parade ~Tribute to Happy End~
2137:Japanese psychedelic rock music groups
1906:from the original on February 21, 2018
1797:"Top 100 Japanese pops Artists - No.9"
1747:from the original on December 18, 2015
1587:from the original on December 26, 2021
1389:"Bande originale: Lost in translation"
1343:from the original on December 12, 2013
1192:
1190:
1188:
1088:"Top 100 Japanese pops Artists - No.4"
2157:Musical groups disestablished in 1972
1777:from the original on October 21, 2012
1173:from the original on January 29, 2015
1045:
1043:
1041:
1026:from the original on November 4, 2016
7:
2142:Japanese experimental musical groups
1841:from the original on March 20, 2019
1682:from the original on April 18, 2021
1651:from the original on April 17, 2023
1583:(in Japanese). September 10, 2021.
1491:from the original on March 21, 2016
1459:from the original on March 22, 2016
1331:Limnious, Michalis (May 22, 2013).
1287:from the original on April 17, 2023
1100:from the original on August 6, 2012
959:"Sayonara America, Sayonara Nippon"
800:Happy End Greeeatest Live! On Stage
386:For their third album, also titled
2152:Musical groups established in 1969
1860:Lindsay, Cam (November 14, 2007).
1805:(in Japanese). November 22, 2003.
1551:(in Japanese). September 2, 2021.
1523:from the original on April 7, 2016
1395:from the original on April 3, 2008
1096:(in Japanese). November 27, 2003.
1057:. January 29, 2016. Archived from
586:In 2003, Happy End were ranked by
316:contributed to Kenji Endo's album
25:
1874:from the original on May 26, 2020
1837:(in Japanese). October 18, 2003.
1717:from the original on May 28, 2022
1555:from the original on May 28, 2022
1141:from the original on May 28, 2022
806:はっぴいえんど GREEEATEST LIVE! ON STAGE
1809:from the original on May 7, 2016
1670:Beaudoin, Jedd (July 11, 2019).
1519:(in Japanese). August 21, 2015.
1447:"作詞活動45周年 松本隆ワールドを草野・和義・YUKIら歌う"
42:
1705:"究極のビートルズ来日賞味法！ ビートルズが日本に与えたもの"
1391:. EcranLarge. August 18, 2005.
847:Shiti/Happī Endo Besuto Arubamu
332:, Buffalo Springfield, and the
1713:(in Japanese). June 21, 2006.
1631:Bourdaghs, Michael K. (2012).
1:
1487:(in Japanese). May 14, 2015.
522:for their self-titled album.
1455:(in Japanese). May 3, 2015.
1415:"大瀧詠一さん急死 65歳 「幸せな結末」などヒット曲"
1233:TJ MOOK 聴け! 伝説の日本ロック1969-79
920:
900:
866:
846:
835:City - Happy End Best Album
785:
734:
363:
261:smudges around the edges."
219:
2183:
1610:. Awai Books. p. 54.
935:"Juuni Gatsu no Ame no hi"
392:(this time written in the
324:, performing on his album
2167:Musical groups from Tokyo
2162:Japanese musical quartets
2147:Japanese folk rock groups
1894:"日本のロック・スタンダード・アルバム54(6)"
1271:Columbia University Press
975:
963:
951:
939:
914:
894:
880:
860:
840:
819:
805:
779:
750:
728:
692:
673:
658:
628:
548:, who were active in the
516:
499:Tokyo International Forum
491:
448:
355:
346:
306:
210:
41:
2032:Interpieces Organization
1367:Culture Convenience Club
1306:Hayward, Philip (1999).
1232:
449:国際青年年記念 ALL TOGETHER NOW
400:and recorded in 1972 in
343:(written in Japanese as
1606:Martin, Ian F. (2016).
971:"Ashita Tenki ni Naare"
814:Happy End Live On Stage
27:Japanese folk rock band
2087:Yellow Magic Orchestra
613:Japanese Rock Albums.
458:later that same year.
435:Yellow Magic Orchestra
70:Background information
921:Happī Endo Masutāpīsu
909:Happy End Masterpiece
820:はっぴいえんど LIVE ON STAGE
1427:on November 23, 2014
1273:. pp. 176–177.
1022:. December 2, 2014.
979:, November 26, 1999)
967:, February 25, 1973)
955:, December 10, 1971)
841:CITY／はっぴいえんどベスト・アルバム
754:, November 20, 1971)
485:Kazemachi de Aimashō
421:the following year.
396:), they signed with
1061:on February 5, 2016
763:(February 25, 1973)
593:Rolling Stone Japan
577:Kanazawa University
481:dissecting aneurysm
469:Lost In Translation
364:Nihongo Rokku Ronsō
322:Nobuyasu Okabayashi
296:Buffalo Springfield
2016:Coincidental Music
1210:on August 30, 2011
609:s 2009 list of 54
431:Masataka Matsutoya
339:Their self-titled
2124:
2123:
2092:Takashi Matsumoto
2024:Omni Sight Seeing
1644:978-0-231-15874-9
1617:978-1-937220-05-1
1317:978-1-86462-047-4
1280:978-0-231-53026-2
947:"Hana Ichi Monme"
881:はっぴいえんど〜HAPPY END
738:, August 5, 1970)
687:Takashi Matsumoto
284:Rikkyo University
276:Takashi Matsumoto
239:Takashi Matsumoto
199:
198:
187:Takashi Matsumoto
62:Takashi Matsumoto
16:(Redirected from
2174:
1946:
1939:
1932:
1923:
1916:
1915:
1913:
1911:
1902:. June 3, 2009.
1890:
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1819:
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1787:
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1784:
1782:
1773:. July 4, 2005.
1767:"シティーポップ勢のベスト盤！"
1763:
1757:
1756:
1754:
1752:
1743:. July 5, 2015.
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1369:. March 18, 2015
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1296:
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1226:
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1217:
1215:
1206:. Archived from
1194:
1183:
1182:
1180:
1178:
1161:"はっぴいえんど プロフィール"
1157:
1151:
1150:
1148:
1146:
1137:. May 22, 2022.
1127:
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968:
966:
965:
964:さよならアメリカさよならニッポン
956:
954:
953:
944:
943:, April 1, 1971)
942:
941:
925:
924:, 2014, box set)
923:
917:
916:
905:
904:, 2004, box set)
903:
897:
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885:
884:, 1993, box set)
883:
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786:Raibu Happī Endo
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664:– vocals, guitar
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461:An album called
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368:
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326:Miru Mae ni Tobe
311:
309:
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300:West Coast sound
288:psychedelic rock
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108:psychedelic rock
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21:
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2061:Kazemachi Roman
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1741:The Japan Times
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1365:(in Japanese).
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1169:(in Japanese).
1159:
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1135:The Japan Times
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1101:
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1020:The Japan Times
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744:Kazemachi Roman
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625:
619:
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598:Kazemachi Roman
542:The Golden Cups
528:
513:
488:
445:
441:A Long Vacation
427:
425:Post-activities
380:Kazemachi Roman
352:
344:
303:
278:reached out to
272:
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225:was a Japanese
204:
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668:Shigeru Suzuki
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510:Nippon Budokan
474:its soundtrack
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419:Live Happy End
406:Van Dyke Parks
394:Latin alphabet
314:Shigeru Suzuki
280:Haruomi Hosono
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251:Japanese music
243:Shigeru Suzuki
231:Haruomi Hosono
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50:Eiichi Ohtaki
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2030:
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2014:
2006:
1998:
1990:
1982:
1974:
1968:Hosono House
1966:
1910:February 20,
1908:. Retrieved
1897:
1888:
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1832:
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1779:. Retrieved
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1708:
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1665:
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1601:
1591:December 25,
1589:. Retrieved
1578:
1569:
1557:. Retrieved
1546:
1537:
1525:. Retrieved
1514:
1505:
1493:. Retrieved
1482:
1473:
1461:. Retrieved
1450:
1441:
1429:. Retrieved
1425:the original
1418:
1409:
1397:. Retrieved
1383:
1371:. Retrieved
1357:
1345:. Retrieved
1336:
1326:
1307:
1301:
1289:. Retrieved
1265:
1236:
1229:
1224:
1212:. Retrieved
1208:the original
1201:
1175:. Retrieved
1164:
1155:
1143:. Retrieved
1104:September 6,
1102:. Retrieved
1091:
1063:. Retrieved
1059:the original
1028:. Retrieved
1010:
908:
888:
874:
854:
834:
829:Compilations
813:
799:
793:
773:
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720:
601:
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557:
538:group sounds
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455:
439:
428:
418:
398:King Records
387:
385:
378:
338:
325:
317:
273:
201:
200:
170:Past members
118:Years active
29:
2000:Cochin Moon
1845:January 13,
1813:January 13,
1431:October 20,
1198:"Happy End"
1030:November 1,
780:ライブ・はっぴいえんど
768:Live albums
710:Discography
681:lead guitar
546:The Spiders
411:Little Feat
402:Los Angeles
375:Yuya Uchida
357:ja:日本語ロック論争
341:debut album
307:ヴァレンタイン・ブルー
247:avant-garde
2131:Categories
1878:August 30,
1781:January 7,
1751:January 9,
1686:January 2,
1676:PopMatters
1527:January 7,
1495:January 7,
1463:January 8,
1373:January 7,
1347:August 18,
1291:August 18,
1177:January 5,
1002:References
976:あしたてんきになあれ
895:はっぴいえんどBOX
867:Shingurusu
735:Happī Endo
413:guitarist
330:Moby Grape
220:Happī Endo
18:Apryl Fool
2069:Happy End
2053:Happy End
2044:Happy End
1834:HMV Japan
1802:HMV Japan
1771:HMV Japan
1399:March 23,
1214:April 25,
1166:HMV Japan
1093:HMV Japan
1065:April 16,
875:Happy End
760:Happy End
722:Happy End
644:keyboards
588:HMV Japan
558:kayōkyoku
533:kayōkyoku
389:Happy End
227:folk rock
202:Happy End
154:Bellwood/
125:1969–1972
103:Folk rock
36:Happy End
1904:Archived
1872:Archived
1867:Exclaim!
1839:Archived
1807:Archived
1775:Archived
1745:Archived
1715:Archived
1680:Archived
1655:June 29,
1649:Archived
1585:Archived
1553:Archived
1521:Archived
1489:Archived
1457:Archived
1393:Archived
1341:Archived
1337:Blues.gr
1285:Archived
1171:Archived
1139:Archived
1098:Archived
1024:Archived
985:See also
704:lyricist
683:, vocals
611:Standard
573:City Pop
554:Yokosuka
550:Yokohama
298:and the
207:Japanese
2110:Pacific
2080:Related
1992:Paraiso
1721:May 28,
1580:Natalie
1559:May 28,
1145:May 28,
940:１２月の雨の日
930:Singles
870:, 1974)
855:Singles
850:, 1973)
729:はっぴいえんど
702:, main
617:Members
581:Beatles
472:and on
347:はっぴいえんど
265:History
215:Hepburn
211:はっぴいえんど
91:, Japan
2098:Misora
2072:(1973)
2064:(1971)
2056:(1970)
2035:(1996)
2027:(1989)
2019:(1985)
2011:(1984)
2003:(1978)
1995:(1978)
1987:(1976)
1979:(1975)
1971:(1973)
1960:Albums
1710:Oricon
1641:
1614:
1548:Oricon
1516:Oricon
1484:Oricon
1452:Oricon
1314:
1277:
1243:
952:花いちもんめ
648:guitar
636:vocals
603:Bounce
596:named
526:Legacy
318:Niyago
270:Career
145:Labels
96:Genres
85:Origin
2008:S-F-X
1235:[
1055:MTV81
861:シングルス
751:風街ろまん
700:drums
607:'
569:J-pop
404:with
259:psych
1912:2018
1880:2020
1847:2016
1815:2016
1783:2016
1753:2016
1723:2022
1688:2021
1657:2020
1639:ISBN
1612:ISBN
1593:2021
1561:2022
1529:2016
1497:2016
1465:2016
1433:2015
1401:2008
1375:2016
1349:2013
1312:ISBN
1293:2013
1275:ISBN
1241:ISBN
1216:2013
1179:2015
1147:2022
1106:2011
1067:2016
1032:2016
659:大瀧詠一
640:bass
629:細野晴臣
544:and
517:ちぎれ雲
492:驟雨の街
282:, a
241:and
156:King
137:2021
134:2015
131:1985
128:1973
60:and
693:松本隆
674:鈴木茂
255:MTV
151:URC
2133::
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