25:
312:. He had been replaced in his work at San Paolo Maggiore by Solimena in 1701. Meanwhile, in 1699, Arcangelo completed the rebuilding of the Angevin church of St. Antonio Abate (or di Vienna), providing new windows, a nave ceiling, and an altar. Also for the Dominicans, Arcangelo helped design a home of the congregation of St. Vincent Ferrer being founded on the grounds of the convent of
252:. For example, he helped restore the ancient basilica of Santa Restituta, adjacent to the Cathedral. Some of his restorations, including this one, cause some grief because the updating obscured the original architecture. For example, Arcangelo added stucco decorations around the Angevin gothic arches. His reconstruction obscured many of the original elements of the church.
296:(who had taken the post from Fanzago in 1678). He rebuilt, between 1692 and 1693, the fallen dome (1629–35) of Giuseppe Valeriano, but Arcangelo's dome also developed flaws and was demolished in 1775. Arcangelo also restored the chapels of St Francis Xavier and St Ignatius, and Bartolomeo and Pietro Ghetti overlaid a rich baroque decoration into the
281:, where he built and restructured the hostel and infirmary, as well as renovated the medieval basilica (1694). In the church (already by then with a remodeled presbytery and altar by Fanzago), Arcangelo and his son Marcello completed the decoration. Between 1689 and 1696, Arcangelo helped restore the facade of the church of
339:. Luigi Lanzi cites Arcangelo as one of the quadratura painters in Naples. Arcangelo also designed the main altar. In the monastery of this church, Arcangelo and his son also directed the construction of the library from 1723 to 1727. Arcangelo and his son Marcello reconstructed thine 1709 church of
147:
He was born to
Marcello Guglielmelli and Caterina Vera but grew up in the house of a painter, Onofrio de Marino, whose daughter he married in March 1677. His two sons were Marcello, also an architect who worked with his father, and Gaetano, who became a novice at Santa Maria della Vita.
270:, also required restoration, retaining today only the apse triforium with columns and pilasters. Here Fanzago had begun reconstruction in 1640 after the plague, work interrupted by the plague of 1656. Work was not completed until the early eighteenth century.
191:. Following the earthquake of 1688, the presbytery was expanded, and an elliptical dome was added to the small church of the Cross of San Agostino. Starting from 1694 in the same church, Arcangelo in collaboration with
175:
to provide light, a solution he later adopted also in the church of San
Antonio delle Monache a Port'Alba, where between 1682 and 1684 he provided the stucco decoration. Arcangelo worked further on the church of
151:
Early in his career, Arcangelo helped design ephemeral decorations for the frequent festivals held in Naples, such as in 1671 for the festival of San
Gennaro, and 1677 for the festival of Quarantore, held by the
206:(Rosario al largo delle Pigne). The plan there was a pseudo-Greek cross with transverse arms shorter than the longitudinal nave. He also designed the atrium (1708) with statues in niches.
331:(1703), a work left unfinished by Lazzari. Arcangelo had already built the chapel of the Immaculate Conception in 1697, and in 1699 that of the Blessed Sacrament, where he worked as a
327:
After the death of
Lazzari, Arcangelo also took over the building studios of the Gerolamini. With collaboration with Nicola de Marino, he completed the interior of the church of
308:
From 1691 onward, the
Dominicans commissioned a number of works from Arcangelo, including enlarging the church of Sanità a Barra, but here, in 1703he was replaced by the rising
354:(another pupil of Lazzari), had already begun in 1689, reconstruction of the monastery. Work on the cloister and church was completed by his son Marcello in 1721.
230:
398:
393:
260:
413:
383:
210:
196:
42:
259:, where Arcangelo added a chancel with a dome (the contract of 1695) and then, at the turn of the century, the completion of the Church of
139:
style. He was involved in the building and reconstruction of churches, many of which had been damaged by the earthquakes of 1688 and 1694.
403:
313:
203:
89:
184:
108:
61:
188:
408:
233:, in Piazzetta Mondragone (begun 1715). This last one was likely completed with the intervention of Guglielmelli's main pupil,
68:
46:
388:
340:
267:
75:
363:
234:
282:
157:
57:
274:
255:
The second major earthquake that struck Naples in 1694, increased the commissions for restorations. he worked on
222:
351:
328:
225:(where Arcangelo worked under Lazzari in 1672). Also by Arcangelo are the design of San Michele Arcangelo in
321:
35:
347:
316:(1705). In the apse of the church at that site, he created an ornamented altar to contain a statue of the
256:
278:
177:
168:
378:
214:
136:
82:
249:
221:
original project from 1646 (construction began in 1661). Here the final plan recalls the church of
309:
293:
161:
192:
172:
195:, provided the stucco ornamentation. In 1682, Arcangelo helped design the baroque facade
336:
218:
372:
289:
364:
Entry by Mauro
Venditti in Dizionario Biografico degli Italiani - Volume 60 (2003)
297:
237:. Arcangelo was also the author of restorations after 1688 of the cathedrals of
24:
332:
171:, Arcangelo worked on the reconstruction of the presbytery and added a small
153:
202:
From 1690 to 1693, Arcangelo worked on the reconstruction of the church of
226:
248:
After the 1688 earthquake, he was involved in the reconstruction of the
242:
238:
132:
288:
From 1677 onward, Arcangelo worked for the
Jesuits in the church of
131:—1723) was an Italian architect and painter, active in his native
292:, but only after 1688, did he succeed as a main architect from
18:
209:
Starting in 1691 he worked in the
Augustinian monastery of
49:. Unsourced material may be challenged and removed.
185:Santa Maria della Consolazione agli Incurabili
8:
109:Learn how and when to remove this message
273:In 1693, Arcangelo succeeded architect
211:Santa Maria degli Angeli a Pizzofalcone
7:
47:adding citations to reliable sources
204:Santa Maria del Rosario alle Pigne
14:
346:For the neighboring monastery of
314:Santa Maria della Sanità, Naples
187:and the chapel of San Biagio in
23:
399:18th-century Italian architects
394:17th-century Italian architects
197:Santa Maria in Portico a Chiaia
34:needs additional citations for
414:18th-century Neapolitan people
384:17th-century Neapolitan people
1:
125:
16:Italian architect and painter
235:Giovanni Battista Nauclerio
430:
404:Italian Baroque architects
352:Giovanni Domenico Vinaccia
167:In 1677, in the church of
275:Giovanni Battista Contini
266:The ancient basilica of
250:Cathedral of San Gennaro
231:Santa Maria delle Grazie
189:Santa Maria della Stella
58:"Arcangelo Guglielmelli"
322:Michelangelo Naccherino
409:Architects from Naples
348:San Giuseppe dei Ruffi
257:Santa Maria Donnalbina
223:Santa Maria dell'Aiuto
122:Arcangelo Guglielmelli
335:painter, assisted by
279:abbey of Montecassino
277:as architect for the
183:In 1678 he worked in
389:Painters from Naples
300:style entry portal.
268:San Giorgio Maggiore
215:Francesco Picchiatti
213:, where he modified
43:improve this article
261:San Carlo all'Arena
160:. He trained under
135:, Italy, in a late-
341:Sant'Angelo a Nilo
310:Francesco Solimena
283:San Paolo Maggiore
178:Gesù delle Monache
169:Gesù delle Monache
158:San Paolo Maggiore
318:Madonna and Child
119:
118:
111:
93:
421:
350:, Arcangelo and
329:San Filippo Neri
294:Dionisio Lazzari
219:Cosimo Fanzago's
162:Dionisio Lazzari
130:
127:
114:
107:
103:
100:
94:
92:
51:
27:
19:
429:
428:
424:
423:
422:
420:
419:
418:
369:
368:
360:
306:
304:Work after 1690
193:Lorenzo Vaccaro
173:elliptical dome
145:
128:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
427:
425:
417:
416:
411:
406:
401:
396:
391:
386:
381:
371:
370:
367:
366:
359:
356:
337:Giacomo del Po
305:
302:
144:
141:
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
426:
415:
412:
410:
407:
405:
402:
400:
397:
395:
392:
390:
387:
385:
382:
380:
377:
376:
374:
365:
362:
361:
357:
355:
353:
349:
344:
342:
338:
334:
330:
325:
323:
319:
315:
311:
303:
301:
299:
295:
291:
286:
284:
280:
276:
271:
269:
264:
262:
258:
253:
251:
246:
244:
240:
236:
232:
228:
224:
220:
216:
212:
207:
205:
200:
198:
194:
190:
186:
181:
179:
174:
170:
165:
163:
159:
155:
149:
142:
140:
138:
134:
123:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
345:
326:
317:
307:
287:
272:
265:
254:
247:
208:
201:
182:
166:
150:
146:
121:
120:
105:
99:October 2012
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
379:1723 deaths
298:Renaissance
229:(1698) and
129: 1650
373:Categories
358:References
333:quadratura
290:Gesù Nuovo
69:newspapers
180:in 1692.
154:Theatines
143:Biography
227:Anacapri
243:Salerno
137:Baroque
83:scholar
239:Amalfi
133:Naples
85:
78:
71:
64:
56:
90:JSTOR
76:books
241:and
217:and
62:news
320:by
156:of
45:by
375::
343:.
324:.
285:.
263:.
245:.
199:.
164:.
126:c.
124:(
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
