286:—24 films between 1939 and 1972—were mainly derived from original stories by Pressburger with the script written by both Pressburger and Powell. Powell did most of the directing while Pressburger did most of the work of the producer and also assisted with the editing, especially the way the music was used. Unusually, the pair shared a writer-director-producer credit for most of their films. The best-known of these are
656:, which elevates the director as a film's primary creator, Pressburger has sometimes been dismissed as "Michael Powell's scriptwriter". Powell himself consistently, emphatically and categorically rejected this characterization, and was the first to say, in many interviews, that he couldn't have done most of what he did without Pressburger working as a full and equal film-making partner.
42:
3718:
645:
Once the filming was finished, Powell usually went off for a walk in the hills of
Scotland to clear his head, but Pressburger was often closely involved in the editing, especially in the way the music was used. Pressburger was a musician himself and had played the violin in an orchestra in Hungary.
491:
They began to form a group of regular cast and crew members who worked with them on many films over the next 12 years. Hardly any of these people were ever under contract to The
Archers—they were hired film by film—but Powell and Pressburger soon learnt whom they worked well with and who enjoyed
633:
They both acted as producers, perhaps
Pressburger slightly more than Powell, since he could soothe the feathers ruffled by Powell's forthright manner. They became their own producers mainly to stop anyone else from interfering, since they had a considerable degree of freedom, especially under
629:
Generally, Pressburger created the original story (for all their films from 1940–1946) and wrote the first draft of the script. They then passed the script back and forth a few times—they could never work on it together in the same room. For the dialogue, Pressburger knew what he wanted the
641:
The direction was nearly all done by Powell, but even so The
Archers generally worked as a team, with the cast and crew often making suggestions. Pressburger was always on hand, usually on the studio floor, to make sure that these late changes fit seamlessly into the story.
2154:
British film critics gave the films of Powell and
Pressburger a mixed reaction at the time, acknowledging their creativity, but sometimes questioning their motivations and taste. For better or worse, The Archers were always out of step with mainstream British cinema.
453:
target logo which began each film. The joint credit "Written, Produced and
Directed by Michael Powell and Emeric Pressburger" indicates their joint responsibility for their own work and that they weren't beholden to any studio or other producers.
743:
After the early 1950s, Powell and
Pressburger began to produce fewer films. Their last two films were financially successful, but the duo's mid-1950s output met with less critical success than their earlier films. Powell himself felt that
552:, to which both Powell and Pressburger contributed uncredited writing. Both Sewell and Twist had worked with Powell & Pressburger previously on other films and were being given their first chance as directors.
779:
The
Archers' productions officially came to an end in 1957, and the pair separated to pursue their individual careers. The separation was amicable, and they remained devoted friends for the rest of their lives.
517:
He'd stood the story on its head, he'd turned a man into a woman and a woman into a man, he'd altered the suspense, he'd rewritten the end... I was rejoicing that I was going to be working with someone like
2162:
retrospective in 1970 and another in 1978. They are now seen as playing a key part in the history of
British film, and have become influential and iconic for many film-makers of later generations, such as
487:
At any time, and particularly at the present, the self-respect of all collaborators, from star to propman, is sustained, or diminished, by the theme and purpose of the film they are working on.
649:
When the film was finally ready and Powell was back from the
Highlands, he was usually "the front man" in any promotional work, such as interviews for the trade papers or fan magazines.
4593:
477:
When we start work on a new idea, we must be a year ahead, not only of our competitors, but also of the times. A real film, from idea to universal release, takes a year. Or more.
506:
He knows what I am going to say even before I say it—maybe even before I have thought it—and that is very rare. You are lucky if you meet someone like that once in your life.
3613:
3835:
4103:
449:(1942) and made reference to "The Archers" in the credits. In 1943 they incorporated their own production company, Archers Film Productions, and adopted a distinctive
2750:
2510:
471:
We owe allegiance to nobody except the financial interests which provide our money; and, to them, the sole responsibility of ensuring them a profit, not a loss.
2480:
2955:
2939:
2923:
2794:
652:
Because collaborative efforts such as Powell and Pressburger's were, and continue to be, unusual in the film industry, and because of the influence of the
340:
3401:
3983:
Thiéry, Natacha. Photogénie du désir: Michael Powell et Emeric Pressburger 1945–1950 (in French). Rennes, France: Presse Universitaires de Rennes, 2009.
3714:
3590:
3560:
3500:
484:. And we secretly believe that no audience does. We have proved, at any rate, that they will pay to see the truth, for other reasons than her nakedness.
378:
in 1935, already worked for Korda, and was asked to do some rewrites for the film. This collaboration was the first of 19, most over the next 18 years.
41:
3530:
3225:
2059:, who like Powell and Pressburger worked as a team and were both credited in both roles. Sewell had previously worked for Powell as a crew member on
474:
Every single foot in our films is our own responsibility and nobody else's. We refuse to be guided or coerced by any influence but our own judgement.
4598:
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283:
3677:
4062:
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4053:
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3862:
4378:
4254:
4096:
3470:
2898:
2313:
2042:
Powell & Pressburger also produced two films written and directed by crewmembers or compatriots of through their production company.
829:
Powell and Pressburger re-used actors and crew members in a number of films. Actors who were part of The Archers' "stock company" include:
763:
241:
4603:
4490:
4170:
2217:
568:
463:
288:
152:
3240:
Powell and Pressburger, the people and their films have been the subject of many documentaries and books as well as doctoral research.
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4240:
4226:
4198:
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3803:
3788:
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2814:
2555:
2297:
2281:
2249:
730:
706:
616:
498:
324:
306:
225:
209:
177:
3645:
4613:
4608:
4483:
4089:
3623:
1251:
4163:
3829:
3138:
2731:
2500:
2441:
2209:
560:
445:
336:
142:
4562:
4268:
3027:
2329:
2125:
Michael Powell's gift was that he saw things with terrible clarity. Perhaps his films have been waiting for DVD all along.
995:
793:
4518:
3271:
2462:
405:-like thrillers made as anti-Nazi propaganda. For these three films, Powell is the credited director (also producer on
398:
332:
263:
4336:
4261:
4002:
3768:
2321:
771:
746:
249:
726:, after a court battle with Powell and Pressburger. The film was fully restored by the British Film Archive in 1985.
4191:
3938:
3898:
2241:
2140:
There is not a British director, working in Britain, with as many worthwhile films to his credit as Michael Powell.
608:
300:
169:
4275:
4212:
4177:
3055:
3021:
2652:
2360:
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2337:
2265:
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2080:
801:
690:
679:
592:
318:
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1760:
1189:
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809:
For both these films, Powell was credited as the sole director, and Pressburger as the sole screenwriter (for
3552:
3492:
4511:
4455:
4364:
4021:
2158:
From the 1970s onwards, British critical opinion began to revise this lukewarm assessment, with their first
2089:
3522:
4406:
4149:
4006:
3650:
3183:
2905:
2562:
2355:
2193:
2159:
834:
467:, Pressburger explicitly set out 'The Archers' Manifesto'. Its five points express the pair's intentions:
422:
383:
125:
4532:
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4504:
4462:
4392:
4385:
3737:
2975:
2406:
2061:
1590:
3325:
Powell, 1986. p. 579. David Farrar was the only person ever given a multi-film contract by The Archers
4233:
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3825:
3205:
3159:
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2858:
2659:
2431:
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928:
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217:
133:
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4219:
3432:
2788:
2273:
1416:
698:
201:
528:
Powell and Pressburger also co-produced a few films by other directors under The Archers' banner:
282:, the name of their production company—made a series of influential films in the 1940s and 1950s.
4476:
4343:
4308:
4128:
4057:
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3255:
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2105:
1353:
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103:
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1148:
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4039:
4030:
3984:
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3906:
3888:
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3858:
3843:
3814:
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3618:
3382:
3365:
3119:
3075:
3051:
2305:
2233:
2111:
2095:
1209:
1183:
755:
723:
635:
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294:
233:
161:
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4066:
3707:
3259:
3244:
2185:
2172:
2056:
2047:
1470:
1196:
585:
576:
539:
530:
414:
402:
388:
381:
After Powell had made two further films for Korda, he reunited with Pressburger in 1940 for
366:
117:
78:
4011:
4205:
3839:
3750:
3251:
2601:
2257:
2164:
2109:, all directed or co-directed by Powell. Wilhelm had co-written the screenplay of 1943's
1820:
1553:
972:
666:
371:
361:
312:
185:
17:
4123:
3930:
2776:
2491:
2067:
1939:
1858:
1294:
1258:
1134:
1009:
990:
852:
549:
493:
268:
99:
555:
Over the course of the war and afterwards, they released a series of acclaimed films:
4582:
4399:
3655:
3099:
3002:
2850:
2839:
2831:
2820:
2764:
2746:
2727:
2719:
2705:
2692:
2678:
2629:
2607:
2525:
2506:
2476:
2455:
2437:
2052:
1638:
1620:
1515:
1220:
1116:
1048:
950:
888:
653:
581:
535:
3831:
Landscapes of Dreams: The Cinema of Michael Powell and Emeric Pressburger (Part 1-7)
3708:"Photogénie du désir: les films de Michael Powell et Emeric Pressburger, 1945–1950"
2643:
2621:
2542:
2536:
1692:
1394:
1319:
1280:
1238:
1166:
1030:
906:
874:
458:
357:
3731:
URL may only take you to an index page, from which the thesis can be searched for
356:
Powell was already an experienced director, having worked his way up from making
3811:
The Cinema of Michael Powell: International Perspectives on an English Filmmaker
3247:
2584:
2084:
1086:
683:
3685:
1806:
1016:
443:
The pair adopted a joint writer-producer-director credit for their next film,
331:
In 1981, Powell and Pressburger were recognised for their contributions to
4017:
3250:
to commemorate Powell and Pressburger was unveiled on 17 February 2014 by
630:
characters to say but Powell would often supply some of the actual words.
4315:
4081:
3463:"Powell's finding of Thomson's "A Biographical Dictionary of the Cinema""
2051:, based on an original story by Pressburger, was written and directed by
481:
3376:
3359:
502:
his cabled reply was "For The Archers anytime, this world or the next."
4035:
4026:
450:
375:
3493:"Contemporary Reviews of "The Life and Death of Colonel Blimp (1943)""
4071:
3179:
3773:
Arrows of Desire: The Films of Michael Powell and Emeric Pressburger
813:, Pressburger used the pseudonym "Richard Imrie"). Powell produced
718:(1950). A substantially re-edited version was released in the US as
387:, the first in a run of Powell and Pressburger films set during the
3964:(The second volume of his autobiography). London: Heinemann, 1992.
4322:
4085:
3887:. Jackson, Mississippi: University Press of Mississippi, 2003.
3583:"Contemporary Reviews of "A Matter of Life and Death (1946)""
3262:, London, where The Archers had their offices from 1942–47.
580:(1943) (producers only; written and directed by the team of
3553:"Contemporary Reviews of "I Know Where I'm Going! (1945)""
3294:
3292:
3903:
Emeric Pressburger: The Life and Death of a Screenwriter
2711:
for Best Music, Scoring of a Dramatic or Comedy Picture
4077:
The Action/Suspense Movies of Powell & Pressburger
2823:
nominated for Best Art Direction-Set Decoration, Color
409:), while Pressburger is credited with the screenplay:
370:(1939), his first film for Hungarian émigré producer
3523:"Contemporary reviews of "A Canterbury Tale (1944)""
496:
was offered the part of the Prosecuting Attorney in
109:
93:
85:
74:
66:
56:
48:
3917:Powell and Pressburger: A Cinema of Magic Spaces
4594:Film production companies of the United Kingdom
3614:""Black Narcissus," which electrified Scorsese"
2138:
2123:
515:
504:
4097:
8:
3001:Partial retrospective of their films at the
2684:for Best Art Direction-Set Decoration, Color
2613:for Best Art Direction-Set Decoration, Color
1914:Kenneth K. Rick (Second Assistant Director:
32:
3842:Vinnitsa, Ukraine: Globe Press, 2008–2019.
3098:Retrospective of their extant works at the
2528:nominated for Best Effects, Special Effects
638:, to make just about any film they wanted.
341:British Academy of Film and Television Arts
4547:
4286:
4104:
4090:
4082:
339:, the most prestigious award given by the
31:
3798:. London: British Film Institute, 1978.
3226:San Francisco International Film Festival
2861:nominated for Grand Prize of the Festival
1742:Laurie Knight (Third Assistant Director:
3433:"Entertainment Weekly 11th January 2002"
3392:
3390:
2842:nominated for Best Costume Design, Color
2366:
2352:Top 50 British films of the 20th century
3857:(in Spanish). Madrid: Catedra, 2002.
3342:
3340:
3288:
3033:of the 'Chiffy' award for the best film
2958:nominated for Best Film from any Source
2146:A Biographical Dictionary of the Cinema
542:, based on a story by Pressburger, and
3746:
3735:
2942:nominated for Best British Screenplay
523:Powell on first meeting Pressburger,
7:
3809:Christie, Ian and Andrew Moor, eds.
278:(1902–1988)—together often known as
4171:The Life and Death of Colonel Blimp
3905:. London: Faber & Faber, 1994.
3855:Michael Powell y Emeric Pressburger
3503:from the original on 27 August 2008
2218:The Life and Death of Colonel Blimp
2023:The Life and Death of Colonel Blimp
1952:The Life and Death of Colonel Blimp
1855:; Boom Operator: A Canterbury Tale)
1801:The Life and Death of Colonel Blimp
1701:The Life and Death of Colonel Blimp
1599:The Life and Death of Colonel Blimp
1487:The Life and Death of Colonel Blimp
1411:The Life and Death of Colonel Blimp
1373:The Life and Death of Colonel Blimp
1267:The Life and Death of Colonel Blimp
1121:The Life and Death of Colonel Blimp
1103:The Life and Death of Colonel Blimp
1039:The Life and Death of Colonel Blimp
678:(1947) (producers only; written by
569:The Life and Death of Colonel Blimp
289:The Life and Death of Colonel Blimp
153:The Life and Death of Colonel Blimp
3715:Université de la Sorbonne nouvelle
3158:Awarded Career Gold Lion from the
2879:Berlin International Film Festival
2350:Four of their films are among the
25:
3872:. London: BT Batsford Ltd, 1996.
3473:from the original on 8 March 2008
3443:from the original on 8 March 2008
3404:from the original on 4 March 2016
2511:Best Writing, Original Screenplay
788:The pair reunited for two films:
461:in 1942, asking her to appear in
397:(1941), which won Pressburger an
374:. Pressburger, who had come from
4491:An Airman's Letter to His Mother
4072:The Powell and Pressburger Pages
3563:from the original on 17 May 2008
3533:from the original on 17 May 2008
2087:. In the 30's, Twist had edited
1367:George Blackler (Makeup Artist:
534:(1943), written and directed by
40:
4599:Films by Powell and Pressburger
3721:from the original on 1 May 2024
3678:"Powell and Pressburger: Books"
3593:from the original on 9 May 2008
2926:nominated for Best British Film
2797:nominated for Best British Film
2767:nominated for Best Film Editing
2346:Awards, nominations and honours
2065:, and Wellesley had co-written
1979:Return to the Edge of the World
1548:Return to the Edge of the World
1111:Return to the Edge of the World
4552:Pressburger only (as director)
4164:One of Our Aircraft is Missing
3796:Powell, Pressburger and Others
3622:. suntimes.com. Archived from
3139:BAFTA Academy Fellowship Award
2635:for Best Cinematography, Color
2501:One of Our Aircraft Is Missing
2210:One of Our Aircraft Is Missing
2019:One of Our Aircraft Is Missing
1972:One of Our Aircraft Is Missing
1815:One of Our Aircraft Is Missing
1575:Ernest Gasser (Makeup Artist:
1314:Notable crew members include:
1303:One of Our Aircraft Is Missing
1175:One of Our Aircraft Is Missing
977:One of Our Aircraft Is Missing
839:One of Our Aircraft Is Missing
596:(1944) a short propaganda film
561:One of Our Aircraft Is Missing
446:One of Our Aircraft Is Missing
337:BAFTA Academy Fellowship Award
143:One of Our Aircraft Is Missing
1:
4255:The Battle of the River Plate
3919:. London: I.B. Tauris, 2005.
3775:. London: Waterstone, 1985.
2899:The Battle of the River Plate
2314:The Battle of the River Plate
1987:The Battle of The River Plate
1895:The Battle of the River Plate
1837:The Battle of the River Plate
1765:The Battle of the River Plate
1540:The Battle of the River Plate
967:The Battle of the River Plate
945:The Battle of the River Plate
764:The Battle of the River Plate
750:was The Archers' worst film.
242:The Battle of the River Plate
4014:at BFI's screenonline.org.uk
3612:Mirasol, M. (5 March 2010).
3272:Cinema of the United Kingdom
2751:Best Writing, Original Story
2463:Best Writing, Original Story
2115:from a story by Pressburger.
660:Post-war success and decline
399:Academy Award for Best Story
3316:Macdonald, 1994. pp 189–190
1977:Sydney Streeter (Producer:
266:film-making partnership of
4630:
4604:British male screenwriters
4199:A Matter of Life and Death
3885:Michael Powell: Interviews
3398:"Powell & Pressburger"
3224:Akira Kurosawa Award from
3028:Children's Film Foundation
2556:A Matter of Life and Death
2250:A Matter of Life and Death
2029:; Associate Art Director:
1863:A Matter of Life and Death
1789:A Matter of Life and Death
1787:; Assistant Art Director:
1744:A Matter of Life and Death
1643:A Matter of Life and Death
1615:A Matter of Life and Death
1562:A Matter of Life and Death
1499:A Matter of Life and Death
1453:A Matter of Life and Death
1399:A Matter of Life and Death
1381:A Matter of Life and Death
1143:A Matter of Life and Death
1129:A Matter of Life and Death
1025:A Matter of Life and Death
959:A Matter of Life and Death
879:A Matter of Life and Death
861:A Matter of Life and Death
617:A Matter of Life and Death
499:A Matter of Life and Death
307:A Matter of Life and Death
178:A Matter of Life and Death
4557:
4550:
4546:
4498:The Sorcerer's Apprentice
4296:
4291:Powell only (as director)
4289:
4285:
4276:The Boy Who Turned Yellow
4137:
4119:
3937:(autobiography). London:
3654:. BFI.org. Archived from
3056:University of East Anglia
3022:The Boy Who Turned Yellow
2984:nominated for Golden Palm
2919:
2896:
2812:
2809:
2674:
2650:
2599:
2576:
2553:
2498:
2429:
2426:
2338:The Boy Who Turned Yellow
2033:; Chief of Construction:
1887:The Sorcerer's Apprentice
1679:The Sorcerer's Apprentice
1556:(Assistant Matte Artist:
1441:The Sorcerer's Apprentice
1322:(Assistant Art Director:
1081:The Boy Who Turned Yellow
819:The Boy Who Turned Yellow
802:The Boy Who Turned Yellow
39:
4379:Something Always Happens
3706:Thiéry, Natacha (2003).
2877:Silver Berlin Bear from
2481:Best Writing, Screenplay
1900:Charles Poulton (Sound:
1661:; Production Designer: (
492:working with them. When
18:Archers Film Productions
4456:The Man Behind the Mask
4192:I Know Where I'm Going!
4022:Internet Movie Database
4018:The Archers productions
3972:, later edition, 2000.
3949:, later edition, 1993.
3783:, later edition, 1994.
3348:A Pretty British Affair
3346:BBC Arena documentary,
3307:Powell 1986, pp 386–387
3298:Powell 1986, pp 302–303
3204:Awarded Hon Doctorate,
2364:placing in the top 10.
2242:I Know Where I'm Going!
1964:I Know Where I'm Going!
1733:I Know Where I'm Going!
1713:I Know Where I'm Going!
1633:I Know Where I'm Going!
1611:I Know Where I'm Going!
1495:I Know Where I'm Going!
1125:I Know Where I'm Going!
1107:I Know Where I'm Going!
901:I Know Where I'm Going!
843:I Know Where I'm Going!
817:, Pressburger produced
609:I Know Where I'm Going!
511:Pressburger on Powell,
301:I Know Where I'm Going!
170:I Know Where I'm Going!
62:1943 (as "The Archers")
52:Film production company
33:Powell and Pressburger
4614:British film directors
4609:British film producers
4407:The Night of the Party
4113:Powell and Pressburger
4063:Powell and Pressburger
4007:British Film Institute
3745:Cite journal requires
3651:British Film Institute
3587:powell-pressburger.org
3557:powell-pressburger.org
3527:powell-pressburger.org
3497:powell-pressburger.org
3467:powell-pressburger.org
3437:powell-pressburger.org
3184:British Film Institute
2906:Royal Film Performance
2587:for Best European Film
2563:Royal Film Performance
2356:British Film Institute
2152:
2149:by David Thomson, 1975
2137:
2017:; Production Manager:
1993:; Assistant Director:
1981:; Associate Producer:
1970:; Associate Director:
1853:I Know Where I'm Going
1763:(Production Designer:
1695:(Production Designer:
1463:; Associate Director:
1328:The Fighting Pimpernel
739:End of the partnership
722:(1952) by co-producer
526:
514:
480:No artist believes in
27:British filmmaking duo
4526:Herzog Blaubarts Burg
4463:The Edge of the World
4386:The Girl in the Crowd
4241:The Tales of Hoffmann
4227:The Elusive Pimpernel
3826:Darakhvelidze, Georgy
3813:. London: BFI, 2005.
3100:National Film Theatre
3003:National Film Theatre
2815:The Tales of Hoffmann
2407:The Edge of the World
2298:The Tales of Hoffmann
2282:The Elusive Pimpernel
2101:The Edge of the World
2062:The Edge of the World
2035:The Edge of the World
2015:The Tales of Hoffmann
2007:The Elusive Pimpernel
1906:The Elusive Pimpernel
1883:The Tales of Hoffmann
1875:The Elusive Pimpernel
1849:The Edge of the World
1781:The Tales of Hoffmann
1773:The Elusive Pimpernel
1687:Herzog Blaubarts Burg
1675:The Tales of Hoffmann
1667:The Elusive Pimpernel
1659:The Tales of Hoffmann
1532:The Elusive Pimpernel
1507:The Elusive Pimpernel
1437:The Tales of Hoffmann
1429:The Elusive Pimpernel
1362:The Tales of Hoffmann
1336:The Tales of Hoffmann
1289:The Tales of Hoffmann
1229:The Tales of Hoffmann
1157:The Tales of Hoffmann
1099:The Edge of the World
985:The Tales of Hoffmann
915:The Elusive Pimpernel
893:The Edge of the World
883:The Elusive Pimpernel
847:The Tales of Hoffmann
825:Regular cast and crew
731:The Tales of Hoffmann
707:The Elusive Pimpernel
325:The Tales of Hoffmann
226:The Tales of Hoffmann
210:The Elusive Pimpernel
4262:Ill Met by Moonlight
3962:Million Dollar Movie
3713:(in French). Paris:
3400:. English Heritage.
3378:The End of the River
3206:Royal College of Art
3160:Venice Film Festival
3120:Dartmouth Film Award
2982:Cannes Film Festival
2859:Cannes Film Festival
2660:Venice Film Festival
2414:Venice Film Festival
2322:Ill Met by Moonlight
2169:Francis Ford Coppola
2131:Entertainment Weekly
2076:The End of the River
1991:Ill Met by Moonlight
1968:Aila, Pohjolan tytär
1944:Aila, Pohjolan tytär
1841:Ill Met by Moonlight
1829:The End of the River
1752:The End of the River
1465:The End of the River
1449:Ill Met by Moonlight
1421:The End of the River
1285:Aila, Pohjolan tytär
1197:Sir Ralph Richardson
923:Ill Met by Moonlight
772:Ill Met by Moonlight
747:Ill Met by Moonlight
675:The End of the River
548:(1947), directed by
545:The End of the River
439:Birth of The Archers
284:Their collaborations
250:Ill Met by Moonlight
4484:The Thief of Bagdad
4421:The Price of a Song
4269:They're a Weird Mob
4220:The Small Back Room
3838:3 June 2017 at the
3646:"Pilgrims in Print"
3422:Powell, 1992. p. 81
2789:The Small Back Room
2492:Rodney Ackland
2330:They're a Weird Mob
2274:The Small Back Room
2003:The Small Back Room
1934:The Thief of Bagdad
1835:; Sound Recordist:
1655:The Small Back Room
1641:(Costume Designer:
1558:The Thief of Bagdad
1528:The Small Back Room
1479:The Thief of Bagdad
1425:The Small Back Room
1417:Christopher Challis
1324:The Small Back Room
1252:The Thief of Bagdad
937:The Small Back Room
911:The Small Back Room
869:The Small Back Room
815:They're a Weird Mob
811:They're a Weird Mob
794:They're a Weird Mob
784:Later collaboration
699:The Small Back Room
202:The Small Back Room
36:
4519:The Queen's Guards
4477:The Lion Has Wings
4309:My Friend the King
4129:Emeric Pressburger
4058:TCM Movie Database
4054:Emeric Pressburger
4049:TCM Movie Database
4036:Emeric Pressburger
3883:Lazar, David, ed.
3256:Thelma Schoonmaker
3080:University of Kent
2540:(photographic) and
2106:The Lion Has Wings
1717:Stairway to Heaven
1623:(Cinematographer:
1473:(Special Effects:
1419:(Cinematographer:
1397:(Cinematographer:
1354:Sir Thomas Beecham
1201:The Lion Has Wings
275:Emeric Pressburger
104:Emeric Pressburger
4576:
4575:
4572:
4571:
4563:Twice Upon a Time
4542:
4541:
4414:The Phantom Light
4330:The Star Reporter
4302:Two Crowded Hours
4248:Oh... Rosalinda!!
4185:A Canterbury Tale
3960:Powell, Michael.
3863:978-84-376-1950-7
3853:Esteve, Llorenç.
3658:on 9 October 2010
3626:on 4 January 2011
3619:Chicago Sun-Times
3258:at Dorset House,
3238:
3237:
2904:Selected for the
2853:
2834:
2779:
2722:
2700:
2646:
2624:
2546:
2494:
2412:Presented at the
2354:according to the
2306:Oh... Rosalinda!!
2234:A Canterbury Tale
2120:Critical opinions
2112:Squadron Leader X
2096:The Phantom Light
2071:with Pressburger.
1983:Oh... Rosalinda!!
1960:A Canterbury Tale
1891:Oh... Rosalinda!!
1799:; floor manager:
1797:Oh... Rosalinda!!
1709:A Canterbury Tale
1683:Oh... Rosalinda!!
1629:A Canterbury Tale
1607:A Canterbury Tale
1577:A Canterbury Tale
1491:A Canterbury Tale
1445:Oh... Rosalinda!!
1377:A Canterbury Tale
1342:; Scenic Artist:
1275:Oh... Rosalinda!!
1190:Wanted for Murder
1184:Squadron Leader X
1179:A Canterbury Tale
1061:A Canterbury Tale
1021:A Canterbury Tale
996:The Silent Battle
756:Oh... Rosalinda!!
724:David O. Selznick
625:The collaboration
601:A Canterbury Tale
391:. The second was
295:A Canterbury Tale
260:
259:
234:Oh... Rosalinda!!
162:A Canterbury Tale
16:(Redirected from
4621:
4548:
4449:Crown v. Stevens
4442:The Brown Wallet
4435:Her Last Affaire
4365:The Fire Raisers
4287:
4143:The Spy in Black
4106:
4099:
4092:
4083:
4067:Senses of Cinema
3935:A Life in Movies
3899:Macdonald, Kevin
3755:
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3361:The Silver Fleet
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3326:
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3299:
3296:
3260:Gloucester Place
3245:English Heritage
2849:
2830:
2775:
2718:
2691:
2642:
2620:
2535:
2490:
2367:
2186:The Spy in Black
2175:, among others.
2173:George A. Romero
2150:
2135:
2090:The Fire Raisers
2083:and directed by
2081:Wolfgang Wilhelm
2057:Gordon Wellesley
2048:The Silver Fleet
1930:The Spy in Black
1847:; Sound Editor:
1767:; Art Director:
1725:The Fire Raisers
1723:; Art Director:
1697:The Silver Fleet
1625:The Silver Fleet
1595:The Silver Fleet
1475:The Spy in Black
1471:Walter Percy Day
1307:The Silver Fleet
1299:Her Last Affaire
1243:The Spy in Black
1205:The Silver Fleet
1095:Her Last Affaire
1057:The Silver Fleet
1001:The Spy in Black
955:The Spy in Black
857:The Silver Fleet
680:Wolfgang Wilhelm
586:Gordon Wellesley
577:The Silver Fleet
540:Gordon Wellesley
531:The Silver Fleet
524:
512:
415:The Spy in Black
389:Second World War
367:The Spy in Black
272:(1905–1990) and
157:
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118:The Spy in Black
44:
37:
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4589:Filmmaking duos
4579:
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4337:Hotel Splendide
4292:
4281:
4206:Black Narcissus
4133:
4115:
4110:
3999:
3994:
3931:Powell, Michael
3868:Howard, James.
3840:Wayback Machine
3794:Christie, Ian.
3759:
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3297:
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3268:
3252:Martin Scorsese
2881:as Best Musical
2696:
2602:Black Narcissus
2541:
2539:
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2258:Black Narcissus
2181:
2165:Martin Scorsese
2151:
2148:
2144:
2136:
2134:11 January 2002
2133:
2129:
2122:
2079:was written by
2040:
1995:Black Narcissus
1916:Black Narcissus
1867:Black Narcissus
1825:Black Narcissus
1821:Gordon McCallum
1793:Black Narcissus
1748:Black Narcissus
1721:Black Narcissus
1647:Black Narcissus
1581:Black Narcissus
1566:Black Narcissus
1554:Peter Ellenshaw
1520:Black Narcissus
1503:Black Narcissus
1457:Black Narcissus
1403:Black Narcissus
1385:Black Narcissus
1344:Black Narcissus
1312:
1149:LĂ©onide Massine
1065:Black Narcissus
1043:Black Narcissus
973:Robert Helpmann
933:Black Narcissus
865:Black Narcissus
827:
786:
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667:Black Narcissus
662:
627:
525:
522:
513:
510:
457:In a letter to
441:
372:Alexander Korda
362:First World War
354:
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313:Black Narcissus
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186:Black Narcissus
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4533:Age of Consent
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4126:
4124:Michael Powell
4120:
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4109:
4108:
4101:
4094:
4086:
4080:
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4069:
4060:
4051:
4045:Michael Powell
4042:
4033:
4027:Michael Powell
4024:
4015:
4009:
3998:
3997:External links
3995:
3993:
3992:
3981:
3958:
3928:
3915:Moor, Andrew.
3913:
3896:
3881:
3870:Michael Powell
3866:
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2777:Reginald Mills
2773:
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2768:
2761:
2760:
2758:
2755:
2753:
2749:nominated for
2743:
2742:
2740:
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2734:
2730:nominated for
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2712:
2702:
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2072:
2068:Atlantic Ferry
2039:
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1940:John Seabourne
1937:
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1859:Reginald Mills
1856:
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1295:Googie Withers
1292:
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1259:Anton Walbrook
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1135:Raymond Massey
1132:
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1010:Atlantic Ferry
991:Valerie Hobson
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4234:Gone to Earth
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3970:0-434-59947-6
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3793:
3790:
3789:0-571-16271-1
3786:
3782:
3781:0-947752-13-7
3778:
3774:
3770:
3769:Christie, Ian
3767:
3766:
3761:
3760:
3752:
3739:
3732:
3720:
3716:
3709:
3702:
3699:
3687:
3683:
3679:
3673:
3670:
3657:
3653:
3652:
3647:
3641:
3638:
3625:
3621:
3620:
3615:
3608:
3605:
3592:
3588:
3584:
3578:
3575:
3562:
3558:
3554:
3548:
3545:
3532:
3528:
3524:
3518:
3515:
3502:
3498:
3494:
3488:
3485:
3472:
3468:
3464:
3458:
3455:
3442:
3438:
3434:
3428:
3425:
3419:
3416:
3403:
3399:
3393:
3391:
3387:
3384:
3380:
3379:
3373:
3370:
3367:
3363:
3362:
3356:
3353:
3349:
3343:
3341:
3337:
3331:
3328:
3322:
3319:
3313:
3310:
3304:
3301:
3295:
3293:
3289:
3282:
3281:
3277:
3273:
3270:
3269:
3265:
3263:
3261:
3257:
3253:
3249:
3246:
3241:
3234:
3232:
3229:
3227:
3223:
3221:
3218:
3217:
3214:
3212:
3209:
3207:
3203:
3201:
3198:
3197:
3194:
3191:
3188:
3185:
3181:
3177:
3175:
3172:
3171:
3168:
3166:
3163:
3161:
3157:
3155:
3152:
3151:
3148:
3145:
3142:
3140:
3137:
3135:
3132:
3131:
3128:
3126:
3123:
3121:
3118:
3116:
3113:
3112:
3109:
3106:
3103:
3101:
3097:
3095:
3092:
3091:
3088:
3086:
3083:
3081:
3077:
3073:
3071:
3068:
3067:
3064:
3062:
3059:
3057:
3053:
3049:
3047:
3044:
3043:
3040:
3038:
3035:
3032:
3029:
3026:
3024:
3023:
3019:
3016:
3015:
3012:
3009:
3006:
3004:
3000:
2998:
2995:
2994:
2991:
2989:
2986:
2983:
2980:
2978:
2977:
2973:
2970:
2969:
2966:
2963:
2960:
2957:
2954:
2953:
2950:
2947:
2944:
2941:
2938:
2937:
2934:
2931:
2928:
2925:
2922:
2918:
2915:
2912:
2909:
2907:
2903:
2901:
2900:
2893:
2892:
2889:
2886:
2883:
2880:
2876:
2873:
2872:
2869:
2866:
2863:
2860:
2857:
2856:
2852:
2851:Hein Heckroth
2848:
2846:
2844:
2841:
2838:
2837:
2833:
2832:Hein Heckroth
2829:
2827:
2825:
2822:
2819:
2817:
2816:
2808:
2805:
2802:
2799:
2796:
2793:
2791:
2790:
2786:
2783:
2782:
2778:
2774:
2771:
2769:
2766:
2763:
2762:
2759:
2756:
2754:
2752:
2748:
2745:
2744:
2741:
2738:
2735:
2733:
2729:
2726:
2725:
2721:
2720:Brian Easdale
2717:
2715:
2713:
2710:
2707:
2704:
2703:
2699:
2698:Arthur Lawson
2694:
2693:Hein Heckroth
2690:
2688:
2686:
2683:
2680:
2677:
2673:
2670:
2667:
2664:
2661:
2657:
2655:
2654:
2653:The Red Shoes
2649:
2645:
2641:
2639:
2637:
2634:
2631:
2628:
2627:
2623:
2619:
2617:
2615:
2612:
2609:
2606:
2604:
2603:
2598:
2595:
2592:
2589:
2586:
2582:
2579:
2575:
2572:
2569:
2566:
2564:
2560:
2558:
2557:
2550:
2549:
2544:
2538:
2534:
2532:
2530:
2527:
2524:
2523:
2520:
2517:
2514:
2512:
2508:
2505:
2503:
2502:
2497:
2493:
2489:
2486:
2484:
2482:
2478:
2475:
2474:
2471:
2468:
2466:
2464:
2460:
2457:
2454:
2453:
2450:
2448:
2445:
2443:
2439:
2436:
2434:
2433:
2432:49th Parallel
2425:
2422:
2420:
2417:
2415:
2411:
2409:
2408:
2404:
2401:
2400:
2397:
2394:
2392:
2389:
2387:
2384:
2382:
2379:
2377:
2374:
2372:
2369:
2368:
2365:
2363:
2362:
2361:The Red Shoes
2357:
2353:
2345:
2340:
2339:
2335:
2332:
2331:
2327:
2324:
2323:
2319:
2316:
2315:
2311:
2308:
2307:
2303:
2300:
2299:
2295:
2292:
2291:
2290:Gone to Earth
2287:
2284:
2283:
2279:
2276:
2275:
2271:
2268:
2267:
2266:The Red Shoes
2263:
2260:
2259:
2255:
2252:
2251:
2247:
2244:
2243:
2239:
2236:
2235:
2231:
2228:
2227:
2226:The Volunteer
2223:
2220:
2219:
2215:
2212:
2211:
2207:
2204:
2203:
2202:49th Parallel
2199:
2196:
2195:
2191:
2188:
2187:
2183:
2182:
2178:
2176:
2174:
2170:
2166:
2161:
2156:
2147:
2141:
2132:
2126:
2119:
2114:
2113:
2108:
2107:
2102:
2098:
2097:
2092:
2091:
2086:
2082:
2078:
2077:
2073:
2070:
2069:
2064:
2063:
2058:
2054:
2053:Vernon Sewell
2050:
2049:
2045:
2044:
2043:
2036:
2032:
2031:49th Parallel
2028:
2027:The Volunteer
2024:
2020:
2016:
2012:
2011:Gone to Earth
2008:
2004:
2000:
1999:The Red Shoes
1996:
1992:
1988:
1984:
1980:
1976:
1973:
1969:
1965:
1961:
1957:
1956:The Volunteer
1953:
1949:
1945:
1941:
1938:
1935:
1931:
1927:
1924:
1921:
1920:The Red Shoes
1917:
1913:
1911:
1910:Gone to Earth
1907:
1903:
1902:The Red Shoes
1899:
1896:
1892:
1888:
1884:
1880:
1879:Gone to Earth
1876:
1872:
1871:The Red Shoes
1868:
1864:
1860:
1857:
1854:
1850:
1846:
1842:
1838:
1834:
1833:The Red Shoes
1830:
1826:
1822:
1819:
1816:
1812:
1811:49th Parallel
1808:
1805:
1802:
1798:
1794:
1790:
1786:
1782:
1778:
1777:Gone to Earth
1774:
1770:
1769:The Red Shoes
1766:
1762:
1761:Arthur Lawson
1759:
1757:
1756:The Red Shoes
1753:
1749:
1745:
1741:
1738:
1735:Set dresser:
1734:
1730:
1726:
1722:
1718:
1714:
1710:
1706:
1705:The Volunteer
1702:
1698:
1694:
1691:
1688:
1684:
1680:
1676:
1672:
1671:Gone to Earth
1668:
1664:
1663:The Red Shoes
1660:
1656:
1652:
1651:The Red Shoes
1648:
1644:
1640:
1639:Hein Heckroth
1637:
1634:
1630:
1626:
1622:
1621:Erwin Hillier
1619:
1616:
1612:
1608:
1604:
1603:The Volunteer
1600:
1596:
1592:
1589:
1586:
1585:The Red Shoes
1582:
1578:
1574:
1571:
1570:The Red Shoes
1567:
1563:
1559:
1555:
1552:
1549:
1545:
1541:
1537:
1536:Gone to Earth
1533:
1529:
1525:
1524:The Red Shoes
1521:
1517:
1516:Brian Easdale
1514:
1512:
1511:Gone to Earth
1508:
1504:
1500:
1496:
1492:
1488:
1484:
1483:49th Parallel
1480:
1476:
1472:
1469:
1466:
1462:
1461:The Red Shoes
1458:
1454:
1451:; Cameraman:
1450:
1446:
1442:
1438:
1434:
1433:Gone to Earth
1430:
1426:
1422:
1418:
1415:
1412:
1409:; Cameraman:
1408:
1407:The Red Shoes
1404:
1400:
1396:
1393:
1390:
1389:The Red Shoes
1386:
1382:
1378:
1374:
1370:
1369:49th Parallel
1366:
1363:
1359:
1358:The Red Shoes
1355:
1352:
1349:
1348:The Red Shoes
1345:
1341:
1337:
1333:
1332:Gone to Earth
1329:
1325:
1321:
1318:
1317:
1315:
1308:
1304:
1300:
1296:
1293:
1290:
1286:
1282:
1279:
1276:
1272:
1271:The Red Shoes
1268:
1264:
1263:49th Parallel
1260:
1257:
1254:
1253:
1248:
1244:
1240:
1237:
1234:
1230:
1226:
1225:The Red Shoes
1222:
1221:Moira Shearer
1219:
1216:
1215:The Volunteer
1212:
1211:
1206:
1202:
1198:
1195:
1192:
1191:
1186:
1185:
1180:
1176:
1172:
1171:49th Parallel
1168:
1165:
1162:
1158:
1154:
1153:The Red Shoes
1150:
1147:
1144:
1140:
1139:49th Parallel
1136:
1133:
1130:
1126:
1122:
1118:
1117:Roger Livesey
1115:
1112:
1108:
1104:
1100:
1096:
1092:
1088:
1085:
1082:
1078:
1074:
1073:Gone to Earth
1070:
1069:The Red Shoes
1066:
1062:
1058:
1054:
1050:
1049:Esmond Knight
1047:
1044:
1040:
1036:
1032:
1029:
1026:
1022:
1018:
1015:
1012:
1011:
1006:
1002:
998:
997:
992:
989:
986:
982:
981:The Red Shoes
978:
974:
971:
968:
964:
963:The Red Shoes
960:
956:
952:
951:Marius Goring
949:
946:
942:
941:Gone to Earth
938:
934:
930:
927:
924:
920:
919:Gone to Earth
916:
912:
908:
905:
902:
898:
897:49th Parallel
894:
890:
889:Finlay Currie
887:
884:
880:
876:
873:
870:
866:
862:
858:
854:
851:
848:
844:
840:
836:
833:
832:
830:
824:
822:
820:
816:
812:
804:
803:
799:
796:
795:
791:
790:
789:
783:
781:
774:
773:
769:
766:
765:
761:
758:
757:
753:
752:
751:
749:
748:
738:
733:
732:
728:
725:
721:
717:
716:
715:Gone to Earth
712:
709:
708:
704:
701:
700:
696:
693:
692:
691:The Red Shoes
688:
685:
681:
677:
676:
672:
669:
668:
664:
663:
659:
657:
655:
654:auteur theory
650:
647:
643:
639:
637:
631:
624:
619:
618:
614:
611:
610:
606:
603:
602:
598:
595:
594:
593:The Volunteer
590:
587:
583:
582:Vernon Sewell
579:
578:
574:
571:
570:
566:
563:
562:
558:
557:
556:
553:
551:
547:
546:
541:
537:
536:Vernon Sewell
533:
532:
519:
507:
503:
501:
500:
495:
486:
483:
479:
476:
473:
470:
469:
468:
466:
465:
464:Colonel Blimp
460:
455:
452:
448:
447:
438:
433:
432:
431:49th Parallel
428:
425:
424:
420:
417:
416:
412:
411:
410:
408:
407:49th Parallel
404:
400:
396:
395:
394:49th Parallel
390:
386:
385:
379:
377:
373:
369:
368:
363:
359:
351:
346:
344:
342:
338:
334:
329:
327:
326:
321:
320:
319:The Red Shoes
315:
314:
309:
308:
303:
302:
297:
296:
291:
290:
285:
281:
277:
276:
271:
270:
265:
252:
251:
247:
244:
243:
239:
236:
235:
231:
228:
227:
223:
220:
219:
218:Gone to Earth
215:
212:
211:
207:
204:
203:
199:
196:
195:
194:The Red Shoes
191:
188:
187:
183:
180:
179:
175:
172:
171:
167:
164:
163:
159:
155:
154:
149:
145:
144:
139:
136:
135:
134:49th Parallel
131:
128:
127:
123:
120:
119:
115:
114:
112:
108:
105:
101:
98:
92:
88:
84:
80:
77:
73:
69:
65:
59:
55:
51:
47:
43:
38:
30:
19:
4561:
4531:
4524:
4517:
4510:
4505:Luna de Miel
4503:
4496:
4489:
4482:
4475:
4468:
4461:
4454:
4447:
4440:
4433:
4426:
4419:
4412:
4405:
4398:
4391:
4384:
4377:
4370:
4363:
4356:
4351:His Lordship
4349:
4342:
4335:
4328:
4321:
4314:
4307:
4300:
4274:
4267:
4260:
4253:
4246:
4239:
4232:
4225:
4218:
4211:
4204:
4197:
4190:
4183:
4176:
4169:
4162:
4155:
4148:
4141:
4112:
3961:
3934:
3916:
3902:
3884:
3869:
3854:
3830:
3810:
3795:
3772:
3762:Bibliography
3738:cite journal
3730:
3723:. Retrieved
3711:(PhD thesis)
3701:
3689:. Retrieved
3681:
3672:
3660:. Retrieved
3656:the original
3649:
3640:
3628:. Retrieved
3624:the original
3617:
3607:
3595:. Retrieved
3586:
3577:
3565:. Retrieved
3556:
3547:
3535:. Retrieved
3526:
3517:
3505:. Retrieved
3496:
3487:
3475:. Retrieved
3466:
3457:
3445:. Retrieved
3436:
3427:
3418:
3406:. Retrieved
3377:
3372:
3360:
3355:
3347:
3334:Powell, 1986
3330:
3321:
3312:
3303:
3242:
3239:
3030:
3020:
2976:Luna de Miel
2974:
2897:
2874:
2813:
2787:
2732:Best Picture
2708:
2681:
2651:
2644:Jack Cardiff
2632:
2622:Alfred Junge
2610:
2600:
2580:
2554:
2543:C.C. Stevens
2537:Ronald Neame
2499:
2458:
2442:Best Picture
2430:
2405:
2395:
2390:
2385:
2380:
2375:
2370:
2359:
2349:
2336:
2328:
2320:
2312:
2304:
2296:
2288:
2280:
2272:
2264:
2256:
2248:
2240:
2232:
2224:
2216:
2208:
2200:
2192:
2184:
2157:
2153:
2145:
2139:
2130:
2124:
2110:
2104:
2100:
2094:
2088:
2074:
2066:
2060:
2046:
2041:
2034:
2030:
2026:
2022:
2018:
2014:
2010:
2006:
2002:
1998:
1994:
1990:
1986:
1982:
1978:
1971:
1967:
1963:
1959:
1955:
1951:
1947:
1943:
1933:
1929:
1926:MiklĂłs RĂłzsa
1919:
1915:
1909:
1905:
1901:
1894:
1890:
1886:
1882:
1878:
1874:
1870:
1866:
1862:
1852:
1848:
1844:
1840:
1836:
1832:
1828:
1824:
1814:
1810:
1800:
1796:
1792:
1788:
1784:
1780:
1776:
1772:
1768:
1764:
1755:
1751:
1747:
1743:
1736:
1732:
1728:
1724:
1720:
1716:
1712:
1708:
1704:
1700:
1696:
1693:Alfred Junge
1686:
1682:
1678:
1674:
1670:
1666:
1662:
1658:
1654:
1650:
1646:
1642:
1632:
1628:
1624:
1614:
1610:
1606:
1602:
1598:
1594:
1584:
1580:
1576:
1569:
1565:
1561:
1557:
1547:
1543:
1539:
1535:
1531:
1527:
1523:
1519:
1510:
1506:
1502:
1498:
1494:
1490:
1486:
1482:
1478:
1474:
1464:
1460:
1456:
1452:
1448:
1444:
1440:
1436:
1432:
1428:
1424:
1420:
1410:
1406:
1402:
1398:
1395:Jack Cardiff
1388:
1384:
1380:
1376:
1372:
1368:
1361:
1357:
1356:(Conductor:
1347:
1343:
1339:
1335:
1331:
1327:
1323:
1320:Ivor Beddoes
1313:
1306:
1302:
1298:
1288:
1284:
1281:Mogens Wieth
1274:
1270:
1266:
1262:
1250:
1246:
1242:
1239:Conrad Veidt
1232:
1228:
1224:
1214:
1208:
1204:
1200:
1188:
1182:
1178:
1174:
1170:
1167:Eric Portman
1160:
1156:
1152:
1142:
1138:
1128:
1124:
1120:
1110:
1106:
1102:
1098:
1094:
1090:
1080:
1076:
1072:
1068:
1064:
1060:
1056:
1052:
1042:
1038:
1034:
1031:Deborah Kerr
1024:
1020:
1008:
1004:
1000:
994:
984:
980:
976:
966:
962:
958:
954:
944:
940:
936:
932:
929:David Farrar
922:
918:
914:
910:
907:Cyril Cusack
900:
896:
892:
882:
878:
875:Robert Coote
868:
864:
860:
856:
846:
842:
838:
835:Pamela Brown
828:
818:
814:
810:
808:
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792:
787:
778:
770:
762:
754:
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742:
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459:Wendy Hiller
456:
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429:
421:
413:
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392:
382:
380:
365:
358:silent films
355:
330:
323:
322:(1948), and
317:
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168:
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132:
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116:
86:Headquarters
29:
4512:Peeping Tom
4012:The Archers
4003:The Archers
3725:11 December
3691:11 December
3662:11 December
3630:13 December
3248:blue plaque
2956:BAFTA Award
2940:BAFTA Award
2924:BAFTA Award
2795:BAFTA Award
2662:Golden Lion
2585:Bodil Award
2561:First ever
2391:Pressburger
2179:Filmography
2085:Derek Twist
1928:(Composer:
1845:Peeping Tom
1785:Peeping Tom
1593:(Composer:
1544:Peeping Tom
1518:(Composer:
1340:Peeping Tom
1233:Peeping Tom
1087:John Laurie
1077:Peeping Tom
684:Derek Twist
401:. Both are
352:Early films
280:The Archers
79:Partnership
35:The Archers
4583:Categories
4372:Red Ensign
4358:Born Lucky
4150:Contraband
3686:Amazon.com
3408:10 January
3278:References
2194:Contraband
1946:; Editor:
1823:(Dubbing:
1807:David Lean
1729:Red Ensign
1591:Allan Gray
1247:Contraband
1091:Red Ensign
1053:Contraband
1035:Contraband
1017:Kim Hunter
1005:Contraband
423:Contraband
384:Contraband
126:Contraband
95:Key people
4393:Lazybones
4020:from the
3939:Heinemann
3076:Hon DLitt
3052:Hon DLitt
1942:(Writer:
1861:(Editor:
1809:(Editor:
1161:Honeymoon
403:Hitchcock
335:with the
304:(1945),
4316:The Rasp
3941:, 1986.
3836:Archived
3719:Archived
3591:Archived
3561:Archived
3531:Archived
3501:Archived
3471:Archived
3441:Archived
3402:Archived
3266:See also
2143:—
2128:—
1948:Blackout
1737:Blackout
521:—
509:—
482:escapism
328:(1951).
316:(1947),
310:(1946),
298:(1944),
292:(1943),
110:Products
49:Industry
4428:Someday
4005:at the
3597:5 March
3567:5 March
3537:5 March
3507:5 March
3477:7 March
3447:5 March
3182:of the
3180:Fellows
2583:Danish
2545:(sound)
2358:, with
451:archery
376:Hungary
360:to the
347:History
264:British
67:Defunct
57:Founded
4344:C.O.D.
3987:
3980:(pbk).
3976:
3968:
3957:(pbk).
3953:
3945:
3923:
3909:
3891:
3876:
3861:
3846:
3817:
3802:
3791:(pbk).
3787:
3779:
3682:Amazon
3350:(1981)
3031:winner
2875:Winner
2709:winner
2682:winner
2633:winner
2611:winner
2581:Winner
2459:winner
2396:Others
2386:Powell
2341:(1972)
2333:(1966)
2325:(1957)
2317:(1956)
2309:(1955)
2301:(1951)
2293:(1950)
2285:(1950)
2277:(1949)
2269:(1948)
2261:(1947)
2253:(1946)
2245:(1945)
2237:(1944)
2229:(1943)
2221:(1943)
2213:(1942)
2205:(1941)
2197:(1940)
2189:(1939)
2103:, and
805:(1972)
797:(1966)
775:(1957)
767:(1956)
759:(1955)
734:(1951)
710:(1950)
702:(1949)
694:(1948)
670:(1947)
620:(1946)
612:(1945)
604:(1944)
572:(1943)
564:(1942)
434:(1941)
426:(1940)
418:(1939)
364:drama
253:(1957)
245:(1956)
237:(1955)
229:(1951)
221:(1950)
213:(1950)
205:(1949)
197:(1948)
189:(1947)
181:(1946)
173:(1945)
165:(1944)
156:(1943)
146:(1942)
137:(1941)
129:(1940)
121:(1939)
4470:Smith
4323:Rynox
3283:Notes
3186:(BFI)
3178:Made
3074:Made
3050:Made
2840:Oscar
2821:Oscar
2765:Oscar
2747:Oscar
2728:Oscar
2706:Oscar
2679:Oscar
2630:Oscar
2608:Oscar
2526:Oscar
2507:Oscar
2477:Oscar
2456:Oscar
2438:Oscar
2381:Award
1210:Smith
518:this.
60:1939
4040:IMDb
4031:IMDb
3985:ISBN
3974:ISBN
3966:ISBN
3951:ISBN
3943:ISBN
3921:ISBN
3907:ISBN
3889:ISBN
3874:ISBN
3859:ISBN
3844:ISBN
3815:ISBN
3800:ISBN
3785:ISBN
3777:ISBN
3751:help
3727:2010
3693:2010
3664:2010
3632:2010
3599:2008
3569:2008
3539:2008
3509:2008
3479:2008
3449:2008
3410:2016
3383:IMDb
3366:IMDb
3254:and
3219:1987
3199:1987
3173:1983
3153:1982
3133:1981
3114:1980
3093:1978
3069:1978
3045:1978
3017:1972
2996:1970
2971:1959
2920:1957
2894:1956
2810:1951
2784:1950
2675:1949
2577:1948
2551:1946
2461:for
2427:1943
2402:1937
2376:Film
2371:Year
2171:and
2055:and
636:Rank
584:and
538:and
262:The
75:Fate
70:1957
4065:at
4056:at
4047:at
4038:at
4029:at
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3381:at
3364:at
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3230:Yes
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2695:and
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2160:BFI
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4585::
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