527:
Mandryka accuses
Arabella of infidelity and plans to go back to his land, Zdenka rushes in, no longer in disguise and in her negligee (making it clear that it was she who had the encounter with Matteo). She declares her intention to drown herself in disgrace. The situation is finally cleared up. Matteo learns that the letters were forged by Zdenka and that it was she and not Arabella in the room. He suddenly realizes he is in love with Zdenka, whom he agrees to marry. Mandryka begs forgiveness, and Arabella tells him they will think no more of the night's events. Arabella asks his servant to bring her a glass of water, and Mandryka thinks she has requested it for her refreshment. Arabella goes upstairs and Mandryka, ruminating on his indecorous behavior and blaming himself, stays downstairs. Arabella comes down the stairs and, seeing that he has stayed and having forgiven him, offers him the glass of water, signifying reconciliation and marriage. They happily kiss and Arabella goes up the stairs to her room.
464:
tomboyishness by pretending she is a boy, whom they present as "Zdenko." Zdenka secretly loves Matteo, a penniless officer who loves
Arabella. To prevent him from committing suicide, Zdenka writes him love letters she signs with Arabella's name. Zdenka reproaches Arabella for her unsympathetic treatment of Matteo, but Arabella says that she is hoping for the "Right Man," to whom she can give her heart completely. Meanwhile, Arabella is wooed by three suitors, Elemer, Dominik and Lamoral, and acknowledges that she may have to accept one of them, but has fallen in
62:
1755:
1765:
1791:
1592:
1067:
1016:
985:
970:
955:
940:
925:
472:
Waldner is surprised to see that it is not his friend. The man explains he is
Mandryka's nephew, also named Mandryka. His uncle is dead, and as his only heir, he has acquired his fortune; he also received the letter and portrait. From seeing the portrait, he has fallen in love with Arabella. He offers to marry her and gives Waldner money.
471:
Count
Waldner, in dire straits, has written to all his friends for financial help, to no avail. He was hopeful for an answer from an old and immensely wealthy Croatian friend of his, Mandryka, even sending him a portrait of Arabella in hopes of a marriage. A visitor announced as Mandryka arrives and
501:
himself; Arabella happily agrees to marry him, saying, "I give myself to you, for eternity." Then
Mandryka agrees to Arabella's request that she be allowed to stay for another hour to say farewell to her girlhood, during which she thanks her suitors for their interest in her and bids them goodbye.
526:
Arabella enters the lobby and comes across Matteo. As Matteo is in love with
Arabella and thinks it is she with whom he has just made love in a darkened room, their conversation is at once confused and emotional. The Count, the Countess, and Mandryka arrive and further the misunderstanding. After
475:
A carnival ball is to be held that night. Matteo asks "Zdenko," his supposedly male friend, when he will receive another letter from
Arabella; "Zdenko" answers that he will have one that very evening at the ball. Arabella continues to muse about the strange man she noticed, but when Count Elemer
505:
Meanwhile, Zdenka gives Matteo a letter with the key to the room next to
Arabella's, saying that it is Arabella's room and promising that Arabella will meet him there that night. Mandryka overhears this conversation and, mad with jealousy and disappointment (after first trying to evade these
463:
As the curtain opens, Countess
Adelaide is having her fortune told. The fortune teller predicts Arabella will marry a man from far away, but that trouble may be in store. The Waldners have a second daughter, Zdenka, but since they cannot afford two daughters marrying, they have indulged her
1196:
1103:
497:
a glass of water as a token of agreeing to be married. Mandryka tells
Arabella that she will be mistress of all the things he owns, and that she will be the only thing ranked above him besides the
1166:
493:
Arabella meets Mandryka, who turns out to be her fascinating stranger. Mandryka tells her about his life and his country's customs, in which young women offer their
1768:
477:
1836:
856:
815:
1222:
881:
1274:
1816:
1158:
984:
1336:
876:
796:
792:
783:
761:
744:
723:
716:
510:. Since Arabella is nowhere to be found, the Waldners insist that he meet Arabella to talk things out, and they head for the hotel.
660:
1821:
820:
1566:
728:
1831:
1651:
1202:
1172:
1134:
969:
954:
849:
808:
180:
1781:
1483:
684:
476:
arrives to be her escort for the evening, she tries to banish these thoughts and look forward to the excitement of the
1724:
1591:
61:
1266:
1128:
35:
1758:
1140:
1122:
842:
1000:
1617:
1354:
1348:
1283:
1216:
1189:
1534:
1461:
1428:
1342:
977:
732:
1735:
1687:
1406:
1360:
1292:
1066:
144:
78:
31:
1826:
1576:
1450:
1233:
1023:
1015:
627:
1625:
1494:
1395:
1310:
1051:
939:
465:
172:
67:
1609:
1545:
1525:
1439:
1318:
1258:
991:
924:
372:
259:
164:
171:
in the title role. The Met has given numerous performances of the work since that date. At the
1730:
1682:
1556:
1250:
1060:
962:
947:
788:
757:
740:
719:
712:
254:
160:
1180:
615:
581:
225:
1811:
1740:
1676:
1633:
1585:
1505:
1301:
932:
899:
865:
688:
176:
136:
53:
664:
1085:
1042:
918:
574:
277:
210:
168:
1805:
1718:
1702:
1692:
1670:
1209:
824:
778:
566:
341:
295:
272:
1795:
1697:
749:
558:
241:
1417:
1242:
1095:
1033:
586:
128:
17:
202:
156:
109:
523:
A passionate orchestral prelude depicts the lovemaking of Matteo and Zdenka.
1384:
909:
537:
30:
This article is about the opera by Richard Strauss. For the given name, see
494:
1148:
594:
562:
506:
feelings), raises a commotion, flirting with the Fiakermilli, the ball's
290:
140:
1764:
1516:
1472:
607:
590:
570:
546:
498:
220:
159:. The opera received its premiere in the UK on 17 May 1934 at London's
1790:
507:
363:
1197:
Divertimento for chamber orchestra after keyboard pieces by Couperin
834:
550:
542:
308:
163:. Two decades later, on 10 February 1955, it was performed at the
132:
49:
1373:
611:
598:
554:
838:
828:
1779:
1167:
Dance suite from keyboard pieces by François Couperin
155:
It was first performed on 1 July 1933 at the Dresden
422:
A chaperone, three card players, a doctor, a waiter
1711:
1663:
1644:
1601:
1372:
1329:
1232:
1115:
1076:
890:
92:
84:
74:
43:
787:, Vol. One, pp. 157–160. London: Macmillan.
433:Coachmen, waiters, ball guests, hotel residents
147:, their sixth and last operatic collaboration.
850:
8:
1574:
1564:
1554:
1543:
1532:
1514:
1503:
1492:
1481:
1470:
1459:
1448:
1437:
1426:
1415:
1404:
1393:
1382:
1299:
1281:
1178:
1156:
1146:
1093:
1083:
1049:
1031:
1021:
998:
975:
960:
945:
930:
907:
897:
107:
857:
843:
835:
661:"Metropolitan Opera's performance archive"
468:with a stranger she passed in the street.
60:
40:
816:International Music Score Library Project
1223:Duet concertino for clarinet and bassoon
190:
1786:
643:
250:their father, a retired cavalry officer
7:
711:series, New York: Riverrun Press.
25:
1837:Libretti by Hugo von Hofmannsthal
784:The New Grove Dictionary of Opera
193:Roles, voice types, premiere cast
1789:
1763:
1754:
1753:
1590:
1275:Till Eulenspiegel's Merry Pranks
1065:
1014:
983:
968:
953:
938:
923:
650:Kennedy, in Holden 2001, p. 899
754:The Oxford Dictionary of Opera
703:John, Nicholas (Ed.) (1985), "
1:
1173:Wiener Philharmoniker Fanfare
739:, New York: Penguin Putnam.
368:belle of the Coachmen's Ball
1725:Treatise on Instrumentation
737:The New Penguin Opera Guide
1853:
821:Recording of "Mein Elemer"
625:
207:Premiere cast, 1 July 1933
131:79, is a lyric comedy, or
29:
1817:Operas by Richard Strauss
1749:
1575:
1555:
1544:
1533:
1515:
1504:
1493:
1484:Traum durch die Dämmerung
1482:
1471:
1460:
1449:
1438:
1427:
1416:
1405:
1394:
1383:
1267:Death and Transfiguration
872:
431:
320:one of Arabella's suitors
157:Sächsisches Staatstheater
110:Sächsisches Staatstheater
59:
48:
36:Arabella (disambiguation)
1159:Le bourgeois gentilhomme
707:: Richard Strauss" from
27:Opera by Richard Strauss
1618:Utan svafvel och fosfor
1343:Cello Sonata in F major
1284:Also sprach Zarathustra
1190:Japanese Festival Music
773:Murray, David (1998), "
1822:German-language operas
1565:
1535:Des Dichters Abendgang
1462:Heimliche Aufforderung
1300:
1282:
1179:
1157:
1147:
1094:
1084:
1050:
1032:
1022:
999:
978:Die Frau ohne Schatten
976:
961:
946:
931:
908:
898:
709:English National Opera
393:Welko, Djura, Jankel,
108:
34:. For other uses, see
1688:Hugo von Hofmannsthal
1001:Die ägyptische Helena
327:Karl Albrecht Streib
145:Hugo von Hofmannsthal
97:1 July 1933
79:Hugo von Hofmannsthal
32:Arabella (given name)
1832:Operas set in Vienna
1024:Die schweigsame Frau
882:List of compositions
752:; Ewan West (1992),
628:Arabella discography
519:A lobby in the hotel
459:In a hotel in Vienna
286:a Croatian landowner
181:Award for Best Opera
175:, the production by
173:2008 Helpmann Awards
66:Strauss in 1922, by
1311:Symphonia Domestica
1203:Horn Concerto No. 2
1135:Horn Concerto No. 1
1052:Die Liebe der Danae
466:love at first sight
404:Robert Schmalnauer,
395:Mandryka's servants
195:
151:Performance history
135:, in three acts by
68:Ferdinand Schmutzer
1610:Wandrers Sturmlied
1546:Freundliche Vision
1440:Ruhe, meine Seele!
1319:An Alpine Symphony
373:coloratura soprano
357:Arno Schellenberg
260:Friedrich Plaschke
191:
165:Metropolitan Opera
1777:
1776:
1653:Der Rosenkavalier
1577:Der Krämerspiegel
1105:Verklungene Feste
963:Ariadne auf Naxos
948:Der Rosenkavalier
573:(3rd doubling on
549:(doubling on 3rd
438:
437:
388:Jessyka Koettrik
382:A fortune-teller
167:in New York with
161:Royal Opera House
120:
119:
16:(Redirected from
1844:
1794:
1793:
1785:
1767:
1757:
1756:
1712:Related articles
1664:Family and peers
1645:Film adaptations
1594:
1580:
1579:
1570:
1560:
1559:
1549:
1548:
1538:
1537:
1520:
1519:
1509:
1508:
1498:
1497:
1487:
1486:
1476:
1475:
1465:
1464:
1454:
1453:
1443:
1442:
1432:
1431:
1421:
1420:
1410:
1409:
1399:
1398:
1388:
1387:
1305:
1287:
1184:
1181:Olympische Hymne
1162:
1152:
1099:
1089:
1069:
1055:
1037:
1027:
1018:
1004:
987:
981:
972:
966:
957:
951:
942:
936:
927:
913:
903:
859:
852:
845:
836:
814:: Scores at the
729:Kennedy, Michael
691:
682:
676:
675:
673:
672:
663:. Archived from
657:
651:
648:
226:Viorica Ursuleac
196:
194:
113:
104:
102:
64:
41:
21:
18:Arabella (opera)
1852:
1851:
1847:
1846:
1845:
1843:
1842:
1841:
1802:
1801:
1800:
1788:
1780:
1778:
1773:
1745:
1741:Neo-romanticism
1707:
1677:Pauline de Ahna
1659:
1640:
1634:Die Tageszeiten
1597:
1586:Four Last Songs
1567:Brentano Lieder
1506:Der Arbeitsmann
1368:
1325:
1302:Ein Heldenleben
1228:
1129:Violin Concerto
1111:
1072:
886:
868:
866:Richard Strauss
863:
805:
770:
768:Further reading
695:
694:
689:Helpmann Awards
683:
679:
670:
668:
659:
658:
654:
649:
645:
635:
630:
624:
533:
531:Instrumentation
516:
486:
456:
443:
417:Ludwig Eybisch
405:
403:
377:Ellice Illiard
348:Count Lamoral,
332:Count Dominik,
304:a young officer
248:Count Waldner,
208:
192:
189:
177:Opera Australia
153:
137:Richard Strauss
116:
115:
105:
100:
98:
70:
54:Richard Strauss
39:
28:
23:
22:
15:
12:
11:
5:
1850:
1848:
1840:
1839:
1834:
1829:
1824:
1819:
1814:
1804:
1803:
1799:
1798:
1775:
1774:
1772:
1771:
1761:
1750:
1747:
1746:
1744:
1743:
1738:
1733:
1728:
1721:
1715:
1713:
1709:
1708:
1706:
1705:
1700:
1695:
1690:
1685:
1683:Hans von BĂĽlow
1680:
1674:
1667:
1665:
1661:
1660:
1658:
1657:
1648:
1646:
1642:
1641:
1639:
1638:
1630:
1622:
1614:
1605:
1603:
1599:
1598:
1596:
1595:
1582:
1572:
1562:
1557:FrĂĽhlingsfeier
1551:
1540:
1529:
1522:
1511:
1500:
1489:
1478:
1467:
1456:
1445:
1434:
1423:
1412:
1401:
1390:
1378:
1376:
1370:
1369:
1367:
1366:
1358:
1352:
1346:
1340:
1333:
1331:
1327:
1326:
1324:
1323:
1315:
1307:
1297:
1289:
1279:
1271:
1263:
1255:
1247:
1238:
1236:
1230:
1229:
1227:
1226:
1220:
1214:
1206:
1200:
1194:
1186:
1176:
1170:
1164:
1154:
1144:
1141:Symphony No. 2
1138:
1132:
1126:
1123:Symphony No. 1
1119:
1117:
1113:
1112:
1110:
1109:
1101:
1091:
1086:Josephslegende
1080:
1078:
1074:
1073:
1071:
1070:
1057:
1047:
1039:
1029:
1019:
1006:
996:
988:
973:
958:
943:
928:
915:
905:
894:
892:
888:
887:
885:
884:
879:
877:List of operas
873:
870:
869:
864:
862:
861:
854:
847:
839:
833:
832:
818:
804:
803:External links
801:
800:
799:
769:
766:
765:
764:
747:
735:(ed.) (2001),
733:Holden, Amanda
726:
693:
692:
677:
652:
642:
641:
634:
631:
626:Main article:
623:
620:
619:
618:
601:
578:
575:double bassoon
532:
529:
515:
512:
489:In a ballroom
485:
482:
455:
452:
451:
450:
447:
442:
439:
436:
435:
429:
428:
426:
423:
419:
418:
415:
412:
408:
407:
402:Robert BĂĽssel,
400:
397:
390:
389:
386:
383:
379:
378:
375:
370:
359:
358:
355:
352:
345:
344:
339:
336:
329:
328:
325:
322:
318:Count Elemer,
315:
314:
313:Martin Kremer
311:
306:
299:
298:
293:
288:
281:
280:
278:Camilla Kallab
275:
270:
263:
262:
257:
252:
245:
244:
239:
236:
229:
228:
223:
218:
214:
213:
211:Clemens Krauss
205:
200:
188:
185:
169:Eleanor Steber
152:
149:
118:
117:
106:
96:
94:
90:
89:
86:
82:
81:
76:
72:
71:
65:
57:
56:
46:
45:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1849:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1809:
1807:
1797:
1792:
1787:
1783:
1770:
1766:
1762:
1760:
1752:
1751:
1748:
1742:
1739:
1737:
1736:Neoclassicism
1734:
1732:
1729:
1727:
1726:
1722:
1720:
1719:Elektra chord
1717:
1716:
1714:
1710:
1704:
1703:Joseph Gregor
1701:
1699:
1696:
1694:
1693:Max Reinhardt
1691:
1689:
1686:
1684:
1681:
1678:
1675:
1672:
1671:Franz Strauss
1669:
1668:
1666:
1662:
1656:
1654:
1650:
1649:
1647:
1643:
1636:
1635:
1631:
1628:
1627:
1623:
1620:
1619:
1615:
1612:
1611:
1607:
1606:
1604:
1600:
1593:
1588:
1587:
1583:
1578:
1573:
1569:
1568:
1563:
1558:
1552:
1547:
1541:
1536:
1530:
1527:
1523:
1518:
1512:
1507:
1501:
1496:
1490:
1485:
1479:
1474:
1468:
1463:
1457:
1452:
1446:
1441:
1435:
1430:
1424:
1419:
1413:
1408:
1402:
1397:
1391:
1386:
1380:
1379:
1377:
1375:
1371:
1364:
1363:
1359:
1356:
1355:Violin Sonata
1353:
1350:
1349:Piano Quartet
1347:
1344:
1341:
1338:
1335:
1334:
1332:
1330:Chamber music
1328:
1321:
1320:
1316:
1313:
1312:
1308:
1304:
1303:
1298:
1295:
1294:
1290:
1286:
1285:
1280:
1277:
1276:
1272:
1269:
1268:
1264:
1261:
1260:
1256:
1253:
1252:
1248:
1245:
1244:
1240:
1239:
1237:
1235:
1231:
1224:
1221:
1218:
1217:Oboe Concerto
1215:
1212:
1211:
1210:Metamorphosen
1207:
1204:
1201:
1198:
1195:
1192:
1191:
1187:
1183:
1182:
1177:
1174:
1171:
1168:
1165:
1161:
1160:
1155:
1151:
1150:
1145:
1142:
1139:
1136:
1133:
1130:
1127:
1124:
1121:
1120:
1118:
1114:
1107:
1106:
1102:
1098:
1097:
1092:
1088:
1087:
1082:
1081:
1079:
1075:
1068:
1063:
1062:
1058:
1054:
1053:
1048:
1045:
1044:
1040:
1036:
1035:
1030:
1026:
1025:
1020:
1017:
1012:
1011:
1007:
1003:
1002:
997:
994:
993:
989:
986:
980:
979:
974:
971:
965:
964:
959:
956:
950:
949:
944:
941:
935:
934:
929:
926:
921:
920:
916:
912:
911:
906:
902:
901:
896:
895:
893:
889:
883:
880:
878:
875:
874:
871:
867:
860:
855:
853:
848:
846:
841:
840:
837:
830:
826:
825:Lotte Lehmann
822:
819:
817:
813:
811:
807:
806:
802:
798:
797:1-56159-228-5
794:
793:0-333-73432-7
790:
786:
785:
780:
779:Stanley Sadie
776:
772:
771:
767:
763:
762:0-19-869164-5
759:
755:
751:
750:Warrack, John
748:
746:
745:0-14-029312-4
742:
738:
734:
730:
727:
725:
724:0-7145-4431-0
721:
718:
717:0-7145-4062-5
714:
710:
706:
702:
701:
700:
699:
690:
686:
681:
678:
667:on 2018-08-12
666:
662:
656:
653:
647:
644:
640:
639:
632:
629:
621:
617:
613:
609:
605:
602:
600:
596:
592:
588:
584:
583:
579:
576:
572:
568:
567:bass clarinet
564:
560:
556:
552:
548:
544:
540:
539:
535:
534:
530:
528:
524:
521:
520:
513:
511:
509:
503:
500:
496:
491:
490:
483:
481:
479:
473:
469:
467:
461:
460:
453:
449:Place: Vienna
448:
445:
444:
440:
434:
430:
427:
424:
421:
420:
416:
413:
411:Hotel Porter
410:
409:
401:
398:
396:
392:
391:
387:
384:
381:
380:
376:
374:
371:
369:
365:
361:
360:
356:
353:
351:
347:
346:
343:
340:
337:
335:
331:
330:
326:
323:
321:
317:
316:
312:
310:
307:
305:
301:
300:
297:
296:Alfred Jerger
294:
292:
289:
287:
283:
282:
279:
276:
274:
273:mezzo-soprano
271:
269:
265:
264:
261:
258:
256:
253:
251:
247:
246:
243:
240:
237:
235:
231:
230:
227:
224:
222:
219:
216:
215:
212:
206:
204:
201:
198:
197:
186:
184:
182:
178:
174:
170:
166:
162:
158:
150:
148:
146:
142:
138:
134:
130:
126:
125:
112:
111:
95:
91:
87:
83:
80:
77:
73:
69:
63:
58:
55:
51:
47:
42:
37:
33:
19:
1723:
1698:Stefan Zweig
1652:
1632:
1624:
1616:
1608:
1584:
1361:
1337:Piano Sonata
1317:
1309:
1291:
1273:
1265:
1257:
1249:
1241:
1208:
1188:
1104:
1059:
1041:
1009:
1008:
990:
917:
809:
782:
774:
753:
736:
708:
704:
697:
696:
685:"Best Opera"
680:
669:. Retrieved
665:the original
655:
646:
637:
636:
603:
580:
559:English horn
536:
525:
522:
518:
517:
504:
492:
488:
487:
474:
470:
462:
458:
457:
432:
406:Horst Falke
394:
367:
349:
333:
319:
303:
285:
268:their mother
267:
249:
242:Margit Bokor
233:
154:
139:to a German
123:
122:
121:
1827:1933 operas
1655:(1926 film)
1418:Winternacht
1407:Allerseelen
1362:Enoch Arden
1351:(1884–1885)
1293:Don Quixote
1243:Aus Italien
1096:Schlagobers
1034:Friedenstag
446:Time: 1860s
209:Conductor:
1806:Categories
1234:Tone poems
1116:Orchestral
992:Intermezzo
967:(1912/16)
671:2011-10-25
633:References
622:Recordings
342:Kurt Böhme
284:Mandryka,
266:Adelaide,
234:her sister
203:Voice type
101:1933-07-01
75:Librettist
1731:Modernism
1626:Taillefer
1495:Sehnsucht
1429:Ständchen
1396:Die Nacht
1385:Zueignung
1322:(1911–15)
1163:(1911–17)
1153:(1885–86)
1143:(1883–84)
1137:(1882–83)
1131:(1881–82)
1061:Capriccio
910:Feuersnot
781:, (ed.),
595:trombones
563:clarinets
538:Woodwinds
338:baritone
217:Arabella
114:, Dresden
1759:Category
1673:(father)
1561:" (1906)
1550:" (1900)
1539:" (1900)
1528:" (1899)
1526:Notturno
1521:" (1898)
1510:" (1898)
1499:" (1896)
1488:" (1895)
1477:" (1894)
1466:" (1894)
1455:" (1894)
1444:" (1894)
1433:" (1886)
1422:" (1886)
1411:" (1885)
1400:" (1885)
1389:" (1885)
1259:Don Juan
1149:Burleske
1013:(1933)
1010:Arabella
982:(1919)
952:(1911)
937:(1909)
922:(1905)
812:, Op. 79
810:Arabella
775:Arabella
705:Arabella
591:trumpets
571:bassoons
478:Fasching
441:Synopsis
385:soprano
302:Matteo,
291:baritone
238:soprano
232:Zdenka,
179:won the
141:libretto
124:Arabella
93:Premiere
85:Language
44:Arabella
1589:(1948)
1517:Befreit
1473:Morgen!
1451:Cäcilie
1251:Macbeth
1077:Ballets
1064:(1942)
933:Elektra
900:Guntram
698:Sources
616:strings
608:timpani
597:, bass
547:piccolo
499:Emperor
495:fiancés
425:silent
414:spoken
399:spoken
366:milli,
350:a third
334:another
221:soprano
99: (
1812:Operas
1782:Portal
1679:(wife)
1637:(1928)
1629:(1903)
1621:(1889)
1613:(1884)
1602:Choral
1581:(1918)
1571:(1918)
1374:Lieder
1365:(1897)
1357:(1888)
1345:(1883)
1339:(1881)
1314:(1903)
1306:(1898)
1296:(1897)
1288:(1896)
1278:(1895)
1270:(1889)
1262:(1888)
1254:(1888)
1246:(1886)
1225:(1947)
1219:(1945)
1213:(1945)
1205:(1942)
1199:(1941)
1193:(1940)
1185:(1936)
1175:(1924)
1169:(1923)
1125:(1880)
1108:(1940)
1100:(1924)
1090:(1914)
1056:(1940)
1046:(1938)
1043:Daphne
1038:(1938)
1028:(1935)
1005:(1928)
995:(1924)
919:Salome
914:(1901)
904:(1894)
891:Operas
831:format
791:
760:
743:
722:
715:
543:flutes
508:mascot
364:Fiaker
324:tenor
88:German
1796:Opera
1769:Audio
777:" in
731:, in
638:Notes
604:Other
587:horns
582:Brass
555:oboes
553:), 2
551:flute
514:Act 3
484:Act 2
454:Act 1
354:bass
309:tenor
199:Role
187:Roles
133:opera
50:Opera
789:ISBN
758:ISBN
741:ISBN
720:ISBN
713:ISBN
612:harp
599:tuba
593:, 3
589:, 3
585:: 4
569:, 3
561:, 3
541:: 2
362:The
255:bass
829:MP3
827:in
823:by
143:by
129:Op.
52:by
1808::
795:,
756:.
687:,
614:,
610:,
606::
565:,
557:,
545:,
480:.
183:.
127:,
1784::
1553:"
1542:"
1531:"
1524:"
1513:"
1502:"
1491:"
1480:"
1469:"
1458:"
1447:"
1436:"
1425:"
1414:"
1403:"
1392:"
1381:"
858:e
851:t
844:v
674:.
577:)
103:)
38:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
