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Cuba, the Music
Department of the José Martí National Library and the Music Department at Casa de Las Américas. He served as professor at the Havana Municipal Conservatory, taught African cultures in Cuba at the Havana University and musicology at the Instituto Superior de Arte (ISA). As a musicologist he published several books which included Del Canto y el Tiempo (1974), where he proposed a subdivision in “generic complexes” to study the musical styles in Cuba.
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León was leading figures of Cuban musicology during the early decades after the Cuban
Revolution (1959). Between 1961 and 1970, León was the director of the Institute of Ethnology and Folklore at the Academy of Sciences of Cuba and he also headed the Folklore Department at the National Theater of
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Argeliers León was a member of "Grupo de
Renovación Musical", which served as a platform for a group of young composers to develop a proactive movement with the purpose of improving and literally renovating the quality of the Cuban musical environment. During its existence from 1942 to 1948, the
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group organized numerous concerts at the Havana Lyceum in order to present their avant-garde compositions to the general public and fostered within its members the development of many future conductors, art critics, performers and professors.
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and completed specialized studies during summer courses at the
University of Havana and the Universidad de Concepción in Chile. He studied composition with Joseph Ardévol in Cuba and in Paris with
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He studied music at the
Municipal Conservatory of Havana, Pedagogy at the
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Homenaje a
Argeliers León en Premio de Musicología 2018
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Argeliers León: un imprescindible de la cultura cubana
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120:"XII Edición del Premio UNEAC Argeliers León"
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