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Argentine rock

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2975: 2309:, that their followers came to be known as "rolingas". Eventually the rock rolinga (a.k.a. rock stone) became a style: cheesy 1970s sneakers, tight T-shirts with the logo of the Stones or a local 'stone' band, and a disdain for other Argentine rock subgenres they consider part of the establishment. At the forefront of this movement were Los Ratones Paranoicos, whom for years before were perfecting a musical formula that would be emulated by countless neighborhood bands in years to come. They were joined in the Rolinga scene by 437:. The three are considered the founders of the Argentine rock movement. None of these groups would have an extended history: in fact most disbanded by the early 1970s. The early Argentine rock scene was characterised by a lot of line-up changes in bands, and even member swapping between bands, or members of different bands meeting and forming new groups. The shuffles provided for a lot of experimentation and creativity. 266: 1735: 5065: 692:. Their music began attracting attention in the underground, and so they started getting bigger performing venues. As change swept Argentine rock in 1975, their music was rapidly rising to popular musical tastes. Their compositions were strong and dynamic with unexpected breaks, and the interplay between the electric guitar and keyboards captivating. The rhythm-section sounded powerful and adventurous. 5077: 25: 2264: 670: 2192: 407: 1061:(1980) was tepidly received at first, but in time would be considered the band's best work. Both albums departed from the symphonic rock of the first LP, the music turning more visceral and 'simple' with less arrangement and pomp. Serú Girán would not be isolated in this trend, as slowly Argentine rock was writing the final chapters in its symphonic and progressive period. 170: 146:: includes all expressions of rock and roll in Latin American countries, the Caribbean, and the Latin American community of the United States. In addition to rock sung in Spanish, this includes rock sung in English, Portuguese, French, and other Latin-based languages. This generally refers to a cultural movement that began in the 80's throughout Latin America. 2449: 1726:) on constant tour of Latin America, Europe, and even countries in Asia, the globalization of Argentine rock and pop was complete. By this time the invasion had begun to 'quiet' down in comparison to the prior three years, but its legacy of opening the doors of Argentine rock to massive success beyond its own borders remains to this day. 1877:. Moura died on December 21, 1988. Moura's passing completed a dreadful trifecta of musicians who had still much to offer. It was a tough blow for rock. As a group, Virus survived and soldiered on into the 1990s as a more adult pop-rock outfit than the outrageous yet influential 1980s band that helped define the sound of "techno-pop". 860: 812:, full of repression, fear, and missing citizens. Argentine rock by no means would be immune to the military crackdown, and would suffer the worst period of censorship in its history. Rock was seen as subversive by the nation's authority figures, who began to clamp down on the music. In a 1976 speech, Admiral 591: 1431:
Finally, segments of Argentine rock moved away from the concert hall and 'solemn' era, full of very heavy lyrics and concerns with domestic issues. It started to lighten up and turn more irreverent, and to focus on mundane concerns such as money, love, and sports. This would make the music and lyrics
1011:, the drummer of his former band "La Máquina De Hacer Pájaros" and they decided to invite him to help compose new material. The trio soon decided that instead of selling their songs like they had originally planned, they would play them themselves in a new band. Now all they needed was a bass player. 635:
Arena, on September 5 of 1975, in front of 30,000 people. Historians have come to see the Sui Generis farewell concerts as the end of the 'Classic' Argentine rock era. Acoustic rock was passing into history: bands dissolved, changed their sound, and those that remained lost popularity and became only
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brought together all the great bands of Argentine rock. It was a festival in support of the troops overseas, and also a veiled protest to war, and a call for peace (at first the musicians feared appearing for risk of being portrayed pro-war). This event was the final stepping stone of Argentine rock
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had very respectable careers. Rata Blanca was internationally approved: in fact, it is plausible to state that their classic metal sound was more popular outside Argentina than within. Internationally popular to a lesser extent was Hermética, the arch-rivals of Rata Blanca (both formed in 1987 when
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was one of the most successful and influential rock band in Spanish ever. The influence of Soda Stereo and its music, style, and even 'business acumen' is undeniable. They were also the first Spanish-language band to use all aspects of their popularity to the fullest: their music videos, aesthetic,
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as president of a fully democratic nation. Rock bands would no longer be harassed and even censored by the powers-that-be, and freedom of expression flowered. Songs critical of the military that were in prior years censored, some with exquisite lyrical poetry and allegory, were released during this
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dominant form of music in the country. At the same time, English-language rock was wiped out from radio play. The programmers had to fill the voids with something, and that was with Argentine rock. This created the opportunity of exposure to countless underground bands. It would set the foundations
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began shifting from their classic acoustic rock to a more electric and visceral sound. Also, stirring in the Argentine underground were new bands with a radically different sound from either acoustic or heavy rock: influenced by some of acoustic rock's more experimental works (such as Arco Iris and
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Historians describe a parallel pattern of development with the United States in certain aspects of culture. Both countries were the destination for millions of Europeans, and their musical heritage were heavily influenced by Pan-European folk and traditional marches. These similar musical infusions
2188:), and the most experimental to that point. It apparently took fans by surprise, and was the lowest seller of the group's works (it did not help that in the middle of all this the band changed labels; Sony would not promote a band that was leaving, and BMG wouldn't promote another label's album). 2376:
The acronym translated literally stands for "Abused (accosted), Our Indians Died While Fighting". And their themes lived up to that title: the band would be one of the most outspoken advocates for indigenous people and even nationalism, while also (as such bands tend to do), blasting against the
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was a punk response to the Argentine rock being made in the late 1980s, consciously choosing to be far more direct and explicit in their musical (and political) statements. The band gained rapid acclaim with the rise of New Rock, and were one of the favorite bands of the period. Slowly the group
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Spinetta Jade was a blend of jazz and rock that escaped the trappings of symphonic rock, something that was unheard in Argentina at that time. Towards the last two albums, the sound became a little bit more "pop", and embedded with electronic elements (samplers and synthesizers with "artificial"
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denounced rock musicians and fans as potential subversives and repression of them began in 1977. Before the end of the decade, rock had gone increasingly underground. Rock Nacional avoided the government's heavy media censorship and allowed an outlet for codified criticism of the government.
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The incessant touring of the rolinga bands around the suburbs of Buenos Aires and other cities would reap benefits not only for themselves but for other suburban groups that would follow soon after. Thus, Rolinga rock arguably became the most popular music genre in Argentina in the 1990s.
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As New Rock was dominant, some acts in the distant suburbs of Buenos Aires where playing straightforward and guitar centered rock music, with a foundation in the blues, and an unsophisticated image (somewhat a counter-movement to the image conscious, musically more pretentious New Rock).
1310:. This band, one of the least conventional in Argentina at the time, and since, has been voted Best Argentine Band by a poll composed by rock journalists in 2009. Despite its 'underground' status, it has fervent followers in Chile, Uruguay, Mexico and a plethora of countries worldwide. 840:
Argentine rock continued its symphonic, so-called 'concert hall' sound through the end of the decade. The '78-'79 period was not the most prolific period for rock, as the progressive bands continued with their blueprint, and symphonic rock bands actually turned slightly commercial.
1034:. But the band's first live concert to support the album created one of the strangest anecdotes in Argentine rock: the fans did not understand the strange costumes the band used (entirely in white except for Garcia with a black jacket and shoes); and then when they played the song 2834:
On the other hand, the likes of Divididos, Los Piojos, and Redonditos have transcended its constraints and become influential in Argentine rock and popular on an international level. The better bands in the genre also feature an unusual versatility with non-rock styles like
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The politics of grassroots feminism has had an important influence on Argentine rock artists and on the rock music scene. In 2019, the Congress passed a gender equity law requiring at least 30% of musical festival lineups be women artists. Notable feminist rockers include
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Three major trends defined the Argentine rock of the end of the 1980s. The first trend was the consolidation of the Argentine Invasion bands into somewhat more mature rock groups. Some began to experiment with world music in the last two years of the 1980s. For example,
2691:, Gustavo Cerati, the vocalist, guitarist and leader of the band, would end the song thanking his public, and would finish this gratitude by saying "... Gracias totales" (total thanks), this would become an iconic phrase for the band and Argentine rock thereafter. 2015:. Formed in 1984, they were part of the first generation of worldwide thrashers, and gained prominence as the decade ended and musical tastes turned approbatory for more extreme metal. The genre got many magazines committed solely to it and distributed nationwide: 1015:
was a lesser known bassist who had once been a member of progressive rock group "ALAS". He also happened to be a friend of Moro's, who knew of Aznar's ability with the funk and jazz bass. Moro brought Aznar into the group and they began to prepare themselves.
2345:, and several underground metal acts in the 1980s. But they had never been at the forefront of Argentine rock, seemingly always obscured by other genres whether it was acoustic, symphonic, progressive, or the 1980s invasion bands. This changed in the 1990s. 1838:
had finally lost his personal battle with alcohol and was found dead on December 22, due to complications from his addiction. His death was a shock to the entire music industry and to millions of heartbroken fans. Following Prodan's death, the members of
1489:"One could feel the winds of change" in 1983 Argentina. A cliché perhaps, but at no time more appropriately used. Everything was optimism about the future, the country, and music. Even technology cooperated with the palpable change: it was the year the 113:, when several garage groups and aspiring musicians began composing songs and lyrics that related to local social and musical topics. Since then, Argentine rock started a continued and uninterrupted evolution through the 1970s and into the 1980s. 2569:
took punk's liberal philosophy to another level by tackling the punk-scene itself: many of their lyrics criticized the macho attitudes in the movement which they saw contradictory to the spirit of punk. They were also the first band that sang in
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and their guitar-crunching melodic noise was more and more becoming a preview of what the next decade would bring. In general, as the fantastic 1980s for Argentine rock closed, the music was in period of transition and exploration at all levels.
621:. This would be the blueprint of Argentine progressive rock that would bloom into the apex of the movement in 1975. As that year began few could foresee what a watershed it would become not just in Argentine rock history, but the country's too. 2111:
confirmed that it was OK to return Argentine rock to an "in your face", edgy attitude that shaped the Argentine Invasion aesthetic in the early years of the 1980s, but this time with electric guitars as the stars. From that album, the single
3072:). They featured a very refreshing mix of rock, punk, ska, afro-Uruguayan, and cumbia rhythms that earned them critical praise in Argentina. They would spend most of the 2001–2004 period on extensive tours of Europe and the Americas. 1955:
The third trend came about partly as a result of the first: many rock fans did not approve of the commercialism and experimentation of the A-bands, and increasingly looked underground for a more confrontational guitar-led rock. Among them:
1478:. Both Sumo and Soda Stereo featured slightly different line-ups in their early days, with Sumo having an English girl, Stephanie Nuttal, on drums. She returned to England when war broke out between her country and Argentina. Also in '82 684:
combined rock with progressive and folk tinges. They would be an influential group in the years leading to the rise of symphonic and Argentine progressive rock. Its albums were acclaimed nationally and by progressive rock fans worldwide.
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and tour in Chile, Peru, etc, and in some places they had never heard a live rock concert before... they said that such music was for another world and wouldn’t work... now it's all joy seeing how it did work and that it now has its own
1038:, a satire poking fun at disco music (which was at its height in 1978), people thought they were really serious. Whistles and boos would follow and what should have been a great concert turned into a fiasco, with fans clamoring for 1646:
It would help to revitalize rock movements in other Latin American countries for two reasons: 1) It would create a buzz and excitement in the local rock scenes; 2) it proved to producers and record labels in those countries that
573:. Conspiracies about his death abound, including that he committed suicide and even that he was thrown onto the tracks by police. As he was a heavy drug user, others contend he simply might have tripped. The 1993 motion picture 479:
By the turn of the decade the first real diversification in Argentine rock start taking place, although the split had been brewing even before, as some bands began playing much heavier music, with the world of rock entering the
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scene), simply repeated the same formula to sell albums. Another feature of rolinga rock is that it tends to shun overseas success: whether this is a conscious attitude or a simple limitation of the genre is an ongoing debate.
1178:. After a season of death and destruction in the South Atlantic in which both sides suffered sunken ships, aircraft blown from the sky, and hundreds of young lives were cut short, the United Kingdom regained control over the 636:
cult followings. Argentine progressive rock was on the rise, and so was the political repression to freedoms of expression. Also, several bands would leave the country for greener pastures in Europe, mostly Spain, among them
1928:, among many other smaller outfits. But it was a fad, and only Los Pericos would sustain and grow their careers once the fancy faded (Los Cafres would be mildly successful starting in 1994). A band that was not a fad was 647:
The Classic era of Argentine rock music was completely over by 1976. As this year began, Argentine rock became far more sophisticated and conceptual. A few acoustic bands would continue having moderate success, including
2279:). More rappers than rockers, the group nonetheless made a mark in the rock scene as time progressed and they were able to more successfully integrate rap with Argentine rock, and also Latin rhythms. One of the members, 471:) Rock festival became the first showcase of a rising subgenre that would predominate the first half of 1970s Argentine rock. A new group of musicians was to bring new ideas to the mixing bowl of early Argentine rock. 1428:" by Charly García. A more direct criticism of the military government that ended in 1983 came from the Argentine punk groups like Los Violadores (singing songs like "Represión") or seminal heavy metal bands like V8. 702:
is cited as their best effort, with beautiful and alternating compositions and changing atmospheres (from mellow with acoustic guitar to up-tempo with heavy electric guitar), lush keyboards and some vocal harmonies.
332:, of which Moris and Martinez where members, began the transition that would slowly take Argentine rock from imitation to a more creative state (while still following UK trends mainly). Forming in quiet beaches of 128:
Several terms are used to describe the artistic expressions of rock and roll in Iberian America, which are often confused or given different meanings in different countries. Generally, these terms are:
1775:(1984), they reached national success with joyful and ironic lyrics, and a sound that combined pop, reggae, ska, and new wave, but were accused of being superficial and frivolous. The second album, 2522:. The single would turn into a global superhit, winning MTV's best video of the year. The early 1990s were also the formative years of a group that would have an impact towards the new millennium: 371:, sold 200,000 copies. This contributed to the widespread popularity of the genre because it was in Spanish and it was an original composition. The following year saw the first publication of 105:
Argentine rock was the earliest incarnation of Spanish-language rock. It began by recycling hits of English-language rock & roll. A rising trend of composing new songs mostly in Spanish
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emerged solo artists that would go on to delve into a more adult oriented form of rock and pop music, with the Argentine youngsters of the 1960s now mature adults. Some of these names were
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Argentina's economy was in full recession in 1982, and discontent with the military government was rampant. On April 2, the world would awake yet again in the 20th century to the horror of
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Argentine youth began to musically and socially gravitate to either the suburban rock groups or towards the underground. And even within these two major groupings there were subdivisions (
1671:), the flood of rock music coming from their eastern neighbor would fully energize and inspire the local scene, and Argentine rock's influence continues to this day. The current boom in 3083:
music, which in Argentina have the largest scenes in Latin America, also influenced Argentine rock of the 2000s. A good example of this is the internationally prominent techno-pop act
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region) to label all of the similarly inclined outfits. Rolinga rock has created many fine singles and albums, but critics argue many of the bands (specially second rate groups in the
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musical theme), which was full of symbolism. It was not only a farewell for Aznar, and for Serú Girán, but for an era in Argentine music, and history. The timing was beyond befitting.
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in the underground). Then there were the heavy metal followers, the large and expanding indie scene, and the tropical rock followers, genre increasingly intermixed with the fledgling
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disbanded), but there were no doubts of their massive following at home. Horcas and J.A.F stayed mostly successful in the local medium, though nonetheless had some overseas exposure.
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Charly, Moro, Lebón, and Aznar created a sound that was distinctive from anything in English-language rock. Their rock style caught the attention of both the lower and upper classes.
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single was an across the board mega hit in the Spanish-speaking world; there was no way of escaping it unless one did not have any kind of social life in the early 1990s. Bands like
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was another band in the so-called sonic scene that started in the early 1990s and would breakthrough a few years later. The band that founded the Sonic Movement in Buenos Aires was
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bands in Argentina seemingly out of nowhere in 1987. While Argentine rock was triumphant internationally, Argentina was caught in a reggae-mania: in the summer of that year arose
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The war would be a dark chapter in Argentine history, but would have the paradoxical effect of creating one of the most fortuitous circumstances in the history of any rock genre.
3409:'s elegant electro lounge with female vocals is one of the best kept secrets in Argentina's indie scene. The indie scene also has a neo-symphonic revival scene with the likes of 3057:
produced some catchy, original, and danceable music (a mix of rock, hip-hop, and Latin) which cemented their fan base all over the Americas, until the duo's separation in 2001.
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had enjoyed some popularity since his solo career begun, but never managed a complete breakthrough with the public. He left for Spain, and there met two local musicians forming
2007:(the last two more domestic), in a very healthy scene for a style that never was overwhelmingly crowded in Argentine rock. An important band in the metal underground was 2675:'s solo career. Soda Stereo would go on a last grand tour through the United States and Latin America, selling out entire stadiums as they went. Their last concert in 1092:
as a major support. Their first eponymous album was a hit in the scene, and the band would continue till the mid-1980s as one of the last bands of the progressive era.
3894: 3468:. Some Argentine lesser-known bands influenced by late 1980s/early 1990s British and American indie-rock artists are Fun People (Buenos Aires), Sir Hope (Córdoba) and 2894:, which received international acclaim as one of the first truly outstanding albums of the new millennium. Other underground groups started making noise at this time: 2463:, becoming the best selling Argentine rock album. The title "love after love" was not by chance: he had just ended a well-publicized relationship with female rocker 1797:". The musical arrangements and the lyrics reached a subtlety never heard before from the band's production, the most notable example being the album's lead single " 196:(who visited Argentina in 1958) awakened the interest of several Argentine artists. The most notable among Argentine garage bands which sprung up in this period was 1134:'s latest project and the other popular rock group of the early 1980s. It was an event in which both bands eventually played some songs of each other's repertoire. 1069:
The nation was still in the grip of a dictatorship as the 1980s dawned, even as repression had eased somewhat by then. The start of the decade continued to feature
698:, who formed in 1973 but had roots since 1969, would go on to be an internationally followed group in the latter part of symphonic rock's heyday. The first album 3495:
member Cerati spent most of the early part of the decade in the electronic side of music. In 2006 he returned with his first album of all new music since 2002 (
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A continued commercial success of rolinga and suburban rock. In the early part of the current decade the so-called '2nd wave of suburban' crashed to the scene:
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which would explode in the new millennium. The pieces were in place for the current period of rock in Argentina. On a completely different, and original level,
2116:, might well be the most recognizable Spanish-language rock single of all time, and also one of the most covered by bands all over Latin America and elsewhere. 1822:
became international superstars. The band would continue their worldwide success well into the 1990s, and evolving their musical sounds unlike almost any other
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did not get their point across their ideas as expected. It would all fuel wild speculations about the members' sexual orientations, a PR nightmare at the time.
3147:. Their fan base is somewhat younger than those of the 1st wave, and their music is derivative of the 1st but with a slightly pop, more teen oriented approach. 2151:, or New Argentine Rock. A term that not long after would also be used as an umbrella to group bands with a hard-to-pin-down style, like the neo-surf pop of 1384:
And for the first time in Argentine rock history there was a "revival" of an earlier style, with Acoustic rock making a comeback on the back of reunions by
2684: 1159:). Serú Girán (which at the time was even planning tours in Europe), had a strong sendoff on March 6–7, 1982, when they performed for the last time at the 2545:. Formed in 1986 and 1987 respectively, they were pioneers of the worldwide punk revival movement. Attaque 77's breakthrough came in 1990 with the single 5115: 3637: 2433:. Garcia enjoyed a prolific 1980s with many of his albums turning into classics. Spinetta had a more uneven body of work but nonetheless was successful. 2963:
group, in subsequent albums the band has turned more experimental. Some have called this demiurgic style (infused with Argentine folk, psychedelia, and
1897:, whose name accurately suggests the style of the album. Before Federico Moura's death, Virus had also begun turning to Brazilian music for their album 1463: 1211:
In the latter days of symphonic rock, a great number of new groups started popping seemingly out of nowhere. In reality, these were bands influenced by
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In the Argentine northwest, important punk and indie scenes developed in the mid-to-late nineties. Bands like 448, Volstead, Estacion Experimental and
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Conversely, the first B.A Rock festival (now promoted by Pinap magazine successor Revista Pelo), had many of the artists and bands that would lead the
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The underground was more under than usual in the late 1990s, it was nonetheless extremely creative. A style that gained some mainstream exposure was
2855:, each with their own eclectic mixture. It would help elevate them from the legions of imitators in the crowded suburban scene. Divididos 6th album 2553:
never broke to the mainstream but were heroic figures of the punk underground. Both groups paved the way for dozens of followers. One of those were
2326: 895:, with their comical costumes and nervy fast tempos, started performing. 1977 was a year in which certain bands had a short period of fame: Soluna ( 493: 216:
The first few years of rock music in Argentina were confined to cover bands. In 1964, Argentina, like much of the rest of the world, was shaken by
3500: 2787: 2695: 2035: 1220: 892: 1873:'s persistent pneumonia fueled rumors of further complications, which ended in the revelation soon after by the singer that he was infected with 550:
movement in Argentina, led to the Acusticazo of 1972. Several acoustic rock bands would gain popularity from their performances there, including
1055:. It was well received by the specialist press, and would cement their status as the most popular band of their time. Serú Girán's third album 903:, a progressive band that played since 1969 but had their moment of fame eight years later. Neither band sustained their popularity into 1978. 4484: 2325:
The last decade of the twentieth century was a very productive one for this style of rock in Argentina. There had always been "heavy" bands:
2038:, on their way to becoming one of the most mythic cult bands of broad popularity in the history of rock, anywhere. It was also the time when 1675:
rock can be traced to the 1980s, with most Colombian rock acts citing the Argentine invasion groups as a direct influence. In countries like
3581:(2004), whose first EP was recorded in 2006 and their first full-length album was released in 2010. Other notable English singing bands are 4889: 4616: 3996: 1182:(Islas Malvinas). The popularity of the Argentine military government hit then bottom, and democratic elections were called shortly after. 4498: 3393:, which created lush beautiful rock before disbanding in 2001 leaving behind the seed for the sound of bands like Las Curvas de Mondrián, 4190: 2694:
Conversely, "rolinga" rock was on the up. On the one hand were the 1980s bands that by the mid 1990s approached the suburban rock sound:
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were formed, several bands began receiving consistent airplay across Latin America. Argentine rock began "climbing" the continent up the
3386:, after a late 1990s hiatus in a hostile musical climate, returned in the early 2000s as alternative once again resurfaced in Argentina. 2687:. The arguably greatest band in Argentine and Rock en Español history wrapped up the concert and their career with the live version of 6273: 2971:, and this brand of metal has been ranked with the best heard in the new millennium. The band itself prefers to call it "free" rock. 1793:" would heavily increase their popularity and in 1988 they came up with what could arguably be called their masterpiece, their album " 457: 3663: 34: 3914: 3054: 2655: 2611:
In the middle years of the 1990s a rift developed in Argentine rock that would, with only slight wrinkles, endure to present times.
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and his homonymous debut sold well, but his second effort suffered the sophomore slump. He has just released his third solo album,
1623:, with their ska-rock with a heavy Latin infusion, turned into instant rock stars across Latin America and, eventually, worldwide. 915: 853: 764: 2590:, a punk band that had existed since the 1980s but suffered various contingencies, finally would produce albums by the mid 1990s. 950:
craze, rock music suffered the worst drought since its inception. The media was openly calling out 'the death' of Argentine rock.
200:, who recorded a successful series of Spanish language covers of American rock and roll hits, and attained commercial popularity. 5499: 4588: 805: 4564: 4145: 2990:(including a European tour), until their disbanding in 2000. The punk underground of the late 1990s was buzzing with new bands ( 1114:, to whom he gave some cassettes with his own works. Serú Girán returned home, released "Bicicleta" and gathered 60,000 fans in 767:, which began Garcia's explorations of symphonic and progressive rock. Other symphonic and progressive bands of renown would be 6288: 6283: 4249: 809: 653: 4371: 1607:
The trickle became a flood as 1986 approached, and by the start of that year it had become a continental phenomenon, reaching
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was so enjoyed that the organizers requested that they perform again, the next day, but on the main stage with jazz-rockers
1619:, with their energetic pop-rock that appealed through music lines, gained previously unseen popularity across borders. The 300:
Nevertheless, it was in the underground where the most influential figures of early Argentine rock would emerge. In former
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first began to appear in Argentina in 1956 after the genre was created in the United States in 1954-1955, based largely on
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had a slump in the early 1990s after harvesting great accolades in the late 1980s, but came back with a roar in 1994 with
2028: 1366: 4527:"Las mujeres toman el rock nacional por las astas: Quiénes son las artistas que quieren cambiar los festivales de música" 504:, who invited him to play in the Madison Square Garden. Another important but overlooked heavy rock act of the period is 4540: 4472: 4316: 4237: 4106: 2499: 2132:
break faster into the mainstream, by taking guitar-crunching rock to the apex as 1991 began. Even pop-bound groups like
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in Argentina: refers to a movement of progressive music that rapidly gained popularity in 1967 with the song "La Balsa".
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Argentine rock bands were the first to be signed to multinational record labels for distribution across many nations.
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Partly because the group lived for three months in northeast Brazil, the band's first album shows clear influences of
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could foresee the musical trends, putting his own band in front of it. After releasing the increasingly hard rocking
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lyrics. Argentine rock today is a blanket term describing a number of rock styles and sub-cultures within Argentina.
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disbanded in 1998 after eight years of solid productions, but it left a large void in the movement. One of the last
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And even more bands ceased to be. After two successful albums that featured several would-be classics of the era,
562:. The behemothic success of the Acusticazo was a turning point in which Argentine began to be listened massively. 5744: 5101: 5050: 5009: 4781: 4720: 3868: 2627: 2129: 1805:
and the city's inhabitants. They embarked in an extensive tour through Latin America that brought the live album
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The music continued developing against the odds. Along with the plethora of symphonic/progressive bands, heavies
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would be the dominant form of rock in Argentina until the middle of the decade when it lost ground to so-called
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As the early 1980s progressed it became clear that the new generation of rockers were not like anything before:
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Solo artists from the earlier generations were by the 1990s established figures in the medium. Some stars were
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as "rock in your language". Its success changed the landscape of the Mexican scene: it laid the groundwork for
1126:("it isn't bearable anymore", alluding to the dictatorship). That year they had also performed in concert with 856:
was a mixture of effort, individual performances, melodies, dynamic contrasts, ensemble work and arrangements.
4335: 4301: 3346: 3021:(2000) also went double-platinum. Both albums display a dizzying range in style versatility. From the side of 1826:
band. In fact, they would lead the way in the changes Argentine rock would experience as the 1990s drew near.
1505:, and their superbly catchy tunes about nothing were also doing very well, but the group suffered a blow when 3475:
The start of the 2nd generation of Argentine rock solo artists formerly members of great bands of their era:
852:; the two are generally seen as the most well-known outfits of the symphonic rock period. The first album of 6066: 5354: 5045: 5004: 4954: 3977: 3808: 3354: 3042: 2511: 2483:
finally gave Calamaro an international hit, and the band gained overnight vogue in Spain and Latin America.
1961: 1937: 1695: 1663:, the Argentine invasion was a catalyst that brought that country's own movement more to the mainstream. In 1620: 1560: 954: 632: 4419: 900: 204:
would soon embark on his own contemporary pop standards career that would make him popular. Others include
5872: 4994: 4974: 3092: 2867: 2807: 2799: 2795: 2723: 2680: 2623: 2575: 2495: 2211:, which would herald future international success for a band that would define the sound of "sonic" rock. 2125: 2039: 1866: 1723: 1549: 1517: 1494: 1259: 1232: 1160: 546:
The proliferation of these bands and their increasing popularity, the early 1970s being the height of the
6154: 3539: 3319: 3116: 2940:
continued to perform and record intermittently touring countries around Latin America. Classic metalists
2643: 6159: 5334: 5019: 4979: 4939: 4934: 4929: 4919: 4909: 4904: 4899: 4884: 4879: 4874: 4858: 4407: 4391: 4360: 4290: 4011: 3555: 3550:, Loli Molina, Los Besos, Rosario Bléfari, Lara Pedrosa, ibiza pareo, Sol Bassa, Potra, Florencia Ruiz, 3499:) where rock was front and center, albeit a more mature rock of a man in the middle age of his life. Ex- 3469: 3253: 3219: 3128: 2619: 2537:
had ruled 1980s punk; them along with the foreign punk bands of yesteryear would inspire the members of
2430: 2342: 2284: 2000: 1977: 1777: 1759: 1545: 1397: 1342: 1318: 1131: 1000: 730: 426: 193: 3465: 3045:
had called it quits to their internationally renowned career of rock with ska, rap, reggae, and Latin.
2811: 1532:
sung mostly in English, which reduced his band's radio exposure yet their fame expanded unabated); and
1369:
crashed to the scene infusing Argentine rock with needed dosages of humor and self-deprecation. On the
590: 4091:
Remembering La Onda through the literature of José Agustín and La Onda roquera (rock’n’roll in México)
3390: 2859:(2000) was one of the first great Argentine rock albums of the new decade; it was peppered with folk. 2634:
went on recording hiatuses and would not return until more favorable winds in the early to mid-2000s.
2441:
remained a popular rock figure in Latin America even as he dropped almost off the radar in Argentina.
1651:" could work and make them money. In Mexico, Argentine bands were being marketed by media giants like 5729: 5306: 5263: 5014: 4989: 4984: 4969: 4964: 4949: 4924: 4914: 4710: 4675: 4639: 4272: 3547: 3516: 3433: 3414: 3406: 3272: 3144: 3132: 2991: 257:
was sweeping Argentina), was increasingly crossing over to popular musical trends by the late 1950s.
201: 3582: 3268: 3096: 2999: 2658:
were some of the new rock bands that were able to maintain their level as the year 2000 approached.
2402: 2244: 1965: 467:(The Bible) is one of their most famous works of the early 1970s. In that same year, the first B.A ( 6091: 6086: 5749: 5409: 5069: 4999: 4944: 4690: 4602: 3594: 3586: 3573:, playing Celtic metal, released his first album in 2006. Skiltron split in 2011, giving origin to 3566: 3551: 3527: 3069: 2445:'s unique "folk-rock meets world music" approaches made him an internationally acclaimed musician. 2393:, whom long after went to Japan and won second place in a major battle-of-the-band event at famous 2133: 2086: 2016: 1949: 1771: 1699: 1616: 1374: 1258:, a founding figure of Argentine rock in the 1960s, would return after a decade in Europe and form 1224: 943: 896: 888: 789:
meanwhile continued expanding on their symphonic-folk rock and were joined by veteran Chilean band
742: 516: 5076: 3609: 3342: 3330: 3257: 3242: 3187: 3050: 3034: 2727: 2410: 2406: 2310: 2296: 1408: 780: 6031: 5992: 5424: 5024: 3543: 3334: 3326: 3191: 3124: 3065: 3010: 2523: 2491: 2467:(herself an important 1990s singer in the movement), and was getting involved with movie actress 1981: 1921: 1746:
philosophy, and more. In the beginning they were deeply influenced by new wave and bands such as
1322: 1283: 984: 958: 293:, Chico Navarro, and Lalo Fransen, featured a poppy version of rock, which owed equal amounts to 237: 5959: 5671: 5657: 5519: 4130: 3993: 3590: 3410: 3394: 3315: 3306:
in the former (and all having toured extensively overseas), internationally acclaimed doomsters
3276: 3030: 2995: 2941: 2823: 2561:, perhaps one of few bands in any punk movement that was accepted for their various rock styles 2472: 1917: 1823: 1648: 1521: 1219:
from the US and Britain, and by the more symphonic and less progressive side of Argentine rock.
1098:
went touring in Brazil in 1980, where their reception by fans at the Monterrey Jazz Festival in
975: 849: 695: 347:
The definitive breakthrough of Spanish-language, original material rock would be up to the band
160:: refers to all expressions of rock performed in Argentina, regardless of language and subgenre. 134: 4157: 3617: 3230: 2557:, with their pure-energy, extreme, back-to-basics punk rock. Another darling of the scene were 2235:, they were positioned as the most important new band of the Buenos Aires indie scene in 1991. 1378: 6149: 6021: 5679: 5594: 5479: 5401: 5081: 4194: 3910: 3689: 3535: 3523: 3361: 3203: 3179: 3175: 3112: 3073: 3046: 3017:(1998) catapulted the band to the top, and to tours of the Americas and Europe. The follow-up 2930: 2651: 2558: 2527: 2382: 2256: 2091: 1957: 1751: 1156: 1057: 953:
Throughout the years, different figures and events helped Argentine rock to expand worldwide:
776: 772: 711: 481: 277:
By 1965, rock music was developing rapidly in Argentina. On television, several shows such as
227:
yielded related results in both: a grass-roots rural guitar-based musical tradition, becoming
4485:"La escena y la actualidad con la Ley de cupo femenino en los festivales | Espectáculos" 3906: 3417:, bands which are reviving the sound of later 1970s Argentine rock with an updated resonance. 3311: 3263:
The current punk scene in Argentina features no real mainstream bands (besides eternal punks
3207: 2398: 1627:, a heavy metal band formed in 1987 from the ashes of influential early 1980s rockers called 741:
would bring critical praise. A band that showed a lot of promise that never materialised was
6011: 5484: 5419: 5384: 5379: 5234: 4894: 4761: 4756: 3902: 3223: 3215: 3195: 3171: 2911: 2907: 2757:, recorded on independent label Silly Records. The record won an A.C.E. award and was among 2426: 2414: 2260:
would evolve from their early punk to a more diverse style that include afro-Latin rhythms.
2020: 1925: 1882: 1763: 1707: 1643:. 1986 was the climax of an unprecedented wave of international success for Argentine rock. 1632: 1479: 1393: 1334: 1330: 1179: 1143: 970: 881: 825: 786: 756: 750: 734: 721:. Their music was even more intellectual and unorthodox. ALAS would feature artists such as 673: 641: 624: 618: 594: 536: 520: 497: 449: 348: 337: 270: 254: 181: 117: 90: 4250:
Iguana Lovers, The Sound of Confusion, excellent shoegaze from Buenos Aires started in 1990
3561:
The first decade of this century saw the apparition of rock bands singing in English, like
3183: 3120: 2361: 1886: 1095: 1070: 1043: 1020: 980: 768: 582:
As the 1970s progressed, acoustic rock continued as the most popular style in the country.
456:
was considered the greatest Argentine rock album of all time by the Rolling Stone Magazine.
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Many new bands influenced by Redonditos de Ricota are reaching recognition. Those include
3279:
certainly unusual and inspiring with their cosmopolitan mix of language and dynamic sound;
3136: 3107:
Argentine rock, in the middle of the 2000s, can be said to showcase the following trends:
2464: 2330: 1711: 1668: 1608: 1506: 1385: 1350: 1287: 1271: 1263: 1223:, who had started in 1977, were growing a larger following on a monthly basis. In 1979 in 1027: 1004: 884:
would return from their Spanish stint, but following a tour run went their separate ways.
722: 551: 485: 441: 430: 410: 228: 205: 4118: 2667: 316:, Pajarito Zaguri, Javier Martinez (drummer and lead singer in the Argentine blues band 6133: 6128: 6061: 6026: 5922: 5849: 5785: 5754: 5709: 5699: 5252: 5229: 5181: 4848: 4828: 4818: 4730: 4700: 4685: 4670: 3476: 3379: 3375: 3338: 3246: 3159: 3151: 3061: 2903: 2879: 2815: 2803: 2753:(Luca Prodan's brother) emerged with a bizarre and unique all-vocal, solo album called 2719: 2672: 2647: 2534: 2486:
Tropical, Fusion, and Latin influenced rock continued its ascent. 1992 was the year of
2394: 2306: 2280: 2200: 2096: 2076: 2047: 1973: 1901:. In general the mood of the music got darker echoing a deteriorated economic climate. 1870: 1862: 1790: 1513: 1466:
22 years later), featuring some of the first presentations of three underground bands:
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of 1965 that proved the commercial viability of non-US or UK bands; the massive hit of
828:
continued to sustain their popularity during the period. Yet another heavy metal band,
821: 813: 746: 637: 540: 512: 489: 460: 453: 313: 265: 110: 4462:
Ciudad espectáculos, Mark Gardener & Iguana Lovers, Ride, contacto en Buenos Aires
2706:. They were joined by two bands that would define suburban in the late 1990s as well: 2397:
Stadium in Tokyo. The metal underground also flourished in the 1990s, with bands like
1734: 656:. But it was the beginning of the period of symphonic and progressive rock dominance. 6267: 6214: 6204: 5917: 5892: 5867: 5780: 5739: 5296: 5224: 5194: 5189: 4823: 4808: 4751: 4725: 4715: 4054: 3940: 3599: 3449: 3441: 3429: 3283:
who also features many English lyric songs, unusual for Argentine rock; and veterans
3167: 2933:. With a more up-to-date sound, they were one of the late 1990s favorites along with 2915: 2895: 2890:. The former would increase their popularity with each new album, arriving at 2001's 2883: 2852: 2844: 2758: 2750: 2476: 2442: 2438: 2378: 2228: 2216: 2212: 2208: 2152: 1854: 1755: 1715: 1640: 1267: 1255: 1175: 1127: 1078: 873: 845: 689: 631:
decided it was time to leave Sui Generis. Their two final concerts took place at the
524: 329: 321: 290: 286: 246: 232: 189: 185: 177: 5882: 5093: 4090: 4042: 3880: 3820: 3771: 3745: 3733: 2626:, with their more artistic antics, fell out of favor. At the same time, groups like 1932:, who would become a hugely popular ska-Latin pop and ballad group. They along with 6219: 5800: 5795: 5694: 5689: 5632: 5529: 5469: 5446: 5288: 5258: 5133: 5125: 4803: 4798: 4771: 4705: 4680: 4644: 4403: 4372:
BBC News, Iguana Lovers, Interesting and fresh independent music from South America
4286: 3480: 3383: 3303: 3234: 2934: 2676: 2631: 2468: 2386: 2373: 2160: 2012: 2008: 1807: 1802: 1656: 1490: 1303: 1275: 1236: 1119: 468: 445: 368: 333: 49: 5942: 5311: 4513:"Mujeres Bacanas: "Este es un espacio lúdico" | Se presentan en Vuela el Pez" 4078: 2926: 2456: 2357: 2263: 1996: 1995:
dominated popular tastes, specially in other Latin American countries, along with
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In 1980 friends who were enthralled by the wave of US and UK punk formed the band
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in '67 showing that Spanish language rock could be appealing to the masses; the
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dictatorship that had come to power in their nation in 1973. The two along with
760: 738: 726: 718: 628: 614: 605: 598: 575: 559: 532: 220: 217: 2600: 2191: 710:
turned to prog with 1975's self-titled album. Their sound has been compared to
406: 6224: 6106: 6051: 5966: 5954: 5719: 5704: 5389: 5374: 5344: 5316: 5209: 4838: 4695: 4625: 3398: 3378:'s slightly threatening rock has made them a mainstream alternative band, and 3371: 3291: 3264: 3227: 3155: 3140: 2987: 2983: 2964: 2899: 2840: 2775: 2707: 2635: 2587: 2579: 2566: 2538: 2271:
The odd-group out that appeared in the early 1990s was the outrageously named
2236: 2121: 2081: 1969: 1794: 1747: 1667:, where a few outstanding bands existed even prior to the Argentine boom (see 1615:, and crossing the Atlantic to Spain, even as far Italy, France, and Germany. 1588: 1501:
best single, a first for a female lead rock act. Another female-fronted band,
1435:
The stage was set for the boom of Argentine rock in Latin America and beyond.
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in Britain started exchanging ideas, and decided to form a band with the name
1008: 790: 669: 384: 294: 142: 95: 4544: 4313: 832:, made their debut in '76 and enjoyed success through the end of the decade. 5988: 5822: 5775: 5734: 5652: 5461: 5451: 5429: 5349: 5326: 5273: 5268: 4853: 4832: 4786: 4066: 3508: 3484: 3421: 3357: 3307: 3299: 3284: 3199: 2956: 2948: 2944:
in the underground would emerge by the early 2000s, along with exponents of
2783: 2699: 2571: 2554: 2459:'s pop career continued to take-off in the early 1990s. In 1992 he released 2390: 2366: 2338: 2101: 2055: 1844: 1628: 1598: 1584: 1502: 1475: 1354: 1346: 1240: 1212: 919: 798: 681: 528: 501: 169: 99: 6199: 6179: 6118: 5902: 4499:"Cam Beszkin, una especie de alien en la escena muy estereotipada del rock" 4473:
Telam, Iguana Lovers presenta Surfing Caos junto a The Jesus and Mary Chain
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continue their impressive streak of great albums and fresh sounding music.
2046:(followers of a subgenre of Argentine rock that is greatly indebted to the 1358: 4431: 3955: 2671:, an album at times more electronic than rock previewing the direction of 2471:. With the album Paez was confirmed an international pop star. Meanwhile, 1077:
entered their 3rd decade in rock, a virtual first for any local band, and
938:, one of the last acoustic groups still successful, split by 1978, as did 6101: 5932: 5912: 5897: 5877: 5832: 5637: 5584: 5561: 5551: 5514: 5474: 5436: 5278: 5239: 5204: 5199: 5161: 5151: 4214: 4023: 3714: 3578: 3574: 3570: 3402: 3250: 3084: 2945: 2779: 2711: 2583: 2220: 2203:
had in 1992 their first major breakthrough of their careers with the hit
1781:, strengthened the popularity of the band, with instant classics such as 1676: 1672: 1652: 1580: 1115: 964: 935: 794: 707: 649: 566: 555: 505: 376: 364: 358: 325: 4594: 3424:
and late 1980s/early 1990s British and American indie-rock acts such as
3267:), and an underground scene with different groups. Some of them include 859: 508:, but they would drift towards progressive rock in the following years. 6189: 6169: 5536: 5509: 5441: 5414: 5141: 4842: 4649: 4591:
Article looking at some of Argentina's underground rock and indie bands
3350: 3038: 2875: 2051: 1684: 1680: 1576: 1152: 375:, a rock magazine, and the founding of the first Argentine rock label, 3337:
is the current reggae-rock band in vogue. Other current bands include
2448: 2372:
The major development in Argentine metal of the 1990s was the rise of
1497:
and her heavy rock band La Torre were voted best band of the year and
355:
for a few months, the band released two singles in 1967. One of them,
45: 6003: 5862: 5817: 5790: 5568: 5556: 5524: 5156: 4169: 3295: 3280: 3178:
scene has been constantly growing since 2005, with many trends like:
3022: 3003: 2952: 2746: 2353: 2004: 1945: 1909: 1612: 1553: 1295: 1085: 864: 547: 242: 3382:
are arguably the most internationally popular Argentine band today.
2810:, and many more suburban rock bands. They were joined by Uruguayans 1556:
found quick success outside Argentina, a preview of things to come.
1155:. (When he was there, by the end of 1982, he was called to join the 4332: 2184:, their sixth album, arguably the most conceptual (the other being 1073:, now with their less pretentious sound, at the top of the charts. 94:, "national rock" in the sense of "local", "not international") is 6194: 6174: 6046: 5983: 5978: 5827: 5604: 5589: 5246: 5171: 4121:
Influence of Argentine Rock in Chile (Spanish)- by Mauricio Fredes
3318:
is one of the classic metal revivalists. Under AC/DC's influence,
3290:
Heavy Metal at mid decade features a predominance of nu-metal and
2973: 2774:
The late 1990s charts were dominated by the success of bands like
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equalled the success of Los Brujos the next year with their album
2190: 1733: 1664: 1568: 1564: 1389: 1338: 947: 877: 858: 668: 589: 570: 434: 414: 405: 317: 264: 168: 3974: 3519:, also ex-Redonditos, also did well with his fourth solo efforts. 2918:'s returned to the alternative charts with 2001's Grammy nominee 1432:
far more accessible (and commercial) to international audiences.
1049:
But the group bounced back with a vengeance with their 2nd album
500:
was acknowledged as one of the greatest guitarist of all time by
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mirrored the tendency of increased popularity for the subgenre.
2136:
rocked harder in their early 1990s works, particularly in their
2034:
The end of the 1980s were also a period of continued growth for
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Meanwhile, Argentina entered a new era with the inauguration of
1089: 1088:. They were less symphonic and far more prog-experimental, with 1031: 301: 5097: 4598: 2618:
or Argentine new rock had lost steam. For starters, bands like
2530:
would begin tapping into the tropical and Latin trend by 1995.
3785:"B.B. King, el rey del blues que amaba la Argentina y a Pappo" 3367:
are both well embarked in their solo careers with fusion rock.
1941: 1537: 1528:'s punkish reggae-rock developing a fanatical cult following ( 1279: 804:
On March 24, 1976, the democratic government was toppled by a
753:, and musicians like Gustavo Basterrica and Frank Ojsterseck. 116:
A distinguishing trait of Argentine rock is its insistence on
18: 3638:"Why Argentina's Rock Nacional Is a Source of National Pride" 2998:), many of them to guide the early 2000s melodic punk scene ( 2305:
Some of these suburban acts owed so much to the sound of the
1167:("Don't Cry for me, Argentina", which has no relation to the 887:
But the year would show a glimpse at the future: a band from
3569:, the Canadian band), or the Anglo-Argentine The Draytones. 1801:", a cryptically metaphorical ode to the band's hometown of 1147:
in 1981 and promoted it on tour, but by the end of the year
1023:
could be 'brainy' yet unpretentious rockers simultaneously.
328:
would gather in the mid-1960s Argentina to exchange ideas.
2955:. One of the most critically acclaimed bands of present is 2898:, they founded the Sonic movement in Buenos Aires in 1990, 2886:. The latter group found success with sonic rock in 1997's 425:
In the wake of Los Gatos, several bands emerged, including
4583: 3076:
would break up at the height of their popularity in 1999.
2054:
with their tailor-made FM songs were ubiquitous. Finally,
1631:, also conquered the Spanish-speaking world. The same did 717:
A symphonic band that would have a great year in 1976 was
4578: 3440:. Some of the most popular bands from this scene include 1007:, to write songs in Brazil. There, Charly re-encountered 3401:
with their original and creative "meZKla argentina" and
2866:("sonic" rock), influenced by the 1980s "techno-pop" of 2147:
These and other bands in their wake would be dubbed the
1789:
opening the doors of the Latin American market; 1986's "
1690:
As 1988 began, with the most important Argentine bands (
1520:
oxygenating rock with their new-wave sound, followed by
1151:
decided to leave the band because he wanted to study at
249:
is an important pillar of Rock & Roll. In Argentina
3420:
In addition there is a large indie scene influenced by
2095:. It was released in October 1990, about a year before 1262:, which happened to feature a young man by the name of 3899:
Oxford Research Encyclopedia of Latin American History
3871:
www.progarchives.com -Your Ultimate Prog Rock Resource
3859:
www.progarchives.com -Your Ultimate Prog Rock Resource
3847:
www.progarchives.com -Your Ultimate Prog Rock Resource
3664:"Top 15 Greatest famous Argentine singers of All Time" 1493:
was introduced. And 1984 was the year of female rock:
876:
would disband at the end of the year. In heavy metal,
737:
later in that year. Their symphonic sound tinged with
2761:'s favourite records in his Real World list of 1996. 4579:
Database on Argentine rock artists, songs and albums
3895:"Rock Nacional in Argentina during the Dictatorship" 3736:
Rockerosargentinos.com.ar/paghistorock.htm (Spanish)
2437:
continued putting out blues and heavy rock records,
1857:, following gallbladder surgery, was diagnosed with 880:'s blues would see their nearly seven-year run end. 6233: 6142: 6079: 6002: 5848: 5768: 5670: 5613: 5577: 5498: 5460: 5400: 5367: 5325: 5287: 5180: 5132: 5038: 4867: 4744: 4658: 4632: 2730:, whose weighty followings would only grow larger. 1834:The year 1987 ended in tragedy for Argentine rock. 995:In 1977 Charly García got together with his friend 2219:, started in 1990. Now with collaborations of the 1482:released his full-album solo debut, the acclaimed 1290:appeared. An Italian of Scottish background named 3333:is the ska representative on the mainstream, and 1851:; both bands became major players of 1990s rock. 810:darkest political chapters in Argentina's history 4304:Knowledge (XXG)- La Enciclopedia Libre (Spanish) 3994:The Progressive and Symphonic in the Argentinean 3087:, a band that owes as much to current dance and 2377:current world order. Their sound is equal parts 1321:(who was optimistic about a young musician from 1081:'s popularity as a solo artist was on the rise. 1940:would be leaders in the tropical rock scene of 1298:addiction, worsened by the death of his friend 3389:A renovated indie scene with great bands like 2683:, with 70,000 people selling out twice at the 2533:Argentine punk-revival took off in the 1990s. 2085:, the band headed to studio with new producer 1416:by Fito Páez (sung by Juan Carlos Baglietto), 1239:, three young men influenced by the advent of 5109: 4610: 3951: 3949: 3444:(that started in 1990 with collaborations of 899:'s 2nd group), with their electric folk, and 8: 6253:Hispanic-influenced music in the Philippines 4119:Celestes, azules, blancos, rojos y amarillos 2389:. Another important band formed in 1990 was 1208:for the explosion of rock in the mid-1980s. 946:mania (Argentina was host in 1978), and the 379:. In 1969, four major concerts of so-called 4589:Going Underground: New music from Argentina 4273:"'Somos los inventores de la patria stone'" 2685:Estadio Monumental Antonio Vespucio Liberti 2042:were gaining followers with the burgeoning 1988:("New Rock") explosion of the early 1990s. 1829: 1084:One of the last progressive bands would be 872:1977 was a year of separation and endings: 848:was joined at the top by the popularity of 579:("Wild Tango") tells the life of Tanguito. 440:Almendra split in 1970 and Spinetta formed 297:and to Argentine and Italian romantic pop. 5999: 5610: 5322: 5116: 5102: 5094: 4617: 4603: 4595: 4451:The Guardian UK, Best Music Across the Map 4141: 4139: 3919:– via Oxford Research Encyclopedias. 3761:. Argentina: Rolling Stone Magazine. 2007. 1227:, Federico Moura would form a pioneering 48:. Please do not remove this message until 3893:Wilson, Timothy; Favoretto, Mara (2016). 3275:with their well-crafted and tight songs; 3060:A highly talented and promising band was 2714:. La Renga is also considered one of the 2239:would have a great year 1992; the single 1659:in Spanish to itself expand overseas. In 1065:Argentine rock and the Islas Malvinas War 654:Nito Mestre y Los Desconocidos de Siempre 68:Learn how and when to remove this message 2479:in 1991. Two years later the hit single 2327:Billy Bond y La Pesada del Rock and Roll 1769:With their first album, the self-titled 1353:would emerge. New witty rock bands like 801:were the main exponent of the subgenre. 543:, and Pedro y Pablo, among other bands. 494:Billy Bond y La Pesada del Rock and Roll 44:Relevant discussion may be found on the 4236:ABC Rock Argentino-Artistas (Spanish). 3629: 3501:Patricio Rey y sus Redonditos de Ricota 2661:Also, 1995 would see the last album by 2036:Patricio Rey y sus Redonditos de Ricota 1687:, the effects were even more profound. 1221:Patricio Rey y sus Redonditos de Ricota 1141:Serú Girán released their fourth album 893:Patricio Rey y sus Redonditos de Ricota 688:Another symphonic/progressive band was 4333:El último sorbo de Soda Stereo (Chile) 3907:10.1093/acrefore/9780199366439.013.368 3759:"100 Mejores Discos del Rock Nacional" 3064:, another contribution of the city of 1991:In heavy metal, the already mentioned 1843:split, founding two new rock outfits: 1200:Festival for Latin American Solidarity 911:, in 1978 was one of those bands too. 208:, Los Cinco Latinos and Billy Cafaro. 16:Rock music composed by Argentine bands 4081:by Gregorio Montiel Cupello (Spanish) 3809:National Rock during the Dictatorship 3405:and their left-of-the-dial melodies. 3053:reached achieved greater popularity. 2665:, their relaxed almost chillout-like 2275:(a reference to Colombian footballer 1315:Festival of Latin American Solidarity 1186:1983−1990: Argentine rock goes global 979:of '72. In the drought days of 1978, 613:with its world music influences), by 89: 7: 4404:Biography of Los Fabulosos Cadillacs 3715:A Very Brief Story of Argentine Rock 3099:, electronic pioneers in Argentina. 2765:1998− : The Contemporary Period 2646:, which had a year of fame in 1995. 2251:, an offbeat mix of guitar rock and 1462:(who would end up convicted for the 922:, leaving as a legacy three albums: 463:refreshed the movement. Their album 444:, and the remaining members started 138:: includes all rock sung in Spanish. 102:bands or artists mostly in Spanish. 4103:They Are Peruvian and they are good 3943:History of Argentine Rock (Spanish) 3883:History of Argentine Rock (Spanish) 3748:History of Argentine Rock (Spanish) 2910:, leaders-to-be of the early 2000s 2578:used to do it only in English. The 2502:, who had a major hit in 1990 with 1830:Late '80s: Loss and Experimentation 1404:returned from his period in Spain. 4057:History of Argentine Rock(Spanish) 3690:"How Do You Define Rock and Roll?" 1984:. All of them would be part of the 1516:pioneering punk in Latin America; 1294:arrived in Argentina to fight his 1278:in Buenos Aires with his new band 1274:, won the opportunity to open for 660:1975−1983: The intermediate period 14: 4146:Artist A-Z Biography: Soda Stereo 3055:Illya Kuryaki and the Valderramas 3013:rose to the zenith of the genre. 2929:disbanded by 1995 giving rise to 2656:Illya Kuryaki and the Valderramas 2273:Illya Kuryaki and the Valderramas 2011:, one of the pioneering bands of 1908:rock, and the explosion of local 1464:República Cromañón nightclub fire 844:At the height of symphonic rock, 5075: 5064: 5063: 2986:were still going strong, as did 2574:, meanwhile another bands, like 2518:; the compilation that featured 2163:with their world music touches. 2063:1990−1998: Modern Argentine Rock 1400:embarked on their solo careers. 1030:, mixed with symphonic rock and 393:Festival Nacional de Música Beat 23: 4261:Shoegaze-A journey through gaze 3774:ABC of Argentine Rock (Spanish) 3734:Brief History of Argentine rock 3462:El Mato a un Policia Motorizado 1861:; terminally ill, he died from 173:Sandro y Los del Fuego in 1961. 4565:42 Decibel - Hard Rock N' Roll 4079:The History of Rock en Español 3507:was seen as the best of 2004. 2582:were the leaders of the local 942:. With the country gripped by 165:1958−1964: Early rock and roll 1: 3397:with their retro rock style, 3079:To a lesser extent dance and 2770:Late 1990s & 21st century 2642:of new rock were rap-rockers 2243:was an instant chart-topper. 2120:helped underground acts like 2089:to record their fifth album, 2068:"Canción Animal" and New Rock 1536:the buzz of the underground. 1367:Viuda e hijas de Roque Enroll 1165:"No llores por mí, Argentina" 586:Sui Generis farewell concerts 212:1964−1975: The classic period 4584:Rock News, Concerts and More 3009:In tropical or fusion rock, 836:Symphonic rock at late 1970s 714:'s mystic and proggy sound. 4024:Ayer Nomás (Only Yesterday) 3930:La Maquina de Hacer Pajaros 3325:In fusion or tropical rock 3091:as the 1980s techno-pop of 1758:, and by symphonic rockers 1499:"Solo quiero Rock and Roll" 916:La Máquina de Hacer Pájaros 854:La Máquina de Hacer Pájaros 765:La Máquina de Hacer Pájaros 733:would begin his third band 680:As early as 1973, the band 50:conditions to do so are met 6315: 4302:'El amor después del Amor' 4170:Estrenos en ONCE TV: Virus 4133:www.Colombia.com (Spanish) 3724:www.elortiba.org (Spanish) 3577:. Another Celtic metal is 3505:El tesoro de los Inocentes 2851:, and even North American 2818:, giving rise to the term 2679:in 1997 was released as a 2294: 1885:got together with his old 1484:Yendo de la Cama al Living 1420:by Luis Alberto Spinetta, 1286:a pop-rock act called Los 1163:. They performed the song 336:, they recorded the first 109:at least back to the late 6274:20th-century music genres 5059: 4287:Biography of A.N.I.M.A.L. 4224:www.rock.com.ar (Spanish) 4182:Polimeni, Carlos (2000). 4172:www.rock.com.mx (Spanish) 4105:Peruvian Rock (Spanish). 4069:www.rock.com.mx (Spanish) 3965:www.rock.com.ar (Spanish) 3565:(not to be confused with 3150:Influenced by bands like 2978:Bersuit Vergarabat, 2004. 2718:groups (followers of the 2500:Los Auténticos Decadentes 1930:Los Auténticos Decadentes 1904:A second was the rise of 1814:With the tour supporting 1052:La Grasa de las Capitales 793:, whom were escaping the 98:composed or performed by 4382:Rivadavia, Eduardo. 3791:(in Spanish). 2020-05-14 3458:The Jesus and Mary Chain 3322:consolidated its career. 3182:- influenced bands like 2606: 2504:"Loco (tu forma de ser)" 2461:El Amor después del Amor 1799:En La Ciudad De La Furia 1787:"Cuando Pase el Temblor" 401:Festival de Música Joven 235:in the US, in Argentina 4420:Se Separo Illya Kuryaki 4410:. Retrieved 2012-04-20. 4342:www.copesa.cl (Spanish) 4014:Knowledge (XXG)- The 💕 3355:Los Fabulosos Cadillacs 3329:still command legions. 3043:Los Fabulosos Cadillacs 2512:Los Fabulosos Cadillacs 2337:'s Blues in the 1970s, 1938:Los Fabulosos Cadillacs 1738:Soda Stereo in concert. 1696:Los Fabulosos Cadillacs 1561:Los Fabulosos Cadillacs 1559:By 1985, year in which 1381:would carry the torch. 1282:. At the local pubs in 932:Jardin de los Presentes 808:. It opened one of the 601:farewell concerts, 1975 475:Acoustic and heavy rock 91:[ˈroknasjoˈnal] 6289:Music of Latin America 6284:Music of South America 4890:Bosnia and Herzegovina 4323:LFC - Official Website 3456:and the Scottish band 2979: 2808:Caballeros de la Quema 2796:Los Ratones Paranoicos 2724:Los Ratones Paranoicos 2616:"nuevo rock argentino" 2496:Vilma Palma e Vampiros 2453: 2348:As the decade started 2268: 2207:from their 1992 album 2196: 2159:), and neo-fusionists 2149:"Nuevo Rock Argentino" 2040:Los Ratones Paranoicos 1962:Don Cornelio y La Zona 1739: 1639:, and now solo artist 1550:Los Abuelos de la Nada 1540:introduced the phrase 1524:with a similar style; 1458:was opened in 1982 by 1260:Los Abuelos de la Nada 1161:Arena Obras Sanitarias 955:Sandro y los del fuego 869: 759:formed his first post- 749:, it featured a young 677: 602: 422: 340:single in 1966 called 274: 174: 6299:Rock music by country 4626:Rock music by country 4402:Brennan, Sandra. 4285:Bonacich, Drago. 4093:by Roberto Avant-Mier 4012:Luis Alberto Spinetta 3503:Solari's debut album 2977: 2451: 2431:Luis Alberto Spinetta 2343:Riff (Argentine band) 2285:Luis Alberto Spinetta 2266: 2194: 1899:Superficies de Placer 1760:Luis Alberto Spinetta 1737: 1595:said regarding this: 1546:rock in your language 1422:"Sólo le pido a Dios" 1398:Luis Alberto Spinetta 1392:. On the other hand, 1341:founded his new band 1319:Juan Carlos Baglietto 1132:Luis Alberto Spinetta 1001:Luis Alberto Spinetta 862: 731:Luis Alberto Spinetta 706:Former heavy rockers 672: 593: 427:Luis Alberto Spinetta 421:magazine, circa 1970. 409: 268: 198:Sandro y Los de Fuego 172: 6279:Argentine rock music 5124:Music genres in the 5070:Category: Rock music 4767:Cambodia (1959-1975) 4645:Sahara desert region 4529:. 15 September 2018. 3434:Jesus and Mary Chain 3145:Casi Justicia Social 2914:scene in Argentina. 2822:rock (rock from the 2800:La Mancha de Rolando 2788:Redonditos de Ricota 2696:Redonditos de Ricota 2624:Peligrosos Gorriones 2576:Drop Dead! Argentina 2140:album, whose single 2126:Peligrosos Gorriones 1306:. Prodan would form 617:and also by British 569:was killed hit by a 285:, with singers like 6087:Afro-Peruvian music 5410:Afro-Peruvian music 3589:(symphonic metal), 3438:My Bloody Valentine 3320:La Naranja Metalica 3117:Jovenes Pordioseros 3070:Los Enanitos Verdes 3033:dominated. Ska had 2857:"Narigon Del Siglo" 2689:"De Musica Ligera"; 2644:Actitud Maria Marta 2607:The Mid '90s Schism 2267:Iguana Lovers, 1990 2199:On the other hand, 2142:"Lamento Boliviano" 2134:Los Enanitos Verdes 2050:). On the pop side 1865:on March 26, 1988. 1700:Los Enanitos Verdes 1617:Los Enanitos Verdes 1439:Argentine Invasion 1418:"Maribel se Durmió" 1414:"Tiempos Dificiles" 1270:, after talking to 1191:New Democracy Sound 897:Gustavo Santaolalla 517:Gustavo Santaolalla 452:. Spinetta's album 351:. After playing in 310:"La Perla del Once" 269:First formation of 261:Late 60s beat music 186:country and western 37:of this article is 5993:Charanga-vallenata 5425:Son de los Diablos 5082:Portal: Rock music 4701:Dominican Republic 4487:. 23 January 2022. 4437:2006-09-02 at the 4351:Raggett, Ned. 4338:2006-09-01 at the 4319:2006-10-27 at the 4220:2006-07-18 at the 4043:ABC Rock Argentino 4029:2006-11-03 at the 3999:2006-10-11 at the 3980:2007-02-16 at the 3975:Pelo Magazine #122 3961:2006-09-04 at the 3720:2006-11-03 at the 3470:Esto No Es Londres 3347:La Mosca Tsé - Tsé 3327:Bersuit Vergarabat 3254:Rodrigo San Martín 3220:Fantasía Cromática 3011:Bersuit Vergarabat 2980: 2743:sonico, punk, dark 2741:in suburban rock; 2620:Los Siete Delfines 2524:Bersuit Vergarabat 2454: 2421:Other developments 2313:in the mid 1990s. 2269: 2197: 2195:Babasónicos, 2006. 2144:is now a classic. 2114:"De Música Ligera" 1982:Massacre Palestina 1978:Los Siete Delfines 1740: 1424:by León Gieco and 1337:. In heavy metal, 1198:In May of '82 the 999:, an ex member of 959:Uruguayan Invasion 870: 678: 603: 423: 387:") were held: the 275: 175: 83:(known locally as 6261: 6260: 6075: 6074: 5666: 5665: 5363: 5362: 5091: 5090: 4501:. 7 October 2018. 4191:"Grandes autores" 4184:Demasiado Artista 3696:. 18 October 2013 3694:Rock Hall of Fame 3670:. 2 February 2023 3536:Marilina Bertoldi 3466:Banda de Turistas 3362:Todos Tus Muertos 3176:progressive metal 3074:Todos Tus Muertos 2969:"Patagonian doom" 2920:Mancha Registrada 2652:Todos Tus Muertos 2559:Todos Tus Muertos 2277:Carlos Valderrama 2257:Todos Tus Muertos 1958:Todos Tus Muertos 1542:rock en tu idioma 1157:Pat Metheny Group 928:Durazno Sangrando 907:with their album 901:Orion's Beethoven 539:'s music career, 535:and the start of 484:era. Among them, 78: 77: 70: 6306: 6155:Canción melódica 6000: 5769:Traditional folk 5611: 5402:Peruvian coastal 5385:Paraguayan polka 5323: 5118: 5111: 5104: 5095: 5079: 5067: 5066: 4619: 4612: 4605: 4596: 4567: 4562: 4556: 4555: 4553: 4552: 4543:. Archived from 4541:"Electronomicon" 4537: 4531: 4530: 4523: 4517: 4516: 4515:. 18 March 2022. 4509: 4503: 4502: 4495: 4489: 4488: 4481: 4475: 4470: 4464: 4459: 4453: 4448: 4442: 4429: 4423: 4417: 4411: 4400: 4394: 4380: 4374: 4369: 4363: 4357:(by Babasónicos) 4349: 4343: 4330: 4324: 4311: 4305: 4299: 4293: 4283: 4277: 4276: 4269: 4263: 4258: 4252: 4247: 4241: 4231: 4225: 4212: 4206: 4205: 4203: 4202: 4193:. Archived from 4187: 4179: 4173: 4167: 4161: 4158:Luca Prodan/Sumo 4155: 4149: 4143: 4134: 4128: 4122: 4116: 4110: 4100: 4094: 4088: 4082: 4076: 4070: 4064: 4058: 4052: 4046: 4040: 4034: 4021: 4015: 4009: 4003: 3991: 3985: 3972: 3966: 3953: 3944: 3938: 3932: 3927: 3921: 3920: 3890: 3884: 3878: 3872: 3866: 3860: 3854: 3848: 3842: 3836: 3830: 3824: 3818: 3812: 3806: 3800: 3799: 3797: 3796: 3781: 3775: 3769: 3763: 3762: 3755: 3749: 3743: 3737: 3731: 3725: 3712: 3706: 3705: 3703: 3701: 3686: 3680: 3679: 3677: 3675: 3660: 3654: 3653: 3651: 3649: 3644:. 12 August 2017 3642:The Culture Trip 3634: 3603: 3542:, Marina Fages, 3391:Jaime Sin Tierra 3370:In alternative, 3314:for the latter. 3302:and a recharged 3216:progressive rock 3172:progressive rock 3170:the underground 2925:In heavy metal, 2912:alternative rock 2908:Santos Inocentes 2722:blueprint) like 2603:led the scenes. 2481:"Sin Documentos" 2452:Fito Páez, 2003. 2417:, among others. 2283:, is the son of 2169:"rock suburbano" 1597:"We would leave 1451: 1450: 1446: 1426:"Los dinosaurios 1345:, and newcomers 1335:Celeste Carballo 1331:Alejandro Lerner 1266:. Someone named 1180:Falkland Islands 918:hung up, as did 751:Alejandro Lerner 665:Progressive rock 619:progressive rock 565:That same year, 417:in a poster for 363:, co-written by 338:Spanish language 283:El Club del Clan 279:Ritmo y Juventud 182:rhythm and blues 118:Spanish language 93: 73: 66: 62: 59: 53: 27: 26: 19: 6314: 6313: 6309: 6308: 6307: 6305: 6304: 6303: 6294:Rock en Español 6264: 6263: 6262: 6257: 6229: 6138: 6112:Afro-Cuban jazz 6097:Bomba del Chota 6071: 5998: 5844: 5764: 5662: 5658:Orquesta típica 5648:Uruguayan tango 5623:Argentine tango 5609: 5573: 5501: 5494: 5456: 5396: 5359: 5321: 5283: 5176: 5128: 5122: 5092: 5087: 5055: 5034: 4863: 4740: 4654: 4628: 4623: 4575: 4570: 4563: 4559: 4550: 4548: 4539: 4538: 4534: 4525: 4524: 4520: 4511: 4510: 4506: 4497: 4496: 4492: 4483: 4482: 4478: 4471: 4467: 4460: 4456: 4449: 4445: 4441:www.rock.com.ar 4439:Wayback Machine 4430: 4426: 4418: 4414: 4401: 4397: 4381: 4377: 4370: 4366: 4350: 4346: 4340:Wayback Machine 4331: 4327: 4321:Wayback Machine 4312: 4308: 4300: 4296: 4284: 4280: 4271: 4270: 4266: 4259: 4255: 4248: 4244: 4232: 4228: 4222:Wayback Machine 4213: 4209: 4200: 4198: 4189: 4181: 4180: 4176: 4168: 4164: 4156: 4152: 4144: 4137: 4129: 4125: 4117: 4113: 4101: 4097: 4089: 4085: 4077: 4073: 4065: 4061: 4053: 4049: 4041: 4037: 4031:Wayback Machine 4022: 4018: 4010: 4006: 4001:Wayback Machine 3992: 3988: 3982:Wayback Machine 3973: 3969: 3963:Wayback Machine 3954: 3947: 3939: 3935: 3928: 3924: 3917: 3892: 3891: 3887: 3879: 3875: 3867: 3863: 3855: 3851: 3843: 3839: 3831: 3827: 3821:The Acusticazos 3819: 3815: 3807: 3803: 3794: 3792: 3783: 3782: 3778: 3770: 3766: 3757: 3756: 3752: 3744: 3740: 3732: 3728: 3722:Wayback Machine 3713: 3709: 3699: 3697: 3688: 3687: 3683: 3673: 3671: 3662: 3661: 3657: 3647: 3645: 3636: 3635: 3631: 3627: 3597: 3548:Mujeres Bacanas 3517:Skay Beillinson 3415:A Tirador Laser 3287:who soldier on. 3273:Cadena Perpetua 3133:Hijos Del Oeste 3105: 2992:Cadena Perpetua 2959:. Originally a 2824:Río de la Plata 2812:No Te Va Gustar 2772: 2767: 2609: 2596:Argentine punk 2547:"Hacelo por Mi" 2473:Andrés Calamaro 2465:Fabiana Cantilo 2423: 2331:Pescado Rabioso 2323: 2299: 2293: 2249:Salud Universal 2070: 2065: 2029:Revista Epopeya 1832: 1824:Rock en Español 1783:"Nada Personal" 1732: 1712:Andres Calamaro 1669:Los Prisioneros 1649:Rock en Español 1609:Central America 1507:Fabiana Cantilo 1452: 1448: 1444: 1442: 1441: 1288:Enanitos Verdes 1272:Freddie Mercury 1264:Andres Calamaro 1193: 1188: 1124:no se banca más 1067: 1028:Brazilian music 1005:Pescado Rabioso 993: 838: 723:Rodolfo Mederos 667: 662: 611:Agitor Lucens V 588: 515:rock movement: 486:Pescado Rabioso 477: 442:Pescado Rabioso 312:, figures like 263: 214: 206:Eddie Pequenino 167: 135:Rock en Español 126: 74: 63: 57: 54: 43: 28: 24: 17: 12: 11: 5: 6312: 6310: 6302: 6301: 6296: 6291: 6286: 6281: 6276: 6266: 6265: 6259: 6258: 6256: 6255: 6250: 6249: 6248: 6237: 6235: 6231: 6230: 6228: 6227: 6222: 6217: 6212: 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3376:Catupecu Machu 3368: 3339:Karamelo Santo 3323: 3288: 3269:Smitten (band) 3261: 3247:symphonic rock 3160:Porcupine Tree 3148: 3104: 3101: 3097:Los Encargados 3068:(also home of 3062:Karamelo Santo 3041:, but by 2000 3019:Hijos del Culo 3000:Smitten (band) 2904:Catupecu Machu 2816:La Vela Puerca 2804:Karamelo Santo 2771: 2768: 2766: 2763: 2720:Rolling Stones 2673:Gustavo Cerati 2608: 2605: 2535:Los Violadores 2422: 2419: 2329:in the 1960s, 2322: 2319: 2307:Rolling Stones 2295:Main article: 2292: 2289: 2245:Los Visitantes 2223:British indie 2118:Canción Animal 2109:Canción Animal 2092:Canción Animal 2077:Gustavo Cerati 2069: 2066: 2064: 2061: 2048:Rolling Stones 1966:Los Visitantes 1871:Federico Moura 1863:cardiac arrest 1831: 1828: 1731: 1728: 1552:and newcomers 1514:Los Violadores 1440: 1437: 1373:side of rock, 1252:Los Violadores 1192: 1189: 1187: 1184: 1104:Weather Report 1100:Rio de Janeiro 1066: 1063: 992: 989: 983:emerged as a ' 837: 834: 814:Emilio Massera 747:Raul Porchetto 666: 663: 661: 658: 587: 584: 541:Raul Porchetto 476: 473: 397:Festival Pinap 262: 259: 253:(at that time 213: 210: 166: 163: 162: 161: 157:Argentine rock 153: 147: 139: 125: 122: 81:Argentine rock 76: 75: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 6311: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6280: 6277: 6275: 6272: 6271: 6269: 6254: 6251: 6247: 6244: 6243: 6242: 6239: 6238: 6236: 6232: 6226: 6223: 6221: 6218: 6216: 6215:Spanish opera 6213: 6211: 6208: 6206: 6205:Punto guajiro 6203: 6201: 6198: 6196: 6193: 6191: 6188: 6186: 6183: 6181: 6178: 6176: 6173: 6171: 6168: 6166: 6163: 6161: 6158: 6156: 6153: 6151: 6148: 6147: 6145: 6141: 6135: 6132: 6130: 6127: 6125: 6122: 6120: 6117: 6113: 6110: 6109: 6108: 6105: 6103: 6100: 6098: 6095: 6093: 6090: 6088: 6085: 6084: 6082: 6078: 6068: 6065: 6063: 6060: 6058: 6055: 6053: 6050: 6048: 6045: 6043: 6040: 6038: 6035: 6033: 6030: 6028: 6025: 6023: 6020: 6018: 6015: 6013: 6010: 6009: 6007: 6005: 6001: 5994: 5990: 5987: 5985: 5982: 5980: 5977: 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5145: 5143: 5140: 5139: 5137: 5135: 5131: 5127: 5126:Hispanosphere 5119: 5114: 5112: 5107: 5105: 5100: 5099: 5096: 5084: 5083: 5078: 5074: 5072: 5071: 5062: 5061: 5058: 5052: 5049: 5047: 5044: 5043: 5041: 5037: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4996: 4993: 4991: 4988: 4986: 4983: 4981: 4978: 4976: 4973: 4971: 4968: 4966: 4963: 4961: 4958: 4956: 4953: 4951: 4948: 4946: 4943: 4941: 4938: 4936: 4933: 4931: 4928: 4926: 4923: 4921: 4918: 4916: 4913: 4911: 4908: 4906: 4903: 4901: 4898: 4896: 4893: 4891: 4888: 4886: 4883: 4881: 4878: 4876: 4873: 4872: 4870: 4866: 4860: 4857: 4855: 4852: 4850: 4847: 4844: 4840: 4837: 4834: 4830: 4827: 4825: 4822: 4820: 4817: 4815: 4812: 4810: 4807: 4805: 4802: 4800: 4797: 4795: 4792: 4788: 4785: 4783: 4780: 4779: 4778: 4775: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4749: 4747: 4743: 4737: 4734: 4732: 4729: 4727: 4726:United States 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4707: 4704: 4702: 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4682: 4679: 4677: 4674: 4672: 4669: 4667: 4664: 4663: 4661: 4657: 4651: 4648: 4646: 4643: 4641: 4638: 4637: 4635: 4631: 4627: 4620: 4615: 4613: 4608: 4606: 4601: 4600: 4597: 4590: 4587: 4585: 4582: 4580: 4577: 4576: 4572: 4566: 4561: 4558: 4547:on 2016-08-19 4546: 4542: 4536: 4533: 4528: 4522: 4519: 4514: 4508: 4505: 4500: 4494: 4491: 4486: 4480: 4477: 4474: 4469: 4466: 4463: 4458: 4455: 4452: 4447: 4444: 4440: 4436: 4433: 4428: 4425: 4421: 4416: 4413: 4409: 4405: 4399: 4396: 4393: 4389: 4387: 4379: 4376: 4373: 4368: 4365: 4362: 4358: 4356: 4348: 4345: 4341: 4337: 4334: 4329: 4326: 4322: 4318: 4315: 4310: 4307: 4303: 4298: 4295: 4292: 4288: 4282: 4279: 4275:. 9 May 2006. 4274: 4268: 4265: 4262: 4257: 4254: 4251: 4246: 4243: 4239: 4235: 4230: 4227: 4223: 4219: 4216: 4211: 4208: 4197:on 2007-01-05 4196: 4192: 4185: 4178: 4175: 4171: 4166: 4163: 4159: 4154: 4151: 4147: 4142: 4140: 4136: 4132: 4127: 4124: 4120: 4115: 4112: 4108: 4104: 4099: 4096: 4092: 4087: 4084: 4080: 4075: 4072: 4068: 4067:Miguel Mateos 4063: 4060: 4056: 4051: 4048: 4044: 4039: 4036: 4032: 4028: 4025: 4020: 4017: 4013: 4008: 4005: 4002: 3998: 3995: 3990: 3987: 3983: 3979: 3976: 3971: 3968: 3964: 3960: 3957: 3952: 3950: 3946: 3942: 3937: 3934: 3931: 3926: 3923: 3918: 3916:9780199366439 3912: 3908: 3904: 3900: 3896: 3889: 3886: 3882: 3877: 3874: 3870: 3865: 3862: 3858: 3853: 3850: 3846: 3841: 3838: 3834: 3829: 3826: 3822: 3817: 3814: 3810: 3805: 3802: 3790: 3786: 3780: 3777: 3773: 3768: 3765: 3760: 3754: 3751: 3747: 3742: 3739: 3735: 3730: 3727: 3723: 3719: 3716: 3711: 3708: 3695: 3691: 3685: 3682: 3669: 3665: 3659: 3656: 3643: 3639: 3633: 3630: 3624: 3619: 3615: 3611: 3607: 3601: 3596: 3593:(hard rock), 3592: 3588: 3587:Kapel Maister 3585:(hard rock), 3584: 3580: 3576: 3572: 3568: 3564: 3560: 3557: 3553: 3549: 3545: 3541: 3537: 3532: 3529: 3528:Cajale Cazazo 3525: 3521: 3518: 3514: 3510: 3506: 3502: 3498: 3494: 3490: 3486: 3482: 3478: 3474: 3471: 3467: 3463: 3459: 3455: 3451: 3450:Mark Gardener 3447: 3443: 3442:Iguana Lovers 3439: 3435: 3431: 3430:The Vaselines 3427: 3423: 3419: 3416: 3412: 3408: 3404: 3400: 3396: 3392: 3388: 3385: 3381: 3377: 3373: 3369: 3366: 3363: 3359: 3356: 3352: 3348: 3344: 3340: 3336: 3332: 3328: 3324: 3321: 3317: 3313: 3309: 3305: 3301: 3297: 3293: 3289: 3286: 3282: 3278: 3274: 3270: 3266: 3262: 3259: 3255: 3252: 3248: 3244: 3240: 3236: 3232: 3229: 3225: 3221: 3217: 3213: 3209: 3205: 3201: 3197: 3193: 3189: 3185: 3181: 3177: 3173: 3169: 3168:Dream Theater 3165: 3161: 3157: 3153: 3149: 3146: 3142: 3138: 3134: 3130: 3126: 3122: 3118: 3114: 3110: 3109: 3108: 3102: 3100: 3098: 3094: 3090: 3086: 3082: 3077: 3075: 3071: 3067: 3063: 3058: 3056: 3052: 3048: 3044: 3040: 3036: 3032: 3028: 3024: 3020: 3016: 3012: 3007: 3005: 3001: 2997: 2993: 2989: 2985: 2976: 2972: 2970: 2966: 2962: 2958: 2954: 2950: 2947: 2943: 2939: 2936: 2932: 2928: 2923: 2921: 2917: 2916:Super Ratones 2913: 2909: 2905: 2901: 2897: 2896:Iguana Lovers 2893: 2889: 2885: 2884:Juana La Loca 2881: 2877: 2873: 2869: 2865: 2864:"rock sónico" 2860: 2858: 2854: 2853:country music 2850: 2846: 2845:African music 2842: 2838: 2832: 2829: 2825: 2821: 2820:"rioplatense" 2817: 2813: 2809: 2805: 2801: 2797: 2793: 2789: 2785: 2781: 2777: 2769: 2764: 2762: 2760: 2759:Peter Gabriel 2756: 2752: 2751:Andrea Prodan 2748: 2744: 2740: 2736: 2731: 2729: 2725: 2721: 2717: 2713: 2709: 2705: 2701: 2697: 2692: 2690: 2686: 2682: 2678: 2674: 2670: 2669: 2664: 2659: 2657: 2653: 2649: 2645: 2641: 2637: 2633: 2629: 2625: 2621: 2617: 2612: 2604: 2602: 2597: 2595: 2591: 2589: 2585: 2581: 2577: 2573: 2568: 2564: 2560: 2556: 2552: 2548: 2544: 2540: 2536: 2531: 2529: 2525: 2521: 2517: 2513: 2509: 2505: 2501: 2497: 2493: 2489: 2488:"La Pachanga" 2484: 2482: 2478: 2477:Los Rodriguez 2474: 2470: 2466: 2462: 2458: 2450: 2446: 2444: 2440: 2439:Miguel Mateos 2436: 2432: 2428: 2427:Charly García 2420: 2418: 2416: 2412: 2408: 2404: 2400: 2396: 2392: 2388: 2384: 2380: 2375: 2370: 2368: 2363: 2359: 2355: 2351: 2346: 2344: 2340: 2336: 2332: 2328: 2320: 2318: 2314: 2312: 2308: 2303: 2298: 2290: 2288: 2286: 2282: 2278: 2274: 2265: 2261: 2258: 2254: 2250: 2246: 2242: 2238: 2234: 2230: 2229:Mark Gardener 2226: 2222: 2218: 2217:Iguana Lovers 2214: 2213:Juana La Loca 2210: 2206: 2202: 2193: 2189: 2187: 2183: 2182: 2177: 2172: 2170: 2166: 2162: 2158: 2157:Mar del Plata 2154: 2153:Super Ratones 2150: 2145: 2143: 2139: 2135: 2131: 2127: 2123: 2119: 2115: 2110: 2106: 2104: 2103: 2098: 2094: 2093: 2088: 2087:Daniel Melero 2084: 2083: 2078: 2074: 2067: 2062: 2060: 2057: 2053: 2049: 2045: 2041: 2037: 2032: 2030: 2026: 2022: 2018: 2014: 2010: 2006: 2002: 1998: 1994: 1989: 1987: 1983: 1979: 1975: 1971: 1967: 1963: 1959: 1953: 1951: 1947: 1943: 1939: 1935: 1931: 1927: 1923: 1919: 1915: 1911: 1907: 1902: 1900: 1896: 1893:and recorded 1892: 1888: 1884: 1883:Charly García 1878: 1876: 1872: 1868: 1864: 1860: 1856: 1855:Miguel Abuelo 1852: 1850: 1846: 1842: 1837: 1827: 1825: 1821: 1817: 1812: 1810: 1809: 1804: 1800: 1796: 1792: 1788: 1784: 1780: 1779: 1778:Nada Personal 1774: 1773: 1767: 1765: 1761: 1757: 1756:Talking Heads 1753: 1749: 1744: 1736: 1729: 1727: 1725: 1721: 1717: 1716:Miguel Mateos 1713: 1709: 1708:Charly García 1705: 1701: 1697: 1693: 1688: 1686: 1682: 1678: 1674: 1670: 1666: 1662: 1658: 1654: 1650: 1644: 1642: 1641:Miguel Mateos 1638: 1634: 1633:Charly García 1630: 1626: 1622: 1618: 1614: 1610: 1605: 1603: 1600: 1594: 1590: 1586: 1582: 1578: 1574: 1570: 1566: 1562: 1557: 1555: 1551: 1547: 1543: 1539: 1535: 1531: 1527: 1523: 1519: 1515: 1510: 1508: 1504: 1500: 1496: 1495:Patricia Sosa 1492: 1487: 1485: 1481: 1480:Charly García 1477: 1473: 1469: 1465: 1461: 1457: 1456:Cafe Einstein 1447: 1438: 1436: 1433: 1429: 1427: 1423: 1419: 1415: 1410: 1409:Raúl Alfonsín 1405: 1403: 1399: 1395: 1394:Charly García 1391: 1387: 1382: 1380: 1376: 1375:La Sobrecarga 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1336: 1332: 1328: 1324: 1320: 1316: 1311: 1309: 1305: 1301: 1297: 1293: 1289: 1285: 1281: 1277: 1273: 1269: 1268:Miguel Mateos 1265: 1261: 1257: 1256:Miguel Abuelo 1253: 1248: 1246: 1242: 1238: 1234: 1230: 1226: 1222: 1218: 1214: 1209: 1206: 1201: 1196: 1190: 1185: 1183: 1181: 1177: 1172: 1170: 1166: 1162: 1158: 1154: 1150: 1146: 1145: 1139: 1135: 1133: 1129: 1128:Spinetta Jade 1125: 1121: 1117: 1113: 1109: 1105: 1101: 1097: 1093: 1091: 1087: 1082: 1080: 1076: 1072: 1064: 1062: 1060: 1059: 1054: 1053: 1047: 1045: 1041: 1037: 1036:"Disco Shock" 1033: 1029: 1024: 1022: 1017: 1014: 1010: 1006: 1002: 998: 990: 988: 986: 982: 978: 977: 972: 968: 966: 960: 957:in 1963; the 956: 951: 949: 945: 941: 937: 933: 929: 925: 921: 917: 912: 910: 906: 902: 898: 894: 890: 885: 883: 879: 875: 867: 866: 861: 857: 855: 851: 847: 842: 835: 833: 831: 827: 826:Pappo's Blues 823: 818: 815: 811: 807: 806:military coup 802: 800: 796: 792: 788: 784: 782: 778: 774: 770: 766: 762: 758: 757:Charly García 754: 752: 748: 744: 743:Reino de Munt 740: 736: 732: 728: 724: 720: 715: 713: 709: 704: 701: 697: 693: 691: 686: 683: 675: 671: 664: 659: 657: 655: 651: 645: 643: 639: 634: 630: 626: 625:Charly García 622: 620: 616: 612: 607: 600: 596: 595:Charly Garcia 592: 585: 583: 580: 578: 577: 572: 568: 563: 561: 557: 553: 549: 544: 542: 538: 537:Charly García 534: 530: 526: 522: 518: 514: 509: 507: 503: 499: 498:Pappo's Blues 495: 491: 487: 483: 474: 472: 470: 466: 462: 458: 455: 451: 447: 443: 438: 436: 432: 428: 420: 416: 412: 408: 404: 402: 398: 394: 390: 386: 382: 381:"música beat" 378: 374: 370: 366: 362: 360: 354: 350: 345: 343: 339: 335: 331: 330:Los Beatnicks 327: 323: 322:Miguel Abuelo 319: 315: 311: 307: 303: 298: 296: 292: 291:Violeta Rivas 288: 287:Palito Ortega 284: 280: 273:, circa 1968. 272: 267: 260: 258: 256: 255:Nueva canción 252: 248: 247:Country music 244: 240: 239: 234: 230: 224: 222: 219: 211: 209: 207: 203: 199: 195: 191: 190:Elvis Presley 187: 183: 179: 178:Rock and roll 171: 164: 159: 158: 154: 151: 150:Rock Nacional 148: 145: 144: 140: 137: 136: 132: 131: 130: 124:Related genre 123: 121: 119: 114: 112: 108: 107:can be traced 103: 101: 97: 92: 88: 87: 86:rock nacional 82: 72: 69: 61: 58:February 2016 51: 47: 41: 40: 36: 30: 21: 20: 6220:Spanish jazz 6143:Other genres 5745:Puerto Rican 5684: 5080: 5068: 4665: 4560: 4549:. Retrieved 4545:the original 4535: 4521: 4507: 4493: 4479: 4468: 4457: 4446: 4427: 4422:ElAcople.com 4415: 4398: 4385: 4378: 4367: 4354: 4347: 4328: 4309: 4297: 4281: 4267: 4256: 4245: 4229: 4210: 4199:. Retrieved 4195:the original 4183: 4177: 4165: 4153: 4126: 4114: 4098: 4086: 4074: 4062: 4050: 4038: 4019: 4007: 3989: 3970: 3936: 3925: 3898: 3888: 3876: 3864: 3852: 3840: 3828: 3816: 3804: 3793:. Retrieved 3788: 3779: 3767: 3753: 3741: 3729: 3710: 3698:. Retrieved 3693: 3684: 3672:. Retrieved 3667: 3658: 3646:. Retrieved 3641: 3632: 3610:Full Nothing 3567:The Watchmen 3556:Miss Bolivia 3552:Eruca Sativa 3512: 3504: 3496: 3481:Indio Solari 3384:La Portuaria 3343:Los Calzones 3331:Dancing Mood 3304:A.N.I.M.A.L. 3243:Souls Ignite 3235:King Crimson 3188:Dudosa Moral 3106: 3078: 3059: 3051:Dancing Mood 3035:Los Calzones 3018: 3014: 3008: 2981: 2968: 2935:A.N.I.M.A.L. 2924: 2919: 2891: 2887: 2863: 2861: 2856: 2833: 2827: 2819: 2773: 2754: 2742: 2738: 2734: 2732: 2728:Viejas Locas 2715: 2693: 2688: 2681:double-album 2677:Buenos Aires 2668:Sueño Stereo 2666: 2660: 2639: 2632:La Portuaria 2615: 2613: 2610: 2598: 2593: 2592: 2562: 2546: 2532: 2519: 2516:Vasos Vacios 2515: 2503: 2487: 2485: 2480: 2469:Cecilia Roth 2460: 2455: 2424: 2374:A.N.I.M.A.L. 2371: 2347: 2324: 2315: 2311:Viejas Locas 2304: 2300: 2297:Rock rolinga 2291:Rock rolinga 2270: 2248: 2240: 2205:D-generación 2204: 2198: 2185: 2179: 2173: 2168: 2165:"Nuevo Rock" 2164: 2161:La Portuaria 2148: 2146: 2141: 2137: 2117: 2113: 2108: 2107: 2100: 2090: 2080: 2075:'s frontman 2071: 2043: 2033: 2013:thrash metal 1990: 1986:"Nuevo Rock" 1985: 1954: 1905: 1903: 1898: 1894: 1879: 1853: 1833: 1815: 1813: 1808:Ruido Blanco 1806: 1803:Buenos Aires 1798: 1786: 1782: 1776: 1770: 1768: 1741: 1689: 1657:Mexican rock 1645: 1606: 1596: 1558: 1541: 1511: 1498: 1491:compact disc 1488: 1483: 1455: 1453: 1434: 1430: 1425: 1421: 1417: 1413: 1406: 1383: 1314: 1312: 1304:Joy Division 1249: 1237:Buenos Aires 1231:band called 1210: 1204: 1203:in becoming 1199: 1197: 1194: 1173: 1168: 1164: 1142: 1140: 1136: 1123: 1120:Buenos Aires 1094: 1083: 1068: 1056: 1050: 1048: 1035: 1025: 1018: 994: 974: 962: 952: 931: 927: 923: 913: 908: 886: 871: 863: 843: 839: 819: 803: 785: 781:Materia Gris 755: 745:. Formed by 716: 705: 699: 694: 687: 679: 646: 623: 610: 604: 581: 574: 564: 545: 510: 478: 469:Buenos Aires 464: 446:Color Humano 439: 424: 418: 400: 396: 392: 388: 380: 372: 369:Litto Nebbia 356: 352: 346: 341: 334:Villa Gesell 309: 305: 299: 282: 278: 276: 250: 236: 225: 215: 176: 156: 155: 149: 141: 133: 127: 115: 104: 85: 84: 80: 79: 64: 55: 33: 6241:Latin music 6165:Contradanza 6057:Tecnocumbia 6032:New Chilean 6017:Bullerengue 5873:Cha-cha-cha 5806:jalisciense 5796:Mexican Son 5680:Alternative 5643:Nuevo tango 5542:Duranguense 5490:Nueva trova 5335:Alternative 5289:Latin urban 5147:Carnavalito 5051:New Zealand 5010:Switzerland 4960:Netherlands 4839:Philippines 4721:Puerto Rico 4240:2009-10-25. 4234:Babasónicos 4188:Excerpt at 4148:www.VH1.com 4109:2009-10-25. 3833:Sui Generis 3606:Maxi Trusso 3598: [ 3544:Cam Beszkin 3513:Los Pájaros 3493:Soda Stereo 3489:Fidel Nadal 3454:Loz Colbert 3446:Ride (band) 3426:The Pastels 3380:Babasónicos 3365:Fidel Nadal 3335:Nonpalidece 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Index

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[ˈroknasjoˈnal]
rock music
Argentine
can be traced
1960s
Spanish language
Rock en Español
Latin Rock

Rock and roll
rhythm and blues
country and western
Elvis Presley
Bill Haley
Sandro y Los de Fuego
Sandro
Eddie Pequenino
The Beatles
phenomenon
Bluegrass
Country
Folklore
Pampas
Country music
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