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Arditti Quartet

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the last 50 years with a strong emphasis on living composers. Their aim from the beginning has been to collaborate with composers during the rehearsal process. However, unlike some other groups, it is loyal to music of a classical vein and avoids cross-genre music. The Quartet has performed in major concert halls and cultural festivals all over the world and has the longest discography of any group of its type. In 1999, it won the
2908: 358:, who was at the Royal Academy to receive an honorary degree. This gave the group a chance to collaborate with the composer, something they continue to do with composers ever since. The quartet was named after Arditti because they needed a name in 24 hours, so they used his with the idea that it would be temporary, but the name stuck. 409:
The Quartet is highly active throughout the year, mostly with performing and recording and premiering between twenty and fifty new works each year, taking time off only during the summer and Christmas vacations. They have performed hundreds of new works and commissions, with a discography of over 200
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The focus on new music is to have the ability to collaborate with the composer in the interpretation of the piece, something the group considers very important, both in how to play and the fact that they consider their work as a kind of service to composers, especially younger, and the lesser-known.
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The quartet is considered the authentic interpreters for many late 20th century composers, with a reputation for mastering the most difficult and complex compositions. They rarely improvise as their focus is on working with composers. These composers range from those active in the early 20th century
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and has a reputation for having a very wide repertoire. They first became known taking into their repertoire technically challenging pieces. Over the years, there have been personnel changes but Irvine Arditti is still at the helm, leading the group. The repertoire of the group is mostly music from
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for best recording of contemporary music in 1999, 2002 and 2018, the Coup de Coeur Prize and Grand Prix from the Academie Charles Cros in 2004 and the Ernst von Siemens Music Prize for lifetime achievement in 1999. They are the first and only group to date to receive the Siemen Foundation prize.
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The Quartet has a worldwide reputation as a leader for its interpretation of 20th century and contemporary new music, receiving extensive critical praise. They have been noted for their "...astonishing virtuosity and their willingness to extend the boundaries of what can be expected of a string
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Most of their performances are in concert halls and festivals within Europe, but they are known all over the world and have performed extensively in the US, Canada, Korea, South America, Japan and Mexico. One special piece which Arditti himself arranged the commission involved not playing in a
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Arditti was born in London in 1953, and began his studies in violin and composition at the Royal Academy at the age of sixteen. Arditti won prizes for violin and composition, but decided he was a better violinist and stopped composing. The focus of the quartet on new music is due to Arditti's
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For the 40th anniversary of the quartet in 2014, one of the celebrations in London included a three-concert-in-one-day event, with works by fifteen different composers with whom their leader Arditti has been particularly closely associated, as well as the world premier or several new works.
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of the United States, focused at first on the LaSalle repertoire, with the aim of supporting composers, playing the pieces as they want them played. Very soon the size of their repertoire went way beyond what the LaSalle achieved or in fact any other group in the history of classical music.
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where classical masters dominate. While they only play a handful of works from before the 20th century, they require that their repertoire maintains the tradition that has been established in Europe for several centuries. They do not work with composers from fields such as jazz, pop or
347:, Ligeti and others of the avant garde of the 1960s. It was later that Ardittí became aware of the work of the LaSalle Quartet. In his last year at the Royal Academy of Music the Quartet was founded, and it continued during the time he was in the 393:
quartet..." However, they have also been criticized as being severe, dry and intellectual with a "kind of high-flown rhetoric that almost seemed designed to show that 'new music' can live in a pretentiously self-absorbed world."
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The group continued to have success touring and recording in Europe but it was not until the success of Kronos Quartet that the ensemble came to the attention of US and Canadian audiences, with a tour in the late 1980s.
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Members of the group regularly conduct master classes in Europe, the United States and Canada, for performers and composers, generally in a guest capacity. From 1982 to 1996, they worked with young composers at the
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which is about how the group prepares for the presentation of new pieces. It was created particularly for composers and music students to help them understand the rehearsal process.
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but unlike them are not interested in crossover audiences or cross-genre pieces, but rather stick with the classical quartet form. There are very few pieces common to both groups.
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quartet, which required each member to perform his part in his own helicopter, and be relayed to the ground electronically where the audience was listening in a concert hall.
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CDs on over twenty labels, by far the longest contemporary discography of any string quartet. A complete archive of the quartet's work is located at the Sacher Foundation in
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Ariadne's Thread. In their first concert they played new compositions only, but by their second year, they decided that their repertoire needed to include works of the
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Inge Kjemtrup (October 2004). "Paving Their Own Paths: Modern Motif – Arditti Quartet Celebrates 30 Years of Collaboration with Contemporary Composers".
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calls the group the "Rolls-Royce" of quartets, in part because he does not have to explain how to play his music to them. They just know.
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Pascal Dusapin: String Quartets 6-7 (Quartet 6 Hinterland for quartet and orchestra) |AEON]] AECD1753, released 2017)
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came soon after. Works from earlier in the 20th century as perspective followed and in the 1980s they incorporated
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Over more than four decades of its existence, the only founder member that remains is its leader Irvine Arditti.
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Composers often make minor adjustments to their compositions after working with the quartet. Norwegian composer
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In their early years, before the end of the 1970s, the ensemble performed and recorded all the quartets of
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from 1976-1980, after which he left the Orchestra in order to dedicate himself full-time to the quartet.
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and Gyorgy Ligeti. They also began performing live on BBC. They commissioned their first piece in 1977,
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for lifetime achievement, being the first and only group to date to receive this award.
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In 2013, they collaborated with the composer Brian Ferneyhough on a documentary called
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which was written for them. Also works involving electronics are in their repertoire.
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The Arditti Quartet is dedicated to 20th century and contemporary works, a niche in
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György Ligeti: String Quartets 1, 2, 2 Movements, Ballad und tanz, Hyllning (CD:
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interest in it, which began with composing in his childhood and hearing music by
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Arnold Schoenberg: Chamber Music (CD: Montaigne/naive MO782025, released 1995)
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John Cage: String Quartet in four parts, Four (CD: MODE Mode27, released 1992)
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with sho + solos elegy for violin, threnody for viola, chant for cello, (CD:
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Awards include the Deutsche Shallplatten Preis on various occasions, the
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Richard Fairman (30 April 2014). "Arditti Quartet: CLASSICAL MUSIC".
644:: String Quartets I–IV (CD: Montaigne/naive MO782024, released 1994) 1180:"Arditti Quartet, Huddersfield Contemporary Music Festival, review" 1163:"Strings on Screen – Arditti Quartet Reveals Tricks of the Trade". 1223: 574: 558: 539: 529: 411: 330:, Lennox Mackenzie and John Senter while all were students at the 354:
The Quartet's first concert was in March 1974, with the works of
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Claire Sykes (August–September 1999). "The Arditti Quartet".
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They have on occasion performed minimalist pieces such as "
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Darmstadt International Summer Courses for New Music
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Vol. 14, no. 2. pp. 58–71. 980: 978: 976: 929: 927: 310:In the past they have been compared to the 2565: 2551: 2543: 1246: 1232: 1224: 1114: 1112: 1110: 974: 972: 970: 968: 966: 964: 962: 960: 958: 956: 809: 807: 28: 17: 1078: 1076: 1074: 1072: 1070: 1022: 1020: 1018: 1016: 904: 902: 900: 898: 896: 894: 1014: 1012: 1010: 1008: 1006: 1004: 1002: 1000: 998: 996: 518:: String Quartets 1–4, String trio (CD: 2903: 803: 2934:Contemporary classical music ensembles 2939:Ernst von Siemens Music Prize winners 815:"The Arditti Quartet: 40 Years Young" 508:: String Quartets 1–2, Chaconne (CD: 418:concert hall. This was Stockhausen's 7: 2954:Winter & Winter Records artists 322:The Quartet was founded in 1974 by 2944:Musical groups established in 1974 612:(CD: AEON AECD0975, released 2015) 475:: String Quartets 1–4, Elegy (CD: 14: 1122:. Arditti Quartet. Archived from 1045:Andrew Clements (28 April 2014). 334:. They modeled themselves on the 109: 2906: 2534:List of string quartet ensembles 1178:Ivan Hewett (16 November 2013). 716:Ashot Sarkissjan (violin), 2005– 532:WER 60114/ 15-50, released 1986) 1167:. Washington DC. 27 July 2011. 1: 2574:Ernst von Siemens Music Prize 876:Max Nyffeler (5 April 1999). 154:Ernst von Siemens Music Prize 577:WER 60079-50, released 1988) 573:: String Quartets 1, 2 (CD: 149:contemporary classical music 2949:Gramavision Records artists 1741:radio.string.quartet.vienna 745:Lennox Mackenzie, 1974–1983 634:; Adieu; Angels' Music (CD 545:Toshio Hosokawa: Quintets, 528:: String Quartets 1–5 (CD: 479:KTC 1065-66, released 1989) 177:to the present and include 2975: 719:Ralf Ehlers (viola), 2003– 638:9003/9003b, released 1990) 610:In Memoriam Thomas Kakuska 561:WER 6769 2, released 2014) 542:WER 6761 2, released 2013) 434:: String Quartets 1-4 (CD 2580: 2531: 787:Helen Liebmann, 1976–1977 778:Dov Scheindlin, 1997–2002 754:David Alberman, 1985–1994 438:910 242-2, released 2017) 349:London Symphony Orchestra 27: 2621:Dietrich Fischer-Dieskau 522:AECD0975, released 2009) 512:AECD1225, released 2010) 502:AECD1335, released 2017) 489:AECD0983, released 2012) 452:AECD1217, released 2012) 2929:English string quartets 1220:at Sony BMG Masterworks 680:(Tzadik, released 2014) 584:SK62306, released 1996) 405:Concerts and recordings 260:and the 1st quartet of 2959:Albany Records artists 1218:Arditti String Quartet 784:John Senter, 1974–1976 466:Mode17, released 1989) 332:Royal Academy of Music 282:Second Viennese School 40:Background information 2843:Pierre-Laurent Aimard 2657:Karlheinz Stockhausen 2597:Mstislav Rostropovich 1165:Targeted News Service 1149:. London. p. 13. 935:"The Arditti Quartet" 842:. London. p. 11. 651:Karlheinz Stockhausen 2831:Christoph Eschenbach 2753:Nikolaus Harnoncourt 2693:H. C. Robbins Landon 624:Surrounded by Scales 371:String Quartet No. 1 356:Krzysztof Penderecki 219:Georg Friedrich Haas 2711:Harrison Birtwistle 2603:Herbert von Karajan 749:Alexander Bălănescu 699:Climbing a Mountain 677:Myth and Mythopoeia 655:Helikopter Quartett 616:Karl Aage Rasmussen 602:Canciones Lunáticos 598:Cuerdos del Destino 448:, 9 Movements (CD: 446:The Tree of Strings 442:Harrison Birtwistle 436:Winter & Winter 2789:Anne-Sophie Mutter 2747:Reinhold Brinkmann 2639:Witold Lutosławski 2196:1st Adolph Brodsky 1817:2nd Adolph Brodsky 817:. London: Barbican 235:Witold Lutosławski 2894: 2893: 2783:Brian Ferneyhough 2723:Helmut Lachenmann 2681:Hans Werner Henze 2663:Leonard Bernstein 2540: 2539: 2206:Fanny Mendelssohn 642:Arnold Schoenberg 620:Solos and Shadows 565:Helmut Lachenmann 526:Hans Werner Henze 496:Brian Ferneyhough 462:, 30 Pieces (CD: 363:Hans Werner Henze 227:Helmut Lachenmann 211:Brian Ferneyhough 133: 132: 2966: 2911: 2910: 2909: 2902: 2867:Georges Aperghis 2861:Tabea Zimmermann 2855:Rebecca Saunders 2777:Daniel Barenboim 2717:Maurizio Pollini 2591:Olivier Messiaen 2585:Benjamin Britten 2567: 2560: 2553: 2544: 1248: 1241: 1234: 1225: 1214: 1213: 1211:Official website 1196: 1195: 1193: 1191: 1175: 1169: 1168: 1160: 1151: 1150: 1142: 1136: 1135: 1133: 1131: 1116: 1105: 1104: 1102: 1100: 1086:(3 March 1988). 1080: 1065: 1064: 1062: 1060: 1042: 1033: 1032: 1024: 991: 990: 982: 951: 950: 948: 946: 931: 922: 921: 919: 917: 906: 889: 888: 886: 884: 873: 844: 843: 833: 827: 826: 824: 822: 811: 731: 685:Other 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Index


Irvine Arditti
See text
ardittiquartet.com
string quartet
Irvine Arditti
contemporary classical music
Ernst von Siemens Music Prize
chamber music
crossover
Hans Abrahamsen
Thomas Adès
Luciano Berio
John Cage
Elliott Carter
Franco Donatoni
Pascal Dusapin
Henri Dutilleux
Brian Ferneyhough
Morton Feldman
Georg Friedrich Haas
György Kurtág
Helmut Lachenmann
György Ligeti
Witold Lutosławski
Wolfgang Rihm
Giacinto Scelsi
Iannis Xenakis
Mishima
Philip Glass

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