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sabbatical to engage in research, reflection, exploration of management skills and abilities. Roth submitted his resignation on
November 17, 2020 and it was unanimously accepted by the 29-member board. Roth claimed his resignation from Mosaic Theater Company of DC was in part, due to disagreements about the content of the "Voices From a Changing Middle East Festival" which he had created during his tenure at Theater J and transferred to Mosaic Theater Company of DC. Roth stated "All original selections for the 2021 Voices Festival, intentionally intercultural and programmed in order to work either in live or virtual performance — were thrown out in favor of an exclusively Palestinian-centered festival." This information was directly contradicted by Mosaic Theater Company of DC in a public statement on November 20, 2020 noting, "A review of 20 years of programming (about 75 projects in all) revealed that only one project, a staged reading, was written by a Palestinian (In Spitting Distance by Taher Najib) and two works were adaptations of Palestinian authored texts. In an effort to provide some balance, the Artistic Team began discussions around using our 2020 virtual platform to highlight a play by a Palestinian writer appropriate for online presentation. Jewish pro-peace voices were never excluded. Any representation to the contrary is simply not true . A series of constructive, challenging and critical conversations were underway about how best to honor the spirit of the festival for this year when Mr. Roth removed himself from the table."
34:, he produced more than 129 productions and created festivals including "Locally Grown: Community Supported Art," "Voices from a Changing Middle East", and Theater J's acclaimed "Beyond The Stage" and "Artistic Director's Roundtable" series. In 2010, Roth was named as one of the Forward 50, honoring nationally prominent "men and women who are leading the American Jewish community into the 21st century, and in 2017 he was given the DC Mayor's Arts Award for Visionary Leadership. In 2021, Roth launched a new partnership with A. Lorraine Robinson, founding Voices Festival Productions, to be the new home for his long-running "Voices From a Changing Middle East Festival." Their first public event was a virtual benefit in support of "Ukrainian Playwrights Under Siege" in partnership with the Arts Club of Washington.
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work as a playwright and as the child of
Holocaust survivors." Roth says, "The black-Jewish dialogue, because of my own upbringing on the South Side of Chicago, is extraordinarily personal to me, too. The encountering of Palestinians and the dialogue between the Jew and the Arab has grown out of those same impulses—the commonality of experience."
765:(Citizens Opposed to Propaganda Masquerading as Art), a local group formed to protest the play criticized it as anti-Israel and appealed to a major donor to cut off funding. It also objected to the Peace Cafe. The JCC decided to move the Peace Cafe off-site, and it is hosted by Andy Shallal's Busboys and Poets.
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In 2013, Roth debuted a prequel to these two plays, "Andy and The
Shadows" at Theater J, in a production directed by Daniella Topol. "Andy" focuses on a young filmmaker, the son of Holocaust refugees on the South Side of Chicago. Set in 1984 and loosely autobiographical, the protagonist grapples with
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In 2014, Roth was terminated as
Theater J's artistic director. Over 100 artistic directors of U.S. theater companies published an open letter denouncing his termination by the JCC of Washington, D.C. The open letter, signed by leaders of companies including Lincoln Center Theater and Public Theater,
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In 2012, members of COPMA attended readings intending to debate. Roth believes that theater addressing issues in the Middle East is important to broadening discussions. He has said he is attracted to the topic of "bridge crossing" between Jews and non-Jews from his own background. "It stems from my
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In
November 2020, Roth resigned as Mosaic Theater Company of DC's artistic director. Complaints by staff members and months of internal conflict led to Roth's resignation, stating he was unable to live with the restrictions imposed on his leadership after a board of directors-mandated, summer-long
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He also founded the Peace Café in 2000 with Mimi Conway, a
Theater J council member, and friend Andy Shallal, to complement performances of "Via Dolorosa." This was to "get people talking about Middle East issues and to find common ground between Jews and Arabs." Shallal joined Theater J's council
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Founded by Roth in 2014, Mosaic
Theater Company of DC is dedicated to creating independent, intercultural, uncensored, socially relevant art. In 2017, Mosaic received the 2017 John Aniello Award for Outstanding Emerging Theatre Company from the Helen Hayes Awards. Past productions include: Jay O.
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called it "an act of political censorship." Specifically, it was said that Roth was fired due to his protesting the DCJCC cancelation of
Theater J's "Voices from a Changing Middle East". Jeremy Gerard wrote: "It is absolutely clear that Roth was fired because of the content of the work he has so
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As
Artistic Director of Theater J, Roth produced over 129 mainstage productions, including 44 world premieres, and 150 staged workshops and readings. He was credited since taking over in 1997 with leading Theater J to "national prominence as a home for edgy, politically charged plays – and for
761:. For this production, Roth commissioned an Arabic translation for the conversations between the Palestinian couple. The show was presented in Arabic and Hebrew with English surtitles... The talkback sessions were held with different panels of scholars, artists, and activists, a total of 44.
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the play was recipient of the first Helen Eisner Award for Young
Playwrights given by the Streisand Center for Jewish Culture (1987), and presented as a reading at L.A. Theatre Works (featuring Bruce Norris); Victory Gardens Theater (directed by Michael Greif); and the American Jewish Theatre
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which dramatizes the story of a Jewish Community Center CEO who fires its theater's artistic director) Roth's play will receive its world premiere at Woolly Mammoth Theatre in their Rehearsal Hall as part of Voices Festival Productions inaugural Middle East Festival in fall of 2022.
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thoughtfully and ably championed for the last two decades." He also claimed that Roth was disciplined for "blatantly political reasons." The DCJCC denies that Roth's termination was political. Immediately following his departure from Theater J, Roth founded the
413:. In this sequel, we follow the Adapter (a fictionalized version of Roth himself) as he sets off for Europe to discover why Schirovsky would align himself with such a controversial figure as Haider, who is often associated with anti-semitism.
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The play was developed further at Playwrights Theatre of New Jersey and Jewish Theatre of Austria, and produced in repertory in 2007 at Atlanta's Jewish Theatre of the South. In 2010 it was presented as a staged reading in New York at the
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Chicago's Steppenwolf Theatre and Washington's Shakespeare Theatre Company, stated that "it is absolutely clear that Roth was fired because of the content of the work he has so thoughtfully and ably championed for the last two decades."
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From 1988 to 1997, Roth was a lecturer for the University of Michigan's English and Theater departments, teaching playwriting and dramatic literature. He later taught in the Department of Theater Arts and the Genesis Institute at
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Since 2006, Roth has taught a course in political theater in Washington, DC, for University of Michigan's "Michigan in Washington Program," University of San Francisco's "USFinDC Program" and University of California Berkeley's
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nurturing risky new works." The theater is a program of the Washington DCJCC with an Actors' Equity Small Professional Theatre Tier 7 Contract and membership in the League of Washington Theatres, Theater Communications Group,
22:(born January 10, 1961) is an American theatrical producer, playwright, director and educator. From 2014 to 2020 Roth served as the Artistic Director of Mosaic Theater Company of DC and was formerly the Artistic Director of
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based on the playwright's experiences interviewing Arabs and Jews on a visit to Israel, the West Bank and Gaza in 1998. Four staged readings were presented alongside Hare's play, including Motti Lerner's play,
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He was described as creating a "rare mix of professional polish, thoughtful dramaturgy and nervy experimentation – all in a spot just far enough off the New York radar for a playwright to relax." An article in
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Lonnie Firestone wrote that Roth had sometimes generated controversy by his choices even though he led Theater J to become "one of the most prolific producers of Israeli-oriented drama in North America."
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2015:
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before its 2001 premiere at Theater J. Sarah Fox's performance in Theater J's production was nominated in 2002 for the Helen Hayes Award for Outstanding Supporting Actress, Resident Play.
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fictionalizes events leading up to the departure of an artistic director from the unnamed theater that he founded was read at Philadelphia's InterAct Theater (on the set of Seth Rozin's
2035:
1868:
511:
was nominated for the Charles MacArthur Award for Outstanding New Play in 2001, and published by Samuel French, Inc. in 2003. It was anthologized in Ellen Schiff and Michael Posnick's
1941:
1626:
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by Roy Friedman – Tribute Productions staged reading at Warehouse Theater, 2003. Winner of the Sprenger Lang Foundation/Tribute Productions Nathan Miller History Play Contest.
2010:
634:(one of HB Playwrights Foundation's 1999 "Airport Plays", featuring Paula Gruskiewicz and Peter Birkenhead; produced by Play2C Theater Company in Berlin in 2011); and
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1553:"Off-Broadway Productions (June 1, 2000-May 31, 2001)." Theatre World: 2000-2001 Season, Volume 57. Ed. John Willis. Milwaukee: Hal Leonard Corporation, 2004. p. 162.
37:
In December 2014, Roth was dismissed as the Artistic Director of Theater J. Hundreds of noted figures in the world of American theater contested his termination;
591:; and University of Michigan. Gilbert McCauley directed its 1996 world premiere at Performance Network Theatre in which Peter Birkenhead and Tim Rhoze starred.
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Peter Marks has described the Theater J post-show discussion format as "a chance to digest and puzzle out en masse, in an entirely exhilarating way."
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2009, he was identified as one of the "Forward 50" (Jewish-Americans 'who have made a significant impact on the Jewish story in the past year") by
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2020:
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which "grappled with the 1995 assassination of Prime Minister Yitzhak Rabin." Other Festival readings that fall included Israela Margalit's
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in December 2014. In November of 2020, in the midst of the pandemic, he resigned as Mosaic's artistic director after complaints from staff.
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2025:
469:
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questions of remembrance, history and identity that are touched upon in "Born Guilty" and "The Wolf in Peter." Originally developed as
1361:
487:, this won the 1988 Helen Eisner Award for Young Playwrights from the Streisand Center for Jewish Culture. The full-length version of
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918:
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757:. It was considered too sensitive a topic by some American theaters, dealing with the expulsion of Palestinians at the time of the
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has enjoyed more than 40 national productions (including in Atlanta, Boston, Dallas, and San Francisco) and a radio broadcast by
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405:(originally, "Peter and The Wolf") is based on the political career of Peter Sichrovsky and his controversial partnership with
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Roth's dramatic adaptation follows Sichrovsky as the Austrian Jewish journalist interviews children of Nazi and SS officials.
2050:
1610:
695:
My Brief But Calamitous Affair With The Minister of Culture & Censorship or Death of The Dialogic In The American Theater
653:
was produced by Theater J in 2009. John Vreeke directed a cast featuring Naomi Jacobson, Alexander Strain and Jerry Whiddon.
607:
140:
626:, was named in "The Best Plays of 1997-1998" (Limelight Editions, 1998) and published by Dramatists Play Service in 1999);
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for Outstanding Resident Play; the director of the play, John Vreeke, was nominated for Outstanding Director. Excerpts of
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BWW News Desk (September 20, 2010) following readings by The Epic Theatre at Manhattan Theatre Club and City University.
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618:(featured in Ensemble Studio Theatre's "Marathon '98" festival of new one-act plays, it received critical praise from
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1111:
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1484:
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In 2000, Roth launched a festival entitled "Voices from a Changing Israel" in conjunction with the four week run of
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during Theater J's 1997-98 Season, Roth's first as Artistic Director. Recent one-acts for various festivals include
151:
claimed that Roth helped to make Theater J the "premier theater for premieres." It produced new plays ranging from
111:
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The son of German-born refugees of the Holocaust, Roth was born and raised in Chicago, where he graduated from the
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1377:
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758:
425:
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was produced at Theater J in 1998 and staged by the Hypothetical Theatre Company at the 14th Street Y in 2001.
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1965:
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as part of its 1990 "Reflections: A New Plays Festival." It won the Clifford Davie Award for New Plays.
382:
737:. In 2007, Roth expanded the embrace of the series, renaming it "Voices from a Changing Middle East."
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since 1987 and was a founding member of the HB Playwrights Foundation Writers Unit from 1993 to 2007.
187:. In addition to season offerings, Roth led Theater J to become known for its discussion programming,
2045:
331:
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Roth is married to Kate Schecter, the CEO and President of World Neighbors. They have two daughters.
281:. The play was nominated for the 1992 Helen Hayes/Charles MacArthur Award for Outstanding New Play.
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called the play a "searing drama" and the production enjoyed a sold out, extended run.
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in 1988 at The Ensemble Studio Theatre's OctoberFest. The first full-length version of
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and New Arts Theater. A revised version of the play was presented in 2011 as part of
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for an extended seven-month run, and received widespread critical praise. Since then,
2004:
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1496:
642:
530:
391:
313:
261:'s widely acclaimed book of interviews with the children and grandchildren of Nazis (
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1869:"In stunning turn, Ari Roth resigns from Mosaic Theater, a D.C. company he created"
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and was its first and only Arab member. In his 2012 article, "Heated Dialogue," in
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546:
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429:
305:
301:
293:
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1991:
568:(Smith and Kraus, Inc., 1991), and was published in 1996 by Samuel French, Inc.
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297:
254:
63:
1516:
1051:""At Theaters, Push for Racial Equity Leads to Resignations and Restructuring""
753:, adapted by Israeli playwright Boaz Gaon from a novella by Palestinian author
556:
Roth made his Washington directorial debut with Theater J's 2004 production of
238:
which would move to The Public Theater with same creative nucleus in 2022) and
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School of Drama graduate program in Dramatic Writing, and a visiting writer at
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Ari Roth and Epic Theatre Ensemble Present Staged Reading of BORN GUILTY CYCLE
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947:"Beleaguered Theater J Slammed Over "Blatantly Political Firing" of Ari Roth"
1644:'Terminal Connections:' Kreuzberg's Play2C Theater Premieres Six Short Plays
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31:
23:
575:(MTC) with a grant from the National Federation of Jewish Culture in 1994,
973:""U.S. Theater Chiefs Protest Firing Of D.C. Artistic Director Ari Roth""
598:
Expanded from one-acts originally produced by HB Playwrights Foundation,
457:
for The Theatre Lab in Washington, DC, and read at The National Theater.
638:(published by Smith and Kraus as part of "The Museum Plays" anthology).
445:(directed again by Greif). In 1988 Evan Yionoulis directed readings of
840:
600:
Love and Yearning in the Not-for-Profits and Other Marital Distractions
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416:
The sequel premiered in 2002, when it was produced in repertory with
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in 1987 and published in English in 1988 by Basic Books). Entitled
1690:""In 'Private,' we ponder where to draw the line on surveillance""
560:, which included ten new original songs penned by the playwright.
893:"Wartime Takes Center Stage in Ukrainian Playwrights Under Siege"
533:
directed. Its second act was originally presented as the one-act
1249:"Theater J's 'Seven Jewish Children' Provokes Thought, Feedback"
369:
686:(Source Theatre Festival, 2008). Roth has been a member of the
86:, a noted UM alum and playwright (and student of Thorpe Rowe).
1942:"Statement on The Voices from a Changing Middle East Festival"
1839:"61 Theater Chiefs Slam Firing of Theater J Director Ari Roth"
799:
South Side: Racial Transformation of an American Neighbor-Hood
377:
803:
South Side: Racial Transformation of an American Neighborhood
296:
premiere in 1993 at the now-defunct American Jewish Theater.
1077:"A Second Sudden Exit for a Hard-Charging Artistic Director"
1025:"DC Cabaret Series La-Ti-Do relocates to Dupont Circle Bar"
749:
In 2011, Theater J produced the United States premiere of
1657:
HB Playwrights Short Play Festival 1998: The Museum Plays
1454:
Saturday Morning – The National Theatre of Washington DC
1394:"'Born Guilty' Bears Witness To Echoes Of The Holocaust"
762:
1572:
Ojai Playwrights Conference. Retrieved March 18, 2012.
805:. Staged concert readings at Theater J, 1998 and 2007.
1431:, Theater J, Washington DCJCC, Retrieved May 25, 2012
350:
as part of its "Chicago Theatres on the Air" series.
1818:"Artistic director Ari Roth is fired from Theater J"
684:
The Great White Undulating Orb In The Bed Between Us
338:, later moved to the Famous Door Theatre Company at
503:. It had its mainstage debut at Theater J in 2000;
468:in a student/professional workshop at Washington's
390:(Smith and Kraus, Inc., 1994) and was published by
1891:"A Message from Mosaic Board Chair, Bill Tompkins"
1598:Helen Hayes Award Nominations and Recipients: 2002
1485:Helen Hayes Award Nominations and Recipients: 2001
1410:Helen Hayes Award Nominations and Recipients: 2003
1349:Helen Hayes Award Nominations and Recipients: 1992
1205:Legit Reviews. Harris, Paul // Variety; 10/30/06.
1153:roth&st=cse The Premier Theater for Premieres
999:"Carole Zawatsky's Letter about Ari Roth's Firing"
815:2017, Mayor's Arts Award for Visionary Leadership
2016:20th-century American dramatists and playwrights
1802:Firestone, Lonnie. "Ari Roth: Heated Dialogue,"
919:"Ari Roth, Director of Jewish Theater, is Fired"
2036:University of Chicago Laboratory Schools alumni
1456:, The National Theatre, Retrieved May 25, 2012.
1351:, Theatre Washington. Retrieved March 18, 2012.
606:(directed by Susan Booth); New Dramatists; and
472:. Delia Taylor and Shirley Serotsky directed.
1412:theatreWashington. Retrieved March 18, 2012.
866:""News: The 32nd Annual Mayor's Arts Awards""
428:by the Epic Theatre Ensemble and directed by
78:). Based on his playwriting, he received two
8:
1600:theatreWashington. Retrieved March 18, 2012.
1487:theatreWashington. Retrieved March 18, 2012
277:had its world premiere in 1991, directed by
110:. Roth has been a visiting professor in the
56:University of Chicago Laboratory High School
1966:"News: The 32nd Annual Mayor's Arts Awards"
553:, Peter Birkenhead, and Cordelia Richards.
1743:https://www.voicesfestivalproductions.com/
1497:Geva Theatre Past Season Archive 1989-1990
1444:broadwayworld.com. Retrieved May 25, 2012.
1798:
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521:was first produced as a one-act entitled
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1860:
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1528:
1517:Oh, The Innocents, a CurtainUp DC review
1291:"The 2017 Helen Hayes Awards Recipients"
649:(from a translation by Carol Rocamora),
636:Love and Yearning in the Not-for-Profits
483:was first written as a one-act entitled
28:Washington, D.C. Jewish Community Center
2011:American theatre managers and producers
1642:Mueller-Kroll, Monika (April 21, 2011)
1506:, GeVa Theatre. Retrieved May 28, 2012.
831:
566:The Best Men's Stage Monologues of 1990
234:, the World Premiere of Mona Mansour's
212:, along with the American Premieres of
1916:"A Founding Artistic Director Resigns"
1766:
1755:
945:Goldenberg, Anna (December 25, 2014).
917:Paulson, Michael (December 19, 2014).
330:had its Midwest premiere at Chicago's
82:for Drama, the first in 1981 given by
30:from 1997 to 2014. Over 18 seasons at
1940:Theater, Mosaic (November 20, 2020).
1659:. Hanover, NH: Smith and Kraus, 2002.
1196:Playbill.com. Retrieved May 28, 2012.
1075:Ritzel, Rebecca (November 27, 2020).
733:, and Ford's adaptation of Amos Oz's
334:in 1994. The production, directed by
202:Unexplored Interior (This Is Rwanda),
7:
1889:tompkins, Bill (November 18, 2020).
1360:Hampton, Wilborn (January 28, 1993)
1233:Holding Firmly Onto His 'Bal Masque'
1220:'Jump/Cut': Life Through a Long Lens
1049:Paulson, Michael (August 19, 2020).
971:Gerard, Jeremy (December 22, 2014).
801:by Louis Rosen, based on his book, *
579:was extensively workshopped at MTC;
464:. In 2011 the Theatre Lab presented
222:, Shay Pitovsky and Shahar Pinkhas'
1878:– via www.washingtonpost.com.
1827:– via www.washingtonpost.com.
1475:Theater J. Retrieved May 25, 2012.
515:(University of Texas Press, 2005).
316:, Maggie Burke, Jennie Moreau, and
226:, and Hanna Eady and Edward Mast's
1903:– via www.mosaictheater.org.
1867:Marks, Peter (November 18, 2020).
1816:Marks, Peter (December 18, 2014).
1678:Theater J. Retrieved May 28, 2012.
1544:Theater J. Retrieved May 28, 2012.
1392:Bommer, Lawrence (March 15, 1994)
1376:Williams, Albert (March 17, 1994)
1184:Jones, Kenneth (February 3, 2004)
682:(Theatre Lab Dramathon, 2011) and
670:, Adam Phillips, and Shira Piven.
210:Hooded, Or Being Black For Dummies
102:, and was an adjunct professor at
14:
1611:Angst, Guilt, Lust and Loneliness
587:; HB Playwrights Foundation; the
253:In 1989 Roth was commissioned by
2041:Tisch School of the Arts faculty
1627:One-act Wonders At Ensemble Fest
1132:Harris, Paul (October 22, 2006)
462:The Born Guilty Cycle: A Trilogy
455:The Born Guilty Cycle: A Trilogy
58:. He studied playwriting at the
1914:Roth, Ari (November 18, 2020).
1688:Marks, Peter (March 30, 2022).
1625:Fintan, O'Toole (June 5, 1998)
1535:Theater J Productions 1995-1999
1466:Theater J Productions 1999-2003
1422:Theater J Productions 1999-2003
1231:Horwitz, Jane (April 11, 2006)
1167:Legit Reviews. Harris, Paul //
1954:– via mosaictheater.org.
1646:NPR. Retrieved March 18, 2012.
1400:. Retrieved December 27, 2011.
1367:. Retrieved December 27, 2011.
1266:"Mosaic Theater Company of DC"
1247:Marks, Peter (March 27, 2009)
614:comprises four one-act plays:
608:Woolly Mammoth Theatre Company
549:directed a cast that included
460:These three plays now make up
141:Association for Jewish Theatre
130:Artistic Director of Theater J
1:
2021:University of Michigan alumni
1609:Marks, Peter (June 10, 1998)
1218:Marks, Peter (March 6, 2003)
1186:Wasserstein World Premieres,
1104:"Financials & Leadership"
493:Foundation for Jewish Culture
388:The Best Stage Scenes of 1993
124:"Berkeley Washington Program"
1383:Retrieved December 27, 2011.
1362:The Sins of the Nazi Fathers
1270:Mosaic Theater Company of DC
1151:Graham, Trey (May 15, 2005)
195:Mosaic Theater Company of DC
116:George Washington University
44:Mosaic Theater Company of DC
1995:, Retrieved March 18, 2012.
1633:. Retrieved March 18, 2012.
1616:. Retrieved March 18, 2012.
1588:. Retrieved March 18, 2012.
1522:. Retrieved March 18, 2012.
1158:. Retrieved April 20, 2012.
1139:. Retrieved April 20, 2012.
688:Dramatists Guild of America
628:The Professor and the Whore
604:Ojai Playwrights Conference
513:9 Contemporary Jewish Plays
497:Performance Network Theatre
432:, artistic director of the
2072:
2056:21st-century American Jews
2026:20th-century American Jews
1740:Voices Festival Production
1669:The Seagull on 16th Street
1255:. Retrieved April 20, 2012
743:American Theatre Magazine,
651:The Seagull on 16th Street
485:Proverbial Human Suffering
300:directed a cast including
284:After further readings at
183:, and Richard Greenberg's
177:Spring Forward, Fall Back,
112:Carnegie Mellon University
1804:American Theatre Magazine
1238:. Retrieved May 28, 2012.
1207:Spring Forward, Fall Back
1194:, Play DC Through Feb. 15
891:Thal, Ian (May 3, 2022).
495:and premiered in 1988 at
426:Museum of Jewish Heritage
257:to write a play based on
208:and Tearrance Chisholm's
74:(author of the textbook,
585:Atlantic Theater Company
527:Circle Repertory Company
491:was commissioned by the
374:The Studs Terkel Program
240:Caleen Sinnette Jennings
108:Tisch School of the Arts
1515:See, Rich (July, 2004)
1378:A Dysfunctional Culture
1222:Retrieved May 28, 2012.
1209:Retrieved May 28, 2012.
1175:Retrieved May 28, 2012.
674:was produced alongside
581:Victory Gardens Theater
451:New York Stage and Film
727:Night Blooming Jasmine
573:Manhattan Theatre Club
411:Austrian Freedom Party
360:was nominated for the
356:'s 2002 DC revival of
340:Jane Addams Hull House
286:Manhattan Theatre Club
60:University of Michigan
2051:Hopwood Award winners
1655:Carden, William, ed.
1502:June 1, 2012, at the
1325:"The Vagrant Trilogy"
1323:Public Theater, The.
897:Washington City Paper
759:1948 Arab–Israeli War
735:In The Land of Israel
666:written by Roth with
589:University of Chicago
383:All Things Considered
243:Queens Girl in Africa
236:The Vagrant Trilogy (
1972:. September 18, 2017
1563:OPC Past Playwrights
872:. September 18, 2017
723:The Murder of Isaac,
386:. It is featured in
332:A Red Orchid Theatre
80:Avery Hopwood Awards
1845:. December 23, 2014
1719:interacttheatre.org
1694:The Washington Post
1631:New York Daily News
1295:The Washington Post
1253:The Washington Post
1236:The Washington Post
1114:on February 3, 2015
1029:The Washington Post
793:Randolph of Roanoke
656:A reexamination of
632:Terminal Connection
624:New York Daily News
616:Prelude to a Crisis
602:was workshopped at
501:Ann Arbor, Michigan
392:Samuel French, Inc.
104:New York University
100:Brandeis University
72:Kenneth Thorpe Rowe
68:The Runner Stumbles
1806:, Feb. 2012: 42-45
1674:2012-04-20 at the
1614:The New York Times
1568:2012-07-03 at the
1540:2012-05-05 at the
1471:2012-02-14 at the
1427:2012-02-14 at the
1365:The New York Times
1188:Welcome to My Rash
1156:The New York Times
1134:Risk Brings Reward
1082:The New York Times
1055:The New York Times
924:The New York Times
841:"Forward 50, 2009"
789:– Theater J, 2004.
620:The New York Times
348:L.A. Theatre Works
322:The New York Times
214:Izzeldin Abuelaish
165:Welcome to My Rash
149:The New York Times
16:American dramatist
1765:Missing or empty
1586:Los Angeles Times
1173:The Tattooed Girl
1023:Ritzel, Rebecca.
787:Oh, The Innocents
693:Roth's new play,
676:Waiting for Lefty
663:Waiting for Lefty
641:An adaptation of
612:Love and Yearning
562:Oh, The Innocents
558:Oh, The Innocents
539:Oh, The Innocents
519:Oh, The Innocents
505:Wendy C. Goldberg
403:The Wolf in Peter
368:were featured on
362:Helen Hayes Award
263:Schuldig Geboren,
230:Philip Himberg's
189:Beyond the Stage.
161:Wendy Wasserstein
157:The Tattooed Girl
153:Joyce Carol Oates
137:Cultural Alliance
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755:Ghassan Kanafani
729:, Joshua Ford's
571:Commissioned by
541:was produced by
470:National Theatre
409:, leader of the
279:Zelda Fichandler
259:Peter Sichrovsky
219:I Shall Not Hate
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751:Return to Haifa
708:
593:Goodnight Irene
577:Goodnight Irene
564:is featured in
523:Private Lessons
509:Life in Refusal
489:Life in Refusal
481:Life in Refusal
478:
251:
204:Motti Lerner's
197:
173:Robert Brustein
132:
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93:Teaching career
76:Write that Play
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1872:. Retrieved
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306:Greg Germann
302:Zach Grenier
294:Off-Broadway
289:
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271:Born Guilty,
270:
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1843:The Forward
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1034:January 17,
1008:January 27,
956:January 27,
951:forward.com
930:January 27,
850:January 27,
845:forward.com
820:The Forward
699:Settlements
647:The Seagull
551:Josh Brolin
507:directed.
476:Other plays
418:Born Guilty
407:Jörg Haider
399:Born Guilty
366:Born Guilty
358:Born Guilty
344:Born Guilty
336:Shira Piven
328:Born Guilty
298:Jack Gelber
290:Born Guilty
275:Born Guilty
267:Der Spiegel
255:Arena Stage
232:Paper Dolls
228:The Return,
66:(author of
64:Milan Stitt
2005:Categories
1108:www.wn.org
827:References
712:David Hare
668:Adam Mckay
318:Amy Wright
310:Lee Wilkof
185:Bal Masque
139:, and the
1520:CurtainUp
1308:August 3,
1303:0190-8286
1275:August 3,
781:Directing
466:The Cycle
394:in 1994.
354:Theater J
200:Sanders'
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1758:cite web
1672:Archived
1566:Archived
1538:Archived
1500:Archived
1469:Archived
1425:Archived
977:Deadline
292:had its
181:Jump/Cut
20:Ari Roth
1976:May 26,
1748:May 25,
1724:May 25,
1699:May 25,
1334:May 25,
1169:Variety
1137:Variety
1060:May 25,
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525:at the
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529:Lab;
249:Plays
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1952:2020
1927:2020
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1876:2020
1851:2019
1825:2019
1771:help
1750:2022
1726:2020
1701:2020
1336:2020
1310:2017
1299:ISSN
1277:2017
1190:and
1120:2015
1090:2021
1062:2020
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1010:2015
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