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Ariodante

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150: 486: 393: 29: 3304: 576:). Hearing cries, Ariodante finds Dalinda, who is being held by thugs hired by Polinesso, with orders to kill her, as she is the only witness to his plot to discredit Ginevra. Ariodante drives Polinesso's henchmen away, and Dalinda reveals the truth to him – it was she, disguised as Ginevra, who let Polinesso into her bedroom. Ariodante rails against the treachery that caused him to doubt his beloved (Aria: 539:). When her father gives her the terrible news, she swoons and is carried away. Lurcanio now appears before the King, who attempts to comfort him on the loss of his brother. The furious Lurcanio, however, hands the King a letter telling him he saw Ginevra admit Polinesso into her bedroom for the night, which caused his brother to kill himself, and Lurcanio now is bent on revenge (Aria: 3325: 3315: 677:, moving from joy to despair and back again to happiness. Also of note is the "exquisite" duet for her with Ariodante, "Prendi, prendi da questa mano" and the beautiful pastoral music that concludes the first act. Among a series of remarkable arias for the title role, sung in the first performance by the castrato Carestini, are the mournful aria with 785: 2067: 620:
Polinesso and Lurcanio fight, Lurcanio mortally wounds Polinesso who is carried away by Odaordo. A new champion appears with his visor down. He reveals himself as Ariodante, to the astonishment of all, and declares Ginevra innocent. Dalinda admits her part in the plot. Odoardo returns with the news
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Polinesso and Ariodante meet; Polinesso feigns astonishment when Ariodante tells him he is betrothed to Ginevra, insisting that Ginevra loves him. Ariodante refuses to believe it. This is all being observed by Lurcanio, who is hidden. Polinesso tells Ariodante to watch as "Ginevra", really Dalinda
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Medieval Scotland. Ginevra, daughter of the King, is in love with and betrothed to Prince Ariodante. She rejects the amorous advances of the Duke of Albany, Polinesso, who then cruelly tricks Ariodante and Ginevra's father into believing that Ginevra has been unfaithful. Ariodante attempts suicide
220: 560: 199:" both include dance sequences, for the first time in Handel opera for London. The singers for whom Handel wrote "Ariodante" included a young soprano, Cecilia Young, whom he had not worked with before, considered by contemporary musicologist 645:
The great hall of the palace. A large staircase supported by columns; on the upper part of the stairs musicians playing wind instruments. The King, Lords and Ladies descend the staircase. He begins the chorus, as the Lords and Ladies
666: 179:, a form focused overwhelmingly on solo arias for the star virtuoso singers. Handel had presented new operas in London for years with great success. One of the major attractions in Handel's operas was the star castrato 417:) and leaves. Dalinda, who is secretly in love with Polinesso, advises him that his rival is Prince Ariodante but also advises him that all he has to do is open his eyes to see someone else who loves him (Aria: 3827: 413:). Polinesso, Duke of Albany, bursts into the room and, thinking that having the king's daughter as his sweetheart would advance his prospects, declares his love for her. Ginevra indignantly rejects him (Aria: 530:
As the King is making the final arrangements for his daughter's wedding, the courtier Odoardo brings him bad news – Ariodante has been seen committing suicide by leaping into the sea. The King is heartbroken
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that Polinesso, as he died, also admitted his guilt. The King pardons Dalinda and goes to find his daughter. Ariodante jubilantly hails a new bright day dawning after nights of darkness (Aria:
592:
The King announces that he will never see his daughter again unless a champion appears to defend her honour. Polinesso steps forward and offers to challenge Lurcanio to a duel (Aria:
3328: 2703: 547:) and all Dalinda's attempts to console her fail. Ginevra falls into a fitful, disturbed sleep (Ballet of Good and Bad Dreams). She awakes in distress (Recitativo accompagnato: 699:
was given eleven performances in its original run, a mark of success for the time, and was revived by Handel for his 1736 season. It then went unperformed until a revival in
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and Ginevra is condemned, but after a challenge to a duel by Lurcanio, Ariodante's brother, the dying Polinesso admits his plot and the lovers are reunited.
97: 449:). Polinesso hatches his plot – he tells Dalinda that if she will dress as Ginevra that evening and invite him into her apartments, he will be hers (Aria: 3227: 600:). Her father clasps her to her bosom, saying that a champion has appeared to defend her – Polinesso. She does not like this idea, but he insists (Aria: 3797: 3361: 2506: 1919: 2000: 111:, despite its initial success, fell into oblivion for nearly two hundred years. An edition of the score was published in the early 1960s, from the 211:"E vivo ancora? E senza il ferro? oh Dei! ... Scherza infida in grembo al drudo" and in the jubilant and bravura "Dopo notte, atra e funesta". 421:). Left alone, Polinesso can see that Dalinda is in love with him and plans to use her to thwart his rival and win Ginevra for himself (Aria: 3045: 2685: 1882: 734:
premiered at Aix in 2014. This updated the setting to the 1960s and altered the ending so that Ginevra departs the celebration, heartbroken.
1913: 3060: 3010: 3000: 1973: 149: 3739: 3253: 3180: 3030: 3025: 2990: 2969: 1946: 1788: 441:). The King joins the lovers, gives them his blessing, and orders his courtier Odoardo to make the preparations for the wedding (Aria: 195:, added the attraction of a troupe of dancers led by the celebrated Marie Sallé, so Handel's two new operas for 1735, "Ariodante" and " 3318: 3080: 3075: 3070: 3065: 3055: 3050: 3020: 3005: 2995: 2671: 1738: 1692: 1546: 1521: 1417: 485: 684:"Scherza infida", "one of Handel's greatest arias" and the joyful "Dopo notte" with astonishing vocal acrobatics and huge range. For 3105: 3100: 3095: 3090: 3085: 3015: 2836: 3802: 3040: 2857: 2519: 115:. In the 1970s, the work began to be revived, and has come to be considered one of Handel's finest operas. On 29 March 1971, the 3822: 3640: 3307: 3136: 3131: 3126: 3121: 2639: 2021: 1966: 596:). Ginevra, condemned to death for sexual irregularity, appears before her father begging to be allowed to kiss his hand (Aria: 3263: 514:). As day breaks, Polinesso and Dalinda emerge from the palace. Polinesso promises he will reward her, to her delight (Aria: 1899: 502:
wearing Ginevra's clothes, admits Polinesso into her bedroom for the night. Ariodante is in despair and wants to die (Aria:
3354: 3278: 2951: 2678: 2441: 1567: 719: 543:). The King disowns his daughter and condemns her as a harlot. When Ginevra hears this, she collapses into delirium (Aria: 1952: 715:
conducting, brought the opera into the modern repertory, since when it has been performed on many of the world's stages.
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whose relationship with the composer was often stormy and who eventually left Handel's company to appear with the rival
1661: 2978: 2965: 2717: 1005: 858: 3211: 3201: 1438: 637:). But her father and the others appear and declare her vindicated. She is reunited with her beloved Ariodante (Duet: 112: 44: 1245: 3600: 2822: 2710: 1938: 116: 93: 28: 3792: 3648: 3196: 3174: 2864: 2752: 2597: 2101: 878: 749: 392: 3347: 2464: 883: 712: 409:
Princess Ginevra, in front of her mirror, is adorning herself to make herself beautiful for her beloved. (Aria:
137:
has noted that Act 2 of the opera, in its original version, is the only act in a Handel opera which ends with
2745: 2664: 2569: 2073: 963: 896: 608:). Lurcanio again offers his love to Dalinda, and she indicates that she is now inclined to accept it (Duet: 165:
The German-born Handel had brought Italian opera to London stages for the first time in 1711 with his opera
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Carestini, whose astonishing technique and huge vocal range Handel made full use of, especially in the
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Ariodante survived, and he now bitterly rebukes the gods for condemning him to live (Arioso:
506:) but Lurcanio comes from the shadows and advises Ariodante to live, and seek revenge (Aria: 64: 3812: 3656: 3375: 3167: 2850: 2795: 2611: 2604: 2562: 2555: 2547: 2529: 2499: 2471: 2457: 2248: 2241: 2061: 2047: 2032: 1942: 1812: 1796: 1792: 1501: 1210: 1055: 873: 838: 753: 745: 674: 167: 88:
opened Handel's first season at Covent Garden and successfully competed against the rival
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Ariodante and Ginevra enjoy the beauties of nature and each other's company (Duet:
397: 559: 100:. The opera received 11 performances during its premiere season at Covent Garden. 133:
Charles Cudworth has discussed the influence of French dance music in the opera.
3528: 3422: 3402: 2946: 2540: 1870: 1618: 1381: 1235: 1191: 1153: 1143: 1000: 903: 843: 773: 708: 176: 134: 48: 3507: 3457: 3447: 3397: 2122: 1929: 1119: 981: 704: 238: 138: 3556: 3417: 2318: 2213: 2150: 700: 681: 535:). Ginevra appears, having a premonition of some approaching calamity (Aria: 316: 73:. Each act contains opportunities for dance, originally composed for dancer 1539:
All Music Guide to Classical Music: The Definitive Guide to Classical Music
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gave semi-staged performances in 2017 in the U.S. and Europe, including at
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The music for the leading soprano, Ginevra, is "outstanding", according to
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Dalinda disguised as Ginevra admits Polinesso to her bedroom, engraving by
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The second of the two-volume definitive reference on the operas of Handel.
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performed the American premiere of the work in a concert version with
3672: 3523: 3482: 2346: 2283: 2269: 2178: 2136: 2129: 2040: 510:). Ariodante sadly bewails his beloved's (supposed) infidelity (Aria: 196: 752:
presented a new production by Christof Loy on 2 June 2017 featuring
473:). They are joined by shepherds and shepherdesses (Duet with chorus: 2332: 2192: 2080: 783: 664: 558: 484: 391: 367: 334: 218: 148: 27: 1731:
A General History of Music: From The Earliest Ages to the Present
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By ancient ruins, within sight of Ginevra's apartments; moonlight
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Cudworth, Charles, "Handel and the French Style" (April 1959).
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Among other performances, a four-way co-production between the
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Ariodante sings of how all nature speaks to him of love (Aria:
203:
to be the finest English soprano of the day, and the virtuoso
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describes that aria in more detail, including the libretto.
445:). Alone, Ariodante swears to be faithful to Ginevra (Aria: 3828:
Opera world premieres at the Theatre Royal, Covent Garden
604:). Ginevra prefers death to the loss of her honour (Aria: 457:) but she has totally lost her heart to Polinesso (Aria: 1541:(2 August 2016 ed.). Backbeat Books. p. 547. 437:). Ginevra joins him and they pledge their love (Duet: 396:
Anna Maria Strada, who created the role of Ginevra, by
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Marie Sallé, who danced in the original production of
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Giovanni Carestini, who created the role of Ariodante
63:, which in turn was adapted from Canti 4, 5 and 6 of 3750: 3731: 3592: 3573: 3537: 3516: 3383: 3246: 3220: 3189: 3145: 3114: 2960: 2939: 2913: 2874: 2814: 2783: 2704:
Agrippina condotta a morire or Dunque sarĂ  pur vero
2695: 2656: 2434: 2402: 2363: 2014: 187:, set up in 1733. Handel moved to another theatre, 1505: 653:(Chorus) ... Ballo (Gavotte—Rondeau—BourrĂ©e) ... 580:). Alone, Dalinda expresses her remorse (Aria: 3355: 1974: 1319:(edited by Karl-Josef FĂĽrth) (January 1962). 8: 669:John Beard, who created the role of Lurcanio 616:The duelling ground, the King on his throne 3362: 3348: 3340: 1981: 1967: 1959: 1706: 1704: 3818:Operas based on works by Ludovico Ariosto 1920:International Music Score Library Project 1410:The Politics of Opera in Handel's Britain 744:, where the event was filmed, and at the 1070: 794: 633:Ginevra looks death in the face (Arioso: 477:) who dance to entertain them (Ballet). 226: 1733:. Vol. 4. Gale ECCO. p. 388. 1715:. Oxford University Press. p. 294. 1460: 1458: 1456: 1274: 2507:L'Allegro, il Penseroso ed il Moderato 1496: 1494: 175:created a craze in London for Italian 2443:Il trionfo del Tempo e del Disinganno 1759:: Live from New York's Carnegie Hall" 1437:. Handel House Museum. Archived from 655:Sa trionfar ognor virtute in ogni cor 229:Roles, voice types, and premiere cast 80:The opera was first performed in the 7: 3314: 629:The room where Ginevra is imprisoned 19:For the opera by Étienne MĂ©hul, see 16:1735 opera by Georg Friedrich Händel 3181:Keyboard suite in D minor (HWV 437) 2447:Il trionfo del Tempo e della VeritĂ  1947:University of California Television 2672:Ode for the Birthday of Queen Anne 1685:The Rough Guide to Classical Music 14: 2837:Funeral Anthem for Queen Caroline 1344:"Ariodante' Performed As Concert" 692:Reception and performance history 271:daughter of the King of Scotland, 103:Like Handel's other works in the 3798:Operas by George Frideric Handel 3323: 3313: 3303: 3302: 2858:Wedding anthem for Princess Anne 2065: 405:The royal cabinet, in the palace 346:Rè di Scozia (King of Scotland) 294:secretly in love with Polinesso 3279:Handel & Hendrix in London 1568:Handel & Hendrix in London 1412:. 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Archived from 1644: 1638: 1637: 1635: 1633: 1615: 1609: 1608: 1606: 1604: 1586: 1580: 1579: 1577: 1575: 1559: 1553: 1552: 1534: 1528: 1527: 1511: 1502:Lang, Paul Henry 1498: 1489: 1488: 1486: 1484: 1475: 1465:Hicks, Anthony. 1462: 1451: 1450: 1448: 1446: 1430: 1424: 1423: 1405: 1399: 1379: 1373: 1360: 1354: 1353: 1336: 1330: 1313: 1307: 1306: 1279: 1241:Gianluca Capuano 1231:Rolando VillazĂłn 1176:Mary-Ellen Nesi, 1160:DVD cat. 100065 1079: 1077: 1067:Video recordings 916:Nicholas McGegan 803: 801: 780:Audio recordings 772:as Lurcanio and 770:Rolando VillazĂłn 661:Musical features 423:Coperta la frode 232: 230: 65:Ludovico Ariosto 3843: 3842: 3838: 3837: 3836: 3834: 3833: 3832: 3783: 3782: 3781: 3776: 3746: 3743:(1873 painting) 3727: 3652:(Vivaldi, 1727) 3644:(Vivaldi, 1714) 3641:Orlando furioso 3636:(Lacoste, 1707) 3604:(Caccini, 1625) 3588: 3569: 3533: 3512: 3385: 3379: 3376:Orlando Furioso 3368: 3338: 3333: 3293: 3289:Händel-Jahrbuch 3242: 3216: 3185: 3141: 3110: 2956: 2935: 2909: 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1200:DVD cat. 33559 1199: 1187: 1179: 1178:Zachary Stanis, 1177: 1175: 1173: 1171: 1170:Ann Hallenberg, 1166: 1159: 1147: 1137: 1135: 1133: 1128: 1123: 1115: 1114:1996, filmed at 1106:Stage director 1103: 1101: 1096: 1094: 1092: 1090: 1088: 1086: 1072: 1069: 1059: 1056:Virgin Classics 1051: 1043: 1038: 1033: 1031: 1026: 1018: 1011: 1010:Farao Classics, 1004: 997:Umberto Chiummo 996: 994: 992: 991:Julie Kaufmann, 990: 985: 972: 962: 954: 952: 947: 945: 940: 927: 919: 911: 909: 907: 902: 901:Juliana Gondek, 900: 887: 877: 874:Raymond Leppard 867: 862: 857: 852: 847: 839:Brent Town Hall 836: 827: 825: 820: 818: 816: 814: 812: 810: 796: 782: 754:Cecilia Bartoli 746:Barbican Centre 694: 675:Paul Henry Lang 663: 557: 483: 411:Vezze, lusinghe 390: 381: 293: 272: 250:a vassal prince 228: 217: 147: 94:Prince of Wales 70:Orlando Furioso 24: 17: 12: 11: 5: 3841: 3839: 3831: 3830: 3825: 3820: 3815: 3810: 3805: 3800: 3795: 3785: 3784: 3778: 3777: 3775: 3774: 3769: 3762: 3754: 3752: 3748: 3747: 3745: 3744: 3735: 3733: 3729: 3728: 3726: 3725: 3724:(Rhodes, 1810) 3717: 3709: 3701: 3693: 3685: 3684:(Rameau, 1760) 3677: 3676:(Handel, 1735) 3669: 3668:(Handel, 1735) 3661: 3660:(Handel, 1733) 3653: 3645: 3637: 3629: 3621: 3613: 3605: 3596: 3594: 3590: 3589: 3587: 3586: 3577: 3575: 3571: 3570: 3568: 3567: 3560: 3553: 3541: 3539: 3535: 3534: 3532: 3531: 3526: 3520: 3518: 3514: 3513: 3511: 3510: 3505: 3500: 3495: 3490: 3485: 3480: 3475: 3470: 3465: 3460: 3455: 3450: 3445: 3440: 3435: 3430: 3425: 3420: 3415: 3410: 3405: 3400: 3395: 3389: 3387: 3381: 3380: 3369: 3367: 3366: 3359: 3352: 3344: 3335: 3334: 3332: 3331: 3321: 3311: 3298: 3295: 3294: 3292: 3291: 3286: 3281: 3276: 3271: 3266: 3261: 3256: 3250: 3248: 3244: 3243: 3241: 3240: 3235: 3230: 3224: 3222: 3218: 3217: 3215: 3214: 3209: 3204: 3199: 3193: 3191: 3187: 3186: 3184: 3183: 3178: 3171: 3164: 3157: 3149: 3147: 3143: 3142: 3140: 3139: 3134: 3129: 3124: 3118: 3116: 3112: 3111: 3109: 3108: 3103: 3098: 3093: 3088: 3083: 3078: 3073: 3068: 3063: 3058: 3053: 3048: 3043: 3038: 3033: 3028: 3023: 3018: 3013: 3008: 3003: 2998: 2993: 2988: 2981: 2975: 2973: 2958: 2957: 2955: 2954: 2949: 2943: 2941: 2937: 2936: 2934: 2933: 2928: 2923: 2917: 2915: 2914:Oboe concertos 2911: 2910: 2908: 2907: 2900: 2893: 2886: 2878: 2876: 2872: 2871: 2869: 2868: 2861: 2854: 2847: 2840: 2833: 2826: 2818: 2816: 2812: 2811: 2809: 2808: 2803: 2798: 2793: 2787: 2785: 2781: 2780: 2778: 2777: 2770: 2763: 2756: 2749: 2746:Apollo e Dafne 2742: 2735: 2728: 2721: 2714: 2707: 2699: 2697: 2693: 2692: 2690: 2689: 2682: 2675: 2668: 2660: 2658: 2654: 2653: 2651: 2650: 2643: 2636: 2629: 2622: 2615: 2608: 2601: 2594: 2587: 2580: 2573: 2566: 2559: 2552: 2551: 2550: 2545: 2537: 2532: 2527: 2522: 2510: 2503: 2496: 2489: 2482: 2475: 2468: 2461: 2454: 2438: 2436: 2432: 2431: 2429: 2428: 2421: 2414: 2406: 2404: 2400: 2399: 2397: 2396: 2389: 2382: 2375: 2367: 2365: 2364:Opera excerpts 2361: 2360: 2358: 2357: 2350: 2343: 2336: 2329: 2322: 2315: 2308: 2301: 2294: 2287: 2280: 2273: 2266: 2259: 2252: 2245: 2238: 2231: 2224: 2217: 2210: 2203: 2196: 2189: 2186:Riccardo Primo 2182: 2175: 2168: 2161: 2154: 2147: 2140: 2133: 2126: 2119: 2112: 2105: 2098: 2091: 2084: 2077: 2074:Il pastor fido 2070: 2058: 2051: 2044: 2037: 2018: 2016: 2012: 2011: 2009: 2008: 2003: 2001:List of operas 1997: 1994: 1993: 1988: 1986: 1985: 1978: 1971: 1963: 1957: 1956: 1953:Scherza Infida 1950: 1927: 1922: 1911: 1895: 1894:External links 1892: 1891: 1890: 1883: 1865: 1862: 1859: 1858: 1829: 1804: 1775: 1746: 1740:978-1140988717 1739: 1718: 1700: 1694:978-1848364769 1693: 1675: 1639: 1610: 1581: 1554: 1548:978-0879308650 1547: 1529: 1523:978-0393021318 1522: 1490: 1452: 1441:on 2 June 2014 1425: 1419:978-1107009882 1418: 1400: 1374: 1355: 1331: 1308: 1297:(3): 191–192. 1283:Baxter, Robert 1273: 1272: 1270: 1267: 1265: 1262: 1259: 1258: 1255:Unitel Edition 1253: 1248: 1238: 1208: 1202: 1201: 1194: 1189: 1181: 1172:Laura Cherici, 1168: 1162: 1161: 1156: 1151: 1141: 1130:Lesley Garrett 1117: 1111: 1110: 1107: 1104: 1098: 1083: 1068: 1065: 1062: 1061: 1053: 1045: 1023:Joyce DiDonato 1020: 1014: 1013: 1012:Cat:B 108 030 1008: 998: 979: 975: 974: 973:Cat:457 271–2 966: 959:Marc Minkowski 956: 953:Richard Croft, 934: 930: 929: 924:Harmonia Mundi 921: 913: 908:Jennifer Lane, 894: 890: 889: 881: 871: 854:Norma Burrowes 841: 832: 831: 828: 822: 807: 781: 778: 768:as Polinesso, 756:as Ariodante, 693: 690: 686:Charles Burney 662: 659: 635:Manca, oh Dei! 556: 553: 512:Scherza infida 482: 479: 459:Il primo ardor 389: 386: 380: 377: 374: 373: 370: 365: 358: 357: 355:Gustavus Waltz 352: 347: 343: 342: 337: 332: 325: 324: 319: 314: 312:Duke of Albany 307: 306: 301: 296: 287: 286: 280: 275: 266: 265: 260: 252: 245: 244: 241: 236: 216: 213: 201:Charles Burney 146: 143: 124:Sophia Steffan 98:Princess Royal 15: 13: 10: 9: 6: 4: 3: 2: 3840: 3829: 3826: 3824: 3821: 3819: 3816: 3814: 3811: 3809: 3806: 3804: 3801: 3799: 3796: 3794: 3791: 3790: 3788: 3773: 3770: 3768: 3767: 3763: 3761: 3760: 3756: 3755: 3753: 3749: 3742: 3741: 3737: 3736: 3734: 3730: 3723: 3722: 3718: 3715: 3714: 3710: 3708:(MĂ©hul, 1799) 3707: 3706: 3702: 3700:(Haydn, 1782) 3699: 3698: 3694: 3691: 3690: 3686: 3683: 3682: 3678: 3675: 3674: 3670: 3667: 3666: 3662: 3659: 3658: 3654: 3651: 3650: 3646: 3643: 3642: 3638: 3635: 3634: 3630: 3627: 3626: 3622: 3620:(Lully, 1685) 3619: 3618: 3614: 3612:(Rossi, 1642) 3611: 3610: 3606: 3603: 3602: 3598: 3597: 3595: 3591: 3584: 3583: 3579: 3578: 3576: 3572: 3566: 3565: 3561: 3559: 3558: 3554: 3552: 3548: 3547: 3543: 3542: 3540: 3536: 3530: 3527: 3525: 3522: 3521: 3519: 3515: 3509: 3506: 3504: 3501: 3499: 3496: 3494: 3491: 3489: 3486: 3484: 3481: 3479: 3476: 3474: 3471: 3469: 3466: 3464: 3461: 3459: 3456: 3454: 3451: 3449: 3446: 3444: 3441: 3439: 3436: 3434: 3431: 3429: 3426: 3424: 3421: 3419: 3416: 3414: 3411: 3409: 3406: 3404: 3401: 3399: 3396: 3394: 3391: 3390: 3388: 3382: 3378: 3377: 3372: 3365: 3360: 3358: 3353: 3351: 3346: 3345: 3342: 3330: 3326: 3322: 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2860: 2859: 2855: 2853: 2852: 2848: 2846: 2845: 2844:Sing Unto God 2841: 2839: 2838: 2834: 2832: 2831: 2827: 2825: 2824: 2820: 2819: 2817: 2813: 2807: 2804: 2802: 2799: 2797: 2794: 2792: 2791:Dixit Dominus 2789: 2788: 2786: 2782: 2776: 2775: 2771: 2769: 2768: 2764: 2762: 2761: 2760:Ero e Leandro 2757: 2755: 2754: 2750: 2748: 2747: 2743: 2741: 2740: 2736: 2734: 2733: 2729: 2727: 2726: 2722: 2720: 2719: 2715: 2713: 2712: 2708: 2706: 2705: 2701: 2700: 2698: 2694: 2688: 2687: 2683: 2681: 2680: 2676: 2674: 2673: 2669: 2667: 2666: 2662: 2661: 2659: 2655: 2649: 2648: 2644: 2642: 2641: 2637: 2635: 2634: 2630: 2628: 2627: 2623: 2621: 2620: 2616: 2614: 2613: 2609: 2607: 2606: 2602: 2600: 2599: 2595: 2593: 2592: 2588: 2586: 2585: 2581: 2579: 2578: 2574: 2572: 2571: 2567: 2565: 2564: 2560: 2558: 2557: 2553: 2549: 2546: 2544:(Mozart arr.) 2543: 2542: 2538: 2536: 2533: 2531: 2528: 2526: 2523: 2521: 2518: 2517: 2516: 2515: 2511: 2509: 2508: 2504: 2502: 2501: 2497: 2495: 2494: 2490: 2488: 2487: 2483: 2481: 2480: 2476: 2474: 2473: 2469: 2467: 2466: 2462: 2460: 2459: 2455: 2453: 2452: 2448: 2444: 2440: 2439: 2437: 2433: 2427: 2426: 2422: 2420: 2419: 2415: 2413: 2412: 2411:The Alchemist 2408: 2407: 2405: 2401: 2394: 2390: 2387: 2383: 2380: 2376: 2373: 2369: 2368: 2366: 2362: 2356: 2355: 2351: 2349: 2348: 2344: 2342: 2341: 2340:Giove in Argo 2337: 2335: 2334: 2330: 2328: 2327: 2323: 2321: 2320: 2316: 2314: 2313: 2309: 2307: 2306: 2302: 2300: 2299: 2295: 2293: 2292: 2288: 2286: 2285: 2281: 2279: 2278: 2274: 2272: 2271: 2267: 2265: 2264: 2260: 2258: 2257: 2253: 2251: 2250: 2246: 2244: 2243: 2239: 2237: 2236: 2232: 2230: 2229: 2225: 2223: 2222: 2218: 2216: 2215: 2211: 2209: 2208: 2204: 2202: 2201: 2197: 2195: 2194: 2190: 2188: 2187: 2183: 2181: 2180: 2176: 2174: 2173: 2169: 2167: 2166: 2162: 2160: 2159: 2155: 2153: 2152: 2148: 2146: 2145: 2144:Giulio Cesare 2141: 2139: 2138: 2134: 2132: 2131: 2127: 2125: 2124: 2120: 2118: 2117: 2116:Muzio Scevola 2113: 2111: 2110: 2106: 2104: 2103: 2099: 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1393: 1392: 1387: 1383: 1378: 1375: 1371: 1367: 1366: 1359: 1356: 1351: 1350: 1345: 1341: 1340:Donal Henahan 1335: 1332: 1328: 1324: 1323: 1318: 1312: 1309: 1304: 1300: 1296: 1292: 1288: 1284: 1278: 1275: 1268: 1263: 1254: 1252: 1249: 1247: 1242: 1239: 1237: 1232: 1227: 1222: 1221:Sandrine Piau 1217: 1216:Kathryn Lewek 1212: 1209: 1204: 1203: 1198: 1195: 1193: 1190: 1185: 1182: 1169: 1164: 1163: 1158:Arthaus Musik 1157: 1155: 1152: 1150: 1145: 1142: 1140: 1139:Gwynne Howell 1131: 1126: 1121: 1118: 1113: 1112: 1108: 1105: 1099: 1084: 1081: 1080: 1075: 1066: 1057: 1054: 1049: 1046: 1044:Matthew Brook 1041: 1040:Topi Lehtipuu 1036: 1029: 1028:Karina Gauvin 1024: 1021: 1016: 1015: 1009: 1007: 1002: 999: 988: 983: 980: 977: 976: 970: 967: 965: 960: 957: 950: 943: 938: 935: 932: 931: 925: 922: 917: 914: 910:Rufus MĂĽller, 905: 898: 897:Lorraine Hunt 895: 892: 891: 888:Cat:6769 025 885: 882: 880: 875: 872: 870: 865: 864:David Rendall 860: 855: 850: 845: 842: 840: 834: 833: 829: 823: 808: 805: 804: 799: 791: 786: 779: 777: 776:as the King. 775: 771: 767: 763: 762:Sandrine Piau 759: 758:Kathryn Lewek 755: 751: 747: 743: 742:Carnegie Hall 739: 735: 733: 729: 725: 721: 716: 714: 713:Anthony Lewis 710: 706: 702: 698: 691: 689: 687: 683: 680: 676: 667: 660: 658: 656: 652: 648: 647: 642: 640: 636: 631: 630: 626: 624: 618: 617: 613: 611: 607: 603: 599: 595: 590: 589: 585: 583: 579: 575: 570: 569: 561: 554: 552: 550: 546: 542: 541:Il tuo sangue 538: 534: 528: 527: 523: 521: 517: 513: 509: 505: 499: 498: 492: 487: 480: 478: 476: 472: 467: 466: 462: 460: 456: 452: 451:Spero per voi 448: 444: 440: 436: 431: 430: 426: 424: 420: 416: 412: 407: 406: 399: 394: 387: 385: 378: 371: 369: 366: 364: 360: 359: 356: 353: 351: 348: 345: 344: 341: 338: 336: 333: 331: 327: 326: 323: 320: 318: 315: 313: 309: 308: 305: 304:Cecilia Young 302: 300: 297: 295: 289: 288: 284: 281: 279: 276: 274: 268: 267: 264: 261: 259: 256: 255:mezzo-soprano 253: 251: 247: 246: 242: 240: 237: 234: 233: 221: 214: 212: 210: 206: 202: 198: 194: 190: 189:Covent Garden 186: 182: 178: 174: 170: 169: 160: 156: 151: 144: 142: 140: 136: 131: 129: 128:Judith Raskin 125: 122: 121:mezzo-soprano 118: 114: 110: 106: 101: 99: 95: 91: 87: 83: 78: 76: 72: 71: 66: 62: 61:Antonio Salvi 58: 54: 50: 46: 42: 41: 34: 30: 26: 22: 3764: 3757: 3738: 3719: 3716:(Mayr, 1801) 3711: 3703: 3695: 3687: 3681:Les Paladins 3679: 3671: 3664: 3663: 3655: 3647: 3639: 3631: 3623: 3615: 3607: 3599: 3580: 3562: 3555: 3544: 3374: 3301: 3284:Georg Händel 3274:Handel House 3173: 3166: 3159: 3152: 2902: 2895: 2888: 2881: 2863: 2856: 2849: 2842: 2835: 2828: 2821: 2806:Salve Regina 2801:Nisi Dominus 2772: 2765: 2758: 2751: 2744: 2737: 2730: 2723: 2716: 2709: 2702: 2684: 2677: 2670: 2663: 2645: 2638: 2631: 2624: 2617: 2610: 2603: 2596: 2589: 2582: 2575: 2568: 2561: 2554: 2539: 2512: 2505: 2498: 2491: 2484: 2477: 2470: 2463: 2456: 2450: 2449: / 2446: 2445: / 2442: 2423: 2416: 2409: 2379:Ombra mai fu 2352: 2345: 2338: 2331: 2324: 2317: 2310: 2303: 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Index

Ariodant

George Frideric Handel
HWV
opera seria
George Frideric Handel
libretto
Antonio Salvi
Ludovico Ariosto
Orlando Furioso
Marie Sallé
Covent Garden Theatre
Opera of the Nobility
Prince of Wales
Princess Royal
Hallische Händel-Ausgabe
Handel Society of New York
mezzo-soprano
Sophia Steffan
Judith Raskin
Winton Dean
accompanied recitative

Theatre Royal, Covent Garden
Rinaldo
opera seria
Senesino
Opera of the Nobility
Covent Garden
John Rich

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