1496:
312:
168:
55:
1030:
1478:, the work of the Composer. Members of the two companies quarrel over which performance should be presented first. However, the preparations are thrown into confusion by an announcement by the Major-domo. The dinner for the assembled guests has run longer than planned. Therefore, both performances must take place at the same time as they have been ordered and paid for. The performances must not run one minute later than scheduled, despite the late start, since at nine o'clock there will be fireworks in the garden.
241:
1553:. At first they do not understand their mistaken identification of each other. Bacchus eventually falls in love with Ariadne, who agrees to follow him to the realm of death to search for Theseus. Bacchus promises to set her in the heavens as a constellation. Zerbinetta returns briefly to repeat her philosophy of love: when a new love arrives, one has no choice but to yield. The opera ends with a passionate duet sung by Ariadne and Bacchus.
3811:
1440:
3821:
3847:
3648:
3123:
3072:
3041:
3026:
3011:
2996:
2981:
1705:. The 7 continuous sections combine into a 38-minute continuous suite that functions like a symphony: the Prologue introduces all the major musical themes, while each subsequent excerpt serves to "develop" each of those themes. Richard Strauss' original instrumentation was retained, except for having the 2nd Oboe now doubling on
1486:
intrigue against each other, each demanding that his arias be not cut while the other performers' parts are cut instead. A dancing master introduces
Zerbinetta into the plot, which she understands from her very own perspective, and she gets ready for the performance. The Composer realizes what he has
330:
After these initial performances, it became apparent that the work as it stood was impracticable: it required a company of actors as well as an opera company, was thus very expensive to mount, and its length was likely to be a problem for audiences. So in 1913, Hofmannsthal proposed to
Strauss that
1481:
At first, the impetuous young
Composer refuses to discuss any changes to his opera. But his teacher, the Music Master, points out that his pay depends on accepting the situation, and counsels him to be prudent, and Zerbinetta turns the full force of her charm on him, so he drops his objections. The
1537:
singing, Zerbinetta tells the
Princess to let bygones be bygones and insists that the simplest way to get over a broken heart is to find another man. In a comic interlude, each of the clowns pursues Zerbinetta. Eventually, she chooses Harlequin, a baritone, and the two sing a love duet together
251:
Strauss, being a native son, had a close association with Munich and was held in high regard, but had to miss the performance as he was on a concert tour in Russia. The audience openly expressed its disapproval of the piece by hissing after the first act. For the succeeding performances, Walter
279:
found the incidental music for the play to be more attractive than that for the opera, which nevertheless had "many strong emotional appeals." However, the orchestration of the opera was thought to be "peculiar", and in the finale, the love-making of
Bacchus and Ariadne, tedious.
431:
on 7 December 1925 (in an
Italian translation by O. Schanzer); in Sweden in Stockholm on 27 November 1926 (in Swedish); in Brussels on 17 March 1930 (in a French translation by P. Spaak); in Helsinki on 12 May 1931 (in a Finnish translation by A. af Enehjelm); in Rome at the
1533:. Ariadne bewails her fate, mourns her lost love, and longs for death. Zerbinetta and her four companions from the burlesque group enter and attempt to cheer Ariadne by singing and dancing, but without success. In a sustained and dazzling piece of
2032:
At the end of the
Zerbinetta and company's final number, a lackey enters and tells Jourdain that the fireworks are beginning; he reflects on what people think of him and what he sees in himself; the work ends with music associated with
952:
conducting. As of 20 February 2010 it had been performed there a total of 88 times with revivals of the original production in 1963–4, 1970, 1976, 1979, 1984–5, and 1987–8, and a new production, directed by
335:
group. He also moved the action from Paris to Vienna. Strauss was initially reluctant, but he composed the prologue (and modified some aspects of the opera) in 1916, and this revised version was first performed at the
2298:
1561:
The instrumentation of the work is unusual, as its complement of 'double woodwind' is accompanied by significantly reduced brass and string forces on the one hand, and by a generous percussion section on the other.
3252:
3159:
252:
introduced cuts and moved the production to the
Hoftheater, and the attendance began to improve. The 1912 version was also produced in Berlin beginning on 27 February 1913 and in Amsterdam in 1914.
969:(17 appearances from 1993 to 2003). The role of the Composer has been sung there most often by a mezzo-soprano (at least 64 times), including, besides Kerstin Meyer, who sang the role 6 times,
463:, the cast included Alma Peterson as the Primadonna/Ariadne, Charlotte Boykin as Zerbinetta, Irene Williams as the Composer, and Judson House as the Tenor/Bacchus. It was presented by the
2272:, pp. 428, 772–773. Note that Rosenthal spells the conductor's name as Karl Alwin, but Carl Alwin is the preferred spelling based on a more recent source, i.e., Puritz, Gerd (1993).
3222:
1456:
is in two parts, called the
Prologue and the Opera. The first part shows the backstage circumstances leading up to the second part, which is in fact an opera within an opera.
194:
to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the
1495:
311:
202:. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished.
340:
on 4 October of that year. This is the version that is normally staged today, although the original play-plus-opera has been occasionally performed, such as at the 1997
3824:
385:
After its premiere in Vienna, the second version was first performed in Berlin on 1 November 1916, followed by ZĂĽrich on 28 January 1917 (in a production by the
221:, a venue which was inferior for the presentation of opera, both acoustically and due to lack of space for the musicians. Hofmannsthal overruled the conductor
957:, first presented in 1993, followed by revivals in 1994, 1996–7, 2001, 2003, 2005, and 2010. The opera is a favorite of the Met's former music director
3897:
413:
conducting. Despite the stellar cast, the production was not successful, with one of the lowest box office returns of the season. It was repeated only once.
2423:
2379:"Verzeichnis der Werke und der Künstler des Theaters und der Musik bei den Salzburger Festspielen 1920–1981", collated by Hans Jaklitsch, in: Kaut, Josef:
1464:
At the home of the richest man in Vienna, preparations for an evening of music are under way. Two troupes of musicians and singers have arrived. One is a
3912:
2858:
2115:
2912:
2842:
739:
represented
Zerbinetta. The production was repeated during the following summer, and then went to Vienna, where it premiered in 1956 with a new cast:
3278:
2937:
2447:, p. 4), and the role was written for and sung by one in the 1916 production; however, it has since more often been sung by a mezzo-soprano (
2004:", Ariadne has a few lines invoking her mother; thereafter follows an orchestral passage, at the end of which she sees Theseus and cries his name
2581:
445:
2819:
2797:
2704:
2649:
2620:
2567:
2531:
2281:
2202:
331:
the play should be replaced by a prologue, which would explain why the opera combines a serious classical story with a comedy performed by a
2835:
3330:
2392:
2338:
3892:
3214:
3040:
191:
3392:
2932:
2640:
2522:
558:
was Salzburg's first Ariadne. Wallerstein was also the stage director of the second Viennese production in 1935, with settings by
452:
341:
3882:
2513:
456:
2492:"STRAUSS, R.: Bourgeois Gentilhomme Suite (Le) / Ariadne auf Naxos Symphony-Suite (Buffalo Philharmonic, Falletta) - 8.573460"
3622:
2541:
2111:
1722:
167:
1898:" there is a short passage continuing the quartet for her, Brighella, Scaramuccio and Truffaldin beginning with the words "
3707:
3258:
3228:
3190:
3025:
3010:
2905:
2477:
2407:
2143:
2048:
1628:
3837:
2192:
3539:
901:
822:
433:
961:, who conducted it a total of 44 times from 1976 to 2003. Interpreters of the role of Ariadne at the Met have included
54:
3780:
3647:
1029:
2252:
389:). It was first presented in Budapest on 19 April 1919 (in a Hungarian translation by Z. Harsányi), and in German in
1693:
Music was extracted from both versions of the opera by D. Wilson Ochoa in 2011 for a purely orchestral arrangement:
229:, on the grounds that the smaller theatre was more suitable for a work of this kind. The cast included the American
259:
beginning on 27 May 1913. The Hofmannsthal adaptation of Molière's play was presented in an English translation by
159:
points up one of the work's principal themes: the competition between high and low art for the public's attention.
3322:
3184:
386:
24:
467:
in New York City in English in a translation by A. Kalisch on 5 December 1934 with a cast of students including
3877:
3814:
3196:
3178:
2898:
185:
3056:
2867:
2855:
256:
571:
3673:
3410:
3404:
3339:
3272:
3245:
2585:
2325:
862:
226:
3590:
3517:
3484:
3398:
3033:
2805:
2549:
2012:
After the final duet between Ariadne and Bacchus, Zerbinetta returns with an aria combining motives from "
613:(stage settings and costumes) and Josef Krips presented a new production of the Vienna State Opera at the
797:
In 1976, again Karl Böhm conducted a new Vienna State Opera production, this time designed and staged by
3791:
3743:
3462:
3416:
3348:
3122:
2727:
1612:
1570:
1271:
704:
630:
148:
79:
913:
661:
332:
152:
1127:
536:
508:
421:
3872:
3867:
3632:
3506:
3289:
3079:
3071:
798:
685:
195:
108:
650:
3681:
3550:
3451:
3366:
3107:
2995:
1645:
1566:
1503:
720:
642:
614:
570:
conducted. There were 38 performances until September 1943. Three months later a new production by
480:
323:
319:
260:
1468:
group, led by the saucy comedienne Zerbinetta. The other is an opera company, who will present an
712:
708:
3665:
3601:
3581:
3495:
3374:
3314:
3047:
2980:
2777:
2307:
2088:
1714:
1710:
1144:
1006:
925:
897:
889:
870:
838:
806:
622:
583:
547:
504:
496:
484:
460:
406:
337:
1698:
937:
814:
759:
646:
2878:
Oper in einem Aufzuge von Hugo von Hofmannsthal; Musik von Richard Strauss, zu spielen auf dem
2684:
3786:
3738:
3612:
3306:
3116:
3003:
2815:
2793:
2700:
2665:
2645:
2616:
2592:
2563:
2527:
2491:
2277:
2218:
2198:
1215:
1175:
893:
787:
595:
563:
543:
468:
394:
315:
284:
268:
240:
67:
1780:
Jourdain interjects various spoken comments during the opera, particularly during the opening
3907:
3236:
2769:
2736:
2347:
2080:
1595:
1530:
1416:
1395:
1149:
1122:
1094:
990:
970:
954:
802:
732:
626:
591:
464:
441:
218:
1953:" sing "ai, ai, ai, ai" and immediately goes into the duet between Zerbinetta and Harlekin
1132:
3887:
3796:
3732:
3689:
3641:
3561:
3357:
2988:
2955:
2921:
2862:
2559:
2553:
2148:
1014:
989:(3 appearances in the spring of 2011). Soprano interpreters of the Composer have included
974:
846:
724:
697:
673:
234:
144:
46:
2577:
476:
426:
402:
353:(High and mighty princess). Other important pieces of the opera are the arias of Ariadne
499:
from 1916 was performed 93 times until 1934. Amongst others, the title role was sung by
3902:
3141:
3098:
2974:
2362:
1718:
1662:
1447:
1220:
1202:
1018:
1010:
994:
986:
982:
929:
874:
854:
842:
830:
775:
748:
736:
669:
610:
551:
520:
300:
296:
292:
272:
176:
63:
3861:
3774:
3758:
3748:
3726:
3265:
2781:
2635:
2517:
2092:
1586:
1266:
1253:
1170:
1099:
1033:
966:
962:
945:
941:
909:
878:
866:
858:
850:
791:
752:
728:
693:
677:
655:
618:
579:
555:
516:
512:
398:
245:
199:
1805:") continues with an instrumental repetition of the tune and ends on a B major chord
3851:
3753:
2692:
2509:
2120:
1706:
1702:
1620:
1342:
1070:
978:
958:
905:
834:
826:
810:
763:
744:
689:
634:
559:
528:
524:
472:
222:
1541:
The nymphs announce the arrival of a stranger on the island. Ariadne thinks it is
1439:
949:
716:
575:
2809:
3473:
3298:
3151:
3089:
2294:
1935:
1678:
1599:
1470:
1301:
1258:
1187:
1009:
role of Zerbinetta have included, besides Gianna D'Angelo, who sang it 7 times,
1002:
998:
933:
885:
767:
740:
681:
567:
532:
500:
288:
156:
136:
59:
20:
2027:
The opera ends after the Ariadne-Bacchus duet with a big orchestral conclusion
2773:
2683:(piano-vocal score; piano reduction by Otto Singer). Berlin: Adolph FĂĽrstner.
2084:
1649:
1632:
1624:
1534:
1180:
1154:
1051:
818:
783:
771:
665:
638:
603:
599:
410:
180:
2847:
2740:
3440:
2965:
1640:
1465:
1411:
1390:
1161:
997:(9 appearances: 4 in 1963–4; 1 in 1970; and 4 in the spring of 1994),
779:
587:
230:
1993:" she sees Theseus and cries out his name; there is no aria for Zerbinetta
606:
as Najade. Due to the war this production could only be shown seven times.
206:
2673:
2604:
2596:
794:
in smaller roles. This production was also repeated the following summer.
3204:
3065:
2600:
1607:
1582:
1546:
1281:
1112:
3820:
2721:
Erwin, Charlotte (July 1981). "Richard Strauss's Presketch Planning for
1709:, to be used in covering some vocal lines. This suite was premiered by
3572:
3528:
2669:
2615:(third, revised ed.). Totowa, New Jersey: Rowman and Littlefield.
1881:
1653:
1616:
1603:
1590:
1574:
1514:
1510:
1089:
437:
127:
3846:
2478:"Richard Strauss (D. Wilson Ochoa) - Ariadne auf Naxos Symphony-Suite"
2443:
The score calls for the role of the Composer to be sung by a soprano (
479:
as Dryad. The opera was performed for the first time in Canada by the
2024:"; Harlekin, Truffaldin, Brighella and Scaramuccio eventually join in
1984:"; Naiad, Dryad, and later Ariadne have interjections during the aria
1925:
1666:
1636:
1542:
1021:(12 appearances: 7 in the fall of 1997 and 5 in the spring of 2003).
287:
revived the first version, staged by Sven-Eric Bechtolf, and sung by
214:
210:
3253:
Divertimento for chamber orchestra after keyboard pieces by Couperin
762:
staged a new production in Salzburg, again conducted by Karl Böhm.
451:
The United States premiere of the opera was given in German by the
2890:
1967:
After Zerbinetta and Harlekin sing together the quartet continues
1674:
1670:
1657:
1550:
1526:
1522:
1518:
1494:
1438:
1367:
1117:
1028:
574:
was presented, with settings by Wilhelm Reinking and conducted by
417:
310:
239:
166:
140:
131:
42:
884:
From 1979 to 1982, the Salzburg Festival showed a new staging by
3429:
1682:
1578:
390:
2894:
2887:(Prints of costumes and sets for the original 1912 production).
2253:"Ariadne auf Naxos/Orchestra Mozart Bologna, Salzburg Festival"
393:
on 12 March 1920, Amsterdam in January 1924, and London at the
1880:" the aria continues to develop, including a long accompanied
778:(Ariadne) were the most prominent cast members, supported by
1763:
Opera is preceded by prologue; the only music retained from
845:. Janowitz sang the Ariadne 48 times in Vienna, followed by
2197:. New Haven: Yale University Press. p. 106–107.
179:
to be performed at the end of Hofmannsthal's adaptation of
347:
The most important aria in either version is Zerbinetta's
2071:
Lismann, Else Mayer (Summer 1953). "Ariadne Auf Naxos".
1958:
After Zerbinetta and Harlekin sing together in octaves "
371:(There is a realm). Also of note is the Composer's aria
2790:
Richard Strauss: The Staging of His Operas and Ballets.
892:, again conducted by Karl Böhm, with a cast headed by
409:
as the Composer, Karl Fischer-Niemann as Bacchus, and
3835:
3223:
Dance suite from keyboard pieces by François Couperin
2882:
des Molière; Skizzen für die Kostüme und Dekorationen
1538:
while the other clowns express frustration and envy.
255:
In London the early version was given eight times at
151:. The opera's unusual combination of elements of low
2644:. Vol. 1. London: Macmillan. pp. 178–182.
2590:. New York: G. P. Putnam's Sons. pp. 1018–1024.
2526:. Vol. 3. London: Macmillan. pp. 372–374.
2339:"Strauss Created New Orchestra in Writing His Opera
668:. This production was performed 20 times, also with
3767:
3719:
3700:
3657:
3428:
3385:
3288:
3171:
3132:
2946:
93:
85:
75:
32:
2448:
1760:" (You, son of Venus) is sung by an unnamed singer
1487:assented to, plunges into despair and storms out.
175:The opera was originally conceived as a 30-minute
2839:(includes vocal scores of 1912 and 1916 versions)
2303:is Admirably Given by Philadelphia Civic Company"
271:, Hermine Bosetti and Otakar Marák, conducted by
1964:" there are several pages continuing the quartet
1924:Before Zerbinetta and Harlekin sing together in
1005:(8 appearances in 1984–5). Singers of the
217:premiere followed on 30 January 1913 in the old
2001:Prinzessin! Welchen Botenlohn hab ich verdient?
1981:Prinzessin! Welchen Botenlohn hab ich verdient?
1506:2012: the thespians attempt to cheer up Ariadne
405:as Zerbinetta (in her debut with the company),
2804:Kenyon, Nicholas & Walsh, Stephen (1993).
542:In 1926, the opera was first presented at the
2906:
2456:
2322:Ten Years Of American Opera Design, 1931 1941
8:
3630:
3620:
3610:
3599:
3588:
3570:
3559:
3548:
3537:
3526:
3515:
3504:
3493:
3482:
3471:
3460:
3449:
3438:
3355:
3337:
3234:
3212:
3202:
3149:
3139:
3105:
3087:
3077:
3054:
3031:
3016:
3001:
2986:
2963:
2953:
2875:
2191:Riding, Erik S.; Pechefsky, Rebecca (2001).
2174:
2172:
2170:
2168:
2166:
2019:
2013:
1999:
1988:
1979:
1973:
1959:
1948:
1939:
1929:
1914:
1908:
1899:
1893:
1875:
1869:
1859:
1850:
1844:
1834:
1825:
1819:
1809:
1800:
1794:
1788:
1770:
1764:
1755:
1745:
1545:, the messenger of death, but it is the god
372:
366:
360:
354:
348:
119:
33:
2460:
985:(5 appearances in the winter of 2010), and
205:The opera-and-play version was produced in
2913:
2899:
2891:
2451:, p. 374). The Composer is listed by
2383:. Salzburg: Residenz Verlag 1982, 373, 379
2178:
2106:
2104:
2102:
1750:, Hofmannsthal's translation of Molière's
1729:Differences between 1912 and 1916 versions
928:in New York City on 29 December 1962 with
53:
29:
2843:International Music Score Library Project
2369:. Repertoire archive, Vienna State Opera.
2324:, call number JPB 89-66, Music Division,
2269:
2239:
1887:The aria is cut down and ends in D major
550:in Viennese settings, twice conducted by
381:Performance history of the second version
3279:Duet concertino for clarinet and bassoon
1990:Die deiner lange harret, nimm sie dahin!
1975:Die deiner lange harret, nimm sie dahin!
1814:" cuts off and ends on an A major chord
1732:
1521:, with no company other than the nymphs
1513:is shown abandoned by her former lover,
1039:
3842:
2661:Two Centuries of Opera at Covent Garden
2463:, p. 28 as a soprano role, and by
2452:
2444:
2063:
965:(22 appearances from 1984 to 1993) and
849:(40 performances), Anni Konetzni (34),
2467:, p. 179 as a mezzo-soprano role.
2464:
2398:, Metropolitan Opera, 29 December 1962
2299:"Strauss Opera Has American Premiere;
1783:no comments are made during the opera
233:as Ariadne, Otto Wolf as Bacchus, and
2363:"Interpreten "Primadonna/Ariadne" in
2144:"Edinburgh Festival 97: Hit or myth?"
1754:, with incidental music by Strauss; "
1017:(9 appearances in 1987–8), and
981:(5 appearances in the fall of 2005),
924:The opera was first performed at the
554:and once by Richard Strauss himself.
7:
2021:So war's mit Pagliazzo und Mezzetin!
1549:, who is fleeing from the sorceress
977:(20 appearances from 1993 to 2003),
973:(19 appearances from 1976 to 1988),
703:In 1954, the opera premiered at the
365:(There was something beautiful) and
190:Besides the opera, Strauss provided
3898:Operas based on classical mythology
2792:New York: Oxford University Press.
2699:. Oxford: Oxford University Press.
2587:The New Kobbé's Complete Opera Book
2430:. L'Almanacco di Gherardo Casaglia
2381:Die Salzburger Festspiele 1920–1981
1001:(4 appearances in March 1970), and
416:It was first performed in Italy in
344:and at the 2012 Salzburg Festival.
2558:. London: Penguin Books. pp.
2036:There is no corresponding passage
2007:There is no corresponding passage
491:Productions in Vienna and Salzburg
448:on 10 September 1937 (in German).
267:The opera was sung in German with
14:
3913:Libretti by Hugo von Hofmannsthal
2641:The New Grove Dictionary of Opera
2523:The New Grove Dictionary of Opera
2142:Hayes, Malcolm (20 August 1997).
1941:Wie der Druck den Druck erwidert!
1717:in October 2011, and recorded by
1042:Roles, voic types, premiere casts
1013:(7 appearances in 1963–4),
940:as Zerbinetta, the mezzo-soprano
459:on 1 November 1928. Conducted by
3845:
3819:
3810:
3809:
3646:
3331:Till Eulenspiegel's Merry Pranks
3121:
3070:
3039:
3024:
3009:
2994:
2979:
2449:Jander, Steane & Forbes 1992
1947:From Zerbinetta's utterance of "
1934:" there is a short passage of 8
1901:Wie der Druck den Druck erwidert
1775:" which is sung by the Composer
453:Philadelphia Civic Opera Company
342:Edinburgh International Festival
198:on 25 October 1912, directed by
2274:Elisabeth Schumann: A Biography
2194:Bruno Walter: A World Elsewhere
1874:: After the 2nd repetition of "
1861:Als ein Gott kam jeder gegangen
1852:Als ein Gott kam jeder gegangen
920:Metropolitan Opera performances
495:The original production at the
2748:Gilliam, Bryan (March 2003). "
2697:The Oxford Dictionary of Opera
1961:Hand und Lippe, Mund und Hand!
1931:Hand und Lippe, Mund und Hand!
1723:Buffalo Philharmonic Orchestra
711:with settings and costumes by
436:on 28 March 1935 (in German);
1:
3229:Wiener Philharmoniker Fanfare
2049:Ariadne auf Naxos discography
1938:during which Harlekin sings "
1916:mach ich ihn auf diese neidig
1910:Wie er feurig sich erniedert!
1895:Wie er feurig sich erniedert!
1697:Symphony-Suite, published by
1444:The Sleeping Ariadne in Naxos
1060:(Conductor: Richard Strauss)
873:(both 12 performances each),
609:In 1947, Lothar Wallerstein,
16:1912 opera by Richard Strauss
2856:Synopsis: Metropolitan Opera
2516:(1992). "Mezzo-soprano". In
817:as Zerbinetta, supported by
3781:Treatise on Instrumentation
2611:Loewenberg, Alfred (1978).
2555:The New Penguin Opera Guide
2408:Metropolitan Opera archives
2015:Komm der neue Gott gegangen
888:, settings and costumes by
3929:
2659:Rosenthal, Harold (1958).
2422:Casaglia, Gherardo (2005).
2276:. London: Andrea Deutsch.
2046:
1978:" Zerbinetta has an aria "
1517:, on the desert island of
731:sang Ariadne and Bacchus,
446:Théâtre des Champs-Élysées
377:(Let's be friends again).
244:Richard Strauss, 1917, by
147:with a German libretto by
18:
3893:Operas by Richard Strauss
3805:
3631:
3611:
3600:
3589:
3571:
3560:
3549:
3540:Traum durch die Dämmerung
3538:
3527:
3516:
3505:
3494:
3483:
3472:
3461:
3450:
3439:
3323:Death and Transfiguration
2928:
2876:
2848:Roles, synopsis, libretto
2788:Hartmann, Rudolf (1981).
2774:10.1017/s0954586703000673
2679:Strauss, Richard (1916).
2613:Annals of Opera 1597–1940
2457:Kobbé & Harewood 1958
2085:10.1017/S0040298200051159
2020:
2014:
2000:
1998:After Zerbinetta's aria "
1989:
1980:
1974:
1960:
1949:
1940:
1930:
1915:
1909:
1900:
1894:
1876:
1860:
1851:
1835:
1826:
1810:
1801:
1795:
1771:
1756:
1425:
1361:
1249:
1229:
1208:
1186:
1160:
1140:
1062:
1055:
1050:
1047:
948:as the Music Master, and
440:on 28 September 1935 (in
98:25 October 1912
52:
41:
25:Ariadne auf Naxos (Benda)
3215:Le bourgeois gentilhomme
2870:on Flickr. Ernst Stern.
2328:for the Performing Arts.
1871:Grossmächtige Prinzessin
1846:Grossmächtige Prinzessin
1821:Grossmächtige Prinzessin
1790:Grossmächtige Prinzessin
1752:Le Bourgeois gentilhomme
747:as Ariadne and Bacchus,
213:on 7 December 1912. The
186:Le Bourgeois gentilhomme
3674:Utan svafvel och fosfor
3399:Cello Sonata in F major
3340:Also sprach Zarathustra
3246:Japanese Festival Music
2762:Cambridge Opera Journal
2630:Murray, David (1992). "
2461:Warrack & West 1992
2326:New York Public Library
1836:So war es mit Pagliazzo
1827:So war es mit Pagliazzo
1802:So wär es mit Pagliazzo
1766:Der BĂĽrger als Edelmann
1747:Der BĂĽrger als Edelmann
444:); and in Paris at the
350:Großmächtige Prinzessin
209:on 5 December 1912 and
3883:German-language operas
3621:
3591:Des Dichters Abendgang
3518:Heimliche Aufforderung
3356:
3338:
3235:
3213:
3203:
3150:
3140:
3106:
3088:
3078:
3055:
3034:Die Frau ohne Schatten
3032:
3017:
3002:
2987:
2964:
2954:
2811:The Viking Opera Guide
2741:10.1093/mq/lxvii.3.348
1870:
1845:
1820:
1789:
1765:
1746:
1507:
1450:
1037:
705:Salzburg Festival Hall
373:
367:
361:
355:
349:
327:
265:The Perfect Gentleman.
248:
225:'s preference for the
172:
120:
34:
3744:Hugo von Hofmannsthal
3057:Die ägyptische Helena
2868:Boston Public Library
2728:The Musical Quarterly
2695:; West, Ewan (1992).
2582:Harewood, The Earl of
2396:, performance details
1972:After Ariadne sings "
1744:Opera is preceded by
1498:
1442:
1272:Marie Gutheil-Schoder
1032:
896:and James King, with
735:was the composer and
684:as Ariadne, and with
631:Elisabeth Schwarzkopf
314:
307:Second version (1916)
257:His Majesty's Theatre
243:
170:
149:Hugo von Hofmannsthal
80:Hugo von Hofmannsthal
3080:Die schweigsame Frau
2938:List of compositions
2297:(November 2, 1928).
1907:After Zerbinetta's "
1892:After Zerbinetta's "
1864:" begins in D major
1839:" begins in D major
1585:(clarinet 2 doubles
1376:M. Junker-Burchardt
617:. The cast included
578:. The cast featured
475:as Truffaldino, and
397:on 27 May 1924 with
374:Sein wir wieder gut!
196:Hoftheater Stuttgart
163:First version (1912)
109:Staatsoper Stuttgart
3367:Symphonia Domestica
3259:Horn Concerto No. 2
3191:Horn Concerto No. 1
3108:Die Liebe der Danae
2880:BĂĽrger als Edelmann
2756:and the Problem of
2459:, p. 1019 and
2410:; search for title
2351:. 26 November 1946.
2229:: 456. 1 July 1913.
1884:, ending in E major
1855:" begins in E major
1830:" begins in E major
1699:Boosey & Hawkes
1504:Hamburg State Opera
1357:Anton August Stoll
1293:The dancing master
1056:Stuttgart premiere,
1044:
900:, Edita Gruberová,
721:Vienna Philharmonic
615:Theater an der Wien
481:New York City Opera
324:Hamburg State Opera
261:W. Somerset Maugham
155:with those of high
3666:Wandrers Sturmlied
3602:Freundliche Vision
3496:Ruhe, meine Seele!
3375:An Alpine Symphony
2861:2007-12-16 at the
2814:. London: Viking.
2308:The New York Times
2219:"Ariadne in Naxos"
1715:Nashville Symphony
1711:Giancarlo Guerrero
1508:
1451:
1145:coloratura soprano
1040:
1038:
1007:coloratura soprano
926:Metropolitan Opera
914:Olivera Miljaković
898:Trudeliese Schmidt
871:Anna Tomowa-Sintow
548:Lothar Wallerstein
497:Vienna State Opera
485:Montreal Festivals
461:Alexander Smallens
407:Elisabeth Schumann
338:Vienna State Opera
333:commedia dell'arte
328:
275:. The reviewer in
249:
173:
153:commedia dell'arte
3833:
3832:
3709:Der Rosenkavalier
3633:Der Krämerspiegel
3161:Verklungene Feste
3019:Ariadne auf Naxos
3004:Der Rosenkavalier
2872:Ariadne auf Naxos
2837:Ariadne auf Naxos
2821:978-0-670-81292-9
2798:978-0-19-520251-9
2723:Ariadne auf Naxos
2706:978-0-19-869164-8
2681:Ariadne auf Naxos
2663:. London: Putnam.
2651:978-1-56159-228-9
2632:Ariadne auf Naxos
2622:978-0-87471-851-5
2569:978-0-14-029312-8
2546:Ariadne auf Naxos
2533:978-1-56159-228-9
2514:Forbes, Elizabeth
2428:, 4 October 1916"
2426:Ariadne auf Naxos
2412:Ariadne auf Naxos
2394:Ariadne auf Naxos
2365:Ariadne auf Naxos
2282:978-0-233-98794-1
2223:The Musical Times
2204:978-0-300-08713-0
2040:
2039:
1987:After Ariadne's "
1913:" she continues "
1695:Ariadne auf Naxos
1500:Ariadne auf Naxos
1476:Ariadne auf Naxos
1454:Ariadne auf Naxos
1432:
1431:
1421:Carola Jovanovic
1379:Charlotte Dahmen
1316:Gerhard Stehmann
1278:His music master
1176:Albin Swoboda Jr.
1067:(revised version)
944:as the Composer,
894:Hildegard Behrens
790:, David Thaw and
774:(Zerbinetta) and
662:Elisabeth Rutgers
564:Ladislaus Czettel
544:Salzburg Festival
469:Josephine Antoine
395:Royal Opera House
368:Es gibt ein Reich
316:Anne Schwanewilms
299:, with conductor
285:Salzburg Festival
277:The Musical Times
269:Eva von der Osten
121:Ariadne auf Naxos
116:
115:
68:Salzburg Festival
35:Ariadne auf Naxos
19:For the opera by
3920:
3850:
3849:
3841:
3823:
3813:
3812:
3768:Related articles
3720:Family and peers
3701:Film adaptations
3650:
3636:
3635:
3626:
3616:
3615:
3605:
3604:
3594:
3593:
3576:
3575:
3565:
3564:
3554:
3553:
3543:
3542:
3532:
3531:
3521:
3520:
3510:
3509:
3499:
3498:
3488:
3487:
3477:
3476:
3466:
3465:
3455:
3454:
3444:
3443:
3361:
3343:
3240:
3237:Olympische Hymne
3218:
3208:
3155:
3145:
3125:
3111:
3093:
3083:
3074:
3060:
3043:
3037:
3028:
3022:
3013:
3007:
2998:
2992:
2983:
2969:
2959:
2915:
2908:
2901:
2892:
2886:
2885:
2852:
2841:: Scores at the
2825:
2785:
2744:
2710:
2688:
2664:
2655:
2626:
2591:
2573:
2542:Kennedy, Michael
2537:
2496:
2495:
2488:
2482:
2481:
2474:
2468:
2441:
2435:
2433:
2420:
2414:
2405:
2399:
2390:
2384:
2377:
2371:
2370:
2359:
2353:
2352:
2348:Montreal Gazette
2335:
2329:
2319:
2313:
2312:
2301:Ariadne of Naxos
2291:
2285:
2267:
2261:
2260:
2249:
2243:
2237:
2231:
2230:
2215:
2209:
2208:
2188:
2182:
2176:
2161:
2160:
2158:
2156:
2139:
2133:
2132:
2130:
2128:
2116:"The odd couple"
2112:Kennedy, Michael
2108:
2097:
2096:
2068:
2023:
2022:
2017:
2016:
2003:
2002:
1992:
1991:
1983:
1982:
1977:
1976:
1963:
1962:
1952:
1951:
1943:
1942:
1933:
1932:
1918:
1917:
1912:
1911:
1903:
1902:
1897:
1896:
1879:
1878:
1873:
1863:
1862:
1854:
1853:
1848:
1838:
1837:
1829:
1828:
1823:
1813:
1812:
1804:
1803:
1798:
1797:
1792:
1774:
1773:
1768:
1759:
1758:
1749:
1733:
1689:Orchestral suite
1573:(alternating on
1417:Erna Ellmenreich
1150:Margarethe Siems
1136:
1128:Béla von Környey
1123:Herman Jadlowker
1095:dramatic soprano
1063:Vienna premiere,
1045:
1043:
1036:as Ariadne, 1917
991:Irmgard Seefried
971:Tatiana Troyanos
955:Elijah Moshinsky
813:as composer and
803:Gundula Janowitz
751:as composer and
733:Irmgard Seefried
659:
627:Irmgard Seefried
602:as Harlekin and
598:as Musiklehrer,
592:Irmgard Seefried
562:and costumes by
537:Paula Windheuser
509:Charlotte Dahmen
465:Juilliard School
457:Academy of Music
430:
422:Teatro di Turino
376:
370:
364:
359:(Where was I?),
358:
352:
263:under the title
192:incidental music
171:1916 vocal score
123:
105:
103:
57:
37:
30:
3928:
3927:
3923:
3922:
3921:
3919:
3918:
3917:
3878:Dionysus in art
3858:
3857:
3856:
3844:
3836:
3834:
3829:
3801:
3797:Neo-romanticism
3763:
3733:Pauline de Ahna
3715:
3696:
3690:Die Tageszeiten
3653:
3642:Four Last Songs
3623:Brentano Lieder
3562:Der Arbeitsmann
3424:
3381:
3358:Ein Heldenleben
3284:
3185:Violin Concerto
3167:
3128:
2942:
2924:
2922:Richard Strauss
2919:
2863:Wayback Machine
2850:
2832:
2822:
2803:
2747:
2720:
2717:
2715:Further reading
2707:
2691:
2678:
2658:
2652:
2629:
2623:
2610:
2576:
2570:
2540:
2534:
2507:
2499:
2490:
2489:
2485:
2476:
2475:
2471:
2455:, p. 893,
2442:
2438:
2431:
2421:
2417:
2406:
2402:
2391:
2387:
2378:
2374:
2361:
2360:
2356:
2337:
2336:
2332:
2320:
2316:
2293:
2292:
2288:
2268:
2264:
2257:Financial Times
2251:
2250:
2246:
2238:
2234:
2217:
2216:
2212:
2205:
2190:
2189:
2185:
2179:Loewenberg 1978
2177:
2164:
2154:
2152:
2149:The Independent
2141:
2140:
2136:
2126:
2124:
2114:(30 May 2013).
2110:
2109:
2100:
2070:
2069:
2065:
2056:
2051:
2045:
1811:Noch glaub' ich
1796:Noch glaub' ich
1731:
1691:
1559:
1557:Instrumentation
1493:
1462:
1437:
1400:Hermine Kittel
1349:The Major-Domo
1270:
1256:
1239:Franz Schwerdt
1225:Julius Betetto
1130:
1086:The prima donna
1068:
1066:
1064:
1059:
1058:25 October 1912
1057:
1041:
1027:
1015:Kathleen Battle
975:Susanne Mentzer
938:Gianna D'Angelo
922:
847:Lisa Della Casa
815:Edita Gruberová
799:Filippo Sanjust
760:GĂĽnther Rennert
755:as Zerbinetta.
725:Lisa Della Casa
698:Helge Rosvaenge
674:Lisa Della Casa
653:
590:as Zerbinetta,
493:
483:on tour at the
471:as Zerbinetta,
424:
383:
362:Ein Schönes war
309:
237:as Zerbinetta.
235:Hermine Bosetti
219:Residenztheater
165:
145:Richard Strauss
112:
111:
106:
101:
99:
71:
62:as Ariadne and
47:Richard Strauss
28:
17:
12:
11:
5:
3926:
3924:
3916:
3915:
3910:
3905:
3900:
3895:
3890:
3885:
3880:
3875:
3870:
3860:
3859:
3855:
3854:
3831:
3830:
3828:
3827:
3817:
3806:
3803:
3802:
3800:
3799:
3794:
3789:
3784:
3777:
3771:
3769:
3765:
3764:
3762:
3761:
3756:
3751:
3746:
3741:
3739:Hans von BĂĽlow
3736:
3730:
3723:
3721:
3717:
3716:
3714:
3713:
3704:
3702:
3698:
3697:
3695:
3694:
3686:
3678:
3670:
3661:
3659:
3655:
3654:
3652:
3651:
3638:
3628:
3618:
3613:FrĂĽhlingsfeier
3607:
3596:
3585:
3578:
3567:
3556:
3545:
3534:
3523:
3512:
3501:
3490:
3479:
3468:
3457:
3446:
3434:
3432:
3426:
3425:
3423:
3422:
3414:
3408:
3402:
3396:
3389:
3387:
3383:
3382:
3380:
3379:
3371:
3363:
3353:
3345:
3335:
3327:
3319:
3311:
3303:
3294:
3292:
3286:
3285:
3283:
3282:
3276:
3270:
3262:
3256:
3250:
3242:
3232:
3226:
3220:
3210:
3200:
3197:Symphony No. 2
3194:
3188:
3182:
3179:Symphony No. 1
3175:
3173:
3169:
3168:
3166:
3165:
3157:
3147:
3142:Josephslegende
3136:
3134:
3130:
3129:
3127:
3126:
3113:
3103:
3095:
3085:
3075:
3062:
3052:
3044:
3029:
3014:
2999:
2984:
2971:
2961:
2950:
2948:
2944:
2943:
2941:
2940:
2935:
2933:List of operas
2929:
2926:
2925:
2920:
2918:
2917:
2910:
2903:
2895:
2889:
2888:
2865:
2853:
2845:
2831:
2830:External links
2828:
2827:
2826:
2820:
2806:Holden, Amanda
2801:
2786:
2745:
2735:(3): 348–365.
2716:
2713:
2712:
2711:
2705:
2689:
2676:
2656:
2650:
2627:
2621:
2608:
2574:
2568:
2550:Holden, Amanda
2538:
2532:
2508:Jander, Owen;
2498:
2497:
2483:
2469:
2436:
2415:
2400:
2385:
2372:
2354:
2330:
2314:
2286:
2270:Rosenthal 1958
2262:
2259:. August 2012.
2244:
2242:, p. 378.
2240:Rosenthal 1958
2232:
2210:
2203:
2183:
2162:
2134:
2098:
2062:
2055:
2052:
2047:Main article:
2044:
2041:
2038:
2037:
2034:
2029:
2028:
2025:
2009:
2008:
2005:
1995:
1994:
1985:
1969:
1968:
1965:
1955:
1954:
1950:Hand und Lippe
1945:
1921:
1920:
1905:
1889:
1888:
1885:
1866:
1865:
1856:
1841:
1840:
1831:
1816:
1815:
1806:
1793:: The end of "
1785:
1784:
1781:
1777:
1776:
1772:Du Venus' Sohn
1761:
1757:Du Venus' Sohn
1741:
1740:
1737:
1730:
1727:
1719:JoAnn Falletta
1690:
1687:
1686:
1685:
1660:
1643:
1610:
1593:
1558:
1555:
1492:
1489:
1461:
1458:
1448:John Vanderlyn
1436:
1433:
1430:
1429:
1423:
1422:
1419:
1414:
1409:
1402:
1401:
1398:
1393:
1388:
1381:
1380:
1377:
1374:
1371:
1362:
1359:
1358:
1355:
1353:
1350:
1346:
1345:
1340:
1338:
1335:
1331:
1330:
1327:
1325:
1322:
1318:
1317:
1314:
1312:
1309:
1305:
1304:
1299:
1297:
1294:
1290:
1289:
1286:
1284:
1279:
1275:
1274:
1264:
1262:
1250:
1248:
1244:
1243:
1242:Adolph Nemeth
1240:
1237:
1234:
1227:
1226:
1223:
1221:Reinhold Fritz
1218:
1213:
1206:
1205:
1203:Hermann Gallos
1200:
1197:
1194:
1184:
1183:
1178:
1173:
1168:
1158:
1157:
1152:
1147:
1142:
1138:
1137:
1125:
1120:
1115:
1110:
1106:
1105:
1104:Maria Jeritza
1102:
1097:
1092:
1087:
1083:
1082:
1079:
1075:
1074:
1065:4 October 1916
1061:
1054:
1049:
1026:
1023:
1019:Natalie Dessay
1011:Roberta Peters
995:Teresa Stratas
987:Joyce DiDonato
983:Sarah Connolly
930:Leonie Rysanek
921:
918:
875:Christel Goltz
855:Leonie Rysanek
843:Sona Ghazarian
831:Barry McDaniel
788:Paul Schöffler
776:Christa Ludwig
749:Christa Ludwig
719:conducted the
670:Maria Cebotari
651:Dagmar Hermann
611:Robert Kautsky
596:Paul Schöffler
552:Clemens Krauss
521:Germaine Lubin
515:, 25 times by
511:, 33 times by
492:
489:
387:Mannheim Opera
382:
379:
318:(Ariadne) and
308:
305:
301:Daniel Harding
297:Jonas Kaufmann
273:Thomas Beecham
177:divertissement
164:
161:
139:60, is a 1912
114:
113:
107:
97:
95:
91:
90:
87:
83:
82:
77:
73:
72:
64:Jonas Kaufmann
58:
50:
49:
39:
38:
15:
13:
10:
9:
6:
4:
3:
2:
3925:
3914:
3911:
3909:
3906:
3904:
3901:
3899:
3896:
3894:
3891:
3889:
3886:
3884:
3881:
3879:
3876:
3874:
3871:
3869:
3866:
3865:
3863:
3853:
3848:
3843:
3839:
3826:
3822:
3818:
3816:
3808:
3807:
3804:
3798:
3795:
3793:
3792:Neoclassicism
3790:
3788:
3785:
3783:
3782:
3778:
3776:
3775:Elektra chord
3773:
3772:
3770:
3766:
3760:
3759:Joseph Gregor
3757:
3755:
3752:
3750:
3749:Max Reinhardt
3747:
3745:
3742:
3740:
3737:
3734:
3731:
3728:
3727:Franz Strauss
3725:
3724:
3722:
3718:
3712:
3710:
3706:
3705:
3703:
3699:
3692:
3691:
3687:
3684:
3683:
3679:
3676:
3675:
3671:
3668:
3667:
3663:
3662:
3660:
3656:
3649:
3644:
3643:
3639:
3634:
3629:
3625:
3624:
3619:
3614:
3608:
3603:
3597:
3592:
3586:
3583:
3579:
3574:
3568:
3563:
3557:
3552:
3546:
3541:
3535:
3530:
3524:
3519:
3513:
3508:
3502:
3497:
3491:
3486:
3480:
3475:
3469:
3464:
3458:
3453:
3447:
3442:
3436:
3435:
3433:
3431:
3427:
3420:
3419:
3415:
3412:
3411:Violin Sonata
3409:
3406:
3405:Piano Quartet
3403:
3400:
3397:
3394:
3391:
3390:
3388:
3386:Chamber music
3384:
3377:
3376:
3372:
3369:
3368:
3364:
3360:
3359:
3354:
3351:
3350:
3346:
3342:
3341:
3336:
3333:
3332:
3328:
3325:
3324:
3320:
3317:
3316:
3312:
3309:
3308:
3304:
3301:
3300:
3296:
3295:
3293:
3291:
3287:
3280:
3277:
3274:
3273:Oboe Concerto
3271:
3268:
3267:
3266:Metamorphosen
3263:
3260:
3257:
3254:
3251:
3248:
3247:
3243:
3239:
3238:
3233:
3230:
3227:
3224:
3221:
3217:
3216:
3211:
3207:
3206:
3201:
3198:
3195:
3192:
3189:
3186:
3183:
3180:
3177:
3176:
3174:
3170:
3163:
3162:
3158:
3154:
3153:
3148:
3144:
3143:
3138:
3137:
3135:
3131:
3124:
3119:
3118:
3114:
3110:
3109:
3104:
3101:
3100:
3096:
3092:
3091:
3086:
3082:
3081:
3076:
3073:
3068:
3067:
3063:
3059:
3058:
3053:
3050:
3049:
3045:
3042:
3036:
3035:
3030:
3027:
3021:
3020:
3015:
3012:
3006:
3005:
3000:
2997:
2991:
2990:
2985:
2982:
2977:
2976:
2972:
2968:
2967:
2962:
2958:
2957:
2952:
2951:
2949:
2945:
2939:
2936:
2934:
2931:
2930:
2927:
2923:
2916:
2911:
2909:
2904:
2902:
2897:
2896:
2893:
2883:
2879:
2873:
2869:
2866:
2864:
2860:
2857:
2854:
2849:
2846:
2844:
2840:
2838:
2834:
2833:
2829:
2823:
2817:
2813:
2812:
2807:
2802:
2799:
2795:
2791:
2787:
2783:
2779:
2775:
2771:
2767:
2763:
2759:
2755:
2751:
2746:
2742:
2738:
2734:
2730:
2729:
2724:
2719:
2718:
2714:
2708:
2702:
2698:
2694:
2693:Warrack, John
2690:
2686:
2682:
2677:
2675:
2671:
2667:
2662:
2657:
2653:
2647:
2643:
2642:
2637:
2636:Stanley Sadie
2633:
2628:
2624:
2618:
2614:
2609:
2606:
2602:
2598:
2594:
2589:
2588:
2583:
2579:
2578:Kobbé, Gustav
2575:
2571:
2565:
2561:
2557:
2556:
2551:
2547:
2543:
2539:
2535:
2529:
2525:
2524:
2519:
2518:Stanley Sadie
2515:
2511:
2510:Steane, J. B.
2506:
2505:
2504:
2503:
2493:
2487:
2484:
2479:
2473:
2470:
2466:
2462:
2458:
2454:
2450:
2446:
2440:
2437:
2429:
2427:
2419:
2416:
2413:
2409:
2404:
2401:
2397:
2395:
2389:
2386:
2382:
2376:
2373:
2368:
2366:
2358:
2355:
2350:
2349:
2344:
2342:
2334:
2331:
2327:
2323:
2318:
2315:
2310:
2309:
2304:
2302:
2296:
2290:
2287:
2283:
2279:
2275:
2271:
2266:
2263:
2258:
2254:
2248:
2245:
2241:
2236:
2233:
2228:
2224:
2220:
2214:
2211:
2206:
2200:
2196:
2195:
2187:
2184:
2181:, column 1317
2180:
2175:
2173:
2171:
2169:
2167:
2163:
2151:
2150:
2145:
2138:
2135:
2123:
2122:
2117:
2113:
2107:
2105:
2103:
2099:
2094:
2090:
2086:
2082:
2079:(28): 25–28.
2078:
2074:
2067:
2064:
2061:
2060:
2053:
2050:
2042:
2035:
2031:
2030:
2026:
2011:
2010:
2006:
1997:
1996:
1986:
1971:
1970:
1966:
1957:
1956:
1946:
1937:
1927:
1923:
1922:
1906:
1891:
1890:
1886:
1883:
1872:
1868:
1867:
1857:
1847:
1843:
1842:
1832:
1822:
1818:
1817:
1807:
1791:
1787:
1786:
1782:
1779:
1778:
1767:
1762:
1753:
1748:
1743:
1742:
1739:1916 version
1738:
1735:
1734:
1728:
1726:
1724:
1720:
1716:
1712:
1708:
1704:
1700:
1696:
1688:
1684:
1680:
1679:double basses
1676:
1672:
1668:
1664:
1661:
1659:
1655:
1651:
1647:
1644:
1642:
1638:
1634:
1630:
1626:
1622:
1618:
1614:
1611:
1609:
1605:
1601:
1597:
1594:
1592:
1588:
1587:bass clarinet
1584:
1580:
1576:
1572:
1568:
1565:
1564:
1563:
1556:
1554:
1552:
1548:
1544:
1539:
1536:
1532:
1528:
1524:
1520:
1516:
1512:
1505:
1501:
1497:
1490:
1488:
1485:
1479:
1477:
1473:
1472:
1467:
1459:
1457:
1455:
1449:
1445:
1441:
1434:
1428:
1424:
1420:
1418:
1415:
1413:
1410:
1408:
1404:
1403:
1399:
1397:
1396:Sigrid Onégin
1394:
1392:
1389:
1387:
1383:
1382:
1378:
1375:
1372:
1370:
1369:
1363:
1360:
1356:
1354:
1351:
1348:
1347:
1344:
1341:
1339:
1336:
1333:
1332:
1329:Viktor Madin
1328:
1326:
1323:
1320:
1319:
1315:
1313:
1310:
1307:
1306:
1303:
1300:
1298:
1295:
1292:
1291:
1287:
1285:
1283:
1280:
1277:
1276:
1273:
1268:
1267:Lotte Lehmann
1265:
1263:
1260:
1255:
1254:mezzo-soprano
1251:
1247:The composer
1246:
1245:
1241:
1238:
1235:
1233:
1228:
1224:
1222:
1219:
1217:
1214:
1212:
1209:Truffaldino,
1207:
1204:
1201:
1199:Georg Maeder
1198:
1195:
1193:
1189:
1185:
1182:
1179:
1177:
1174:
1172:
1171:bass-baritone
1169:
1167:
1163:
1159:
1156:
1153:
1151:
1148:
1146:
1143:
1139:
1134:
1129:
1126:
1124:
1121:
1119:
1116:
1114:
1111:
1108:
1107:
1103:
1101:
1100:Maria Jeritza
1098:
1096:
1093:
1091:
1088:
1085:
1084:
1080:
1077:
1076:
1072:
1053:
1046:
1035:
1034:Maria Jeritza
1031:
1024:
1022:
1020:
1016:
1012:
1008:
1004:
1000:
996:
992:
988:
984:
980:
976:
972:
968:
967:Deborah Voigt
964:
963:Jessye Norman
960:
956:
951:
947:
946:Walter Cassel
943:
942:Kerstin Meyer
939:
935:
931:
927:
919:
917:
915:
911:
910:Murray Dickie
907:
903:
899:
895:
891:
887:
882:
880:
879:Claire Watson
876:
872:
868:
867:Maria Reining
864:
863:Gwyneth Jones
860:
859:Lotte Lehmann
856:
852:
851:Maria Jeritza
848:
844:
840:
836:
832:
828:
824:
820:
816:
812:
809:als Bacchus,
808:
804:
800:
795:
793:
792:Gerhard Unger
789:
785:
781:
777:
773:
769:
765:
761:
756:
754:
750:
746:
742:
738:
734:
730:
729:Rudolf Schock
726:
722:
718:
714:
710:
706:
701:
699:
695:
694:Julius Patzak
691:
687:
683:
679:
678:Anny Konetzni
675:
671:
667:
663:
657:
652:
648:
644:
640:
636:
632:
628:
624:
620:
619:Maria Reining
616:
612:
607:
605:
601:
597:
594:as composer,
593:
589:
585:
581:
580:Maria Reining
577:
573:
569:
565:
561:
557:
556:Lotte Lehmann
553:
549:
545:
540:
538:
534:
530:
526:
522:
518:
517:Lotte Lehmann
514:
513:Maria Jeritza
510:
506:
502:
498:
490:
488:
486:
482:
478:
474:
470:
466:
462:
458:
454:
449:
447:
443:
439:
435:
428:
423:
419:
414:
412:
408:
404:
400:
399:Lotte Lehmann
396:
392:
388:
380:
378:
375:
369:
363:
357:
351:
345:
343:
339:
334:
325:
321:
317:
313:
306:
304:
302:
298:
294:
290:
286:
283:In 2012, the
281:
278:
274:
270:
266:
262:
258:
253:
247:
242:
238:
236:
232:
228:
224:
220:
216:
212:
208:
203:
201:
200:Max Reinhardt
197:
193:
189:
187:
182:
178:
169:
162:
160:
158:
154:
150:
146:
142:
138:
134:
133:
129:
124:
122:
110:
96:
92:
88:
84:
81:
78:
74:
69:
65:
61:
56:
51:
48:
44:
40:
36:
31:
26:
22:
3779:
3754:Stefan Zweig
3708:
3688:
3680:
3672:
3664:
3640:
3417:
3393:Piano Sonata
3373:
3365:
3347:
3329:
3321:
3313:
3305:
3297:
3264:
3244:
3160:
3115:
3097:
3064:
3046:
3018:
2973:
2881:
2877:
2871:
2836:
2810:
2789:
2768:(1): 67–81.
2765:
2761:
2757:
2753:
2749:
2732:
2726:
2722:
2696:
2687:file #44688.
2680:
2660:
2639:
2631:
2612:
2586:
2554:
2545:
2521:
2501:
2500:
2486:
2472:
2453:Kennedy 2001
2445:Strauss 1916
2439:
2432:(in Italian)
2425:
2418:
2411:
2403:
2393:
2388:
2380:
2375:
2364:
2357:
2346:
2340:
2333:
2321:
2317:
2306:
2300:
2289:
2273:
2265:
2256:
2247:
2235:
2226:
2222:
2213:
2193:
2186:
2153:. Retrieved
2147:
2137:
2125:. Retrieved
2121:The Guardian
2119:
2076:
2072:
2066:
2058:
2057:
1877:Als ein Gott
1751:
1736:1912 version
1707:English horn
1703:Schott Music
1694:
1692:
1621:glockenspiel
1560:
1540:
1509:
1499:
1483:
1482:cast of the
1480:
1475:
1469:
1463:
1453:
1452:
1443:
1426:
1406:
1385:
1365:
1343:Anton Arnold
1231:
1210:
1191:
1165:
1071:Franz Schalk
1069:(Conductor:
979:Susan Graham
959:James Levine
936:as Bacchus,
932:as Ariadne,
923:
906:Kurt Equiluz
902:Walter Berry
883:
835:Kurt Equiluz
827:Heinz Zednik
823:Walter Berry
811:Agnes Baltsa
805:as Ariadne,
796:
766:(composer),
764:Sena Jurinac
757:
745:Josef Gostic
713:Stefan Hlawa
709:Josef Gielen
707:, staged by
702:
700:as Bacchus.
690:Josef Gostic
686:Peter Anders
635:Alfred Poell
608:
586:as Bacchus,
582:as Ariadne,
572:Heinz Arnold
560:Oskar Strnad
546:, staged by
541:
529:Vera Schwarz
525:Maria Nemeth
494:
477:Risë Stevens
473:Mack Harrell
450:
434:Teatro Reale
415:
403:Maria IvogĂĽn
401:as Ariadne,
384:
346:
329:
282:
276:
264:
254:
250:
223:Bruno Walter
204:
184:
174:
126:
118:
117:
66:as Bacchus,
3873:1916 operas
3868:1912 operas
3711:(1926 film)
3474:Winternacht
3463:Allerseelen
3418:Enoch Arden
3407:(1884–1885)
3349:Don Quixote
3299:Aus Italien
3152:Schlagobers
3090:Friedenstag
2851:(in German)
2758:Verwandlung
2465:Murray 1992
2295:Olin Downes
1799:" (before "
1484:opera seria
1471:opera seria
1334:An officer
1308:A wigmaker
1302:Georg Maikl
1288:Hans Duhan
1269:, replacing
1259:en travesti
1252:soprano or
1230:Brighella,
1188:Scaramuccio
1141:Zerbinetta
1131: [
1003:Maria Ewing
999:Evelyn Lear
934:Jess Thomas
890:JĂĽrgen Rose
886:Dieter Dorn
881:(both 10).
839:Axelle Gall
770:(Bacchus),
768:Jess Thomas
741:Hilde Zadek
737:Hilde GĂĽden
682:Hilde Zadek
654: [
643:Peter Klein
568:Josef Krips
533:Lucie Weidt
505:Fanny Cleve
501:Claire Born
425: [
356:Wo war ich?
322:(Bacchus),
320:Johan Botha
293:Elena Moșuc
289:Emily Magee
157:opera seria
60:Emily Magee
21:Georg Benda
3862:Categories
3290:Tone poems
3172:Orchestral
3048:Intermezzo
3023:(1912/16)
2155:24 October
2127:24 October
2054:References
2043:Recordings
1633:snare drum
1625:tambourine
1613:Percussion
1535:coloratura
1181:Hans Duhan
1155:Selma Kurz
1052:Voice type
819:Erich Kunz
807:James King
784:Lucia Popp
772:Reri Grist
753:Erika Köth
666:Emmy Loose
647:Marjan Rus
639:Erich Kunz
623:Max Lorenz
604:Emmy Loose
600:Erich Kunz
584:Max Lorenz
411:Carl Alwin
246:Emil OrlĂk
227:Hoftheater
102:1912-10-25
76:Librettist
3787:Modernism
3682:Taillefer
3551:Sehnsucht
3485:Ständchen
3452:Die Nacht
3441:Zueignung
3378:(1911–15)
3219:(1911–17)
3209:(1885–86)
3199:(1883–84)
3193:(1882–83)
3187:(1881–82)
3117:Capriccio
2966:Feuersnot
2782:191497158
2674:503687870
2605:637971238
2597:560129867
2544:(2001). "
2093:251414632
1725:in 2016.
1650:harmonium
1646:Keyboards
1641:bass drum
1589:in A), 2
1583:clarinets
1466:burlesque
1412:soubrette
1391:contralto
1321:A lackey
1311:baritone
1162:Harlequin
1109:The tenor
950:Karl Böhm
780:Lisa Otto
758:In 1964,
717:Karl Böhm
588:Alda Noni
576:Karl Böhm
487:in 1946.
231:Maude Fay
3815:Category
3729:(father)
3617:" (1906)
3606:" (1900)
3595:" (1900)
3584:" (1899)
3582:Notturno
3577:" (1898)
3566:" (1898)
3555:" (1896)
3544:" (1895)
3533:" (1894)
3522:" (1894)
3511:" (1894)
3500:" (1894)
3489:" (1886)
3478:" (1886)
3467:" (1885)
3456:" (1885)
3445:" (1885)
3315:Don Juan
3205:Burleske
3069:(1933)
3066:Arabella
3038:(1919)
3008:(1911)
2993:(1909)
2978:(1905)
2859:Archived
2601:10720244
2584:(1958).
2033:Jourdain
1936:measures
1721:and the
1713:and the
1629:triangle
1608:trombone
1591:bassoons
1575:piccolos
1567:Woodwind
1460:Prologue
1435:Synopsis
1427:Servants
1373:soprano
1282:baritone
1232:a player
1211:a player
1192:a player
1166:a player
1078:Prologue
183:'s play
94:Premiere
86:Language
3908:Ariadne
3645:(1948)
3573:Befreit
3529:Morgen!
3507:Cäcilie
3307:Macbeth
3133:Ballets
3120:(1942)
2989:Elektra
2956:Guntram
2808:(ed.).
2750:Ariadne
2638:(ed.).
2560:893–895
2552:(ed.).
2520:(ed.).
2502:Sources
2341:Ariadne
2018:" and "
1926:octaves
1882:cadenza
1667:violins
1663:Strings
1654:celesta
1637:cymbals
1617:timpani
1604:trumpet
1547:Bacchus
1515:Theseus
1511:Ariadne
1502:at the
1407:a nymph
1386:a nymph
1384:Dryad,
1364:Naiad,
1352:spoken
1113:Bacchus
1090:Ariadne
801:, with
455:at the
442:Flemish
438:Antwerp
420:at the
181:Molière
128:Ariadne
100: (
3888:Operas
3838:Portal
3735:(wife)
3693:(1928)
3685:(1903)
3677:(1889)
3669:(1884)
3658:Choral
3637:(1918)
3627:(1918)
3430:Lieder
3421:(1897)
3413:(1888)
3401:(1883)
3395:(1881)
3370:(1903)
3362:(1898)
3352:(1897)
3344:(1896)
3334:(1895)
3326:(1889)
3318:(1888)
3310:(1888)
3302:(1886)
3281:(1947)
3275:(1945)
3269:(1945)
3261:(1942)
3255:(1941)
3249:(1940)
3241:(1936)
3231:(1924)
3225:(1923)
3181:(1880)
3164:(1940)
3156:(1924)
3146:(1914)
3112:(1940)
3102:(1938)
3099:Daphne
3094:(1938)
3084:(1935)
3061:(1928)
3051:(1924)
2975:Salome
2970:(1901)
2960:(1894)
2947:Operas
2818:
2796:
2780:
2754:Daphne
2703:
2670:593682
2668:
2648:
2634:". In
2619:
2595:
2566:
2548:". In
2530:
2280:
2201:
2091:
1675:cellos
1671:violas
1571:flutes
1543:Hermes
1529:, and
1405:Echo,
1337:tenor
1296:tenor
1236:tenor
1196:tenor
1081:Opera
865:(14),
861:(25),
857:(30),
853:(33),
215:Munich
211:Prague
207:ZĂĽrich
89:German
23:, see
3903:Naxos
3852:Opera
3825:Audio
2778:S2CID
2685:IMSLP
2089:S2CID
2073:Tempo
2059:Notes
1683:harps
1658:piano
1600:horns
1596:Brass
1579:oboes
1577:), 2
1551:Circe
1527:Dryad
1523:Naiad
1519:Naxos
1491:Opera
1368:nymph
1324:bass
1135:]
1118:tenor
1048:Role
1025:Roles
658:]
429:]
418:Turin
141:opera
132:Naxos
43:Opera
2816:ISBN
2794:ISBN
2701:ISBN
2666:OCLC
2646:ISBN
2617:ISBN
2593:OCLC
2564:ISBN
2528:ISBN
2278:ISBN
2199:ISBN
2157:2019
2129:2019
1769:is "
1701:and
1681:, 2
1677:, 2
1673:, 4
1669:, 4
1665:: 6
1598:: 2
1581:, 2
1569:: 2
1531:Echo
1216:bass
912:and
877:and
869:and
841:and
743:and
727:and
696:and
680:and
664:and
535:and
391:Graz
326:2012
295:and
70:2012
2770:doi
2760:".
2737:doi
2725:".
2081:doi
1849:: "
1824:: "
1446:by
143:by
137:Op.
135:),
130:on
45:by
3864::
2874:,
2776:.
2766:15
2764:.
2752:,
2733:67
2731:.
2672:,
2603:,
2599:,
2580:;
2562:.
2512:;
2345:.
2305:.
2255:.
2227:54
2225:.
2221:.
2165:^
2146:.
2118:.
2101:^
2087:.
2077:28
2075:.
1919:"
1656:,
1652:,
1648::
1639:,
1635:,
1631:,
1627:,
1623:,
1619:,
1615::
1606:,
1602:,
1525:,
1474:,
1366:a
1261:)
1190:,
1164:,
1133:hu
1073:)
993:,
916:.
908:,
904:,
837:,
833:,
829:,
825:,
821:,
786:,
782:,
723:,
715:.
692:,
688:,
676:,
672:,
660:,
656:de
649:,
645:,
641:,
637:,
633:,
629:,
625:,
621:,
566:.
539:.
531:,
527:,
523:,
519:,
507:,
503:,
427:it
303:.
291:,
3840::
3609:"
3598:"
3587:"
3580:"
3569:"
3558:"
3547:"
3536:"
3525:"
3514:"
3503:"
3492:"
3481:"
3470:"
3459:"
3448:"
3437:"
2914:e
2907:t
2900:v
2884:.
2824:.
2800:.
2784:.
2772::
2743:.
2739::
2709:.
2654:.
2625:.
2607:.
2572:.
2536:.
2494:.
2480:.
2434:.
2424:"
2367:"
2343:"
2311:.
2284:.
2207:.
2159:.
2131:.
2095:.
2083::
1944:"
1928:"
1904:"
1858:"
1833:"
1808:"
1257:(
188:.
125:(
104:)
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
