Knowledge

Aristeia

Source 📝

109:
phase of Greek military evolution, the well-armed aristocrat was the major focus of military action, placed at the apex of his less well-armed dependants. This was reflected in the Homeric division between nobility and commoners, and in the regular epic struggles over the armour of the former, once
195:
often fit into the "epic overextension" of battles: the arming of the warriors, the march into battle, the initial clash, the intense exchanges, and the retreat of one of the armies—often leading to a hero's opportunity for his
155:. Achilles' "extended and phenomenal solo performances in battle" are shown in the epic's "longest and most murderous" series of events. Other instances of this phenomenon in the 662: 278:, Books V and VI see the most individual moments of battlefield domination (aristeia), associated with (for example) the figure of 113:
Classical hoplite armies, though very different, nevertheless still awarded prizes (aristeia) for individual excellence in action.
802: 474: 97:
may result in the death of the hero, and therefore suggests a "battle in which he reaches his peak as a fighter and hero".
249:
leave the Trojan defences in Book 9 to slaughter the Latin captains while they sleep. It also features in Book 10, when
324: 167:(Books 5 and 6, the longest after Achilles' from Book 20–22), Hector's leading of the Trojan assault on the 63: 462: 807: 786:
A comic-strip explanation of the arming sequence that tales place at the beginning of an Aristeia by
262: 183:
in Book 11 where his rampage prompts Zeus to warn Hector against meeting him in battle, as well as
625: 586: 545: 443: 435: 305: 246: 191:
in Book 16, which ultimately leads to his demise at the hands of Hector. Book 16 illustrates how
125:
often coincide with battleground slaughter, and feature one warrior who dominates the battle.
569:
Allan, William (May 2005). "Arms and the Man: Euphorbus, Hector, and the Death of Patroclus".
470: 219:
also suggests the qualities of the hero that make his great deeds possible, such as Odysseus'
215:
slaughters all of the suitors in his palace in another homeric display of martial excellence.
617: 578: 537: 425: 168: 30: 71: 796: 629: 549: 401:. New Series No. 29. Vol. 29. Cambridge: Cambridge University Press. p. 88. 275: 447: 783: 293: 224: 430: 413: 774: 250: 184: 176: 541: 212: 160: 140: 582: 439: 257:
and strikes down all in his path: it draws upon Homeric models, using a
621: 605: 590: 396: 297:, individual Spartan deaths are often portrayed as a Homeric aristeia. 207: 106: 700: 521: 279: 258: 254: 241: 223:("cunning intelligence") that allows him to triumph over the Cyclops 164: 152: 135: 130: 81: 79:) is a scene in the dramatic conventions of epic poetry as in the 172: 148: 86: 497:. Translated by Fagles, Robert. New York: Penguin. p. 625. 461:
Raaflaub, Kurt A. (2006). "Historical Approaches to Homer". In
606:"Homeric Warriors and Battles: Trying to Resolve Old Problems" 467:
Ancient Greece: From the Mycenaean Palaces to the Age of Homer
51: 36: 269:
in Book 11 killing twelve opponents, but ends with her death.
787: 778: 777:
A comic-strip explanation of the formula of an Aristeia by
54: 147:
in Books 20–22 where he almost single-handedly routs the
39: 469:. Edinburgh: Edinburgh University Press. p. 457. 45: 33: 48: 42: 163:' "preeminent deeds" in battle while empowered by 398:Proceedings of the Cambridge Philological Society 391:Willcock, M. M. (1983). "Battle Scenes in the 701:"Nisus and Euryalus: A Platonic Relationship" 8: 151:army and then goes on to kill its champion 429: 353:The Oxford History of the Classical World 733: 721: 648: 507: 488: 486: 315: 239:is also seen, to some extent, in the 70: 7: 121:Literally, "moment of excellence", 675:Greek, Roman and Byzantine Studies 89:in battle has his finest moments ( 14: 368:(Penguin 1967) p. 61 and p. 135-7 171:camp in Book 8 (with the help of 29: 329:: Summary and Analysis Book V" 1: 747:John Milton’s Paradise Lost 824: 699:Makowski, John F. (1989). 661:Friedrich, Rainer (1987). 604:Raaflaub, Kurt A. (2008). 465:; Lemos, Irene S. (eds.). 110:fallen in their aristeia. 67: 16:Scene of heroic excellence 520:Rabel, Robert J. (1990). 412:Rossman, Gabriel (2017). 431:10.1177/1536504217732052 651:, pp. 476–77, 481. 571:The Classical Quarterly 522:"Agamemnon's Aristeia: 463:Deger-Jalkotzy, Sigrid 803:Ancient Greek theatre 705:The Classical Journal 542:10.1353/syl.1990.0003 366:The World of Odysseus 101:Historical background 129:Aristeiai abound in 610:The Classical World 253:takes the place of 72:[aristěːaː] 667:: Odysseus in the 622:10.1353/clw.0.0015 323:Linn, Bob (n.d.). 306:Arete (excellence) 247:Nisus and Euryalus 205:In Book 22 of the 583:10.1093/cq/bmi001 530:Syllecta Classica 379:Athenian Generals 227:in Book 9 of the 139:, the peak being 815: 788:Greek Myth Comix 779:Greek Myth Comix 763: 760:Classics for All 756: 750: 743: 737: 731: 725: 719: 713: 712: 696: 690: 689: 687: 686: 663:"Heroic Man and 658: 652: 646: 640: 639: 637: 636: 601: 595: 594: 566: 560: 559: 557: 556: 517: 511: 505: 499: 498: 490: 481: 480: 458: 452: 451: 433: 414:"Glory and Gore" 409: 403: 402: 388: 382: 375: 369: 362: 356: 349: 343: 342: 340: 339: 320: 74: 69: 61: 60: 57: 56: 53: 50: 47: 44: 41: 38: 35: 823: 822: 818: 817: 816: 814: 813: 812: 793: 792: 771: 766: 757: 753: 744: 740: 732: 728: 720: 716: 698: 697: 693: 684: 682: 660: 659: 655: 647: 643: 634: 632: 603: 602: 598: 568: 567: 563: 554: 552: 519: 518: 514: 506: 502: 492: 491: 484: 477: 460: 459: 455: 411: 410: 406: 390: 389: 385: 376: 372: 363: 359: 350: 346: 337: 335: 322: 321: 317: 313: 303: 289: 287:Recent examples 119: 103: 32: 28: 17: 12: 11: 5: 821: 819: 811: 810: 805: 795: 794: 791: 790: 784:Arming formula 781: 770: 769:External links 767: 765: 764: 751: 738: 726: 714: 711:(1): 3, 10–13. 691: 653: 641: 596: 561: 512: 500: 493:Homer (1990). 482: 475: 453: 404: 383: 370: 357: 344: 314: 312: 309: 302: 299: 288: 285: 284: 283: 271: 270: 233: 232: 202: 201: 118: 115: 102: 99: 15: 13: 10: 9: 6: 4: 3: 2: 820: 809: 806: 804: 801: 800: 798: 789: 785: 782: 780: 776: 773: 772: 768: 761: 755: 752: 748: 742: 739: 736:, p. 91. 735: 734:Willcock 1983 730: 727: 724:, p. 97. 723: 722:Willcock 1983 718: 715: 710: 706: 702: 695: 692: 680: 676: 672: 670: 666: 657: 654: 650: 649:Raaflaub 2008 645: 642: 631: 627: 623: 619: 615: 611: 607: 600: 597: 592: 588: 584: 580: 576: 572: 565: 562: 551: 547: 543: 539: 535: 531: 527: 525: 516: 513: 510:, p. 45. 509: 504: 501: 496: 489: 487: 483: 478: 472: 468: 464: 457: 454: 449: 445: 441: 437: 432: 427: 423: 419: 415: 408: 405: 400: 399: 394: 387: 384: 380: 374: 371: 367: 361: 358: 354: 348: 345: 334: 333:Cliff's Notes 330: 328: 319: 316: 310: 308: 307: 300: 298: 296: 295: 286: 281: 277: 276:Paradise Lost 273: 272: 268: 264: 260: 256: 252: 248: 244: 243: 238: 235: 234: 230: 226: 222: 218: 214: 211:, Greek hero 210: 209: 204: 203: 199: 194: 190: 186: 182: 178: 174: 170: 166: 162: 159:are found in 158: 154: 150: 146: 142: 138: 137: 132: 128: 127: 126: 124: 117:Epic examples 116: 114: 111: 108: 100: 98: 96: 92: 88: 84: 83: 78: 73: 65: 64:Ancient Greek 59: 26: 22: 762:(2009) p. 65 759: 754: 746: 741: 729: 717: 708: 704: 694: 683:. Retrieved 678: 674: 668: 664: 656: 644: 633:. Retrieved 613: 609: 599: 574: 570: 564: 553:. Retrieved 533: 529: 523: 515: 508:Rossman 2017 503: 494: 466: 456: 421: 417: 407: 397: 392: 386: 381:(1998) p. 64 378: 373: 365: 364:M I Finley, 360: 355:(1991) p. 29 352: 347: 336:. Retrieved 332: 326: 318: 304: 292: 291:In the film 290: 266: 265:also has an 240: 236: 228: 220: 216: 206: 197: 192: 188: 180: 156: 144: 134: 122: 120: 112: 104: 94: 90: 80: 77:"excellence" 76: 24: 20: 18: 808:Narratology 749:(2005) p. 9 745:M Kean ed, 577:(1): 1–16. 351:J Griffin, 105:In the pre- 93:= "best"). 797:Categories 685:2020-08-05 635:2020-08-05 616:(4): 469. 555:2020-08-05 526:11.101-21" 476:0748618899 338:2020-08-05 311:References 225:Polyphemus 85:, where a 669:Cyclopeia 665:Polymetis 630:161299924 550:190876498 495:The Iliad 424:(3): 44. 377:D Hamel, 327:The Iliad 251:Mezentius 221:polymetis 193:aristeiai 185:Patroclus 177:Agamemnon 123:aristeiai 775:Aristeia 758:D Lowe, 681:(2): 121 448:64910176 440:26370536 418:Contexts 301:See also 267:aristeia 237:Aristeia 217:Aristeia 213:Odysseus 198:aristeia 189:aristeia 181:aristeia 161:Diomedes 145:aristeia 141:Achilles 95:Aristeia 68:ἀριστεία 21:aristeia 591:3556236 536:: 1–7. 263:Camilla 245:, when 229:Odyssey 208:Odyssey 169:Achaian 107:hoplite 91:aristos 25:aristia 628:  589:  548:  473:  446:  438:  393:Aeneid 280:Abdiel 259:simile 255:Turnus 242:Aeneid 165:Athena 153:Hector 149:Trojan 626:S2CID 587:JSTOR 546:S2CID 524:Iliad 444:S2CID 436:JSTOR 157:Iliad 136:Iliad 131:Homer 82:Iliad 471:ISBN 173:Zeus 87:hero 618:doi 614:101 579:doi 538:doi 426:doi 395:". 294:300 274:In 179:'s 175:), 133:'s 23:or 19:An 799:: 709:85 707:. 703:. 679:28 677:. 673:. 624:. 612:. 608:. 585:. 575:55 573:. 544:. 532:. 528:. 485:^ 442:. 434:. 422:16 420:. 416:. 331:. 261:. 187:' 143:' 75:, 66:: 62:; 52:iː 37:ær 688:. 671:" 638:. 620:: 593:. 581:: 558:. 540:: 534:2 479:. 450:. 428:: 341:. 325:" 282:. 231:. 200:. 58:/ 55:ə 49:t 46:s 43:ˈ 40:ɪ 34:ˌ 31:/ 27:(

Index

/ˌærɪˈstə/
Ancient Greek
[aristěːaː]
Iliad
hero
hoplite
Homer
Iliad
Achilles
Trojan
Hector
Diomedes
Athena
Achaian
Zeus
Agamemnon
Patroclus
Odyssey
Odysseus
Polyphemus
Aeneid
Nisus and Euryalus
Mezentius
Turnus
simile
Camilla
Paradise Lost
Abdiel
300
Arete (excellence)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.