Knowledge (XXG)

Aristide Maillol

Source đź“ť

162: 225: 891: 786: 883: 1148: 1123: 472: 588:, who cited Maillol as an early influence on his own move toward abstraction and monumentality. Moore admired the way Maillol's work avoided excessive detail, allowing the essential form of the human body to take precedence. In his 1941 writings, Moore stated, "Maillol’s influence was important to me because of the calm and permanence that his figures suggest, as well as his return to classical balance and volume." </ref> 610:(2012), which juxtaposes classical representations of the female form with fragmented images of the Mona Lisa. Aoun's work engages with the legacy of Western iconography, questioning the colonial and patriarchal structures embedded within these revered forms. In reinterpreting Maillol's figures, Aoun critiques the traditional Western gaze and proposes a more inclusive dialogue around the representation of women in art. 268: 31: 598:
Art historians such as Hilton Kramer and Albert Elsen have extensively discussed Maillol's unique place in modern sculpture. Kramer remarked that Maillol's works possess an "elemental calm" and reflect an anti-Romantic sentiment, contrasting sharply with the emotional intensity of Rodin. Elsen, in
595:, a Dadaist and Surrealist artist, found inspiration in Maillol's organic forms, which he believed offered a “timeless universality.” Arp's abstracted, rounded sculptures share a kinship with Maillol's pursuit of essential, elemental forms, though Arp pushed these ideas further into abstraction. 932:
Title: Aristide Maillol sculpture recovery Date: 1946 May 24 Physical Details: 1 photographic print : black and white; 12 x 09 cm. Description: Six men, members of the Monuments, Fine Arts & Archives section of the military, prepare Aristide Maillol's sculpture Baigneuse Ă  la draperie,
576:
Aristide Maillol's work has had a profound and enduring impact on both modern and contemporary art, particularly within the realms of sculpture, the representation of the human body, and the revival of classical forms in the 20th century. His restrained, monumental approach to the female figure
301:
said of Maillol, "These archaic ideas, Greek, were the great novelty Maillol brought into the tendency of modern sculpture. What you need to love from the ancients is not the antiquity, it is the sense of permanent, renewed novelty, that is due to the nature and reason."
933:
looted during World War II for transport to France. Sculpture is labeled with sign: Wiesbaden, no. 31. Identification on verso (handwritten): Restitution shipment to France. Creator: Unidentified Forms part of: James J. Rorimer papers, 1921-1982, bulk 1943-1950
366:
He died in Banyuls at the age of eighty-two, in an automobile accident. While driving home during a thunderstorm, the car in which he was a passenger skidded off the road and rolled over. A large collection of Maillol's work is maintained at the
140:
He began his career as a painter and developed an early interest in the decorative arts. He became primarily interested in sculpture from his early 40s. Maillol was one of the most famous sculptors of his time. His work inspired artists such as
599:
his study of Maillol's work, argued that his influence can be seen in the development of modernist sculpture, particularly through his focus on the essential harmony of form and space, a concept that paved the way for mid-century minimalism.
1465: 995:
City counselors voted late Tuesday to hand six drawings by Karl Hofer, Paula Modersohn-Becker, Ernst Barlach, Aristide Maillol and Wilhelm Morgner to the heirs of Jewish collector Alfred Flechtheim, who fled to France in
216:
design. In 1893 Maillol opened a tapestry workshop in Banyuls, producing works whose high technical and aesthetic quality gained him recognition for renewing this art form in France. He began making small
617:
in Paris, which focused on the dialogue between Maillol and contemporary sculptors, underscore the relevance of his oeuvre in ongoing conversations about the body, space, and abstraction. Artists such as
379:, Maillol's model and platonic companion during the last 10 years of his life. His home a few kilometers outside Banyuls, also the site of his final resting place, has been turned into a museum, the 866: 629:
Maillol's influence persists not only in sculpture but also in broader conversations about the role of classical ideals in contemporary art, inviting ongoing re-evaluation and reinterpretation.
1008: 580:
One of Maillol's most significant contributions was his rejection of the exaggerated dynamism that characterized much of late 19th-century sculpture, notably the work of his contemporary,
602:
In more recent decades, Maillol's sculptures have continued to inspire contemporary artists exploring themes of memory, identity, and the body. The French-Lebanese contemporary artist
1564: 1245: 533: 810: 920: 954: 1539: 835: 1181: 450: 859: 584:. Maillol's figures, with their serene and stable forms, marked a return to classical simplicity and purity. This approach resonated with artists like 1604: 1589: 260:. Maillol, believing that "art does not lie in the copying of nature", produced a second, less naturalistic version in 1905. In 1902, the art dealer 224: 161: 1619: 1609: 772: 1599: 1594: 1584: 1579: 287:
emphasis on stable forms. The figurative style of his large bronzes is perceived as an important precursor to the greater simplifications of
245:
In July 1896, Maillol married Clotilde Narcis, one of his employees at his tapestry workshop. Their only son, Lucian, was born that October.
1344: 1574: 1100: 1078: 695: 674: 439: 1142: 1569: 1544: 1293: 423: 380: 983: 435: 1554: 1229: 1174: 525: 912: 1549: 221:
sculptures in 1895, and within a few years his concentration on sculpture led to the abandonment of his work in tapestry.
769:"Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume: search Maillol" 946: 419: 626:
have also been said to engage with the themes of solidity and fluidity in ways that echo Maillol's approach to form.
277: 402:(1950–55). The third, the artist's only reference to music, is a copy of an original created for the French city of 461: 1457: 1397: 1167: 202: 577:
influenced numerous artists, sparking discussions about form, abstraction, and the essence of sculpture itself.
194: 1614: 913:"Aristide Maillol sculpture recovery, 1946 May 24, from the James J. Rorimer papers, 1921-1982, bulk 1943-1950" 431: 189:
in 1881 to study art. After several applications and several years of living in poverty, his enrollment in the
1237: 1221: 1066:
Solomon R. Guggenheim Museum, "Aristide Maillol, 1861-1944", New York, Solomon R. Guggenheim Foundation, 1975.
517: 1498: 1449: 1337: 1269: 557: 430:
lists thirty artworks by Maillol. The German Lost Art Foundation database lists 33 entries for Maillol. The
230: 190: 99: 1492: 1253: 541: 457:, looted during World War II for transport to France. Sculpture is labeled with sign: Wiesbaden, no. 31." 291:, and his serene classicism set a standard for European (and American) figure sculpture until the end of 403: 1153: 768: 427: 1559: 1534: 1529: 1473: 619: 253: 729: 422:, dozens of artworks by Maillol were seized by the Nazi looting organization known as the E.R.R. or 1432: 1392: 1132: 471: 324:(1919–1954) a grant awarded to painters, sculptors, decorators, engravers, writers, and musicians. 212:
Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up
1508: 1412: 1330: 603: 443: 387: 342: 1422: 742: 438:
has 13 items related to Maillol. Maillol's sculpture "Head of Flora" was found in the stash of
1096: 1074: 691: 670: 465: 347: 198: 1417: 1287: 1205: 1127: 836:"The 'Gurlitt case': how a routine customs check uncovered a sensational Nazi-era art hoard" 623: 614: 501: 368: 261: 235: 711: 1377: 321: 317: 178: 129: 58: 1044:
Albert Elsen, *The Sculpture of Henri Matisse*, Princeton University Press, 1972, p. 102.
306: 1147: 1382: 1367: 407: 283:
The subject of nearly all of Maillol's mature work is the female body, treated with a
1523: 1372: 1261: 581: 549: 360: 272: 146: 142: 975: 1387: 860:"Gurlitt Provenance Research Project Object record excerpt for Lost Art ID: 533054" 292: 206: 1503: 133:; December 8, 1861 â€“ September 27, 1944) was a French sculptor, painter, and 1427: 1407: 1353: 1310: 1213: 1106: 585: 509: 376: 310: 288: 170: 150: 134: 1154:
Aristide Maillol in Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg
667:
On Classic Ground: Picasso, Léger, de Chirico and the New Classicism 1910–1930
284: 218: 182: 62: 460:
Jewish art collectors whose artworks by Maillol were looted by Nazis include
305:
His important public commissions include a 1912 commission for a monument to
480: 298: 109: 592: 337: 213: 113: 1073:, Kunsthaus ZĂĽrich & Grand Palais, Paris & Prestel, Munich 1993 267: 30: 1145:
in American public collections, on the French Sculpture Census website
328: 352: 332: 89: 1035:
Musée Maillol, *Maillol et ses héritiers*, exhibition catalog, 2011.
1159: 947:"plundered art: ERR database—Untangling the Hugo Simon collection" 372: 266: 239: 223: 186: 160: 1053:
Oliver Aoun, "Lisa Rediviva", 2012. Personal project description.
1326: 1163: 449:
A photograph from May 24, 1946, shows "Six men, members of the
201:. His early paintings show the influence of his contemporaries 185:. He decided at an early age to become a painter, and moved to 1137: 453:
section of the military, prepare Aristide Maillol's sculpture
712:"MoMA, The Collections, Aristide Maillol (French, 1861–1944)" 1069:
Frèches-Thory, Claire, & Perucchi-Petry, Ursula, ed.:
383:, where a number of his works and sketches are displayed. 884:"Lost Art Internet Database - Search Gurlitt and Maillol" 1322: 434:'s database for artworks recovered by the Allies at the 252:, was modeled after his wife. The first version (in the 309:, as well as numerous war memorials commissioned after 35:
Aristide Maillol (1925), in a photograph by Alfred Kuhn
613:
Furthermore, exhibitions such as the 2011 show at the
386:
Three of his bronzes grace the grand staircase of the
173:, New York, Chicago, Boston. Catalogue image (no. 110) 811:"DHM: Datenbank zum Central Collecting Point MĂĽnchen" 652:
Le Normand-Romain, Antoinette . "Maillol, Aristide".
1484: 1441: 1360: 1303: 1280: 1197: 648: 646: 644: 642: 606:incorporated Maillol's sculptures into his project 446:together with lithographs, drawings and paintings. 105: 95: 85: 69: 40: 21: 976:"Germany denies Jewish heirs; Cologne returns art" 730:"Dues mirades a Maillol. Josep Pla i Torres MonsĂł" 193:was accepted in 1885, and he studied there under 256:, New York) was completed in 1902, and renamed 1565:Artists from Occitania (administrative region) 1338: 1175: 1156:: Database of Art Objects at the Jeu de Paume 732:, FundaciĂł Josep Pla, retrieved May 31, 2013. 8: 665:Cowling, Elizabeth; Mundy, Jennifer (1990). 264:provided Maillol with his first exhibition. 428:Database of Art Objects at the Jeu de Paume 1345: 1331: 1323: 1182: 1168: 1160: 1146: 1031: 1029: 18: 745:. Jewish Women's Archive, Michele Siegel. 1133:Masters of 20th Century Figure Sculpture 492:Mme Henry Clemens van de Velde (c. 1899) 470: 638: 953:. Holocaust Art Restitution Project. 787:"Lost Art Internet Database - Search" 128: 7: 169:, terracotta. Exhibited at the 1913 654:Grove Art Online. Oxford Art Online 451:Monuments, Fine Arts & Archives 400:Kneeling Woman: Monument to Debussy 122:Aristide Joseph Bonaventure Maillol 45:Aristide Joseph Bonaventure Maillol 1124:Works by or about Aristide Maillol 14: 834:Gee, Malcolm (30 November 2018). 572:Legacy and Contemporary Influence 248:Maillol's first major sculpture, 1605:19th-century French male artists 1590:20th-century French male artists 1111:The Woodcuts of Aristide Maillol 1071:Die Nabis: Propheten der Moderne 1009:"ArmonĂ­a (Harmonie) - Escultura" 872:from the original on 2021-06-18. 775:from the original on 2021-06-18. 669:. London: Tate Gallery. p. 148. 424:Reichsleiter Rosenberg Taskforce 345:in 1926–27. He also illustrated 331:illustrations for an edition of 29: 1540:People from PyrĂ©nĂ©es-Orientales 986:from the original on 2016-08-17 957:from the original on 2014-03-07 945:Masurovsky, Marc (2011-04-13). 923:from the original on 2015-09-06 894:from the original on 2021-06-24 724:"ArĂ­stides Maillol, escultor", 656:. Oxford University Press. Web. 436:Munich Central Collecting Point 316:Maillol served as a juror with 1620:Road incident deaths in France 1230:Bathing Woman with Raised Arms 1013:colecciones.banrepcultural.org 526:Bathing Woman with Raised Arms 1: 1600:20th-century French sculptors 1595:19th-century French sculptors 442:, son of Hitler's art dealer 381:MusĂ©e Maillol Banyuls-sur-Mer 1585:20th-century French painters 1580:19th-century French painters 234:, bronze, 1938–1943, at the 1610:École des Beaux-Arts alumni 1113:. New York: Pantheon Books. 743:"Florence Meyer Blumenthal" 496:The Mediterranean (1902-05) 420:German occupation of France 375:, which was established by 80:Banyuls-sur-Mer, Roussillon 1636: 1091:Lorquin, Bertrand (1995). 318:Florence Meyer Blumenthal 203:Pierre Puvis de Chavannes 28: 16:French artist (1861–1944) 1575:Sculptors from Catalonia 1466:Toulouse-Lautrec Cooking 432:German Historical Museum 388:Metropolitan Opera House 1570:Painters from Catalonia 1545:French modern sculptors 455:Baigneuse Ă  la draperie 686:Himino, Ryozo (2001). 483: 280: 242: 174: 1555:French male sculptors 1238:War memorial of CĂ©ret 690:. Japan: Graph, Inc. 474: 404:Saint-Germain-en-Laye 278:Kröller-MĂĽller Museum 270: 227: 164: 1550:French male painters 755:"Aristide Maillol", 620:Jean-Michel Othoniel 327:He made a series of 254:Museum of Modern Art 191:École des Beaux-Arts 177:Maillol was born in 100:École des Beaux-Arts 1493:L'Estampe originale 1393:Henri-Gabriel Ibels 982:. Washington Post. 1509:Post-Impressionism 1413:Ker-Xavier Roussel 1081:(German), (French) 726:Homenots, 3a sèrie 484: 475:Aristide Maillol, 444:Hildebrand Gurlitt 396:Venus Without Arms 390:in New York City: 357:Chansons pour elle 343:Harry Graf Kessler 281: 243: 175: 73:September 27, 1944 1517: 1516: 1474:Homage to CĂ©zanne 1320: 1319: 1296:, Banyuls-sur-Mer 980:www.lootedart.com 757:Oxford Art Online 468:and many others. 466:Alfred Flechtheim 440:Cornelius Gurlitt 348:Daphnis and Chloe 199:Alexandre Cabanel 119: 118: 1627: 1433:Édouard Vuillard 1403:Aristide Maillol 1347: 1340: 1333: 1324: 1206:Action in Chains 1191:Aristide Maillol 1184: 1177: 1170: 1161: 1150: 1143:Aristide Maillol 1128:Internet Archive 1054: 1051: 1045: 1042: 1036: 1033: 1024: 1023: 1021: 1019: 1005: 999: 998: 992: 991: 972: 966: 965: 963: 962: 942: 936: 935: 929: 928: 909: 903: 902: 900: 899: 880: 874: 873: 871: 864: 856: 850: 849: 847: 846: 840:The Conversation 831: 825: 824: 822: 821: 807: 801: 800: 798: 797: 783: 777: 776: 765: 759: 753: 747: 746: 739: 733: 722: 716: 715: 708: 702: 701: 683: 677: 663: 657: 650: 624:Louise Bourgeois 502:Action in Chains 320:in awarding the 262:Ambroise Vollard 236:Tuileries Garden 195:Jean-LĂ©on GĂ©rĂ´me 132: 127: 76: 55:December 8, 1861 54: 52: 33: 23:Aristide Maillol 19: 1635: 1634: 1630: 1629: 1628: 1626: 1625: 1624: 1615:Prix Blumenthal 1520: 1519: 1518: 1513: 1480: 1437: 1423:FĂ©lix Vallotton 1398:Georges Lacombe 1378:Maxime Dethomas 1356: 1351: 1321: 1316: 1299: 1276: 1222:L'ÉtĂ© sans bras 1193: 1188: 1120: 1088: 1086:Further reading 1063: 1058: 1057: 1052: 1048: 1043: 1039: 1034: 1027: 1017: 1015: 1007: 1006: 1002: 989: 987: 974: 973: 969: 960: 958: 944: 943: 939: 926: 924: 911: 910: 906: 897: 895: 882: 881: 877: 869: 862: 858: 857: 853: 844: 842: 833: 832: 828: 819: 817: 809: 808: 804: 795: 793: 785: 784: 780: 767: 766: 762: 754: 750: 741: 740: 736: 723: 719: 710: 709: 705: 698: 685: 684: 680: 664: 660: 651: 640: 635: 574: 518:L'ÉtĂ© sans bras 489: 416: 414:Nazi-looted art 410:'s birthplace. 322:Prix Blumenthal 258:La MĂ©diterranĂ©e 179:Banyuls-sur-Mer 159: 130:[mÉ‘jÉ”l] 125: 81: 78: 74: 65: 59:Banyuls-sur-Mer 56: 50: 48: 47: 46: 36: 24: 17: 12: 11: 5: 1633: 1631: 1623: 1622: 1617: 1612: 1607: 1602: 1597: 1592: 1587: 1582: 1577: 1572: 1567: 1562: 1557: 1552: 1547: 1542: 1537: 1532: 1522: 1521: 1515: 1514: 1512: 1511: 1506: 1501: 1496: 1488: 1486: 1482: 1481: 1479: 1478: 1470: 1462: 1458:The Seamstress 1454: 1445: 1443: 1439: 1438: 1436: 1435: 1430: 1425: 1420: 1415: 1410: 1405: 1400: 1395: 1390: 1385: 1383:Meijer de Haan 1380: 1375: 1370: 1368:Pierre Bonnard 1364: 1362: 1358: 1357: 1352: 1350: 1349: 1342: 1335: 1327: 1318: 1317: 1315: 1314: 1307: 1305: 1301: 1300: 1298: 1297: 1291: 1284: 1282: 1278: 1277: 1275: 1274: 1266: 1258: 1250: 1242: 1234: 1226: 1218: 1210: 1201: 1199: 1195: 1194: 1189: 1187: 1186: 1179: 1172: 1164: 1158: 1157: 1151: 1140: 1138:Maillol Museum 1135: 1130: 1119: 1118:External links 1116: 1115: 1114: 1104: 1087: 1084: 1083: 1082: 1067: 1062: 1059: 1056: 1055: 1046: 1037: 1025: 1000: 967: 937: 917:www.aaa.si.edu 904: 888:www.lostart.de 875: 851: 826: 802: 791:www.lostart.de 778: 760: 748: 734: 728:. OC XXI, 19. 717: 703: 696: 678: 658: 637: 636: 634: 631: 591:Additionally, 573: 570: 569: 568: 562: 554: 546: 538: 530: 522: 514: 506: 498: 493: 488: 485: 415: 412: 408:Claude Debussy 250:A Seated Woman 158: 155: 117: 116: 107: 106:Known for 103: 102: 97: 93: 92: 87: 83: 82: 79: 77:(aged 82) 71: 67: 66: 57: 44: 42: 38: 37: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1632: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1581: 1578: 1576: 1573: 1571: 1568: 1566: 1563: 1561: 1558: 1556: 1553: 1551: 1548: 1546: 1543: 1541: 1538: 1536: 1533: 1531: 1528: 1527: 1525: 1510: 1507: 1505: 1502: 1500: 1497: 1495: 1494: 1490: 1489: 1487: 1483: 1476: 1475: 1471: 1468: 1467: 1463: 1460: 1459: 1455: 1452: 1451: 1447: 1446: 1444: 1440: 1434: 1431: 1429: 1426: 1424: 1421: 1419: 1418:Paul SĂ©rusier 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1394: 1391: 1389: 1386: 1384: 1381: 1379: 1376: 1374: 1373:Maurice Denis 1371: 1369: 1366: 1365: 1363: 1359: 1355: 1348: 1343: 1341: 1336: 1334: 1329: 1328: 1325: 1312: 1309: 1308: 1306: 1302: 1295: 1294:MusĂ©e Maillol 1292: 1289: 1288:MusĂ©e Maillol 1286: 1285: 1283: 1279: 1272: 1271: 1267: 1264: 1263: 1259: 1256: 1255: 1251: 1248: 1247: 1243: 1240: 1239: 1235: 1232: 1231: 1227: 1224: 1223: 1219: 1216: 1215: 1211: 1208: 1207: 1203: 1202: 1200: 1196: 1192: 1185: 1180: 1178: 1173: 1171: 1166: 1165: 1162: 1155: 1152: 1149: 1144: 1141: 1139: 1136: 1134: 1131: 1129: 1125: 1122: 1121: 1117: 1112: 1108: 1105: 1102: 1101:9780500974179 1098: 1094: 1090: 1089: 1085: 1080: 1079:3-7913-1969-8 1076: 1072: 1068: 1065: 1064: 1060: 1050: 1047: 1041: 1038: 1032: 1030: 1026: 1014: 1010: 1004: 1001: 997: 985: 981: 977: 971: 968: 956: 952: 951:plundered art 948: 941: 938: 934: 922: 918: 914: 908: 905: 893: 889: 885: 879: 876: 868: 861: 855: 852: 841: 837: 830: 827: 816: 812: 806: 803: 792: 788: 782: 779: 774: 770: 764: 761: 758: 752: 749: 744: 738: 735: 731: 727: 721: 718: 713: 707: 704: 699: 697:4-7662-0645-2 693: 689: 682: 679: 676: 675:1-854-37043-X 672: 668: 662: 659: 655: 649: 647: 645: 643: 639: 632: 630: 627: 625: 621: 616: 615:MusĂ©e Maillol 611: 609: 608:Lisa Rediviva 605: 600: 596: 594: 589: 587: 583: 582:Auguste Rodin 578: 571: 566: 563: 560: 559: 555: 552: 551: 547: 544: 543: 539: 536: 535: 531: 528: 527: 523: 520: 519: 515: 512: 511: 507: 504: 503: 499: 497: 494: 491: 490: 486: 482: 478: 473: 469: 467: 463: 458: 456: 452: 447: 445: 441: 437: 433: 429: 425: 421: 413: 411: 409: 405: 401: 397: 393: 389: 384: 382: 378: 374: 370: 369:MusĂ©e Maillol 364: 362: 361:Paul Verlaine 358: 354: 350: 349: 344: 341:published by 340: 339: 334: 330: 325: 323: 319: 314: 312: 308: 303: 300: 296: 294: 290: 286: 279: 275: 274: 269: 265: 263: 259: 255: 251: 246: 241: 237: 233: 232: 226: 222: 220: 215: 210: 208: 204: 200: 196: 192: 188: 184: 180: 172: 168: 163: 156: 154: 152: 148: 147:Henri Matisse 144: 138: 136: 131: 123: 115: 111: 108: 104: 101: 98: 94: 91: 88: 84: 72: 68: 64: 60: 43: 39: 32: 27: 20: 1491: 1472: 1464: 1456: 1450:The Talisman 1448: 1402: 1388:Hermann-Paul 1268: 1260: 1254:The Mountain 1252: 1244: 1236: 1228: 1220: 1212: 1204: 1190: 1110: 1107:Rewald, John 1092: 1070: 1049: 1040: 1016:. Retrieved 1012: 1003: 994: 988:. Retrieved 979: 970: 959:. Retrieved 950: 940: 931: 925:. Retrieved 916: 907: 896:. Retrieved 887: 878: 854: 843:. Retrieved 839: 829: 818:. Retrieved 814: 805: 794:. Retrieved 790: 781: 763: 756: 751: 737: 725: 720: 706: 687: 681: 666: 661: 653: 628: 612: 607: 601: 597: 590: 579: 575: 564: 556: 548: 542:The Mountain 540: 532: 524: 516: 508: 500: 495: 476: 459: 454: 448: 417: 399: 395: 391: 385: 365: 356: 346: 336: 326: 315: 304: 297: 293:World War II 282: 271: 257: 249: 247: 244: 229: 211: 207:Paul Gauguin 176: 166: 139: 121: 120: 75:(1944-09-27) 1560:Nabis (art) 1535:1944 deaths 1530:1861 births 1428:Jan Verkade 1408:Paul Ranson 1311:Dina Vierny 1273:(1938–1943) 1214:Flora, Nude 604:Oliver Aoun 586:Henry Moore 510:Flora, Nude 418:During the 398:(1920), and 394:(1910–11), 377:Dina Vierny 355:(1937) and 311:World War I 289:Henry Moore 276:cast 1938, 171:Armory Show 151:Henry Moore 86:Nationality 1524:Categories 1198:Sculptures 990:2021-06-18 961:2021-06-18 927:2021-06-18 898:2021-06-18 845:2021-06-18 820:2021-06-18 815:www.dhm.de 796:2021-06-18 633:References 477:The Night, 462:Hugo Simon 219:terracotta 183:Roussillon 167:Bas Relief 135:printmaker 63:Roussillon 51:1861-12-08 1504:LugnĂ©-Poe 1442:Paintings 1270:The River 1095:. Skira. 1018:9 October 561:(1938–43) 558:The River 481:Stuttgart 299:Josep Pla 285:classical 231:The River 228:Maillol, 165:Maillol, 157:Biography 110:Sculpture 96:Education 1499:Intimism 1361:Painters 1109:(1951). 984:Archived 955:Archived 921:Archived 892:Archived 867:Archived 773:Archived 593:Hans Arp 565:Harmonie 479:(1902), 363:(1939). 338:Eclogues 214:tapestry 114:painting 1485:Related 1313:(model) 1290:, Paris 1281:Museums 1126:at the 1093:Maillol 1061:Sources 688:Maillol 329:woodcut 307:CĂ©zanne 143:Picasso 126:French: 1477:(1900) 1469:(1898) 1461:(1893) 1453:(1888) 1304:People 1265:(1938) 1257:(1937) 1249:(1930) 1241:(1922) 1233:(1921) 1225:(1911) 1217:(1910) 1209:(1905) 1099:  1077:  694:  673:  567:(1944) 553:(1938) 545:(1937) 537:(1930) 529:(1921) 521:(1911) 513:(1910) 505:(1905) 426:. The 392:Summer 353:Longus 333:Vergil 90:French 1354:Nabis 1262:L'Air 1246:Nymph 996:1933. 870:(PDF) 863:(PDF) 550:L'Air 534:Nymph 487:Works 373:Paris 240:Paris 187:Paris 1097:ISBN 1075:ISBN 1020:2023 692:ISBN 671:ISBN 622:and 205:and 197:and 149:and 70:Died 41:Born 371:in 359:by 351:by 335:'s 273:Air 238:in 1526:: 1028:^ 1011:. 993:. 978:. 949:. 930:. 919:. 915:. 890:. 886:. 865:. 838:. 813:. 789:. 771:. 641:^ 464:, 406:, 313:. 295:. 209:. 181:, 153:. 145:, 137:. 112:, 61:, 1346:e 1339:t 1332:v 1183:e 1176:t 1169:v 1103:. 1022:. 964:. 901:. 848:. 823:. 799:. 714:. 700:. 124:( 53:) 49:(

Index


Banyuls-sur-Mer
Roussillon
French
École des Beaux-Arts
Sculpture
painting
[mɑjɔl]
printmaker
Picasso
Henri Matisse
Henry Moore

Armory Show
Banyuls-sur-Mer
Roussillon
Paris
École des Beaux-Arts
Jean-LĂ©on GĂ©rĂ´me
Alexandre Cabanel
Pierre Puvis de Chavannes
Paul Gauguin
tapestry
terracotta

The River
Tuileries Garden
Paris
Museum of Modern Art
Ambroise Vollard

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑