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Aristotle with a Bust of Homer

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47: 140: 107: 64: 407:. The author notes that Aristotle's right hand (traditionally the favored hand), which rests on the bust of Homer, is both higher and painted in lighter shades than the left hand on the gold chain given to him by Alexander. He also said that the two objects represents his contrasting values: the bust being his persisting values, while the chain is his ever-changing values. 428:
Beranek mentions that the gold chain is a token of great honor, since receiving gold is an old practice that recognizes someone's greatest achievement. Beranek believed that the appeal of the painting is how it engages the viewers. As the audience watches Aristotle as he is deep in thought, they can
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argued that it was Aristotle in the painting by analyzing his facial features, his clothes and the objects he holds. According to Held, Aristotle is known for his long hair and beard, fancy jewelry and extravagant dresses, which can be seen in other paintings that featured him between the sixteenth
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There are stacked books in the background painted in a realistic manner, which gives them importance to the scene. According to Suthor, they represent the lingering reminder of a great poet. Aristotle's hand has a warm color when it touches the bust of Homer, which implies a special bond Aristotle
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Aristotle, world-weary, looks at the bust of blind, humble Homer, on which he rests one of his hands. This has variously been interpreted as the man of sound methodical science deferring to art, or as the wealthy and famous philosopher, wearing the jeweled belt given to him by Alexander the Great,
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To Theodore Rousseau, there is meaning to how Rembrandt draws Aristotle's eyes. The shadows that partially conceal Aristotle's eyes show that he is lost in his thoughts. The eyes usually hint at a person's inner thoughts, but the use of shadows implies that there is a mystery to what Aristotle is
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was the perfect match, since Rembrandt represented the study of mankind while the cosmographer represents the study of the heavens. However, Guercino's piece disappeared for no apparent reason. According to Charles Mee, perhaps Don Antonio did not think it was good enough. Rembrandt later created
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According to Charles Mee, the main theme of Rembrandt's paintings is the idea of contemplation. The people in his paintings stare as if they are lost in thought, which makes this his most commonly used theme. To achieve this, he picked a white gown to make Aristotle look more dignified. Also, he
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nobleman named Don Antonio Ruffo, who did not request any particular subject. Despite not knowing what Rembrandt would create, he was already eager to hang it in his Hall of Fame. Don Antonio planned to commission companion pieces for Rembrandt's painting from the
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Jürgen Müller: "So ist die Seele wie die Hand" – Rembrandts Aristoteles mit der Büste des Homer, in: Bild, Blick, Berührung. Optische und taktile Wahrnehmung in den Künsten, ed. by Tina Zürn, Steffen Haug and Thomas Helbig, Munich 2019, pp.
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Carroll suggested that Aristotle is focusing on the ideas relating to the objects instead of the objects themselves. She uses Rembrandt's other paintings with the same themes of contemplation to support her claim. For example, his
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envying the life of the poor blind bard. It has also been suggested that this is Rembrandt's commentary on the power of portraiture. The interpretation of methodical science deferring to art is discussed at length in
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feeling at that moment. Rousseau also mentions Rembrandt's use of various brushstrokes and limited use of colors. These art choices are supposed to imply the different moods he felt while he was painting this piece.
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in London. When Hume died, his descendants sold it to Rodolphe Kann in Paris. Kann had a huge collection of notable valuables, but after his death, Rembrandt's painting was sent to other American collectors.
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feels with Homer. While the bust of Homer seems more visible than Alexander's chain, Rembrandt makes the chain seem as if it were protruding from the frame, thus giving it as much prominence as the bust.
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painted a black apron, since the color black represents melancholy. All of these elements helped create a feeling of deep contemplation, which is what the viewers could find relatable. The
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There has been confusion over the identity of the man in the painting because Don Antonio Ruffo did not specifically request a subject for his commission. It has been thought to be
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shows St. Paul pondering what he will write in his book, not solely on the book itself. For Rembrandt's bust, it represents his "attribute for learning", or his educated past.
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was well underway by the 1650s, making Rembrandt's theme of contemplation a relatable subject.
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to critique the sale (and by extension the power of money in art) with his own painting
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Carroll, Margaret Deutsch (1984). "Rembrandt's 'Aristotle': Exemplary Beholder".
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In 1815, it was sent to Sir Abraham Hume and he lent it to an exhibition at the
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Carroll, Margaret (1984). "Rembrandt's 'Aristotle': Exemplary Beholder".
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bust via photogrammetric survey of a plaster cast of the Louvre's marble
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Rousseau, Theodore (1962). "Aristotle Contemplating the Bust of Homer".
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Rousseau, Theodore (1962). "Aristotle Contemplating the Bust of Homer".
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Eventually, it was purchased in 1961 for $ 2.3 million by the
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Knox, Sanka (1961-11-16) "Museum Gets Rembrandt for 2.3 Million
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The Metropolitan Museum of Art: Aristotle with a Bust of Homer.
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at public or private sale. This inspired the American artist
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143.5 cm (56.5 in) × 136.5 cm (53.7 in)
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Pendant portraits of Maerten Soolmans and Oopjen Coppit
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Diana Bathing with her Nymphs with Actaeon and Callisto
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Suthor, Nicola (2018). "Clair-Obscure II: Light Play".
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Princeton University Press. pp. 126–157. 1119:Bust of a Man Wearing a Gorget and Plumed Beret 1996:Self-Portrait Wearing a White Feathered Bonnet 2036:Self-Portrait with Beret and Turned-Up Collar 2020:Self-Portrait in a Black Beret and Gold Chain 1017: 8: 1423:The Archangel Raphael Leaving Tobias' Family 233:was painted in 1653, as a commission from a 2490:Paintings in the Metropolitan Museum of Art 1984:Portrait of a Young Man with a Golden Chain 658:"Rembrandt, Aristotle with a Bust of Homer" 261:for Ruffo, both ten years after completing 1683:Ahasuerus and Haman at the Feast of Esther 1024: 1010: 1002: 294:, United States. At the time this was the 138: 105: 62: 45: 29: 209:. It was created as a commission for Don 446:The painting forms the central theme of 296:highest amount ever paid for any picture 1845:Portrait of a Man Rising from His Chair 1191:The Anatomy Lesson of Dr. Nicolaes Tulp 885:The Metropolitan Museum of Art Bulletin 606:"Museum Gets Rembrandt for 2.3 Million" 571:The Metropolitan Museum of Art Bulletin 476: 231:Aristotle Contemplating a Bust of Homer 190:Aristotle Contemplating a Bust of Homer 39:Aristotle Contemplating a Bust of Homer 18:Aristotle Contemplating a Bust of Homer 1087:Suffer little children to come unto me 282:Purchase by Metropolitan Museum of Art 1675:Moses Breaking the Tablets of the Law 973:Imaginary Portrait of the Blind Homer 769: 767: 765: 763: 7: 2219:Descent from the Cross by Torchlight 1375:Samson Threatening His Father-In-Law 727: 725: 723: 656:Beranek, Saskia (January 25, 2016). 651: 649: 647: 645: 643: 641: 639: 564: 562: 560: 558: 556: 554: 552: 550: 548: 528: 526: 524: 522: 520: 518: 516: 514: 512: 510: 484: 482: 480: 185:Aristoteles bij de buste van Homerus 1952:Self-Portrait with Dishevelled Hair 956:metmuseum.org. Retrieved 2014-04-08 338:and seventeenth-century Dutch poet 1925:Portrait of a Man with Arms Akimbo 1707:The Conspiracy of Claudius Civilis 193:, is an oil-on-canvas painting by 25: 2052:Self-Portrait as the Apostle Paul 1651:Jacob Blessing the Sons of Joseph 1643:The Anatomy Lesson of Dr. Deijman 1447:Landscape with the Good Samaritan 877:Rembrandt's Portrait: A Biography 810:. Art Institute of Chicago. 1963. 632:. 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Index

Aristotle Contemplating a Bust of Homer

Rembrandt
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oil paint
Movement
Dutch Golden Age painting
Baroque
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Metropolitan Museum of Art
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RKDimages ID: 53707
The Met object ID: 437394
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Dutch
Rembrandt
Aristotle
bust
Homer
Antonio Ruffo
Metropolitan Museum of Art
Sicilian
Italian
Guercino
cosmographer
Homer Dictating his Verses
Alexander the Great
British Institution
Metropolitan Museum of Art
New York City

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