Knowledge (XXG)

Artmedia

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134: 115: 606:, Mit Mitropoulos", Museo del Sannio, 2003 (Exhibition on the Aesthetics of Communication); "Estetica e tecnologia", 1987 (Symposium); "L'immateriale in piazza" (Aitiani, Forest, Mitropoulos, Grossi, Prado), Naples, 1992 (Exhibition on the Aesthetics of Communication); "Un'estetica per i media" 1989 (RAI, Dipartimento Scuola Educazione, TV program); "Cartacarbone", 1990 (radio program); "Coincidences", 1995 (Aesthetics journal, in French); "Epiphaneia", 1995-1996 (Aesthetics journal, in Italian). See 601:
In addition to the ten international "Artmedia" conferences, which took place in Salerno and Paris from 1985 to 2008, the Laboratory has led to numerous other initiatives and events, such as "L'immaginario tecnologico", 1984 (conference and exhibition); "Technettronica", 1989 (Exhibition about the
156:
Artmedia wanted to gather theorists and artists from all over the world and encourage both joint and complementary work, beginning with the need to give attention to theoretical and artistic practices and developing both together. These also contributed towards spreading the spirit of the project,
78:, technology, and philosophy has also been the theoretical subject of the ten international "Artmedia" conferences which were held in Salerno and Paris between 1985 and 2008. Particularly relevant were conferences held in Paris between 2002 and 2008, which took place at the 34:. For over two decades, until 2009, dozens of projects, studies, exhibitions and conferences on new technologies made Artmedia a reference point for many internationally renowned scholars and artists, and contributed to the growing cultural interest in the aesthetics of 602:
Aesthetics of Communication); "Estetica e antropologia", 1983 (International Symposium); "Tecnologie e forme nell'arte e nella scienza", 2003 (International Symposium); "New Technologies: Roy Ascott, Maurizio Bolognini, Fred Forest,
71:, discussed the issue of the new relationship between art and technology and the consequent need to re-evaluate aesthetics, warning that "all our future existence will be played at the crossroads between technology and imagination". 66:
at the University of Salerno. The basic principles of the aesthetics of technological communication were identified and conceptualized in 1983. A conference on "Technological Imaginary", held in 1984 at the Museo del Sannio in
317:
All Artmedia symposiums have been followed by many publications. For the two held in Paris, a complete video recording is also available, and can be viewed at the
332:
in 2009. The Artmedia project produced a large number of publications and documents that are being catalogued, with a view to their proper placement and use.
282:
The questions raised in various projects promoted by Artmedia, in a continuous dialogue between artists and theorists, led to discussions on topics including
87: 1054: 318: 1006: 941: 739: 728: 1059: 636:
The history of the "aesthetics of communication", especially upon its debut in the 1980s, is recorded in the book by Mario Costa,
83: 1089: 1084: 1074: 86:(BNF) and the Institut National d'Histoire de l 'Art (INHA), with the partnership of the Société Française d'Esthétique, the 95: 133: 79: 17: 145: 126: 63: 1069: 114: 212:, Dominique Chateau, Yannick Geffroy, Philippe Queau, Arlindo Machado, Tetsuo Kogawa, and Bernard Teyssedre. 26:
was one of the first scientific projects concerning the relationship between art, technology, philosophy and
640:, Rome, Castelvecchi, 1999; its basic principles, formulated by Costa, were expressed for the first time in 1079: 1064: 700:
On the participation of artists and theorists, see in particular: Mario Costa, Fred Forest (eds) (2011),
367: 361: 329: 91: 31: 173: 118: 1034: 1029: 350: 244: 99: 228: 137: 103: 585:, Paris: Institut National Audiovisuel, Editions L'Harmattan (including Artmedia X Proceedings). 553:
New Technologies: Roy Ascott, Maurizio Bolognini, Fred Forest, Richard Kriesche, Mit Mitropoulos
548:, in "Ligeia", Paris, 2002, pp. 21–245 (CNRF journal, including Artmedia VIII Proceedings). 1003: 938: 736: 725: 392: 346: 702:
Ethique, esthétique, communication technologique dans l'art contemporain ou le destin du sens
668:
Ethique, esthétique, communication technologique dans l'art contemporain ou le destin du sens
583:
Ethique, esthétique, communication technologique dans l'art contemporain ou le destin du sens
489:, Naples: Edizioni Scientifiche Italiane (including Artmedia IV Proceedings, pp. 1–156). 465:
Artmedia. Terzo Convegno Internazionale di Estetica dei Media e della Comunicazione. Catalogo
818:
Estetica della comunicazione e video arte a Salerno. Quando evento e trasmissione coincidono
603: 403: 341: 272: 264: 232: 201: 161: 141: 39: 1010: 945: 743: 732: 252: 224: 205: 197: 532:
Artmedia VII, Settimo Convegno Internazionale di Estetica dei Media e della Comunicazione
472:
Artmedia. Terzo Convegno Internazionale di Estetica dei Media e della Comunicazione. Atti
704:, Paris: Institut National Audiovisuel, Editions L'Harmattan; Mario Costa (ed.) (2004), 377: 209: 165: 122: 889:
Arti moderne, kermesse a Salerno. In rassegna ipertesti e iper-media: la postmodernitĂ 
157:
both in a number of festivals and shows, and through their own artworks and research.
1048: 412: 169: 75: 408: 386: 381: 268: 260: 248: 240: 189: 185: 181: 47: 644:, published by the International Center of Aesthetic Communication, Salerno, 1986. 711: 236: 216: 193: 177: 149: 767:, in "L'art vivante", 11 nouvelle série, Paris 1985, pp. 15 e 54; Mario Costa, 160:
Theorists who worked with Artmedia and participated in its activities included
985:, in "La Repubblica", November 26, 2005, pp. XVI-XVII; Maria Romana Del Mese, 707: 687:, in "Il Mattino", November 24, 1999, p. 23; Sylvie Lisiecki e Marie Saladin, 276: 220: 27: 857:, in "Il Mattino", November 6, 1990, Libri & Arte, p. IV; Mario Lignano, 920:, in "Cronache del Mezzogiorno", November 24, 1999, p. 33; Enrica Tifatino, 638:
The Aesthetics of Communication. Aesthetic use of simultaneity at a distance
372: 68: 35: 853:, in "Communication et langages", vol. 86, 1990, pp. 119-120; Mario Costa, 908:, in "Corriere del Mezzogiorno", November 24, 1999, p. 2; Patrizia Sessa, 502:
Quinto Convegno Internazionale di Estetica dei Media e della Comunicazione
324:
An assessment of 25 years of Artmedia activity was made into a seminar on
1017:, in "Croniques de la Bibliothèque Nationale de France", 46, 2008, p. 22. 474:, Salerno: UniversitĂ  degli Studi di Salerno (Proceedings, pp. 96). 397: 43: 826:
Tanta nostalgia per la radio. Problemi di un'estetica della radiofonia
515:
UniversitĂ  degli Studi di Salerno, Fondazione Filiberto Menna (1997),
1002:
Extensive documentation on Artmedia X is on-line at OLATS / Leonardo
981:, in "La Repubblica", November 25, 2005, p. XIII; Gianni Valentino, 534:, Salerno: UniversitĂ  degli Studi di Salerno (Catalog, pp. 60). 467:, Salerno: UniversitĂ  degli Studi di Salerno (Catalog, pp. 80). 450:
Artmedia, II Convegno Internazionale di Estetica della comunicazione
724:, "Art Press", Paris, 2002; see also the OLATS/Leonardo websites: 691:, in "Croniques de la Bibliothèque Nationale de France", 46, 2008. 670:, Paris: Institut National Audiovisuel, Editions L'Harmattan, and 437:, Salerno: Opera Universitaria di Salerno (Catalog, pp. 206). 356: 312:
Ethics, aesthetics and techno-communication. The future of meaning
256: 132: 113: 891:, in "Il Mattino", November 26, 1997, p. 33; Salvatore Sabatino, 763:, "Plus Moins Zéro", Editeur S. Rona, 1, Bruxelles 1985, pp.3-4; 960:, in "Il Mattino", November 29, 2002, p. 19; Matteo D’Ambrosio, 956:, in "Liberation", November 29, 2002, p. 13; Felice Piemontese, 812:, in "Radiocorriere TV", 8, 1986, pp. 102-103; Valerio Caprara, 787:, in “”Paese Sera” (Napoli), May 20. 1985, p. 3; Carla Errico, 916:, in "Il Mattino", November 24, 1999, p. 23; Antonella Croce, 912:, in "La Città", November 24, 1999, p. 37; Antonella Fimiani, 785:
Artmedia: rassegna di estetica del video e della comunicazione
284:
Aesthetics of Communication and the anthropology of the future
1039: 983:
Musica & Arte. Nella notte del Grenoble si ascolta l’Etna
555:, Salerno: Artmedia, Museo del Sannio (Catalog, pp. 64). 500:
UniversitĂ  degli Studi di Salerno, Comune di Salerno (1995),
1004:
http://www.olats.org/projetpart/artmedia/2008/mono_index.php
939:
http://www.olats.org/projetpart/artmedia/2002/mono_index.php
737:
http://www.olats.org/projetpart/artmedia/2008/mono_index.php
726:
http://www.olats.org/projetpart/artmedia/2002/mono_index.php
417:
Aesthetics of (technological) flux versus aesthetics of form
832:, in "Il Mattino", June 13, 1986, p. 10; Alfredo D'Agnese, 296:
Neo-technological arts between aesthetics and communication
993:, in "Corriere del Mezzogiorno", November 23, 2005, p. 15. 937:
See also, about Artmedia VIII: the OLATS/Leonardo website
928:, in "Cronache del Mezzogiorno", November 20, 1999, p. 27. 895:, in "Cronache del Mezzogiorno", November 27, 1997, p. 7. 816:, in "Il Mattino", May 27, 1986, p. 12; Filiberto Menna, 783:, in "Paese Sera", July 15, 1985, p. 5; Vitaliano Corbi, 991:
Salerno capitale internazionale della musica elettronica
795:, in "RĂ©alitĂ©s d’Israel", 1985, p. 18; Stella Cervasio, 791:, in "Il Mattino", May 19, 1985, p. 17; Natan Karczmar, 775:, in "Il Mattino", May 18, 1985, p. 6; Angelo Trimarco, 570:, Salerno: UniversitĂ  di Salerno (Catalog, pp. 56). 452:, Salerno: UniversitĂ  di Salerno (Catalog, pp. 80). 966:
Dossier: De l’esthétique de la communication au Net Art
625:
Dossier: De l’esthétique de la communication au Net Art
765:
C.A. Art et technologies de la communication Ă  Salerne
761:
Artmedia, Salerne et l’esthétique de la communication
924:, in "Il Denaro", November 27, 1999, p. 57; Re.Ga., 906:
Artmedia, tra videoistallazioni e scrittura digitale
876:
L'arte multimediale e l'estetica della comunicazione
849:, in "Mass Media", 5, 1990, pp. 68-70; Fred Forest, 828:, Napoli Oggi, June 26, 2006, p. 7; Giuseppe Rocca, 60:
Seminar of the Aesthetics of Media and Communication
865:, in "Gazetta di Salerno", November 22, 1990, p. 8. 836:, in "Il Giornale di Napoli", May 22, 1986, p. 11. 779:, in "Il Mattino", July 8, 1985, p. 3; Rino Mele, 1013: ; see also Sylvie Lisiecki, Marie Saladin, 192:, Daniel Charles, JosĂ© JimĂ©nez, Anne Cauquelin, 789:Sette giorni per parlare di video-comunicazioni 308:From the Aesthetics of Communication to Net art 304:Developments in aesthetics: change or mutation? 110:Continuous debate between artists and theorists 74:The comprehensive relationship between art and 989:, in "Roma-Cultura", November 22, 2005, p. 9; 814:A Salerno "Art media", ovvero video e dintorni 773:Artmedia: dateci un video e solleveremo l'arte 771:, in "CAMERA review", Athens 1986, pp. 47-49; 987:Art media a Salerno tra filosofi e matematici 861:, in "Enne", 41, 1990, p. 14; Antonio Marmo, 830:La prosa riposa. Radio/Iniziativa al Grenoble 627:, "Art Press", 285, November 2002, pp. 37-43. 8: 964:, in "Il Denaro", December 30, 2002, p. 32; 910:Artmedia. Linguaggio artistico d’avanguardia 847:Teoria e performances al convegno "Artmedia" 292:Electronic performativity and the art system 954:Des hauts et dĂ©bats. Colloque Artmedia VIII 914:Arte & tecnologia, la frontiera-Salerno 845:On Artmedia III, see also: Vincenzo Cuomo, 685:Arte & tecnologia, la frontiera-Salerno 666:See Mario Costa, Fred Forest (eds) (2011), 621:Des hauts et dĂ©bats. Colloque Artmedia VIII 904:On Artmedia VII see also: Claudia Bonasi, 623:, "Liberation", November 29, 2002, p. 13; 887:On Artmedia VI, see also: Annibale Elia, 810:Pennello elettronico per il video artista 1040:Seminar on Artmedia (1985-2009), Salerno 977:On Artmedia IX, see also: Mario Franco, 720:, in "Ligeia", Paris, 2002, pp. 21-245; 208:, Andreas Broeckmann, Rudolf zur Lippe, 968:, in "Art Press", 285, 2002, pp. 37-43. 926:Al via la settima edizione di Art media 820:, in "Paese Sera", June 9, 1986, p. 3; 781:Il video è un'arte che viene da lontano 716:, Salerno: Artmedia, Museo del Sannio; 594: 581:Mario Costa, Fred Forest (eds) (2011), 487:Nuovi media e sperimentazione d’artista 878:, in "Roma", November 19, 1992, p. 15. 855:La nuova immagine della comunicazione 808:In addition, see Gianpiero Gamaleri, 7: 657:, Museo del Sannio, Benevento, p. 8. 824:, 55, 1986, p. 13; Mario Forgione, 769:Video Images και Media-performances 759:, IV, 43, 1985, p.13; Mario Costa, 714:, Richard Kriesche, Mit Mitropoulos 271:, Richard Kriesche, Olivier Auber, 54:Beginnings and international events 952:, "Art Press", Paris, 2002; A.R., 922:Mutamenti estetici e comunicazione 326:The aesthetic object of the future 319:Institut National de l'Audiovisuel 58:Since the late 1970s, a permanent 16:For the Slovak football team, see 14: 300:Aesthetic research and technology 62:has been directed by its founder 1015:FenetrĂŞs sur les arts numĂ©riques 689:FenetrĂŞs sur les arts numĂ©riques 84:Bibliotheque Nationale de France 30:. It was founded in 1985 at the 88:UniversitĂ© du QuĂ©bec Ă  MontrĂ©al 568:Phenomenology of New Tech Arts 288:Global aesthetic communication 100:UniversitĂ© de Paris 1 Sorbonne 1: 368:Electronic writing and poetry 1055:Research institutes in Italy 979:La creativitĂ  è multimediale 799:, in "La Torre", 1985, p. 3. 962:Tutto cambia con la Net Art 893:Artmedia tra ateneo e cittĂ  674:, in "Ligeia", Paris, 2002. 610:, "Art Press", Paris, 2002. 1106: 958:Artmedia trasloca a Parigi 918:I media e la comunicazione 797:Artmedia, l'arte del video 566:Mario Costa (ed.) (2005), 551:Mario Costa (ed.) (2004), 530:Mario Costa (ed.) (1999), 485:Mario Costa (ed.) (1992), 470:Mario Costa (ed.) (1990), 463:Mario Costa (ed.) (1990), 448:Mario Costa (ed.) (1986), 433:Mario Costa (ed.) (1985), 336:Key areas of investigation 15: 950:Edition spĂ©ciale Artmedia 874:See also Riccardo Notte, 755:On Artmedia I, see also: 722:Edition spĂ©ciale Artmedia 655:L’immaginario tecnologico 608:Edition spĂ©ciale Artmedia 96:Universidade de SĂŁo Paulo 422:Proceedings and catalogs 102:, and the U.S. magazine 80:Ecole Normale SupĂ©rieure 1060:Visual arts conferences 863:Il mandala nel computer 1090:Art festivals in Italy 710:, Maurizio Bolognini, 153: 130: 1085:University of Salerno 1075:Mass media technology 851:Colloque Artmedia III 718:Dossier Artmedia VIII 672:Dossier Artmedia VIII 546:Dossier Artmedia VIII 519:, Salerno (maquette). 504:, Salerno (maquette). 330:University of Salerno 152:, Artmedia VII (1999) 136: 117: 92:University of Toronto 32:University of Salerno 18:FC PetrĹľalka akadĂ©mia 1030:Artmedia VIII, Paris 859:Il futuro è presente 834:L'estetica del video 777:Lontano dal pennello 174:Derrick De Kerckhove 129:, Artmedia IV (1992) 119:Derrick de Kerckhove 38:, the aesthetics of 793:ART MEDIA en Italie 683:Antonella Fimiani, 351:digital photography 247:, Mit Mitropoulos, 1009:2011-05-25 at the 944:2011-01-29 at the 742:2011-05-25 at the 731:2011-01-29 at the 706:New Technologies: 251:, Bruno Di Bello, 239:, Enzo Minarelli, 229:Maurizio Bolognini 154: 138:Maurizio Bolognini 131: 1035:Artmedia X, Paris 215:Artists included 180:, Gillo Dorfles, 1097: 1018: 1000: 994: 975: 969: 935: 929: 902: 896: 885: 879: 872: 866: 843: 837: 806: 800: 753: 747: 698: 692: 681: 675: 664: 658: 651: 645: 634: 628: 617: 611: 604:Richard Kriesche 599: 342:Electronic music 273:Caterina Davinio 265:Miguel Chevalier 259:, Kit Galloway, 245:Peter D'Agostino 233:Tom Klinkowstein 202:Catherine Millet 162:Bernard Stiegler 142:Richard Kriesche 1105: 1104: 1100: 1099: 1098: 1096: 1095: 1094: 1070:Interactive art 1045: 1044: 1026: 1021: 1011:Wayback Machine 1001: 997: 976: 972: 946:Wayback Machine 936: 932: 903: 899: 886: 882: 873: 869: 844: 840: 807: 803: 754: 750: 744:Wayback Machine 733:Wayback Machine 699: 695: 682: 678: 665: 661: 652: 648: 635: 631: 618: 614: 600: 596: 592: 424: 362:Electroacoustic 338: 253:Antoni Muntadas 235:, Tom Sherman, 225:Takahiko Iimura 206:Filiberto Menna 198:Thierry de Duve 112: 56: 48:anthropological 21: 12: 11: 5: 1103: 1101: 1093: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1047: 1046: 1043: 1042: 1037: 1032: 1025: 1024:External links 1022: 1020: 1019: 995: 970: 930: 897: 880: 867: 838: 822:Video Magazine 801: 757:Video Magazine 748: 693: 676: 659: 646: 642:News and Notes 629: 612: 593: 591: 588: 587: 586: 572: 571: 557: 556: 549: 536: 535: 521: 520: 506: 505: 491: 490: 476: 475: 468: 454: 453: 439: 438: 423: 420: 419: 418: 415: 406: 402:Aesthetics of 400: 395: 391:Aesthetics of 389: 384: 378:Generative art 375: 370: 365: 359: 355:Aesthetics of 353: 344: 337: 334: 328:, held at the 210:Edmond Couchot 111: 108: 55: 52: 50:implications. 13: 10: 9: 6: 4: 3: 2: 1102: 1091: 1088: 1086: 1083: 1081: 1080:Digital media 1078: 1076: 1073: 1071: 1068: 1066: 1065:Museum events 1063: 1061: 1058: 1056: 1053: 1052: 1050: 1041: 1038: 1036: 1033: 1031: 1028: 1027: 1023: 1016: 1012: 1008: 1005: 999: 996: 992: 988: 984: 980: 974: 971: 967: 963: 959: 955: 951: 947: 943: 940: 934: 931: 927: 923: 919: 915: 911: 907: 901: 898: 894: 890: 884: 881: 877: 871: 868: 864: 860: 856: 852: 848: 842: 839: 835: 831: 827: 823: 819: 815: 811: 805: 802: 798: 794: 790: 786: 782: 778: 774: 770: 766: 762: 758: 752: 749: 745: 741: 738: 734: 730: 727: 723: 719: 715: 713: 709: 703: 697: 694: 690: 686: 680: 677: 673: 669: 663: 660: 656: 650: 647: 643: 639: 633: 630: 626: 622: 616: 613: 609: 605: 598: 595: 589: 584: 580: 579: 578: 576: 569: 565: 564: 563: 561: 554: 550: 547: 544: 543: 542: 540: 539:Artmedia VIII 533: 529: 528: 527: 525: 518: 514: 513: 512: 510: 503: 499: 498: 497: 495: 488: 484: 483: 482: 480: 473: 469: 466: 462: 461: 460: 458: 451: 447: 446: 445: 443: 436: 432: 431: 430: 428: 421: 416: 414: 413:interactivity 410: 407: 405: 401: 399: 396: 394: 390: 388: 385: 383: 379: 376: 374: 371: 369: 366: 363: 360: 358: 354: 352: 348: 347:Photochemical 345: 343: 340: 339: 335: 333: 331: 327: 322: 320: 315: 313: 309: 305: 301: 297: 293: 289: 285: 280: 278: 274: 270: 266: 262: 258: 254: 250: 246: 242: 238: 234: 230: 226: 222: 218: 213: 211: 207: 203: 199: 195: 191: 187: 183: 179: 175: 171: 170:Abraham Moles 167: 163: 158: 151: 147: 143: 139: 135: 128: 124: 120: 116: 109: 107: 105: 101: 97: 93: 89: 85: 81: 77: 76:technoscience 72: 70: 65: 61: 53: 51: 49: 45: 41: 37: 33: 29: 25: 19: 1014: 998: 990: 986: 982: 978: 973: 965: 961: 957: 953: 949: 933: 925: 921: 917: 913: 909: 905: 900: 892: 888: 883: 875: 870: 862: 858: 854: 850: 846: 841: 833: 829: 825: 821: 817: 813: 809: 804: 796: 792: 788: 784: 780: 776: 772: 768: 764: 760: 756: 751: 721: 717: 705: 701: 696: 688: 684: 679: 671: 667: 662: 654: 649: 641: 637: 632: 624: 620: 615: 607: 597: 582: 574: 573: 567: 559: 558: 552: 545: 538: 537: 531: 524:Artmedia VII 523: 522: 516: 508: 507: 501: 493: 492: 486: 478: 477: 471: 464: 457:Artmedia III 456: 455: 449: 441: 440: 434: 426: 425: 409:Telerobotics 387:Computer art 382:software art 325: 323: 316: 311: 310:(2002), and 307: 303: 299: 295: 291: 287: 283: 281: 269:Norman White 261:David Rokeby 249:Shawn Brixey 241:James Dashow 214: 190:Roger Malina 186:Frank Popper 182:Paul Virilio 159: 155: 73: 59: 57: 42:, and their 23: 22: 712:Fred Forest 560:Artmedia IX 517:Artmedia VI 509:Artmedia VI 479:Artmedia IV 442:Artmedia II 411:and remote 237:Eduardo Kac 217:Fred Forest 194:Edgar Morin 178:Pierre Levy 166:RenĂ© Berger 150:Eduardo Kac 146:Mario Costa 127:Mario Costa 123:RenĂ© Berger 64:Mario Costa 1049:Categories 708:Roy Ascott 653:"Aa. Vv., 590:References 575:Artmedia X 494:Artmedia V 427:Artmedia I 277:Casey Reas 221:Roy Ascott 28:aesthetics 373:Video art 69:Benevento 1007:Archived 948: ; 942:Archived 740:Archived 729:Archived 435:Artmedia 393:networks 314:(2008). 306:(1999), 302:(1995), 298:(1992), 294:(1990), 290:(1986), 286:(1985), 104:Leonardo 40:networks 24:Artmedia 619:A. R., 577:(2008) 562:(2005) 541:(2002) 526:(1999) 511:(1997) 496:(1995) 481:(1992) 459:(1990) 444:(1986) 429:(1985) 404:virtual 398:Net art 349:versus 44:ethical 364:poetry 98:, the 94:, the 90:, the 82:, the 357:radio 257:Orlan 36:media 735:and 380:and 275:and 148:and 125:and 46:and 1051:: 321:. 279:. 267:, 263:, 255:, 243:, 231:, 227:, 223:, 219:, 204:, 200:, 196:, 188:, 184:, 176:, 172:, 168:, 164:, 144:, 140:, 121:, 106:. 746:. 20:.

Index

FC Petržalka akadémia
aesthetics
University of Salerno
media
networks
ethical
anthropological
Mario Costa
Benevento
technoscience
Ecole Normale Supérieure
Bibliotheque Nationale de France
Université du Québec à Montréal
University of Toronto
Universidade de SĂŁo Paulo
Université de Paris 1 Sorbonne
Leonardo

Derrick de Kerckhove
René Berger
Mario Costa

Maurizio Bolognini
Richard Kriesche
Mario Costa
Eduardo Kac
Bernard Stiegler
René Berger
Abraham Moles
Derrick De Kerckhove

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