367:
1573:
51:
195:. His given name was changed to Arthur after he immigrated with his family to New York in 1909. The father of the family, Bernard Fellig, emigrated in 1908, followed in 1909 by his wife and their four children, including "Usher Felik", as his name was spelled on the steerage passenger list of the steamship,
207:
In my particular case I didn't wait 'til somebody gave me a job or something, I went and created a job for myself—freelance photographer. And what I did, anybody else can do. What I did simply was this: I went down to
Manhattan Police Headquarters and for two years I worked without a police card or
299:
at 1/200 of a second, with flashbulbs and a set focus distance of ten feet. He was a self-taught photographer with no formal training. He is often said—incorrectly—to have developed his photographs in a makeshift darkroom in the trunk of his car. While Fellig would shoot a variety of subjects and
1514:
Written and directed by Howard
Franklin, The Public Eye is a film very loosely based on the life of tabloid photographer, Arthur Fellig, better known as Weegee. Franklin apparently could not obtain the rights to Weegee's story, so he wrote a fictionalized tale about a cigar smoking New York City
332:
Weegee is spuriously credited for answering "f/8 and be there" when asked about his photographic technique. Whether or not he actually said it, the saying has become so widespread in photographic circles as to have become a cliché. Yet other sources, in mentioning his standard technique (f/16,
341:
For the record, Weegee shot the majority of his photos from 6-feet at f/22 and 10-feet at f16. These smaller f/stops provided excellent depth of field. When hunting for photos, Weegee would stalk the streets with his camera set to 10-feet and f/16. This distance was useful for shooting people
171:
and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as
513:, Weegee contributed a sequence in which automobile traffic is wildly distorted. He is credited for this as "Luigi" in the film's opening titles. He also traveled widely in Europe in the 1960s, where he photographed nude subjects. In London he befriended pornographer
199:. In Brooklyn, where they settled, he took numerous odd jobs, including working as a street photographer of children on his pony and as an assistant to a commercial photographer. In 1924 he was hired as a darkroom technician by Acme Newspictures (later
561:, formed The Weegee Portfolio Incorporated to create an exclusive collection of photographic prints made from Weegee's original negatives. As a bequest, Wilma Wilcox donated the entire Weegee archive – 16,000 photographs and 7,000 negatives – to the
1372:
374:
In 1938, Fellig became the only New York freelance newspaper photographer with a permit to have a portable police-band shortwave radio. Weegee worked mostly at night; he listened closely to broadcasts and often beat authorities to the scene.
212:
He worked at night and competed with the police to be first at the scene of a crime, selling his photographs to tabloids and photographic agencies. His photographs, centered around
Manhattan police headquarters, were soon published by the
260:"squeegee boy". Later, during his employment with Acme Newspictures, his skill and ingenuity in developing prints on the run (e.g., in a subway car) earned him the name "Mr. Squeegee". He may subsequently have been dubbed "Weegee"—a
492:
630:, based on relevant photographs from Weegee's portfolio, including many vintage prints. Original newspapers and magazines, dating back to the time where the photos were taken, accompanied the photographs.
1515:
tabloid photographer who had access to a police radio which always made him first on the scene. In the film, the character is called Leon
Bernstein or Bernzy or, as his byline reads, The Great Bernzini.
1376:
1712:
208:
any kind of credentials. When a story came over a police teletype, I would go to it. The idea was I sold the pictures to the newspapers. And naturally, I picked a story that meant something.
503:
In the 1950s and 1960s, Weegee experimented with panoramic photographs, photo distortions and photography through prisms. Using a plastic lens, he made a famous photograph of
236:
social worker whom he had known since the 1940s, and who cared for him and then cared for his work. He traveled extensively in Europe until 1964, working for the London
1312:
550:, who photographed Paris street scenes at night. Weegee's themes of nudists, circus performers, freaks and street people were later taken up and developed by
1727:
486:
industry from 1946 to the early 1960s, as an actor and a consultant. He was an uncredited special effects consultant and credited stills photographer for
1717:
1707:
1193:
538:, it saw Fellig apparently falling in love with a shop-window dummy that he follows to Paris, all the while pursuing or photographing various women.
829:
1595:
951:
1732:
1722:
1484:
777:
562:
1692:
767:
1621:
242:
and on a variety of photography, film, lecture, and book projects. On
December 26, 1968, Weegee died in New York at the age of 69.
1072:
708:
1148:
927:
762:
391:
1111:
The legendary street photographer Arthur "Weegee" Fellig is often credited with first coining the phrase "f/8 and be there."
695:" concerns an "Alfred Fellig", investigated for having photographed crime scenes prior to the arrival of emergency services.
534:
608:
1498:
1049:
994:
881:
483:
333:
Pressbulb25, focus at 10'), illustrate the probable fiction behind the mention of 'f/8'. A book written about Weegee,
291:
Most of his notable photographs were taken with very basic press photographer equipment and methods of the era, a 4×5
1603:
1599:
1583:
1463:
1241:
1316:
1098:
565:
in New York. This 1993 gift and transfer of copyright became the source for several exhibitions and books including
416:
bought the rights to the title from Weegee. In 1948, Weegee's aesthetic formed the foundation for
Hellinger's film
200:
50:
756:
309:
1655:
1398:
386:. He was later included in "50 Photographs by 50 Photographers", another MoMA show organized by photographer
167:
as a press photographer during the 1930s and 1940s and developed his signature style by following the city's
1300:
1152:
173:
31:
1268:
1201:
692:
466:
443:
1358:
1165:
789:
772:
678:
215:
184:
90:
78:
1222:
203:). He left Acme in 1935 to become a freelance photographer. Describing his beginnings, Weegee stated:
1702:
1697:
379:
496:. His accent was one of the influences for the accent of the title character in the film, played by
801:
733:
286:
1427:
1330:
854:
529:
509:
451:
351:
252:
157:
250:
The origin of Fellig's pseudonym is uncertain. One of his earliest jobs was in the photo lab of
1411:
Bernzy himself seems to be based on the real-life figure of Arthur Fellig, who, under the name
1669:
1123:
1012:
923:
825:
798:
was unable to secure the rights to Fellig's life story, so he created a fictionalized version.
742:
716:
623:
525:
447:
313:
168:
1635:
849:
1415:
created some of the most startling and vivid photographs to come out of the urban maelstrom.
192:
82:
905:
1053:
885:
795:
724:
652:
643:
487:
439:
387:
325:
221:
177:
164:
153:
86:
1480:
682:
is loosely based on Weegee, and some of the photos used in the film were taken by Fellig.
342:
full-length. He also carried a flashlight for adjusting his camera settings in the dark.
1431:
703:
593:
514:
504:
418:
413:
401:
507:
in which her face is grotesquely distorted yet still recognizable. For the 1950 movie
272:
arrivals at scenes of crimes or other emergencies seemed as magical as a Ouija board.
1686:
1445:
1057:
947:
889:
669:
664:
660:
647:
639:
573:, edited by Cynthia Young (2006). The first and largest exhibition was the 329-image
497:
427:
426:
about the investigation into a model's murder in New York. Wald was nominated for an
395:
292:
1660:
642:
mimicked Weegee’s voice and gave it a German accent when playing the title role in
558:
557:
In 1980, Weegee's companion Wilma Wilcox, along with Sidney Kaplan, Aaron Rose and
518:
431:
305:
269:
238:
126:
1661:
Weegee archive on eMuseum.icp.org, all works © International Center of
Photography
1643:
687:
656:, where Weegee was on the set taking pictures during the production of the film.
551:
461:
423:
366:
321:
581:, a show of distorted or otherwise caricatured images, and four years later by
547:
1046:
878:
17:
1344:
1313:"Side Gallery - Weegee Portfolio - Interview with Sid Kaplan - Amber Online"
454:
435:
146:
1674:
316:, nobody cares. It's just a barroom brawl. But if society has a fight in a
394:. Advertising and editorial assignments for magazines followed, including
1247:
317:
296:
261:
257:
229:
30:
This article is about the 20th-century photographer. For other uses, see
183:
Weegee was born Ascher (later modified to Usher) Fellig in Złoczów (now
1665:
585:, a survey that emphasized his less violent, post-tabloid photographs.
256:, where (in a reference to the tool used to wipe down prints) he was
233:
493:
Dr. Strangelove or: How I Learned to Stop
Worrying and Love the Bomb
1602:
external links, and converting useful links where appropriate into
1295:
365:
265:
1446:"Discover Art & Artists | the Art Institute of Chicago"
479:
219:
and other tabloids, as well as more upscale publication such as
188:
1073:"f/8 and Be There – What We Can Learn From WeeGee's Philosophy"
1566:
304:
Names make news. There's a fight between a drunken couple on
382:(MoMA) in 1943. These works were included in its exhibition
850:"'Unknown Weegee,' on Photographer Who Made the Night Noir"
346:
Some of Weegee's photos, like the juxtaposition of society
1099:"'F/8 and Be There'—as True Now as It Was in Weegee's Day"
722:
Weegee is the photographer for the
Minutemen in the movie
611:. Weegee's autobiography, originally published in 1961 as
350:
in ermines and tiaras and a glowering street woman at the
588:
In 2009, the
Kunsthalle Vienna held an exhibition called
992:
Kosner, Edward (December 6, 2018). "Shots in the Dark".
820:
Hudson, Berkley (2009). Sterling, Christopher H. (ed.).
412:(1945) was his first book of photographs. Film producer
328:, this makes news and the papers are interested in that.
1591:
1586:
may not follow Knowledge (XXG)'s policies or guidelines
1015:
Photography in print: writings from 1816 to the present
622:
From April 2013 through July 2014, the Flatz Museum in
482:
filmmaking himself beginning in 1941 and worked in the
442:
era. Later the title was used again for a naturalistic
524:
In 1962, Weegee starred as himself in a "Nudie Cutie"
599:
In 2012 ICP opened another Weegee exhibition titled,
300:
individuals, he also had a sense of what sold best:
1713:
Emigrants from Austria-Hungary to the United States
740:Maguire's crime scene photography in the 2002 film
132:
122:
114:
98:
60:
41:
1399:"PORTRAIT OF THE ARTIST AS A TABLOID PHOTOGRAPHER"
719:took their name and first album cover from Weegee.
592:. The exhibition combined modern installations by
546:Weegee can be seen as the American counterpart to
358:, 1943), were later revealed to have been staged.
145:(June 12, 1899 – December 26, 1968), known by his
1188:
1186:
1184:
430:for his screenplay, co-written with screenwriter
422:. It was based on a gritty 1948 story written by
136:Street photography of crime scenes or emergencies
1529:Barth, Miles; Bergala, Alain; and Handy, Ellen.
1678:self-interview with Arthur Fellig (Summer 1987)
1656:Weegee's World: Life, Death and the Human Drama
1651:'You Gotta Get It'—Words of Wisdom from Weegee"
575:Weegee's World: Life, Death and the Human Drama
577:, mounted in 1997. It was followed in 2002 by
446:, and in the 1980s, it was adopted by a band,
370:Weegee's rubber stamp for signing his pictures
1540:. (Defining Moments in American Photography.)
1017:, University of New Mexico Press, 1988, p.414
843:
841:
824:. Thousand Oaks, CA: SAGE. pp. 1060–67.
378:Five of his photographs were acquired by the
8:
1639:, June 20, 2008, "Crime Was Weegee's Oyster"
1269:"Weegee [Marilyn Monroe distortion]"
952:He Made Blood and Guts Familiar and Fabulous
943:
941:
939:
1554:(1961 (revised, reprinted, and retitled as
1236:
1234:
922:. Twenty-First Century Books. p. 77.
38:
1622:Learn how and when to remove this message
987:
985:
27:American photographer and photojournalist
901:
899:
470:, ringing the bell at the boxing match.
460:According to the commentary by director
1499:"The Public Eye (1992) Howard Franklin"
1401:. The Chicago Tribune. October 14, 1992
1071:North, D. Travis (September 22, 2011).
812:
615:and long out of print, was retitled as
968:Flash: The Making of Weegee the Famous
156:, known for his stark black and white
603:. Also in 2012, an exhibition called
596:with Weegee's nocturnal photography.
7:
1536:Lee, Anthony W. and Meyer, Richard.
1481:"Major Holdings: Weegee (1899–1968)"
1243:The Curve: A Tour of Naked Hollywood
1198:International Centre of Photography"
569:, edited by Miles Barth (1997), and
1728:20th-century American photographers
1485:International Center of Photography
1315:. February 16, 2009. Archived from
1273:International Center of Photography
970:, Henry Holt, 2016, chapters 23–25.
778:International Center of Photography
702:was used as the cover for the 1990
563:International Center of Photography
464:, Weegee appeared in the 1949 film
268:—because his instant and seemingly
232:, he moved in with Wilma Wilcox, a
628:Weegee. How to photograph a corpse
25:
1718:People from Zolochiv, Lviv Oblast
1223:'Naked City' writer Malvin Wald,
201:United Press International Photos
1708:Photographers from New York City
1571:
1497:Greco, John (February 6, 2018).
848:Cotter, Holland (June 9, 2006).
49:
1130:. Adorama camera. June 21, 2011
1097:Newman, Joe (August 11, 2014).
709:Listen Without Prejudice Vol. 1
1345:"Weegee: The Naked City, MAMM"
1331:"Kunsthalle Wien :: Home"
763:Museum of Modern Art, New York
444:television police drama series
392:New School for Social Research
1:
1533:. Boston: Little Brown, 1997.
1296:The 'Imp'probable Mr. Wee Gee
663:, the photographer played by
609:Multimedia Art Museum, Moscow
535:The 'Imp'probable Mr. Wee Gee
163:Weegee worked in Manhattan's
1450:The Art Institute of Chicago
995:The New York Review of Books
737:was also inspired by Weegee.
1166:"Weegee's World: The Opera"
324:and their names are in the
1749:
1733:20th-century American Jews
1723:Jews from New York (state)
1196:Weegee's World: Chronology
908:MoMA Collection, New York.
822:Encyclopedia of Journalism
579:Weegee's Trick Photography
284:
228:In 1957, after developing
29:
1693:American photojournalists
1556:Weegee: The Autobiography
698:A crop of his 1940 photo
619:and republished in 2013.
617:Weegee: The Autobiography
478:Weegee experimented with
390:, and he lectured at the
337:published in 1953, says:
197:Kaiserin Auguste Victoria
152:, was a photographer and
48:
1558:, 2013), autobiography).
1543:Purcell, Kerry William.
757:Art Institute of Chicago
521:, whom he photographed.
1301:Internet Movie Database
1153:National Gallery of Art
1149:The Streets of New York
1128:Adorama Learning Center
715:The John Zorn-led band
673:was inspired by Weegee.
590:Elevator to the Gallows
400:and beginning in 1945,
362:Late 1930s to mid-1940s
32:Weegee (disambiguation)
1666:Arthur "Weegee" Fellig
1464:"Search – Rijksmuseum"
1052:June 17, 2013, at the
966:Bonanos, Christopher,
918:Cohen, Daniel (2000).
884:June 17, 2013, at the
868:Weegee's autobiography
659:According to director
605:Weegee: The Naked City
450:, led by the New York
371:
344:
330:
281:Photographic technique
210:
1538:Weegee and Naked City
1359:"Devault-Graves blog"
1319:on February 16, 2009.
1204:on September 19, 2010
1027:Bonanos, ch. 2 and 3.
773:Rijksmuseum Amsterdam
700:Crowd at Coney Island
601:Murder Is My Business
452:experimental musician
434:, who would later be
369:
339:
302:
205:
143:Arthur (Usher) Fellig
65:Ascher (Usher) Fellig
1592:improve this article
1428:"Rembrandt Lighting"
1285:Bonanos, p. 294–297.
1275:. February 24, 2016.
1178:Bonanos, p. 100–101.
950:(January 19, 2012),
554:in the early 1960s.
532:of his life. Called
380:Museum of Modern Art
1604:footnote references
1435:(November 10, 2014)
1250:on January 21, 2012
746:is based on Weegee.
528:, intended to be a
276:Photographic career
109:New York City, U.S.
1547:. (Phaidon, 2004).
1503:Twenty Four Frames
1124:"f/8 And Be There"
1047:"Weegee Interview"
955:The New York Times
879:"Weegee Interview"
855:The New York Times
751:Public collections
667:in his segment of
634:In popular culture
530:pseudo-documentary
510:The Yellow Cab Man
384:Action Photography
372:
352:Metropolitan Opera
253:The New York Times
169:emergency services
160:in New York City.
158:street photography
1647:, June 29, 2009,
1632:
1631:
1624:
1101:. Huffington Post
920:Yellow Journalism
831:978-0-7619-2957-4
768:The Jewish Museum
743:Road to Perdition
650:nominated comedy
624:Dornbirn, Austria
526:exploitation film
295:camera preset at
187:, Ukraine), near
140:
139:
102:December 26, 1968
16:(Redirected from
1740:
1650:
1627:
1620:
1616:
1613:
1607:
1575:
1574:
1567:
1552:Weegee by Weegee
1518:
1517:
1511:
1509:
1494:
1488:
1478:
1472:
1471:
1460:
1454:
1453:
1442:
1436:
1424:
1418:
1417:
1408:
1406:
1395:
1389:
1388:
1386:
1384:
1379:on March 4, 2016
1375:. Archived from
1369:
1363:
1362:
1355:
1349:
1348:
1341:
1335:
1334:
1327:
1321:
1320:
1309:
1303:
1292:
1286:
1283:
1277:
1276:
1265:
1259:
1258:
1257:
1255:
1246:, archived from
1238:
1229:
1220:
1214:
1213:
1211:
1209:
1200:. Archived from
1190:
1179:
1176:
1170:
1169:
1162:
1156:
1146:
1140:
1139:
1137:
1135:
1120:
1114:
1113:
1108:
1106:
1094:
1088:
1087:
1085:
1083:
1068:
1062:
1045:Fellig, Arthur.
1043:
1037:
1034:
1028:
1025:
1019:
1013:Goldberg, Viki,
1010:
1004:
1003:
989:
980:
979:Bonanos, p. 315.
977:
971:
964:
958:
945:
934:
933:
915:
909:
903:
894:
877:Fellig, Arthur.
875:
869:
866:
860:
859:
845:
836:
835:
817:
802:Ƒ/8 and be there
613:Weegee by Weegee
335:Weegee's Secrets
287:ƒ/8 and be there
193:Austrian Galicia
115:Other names
105:
74:
72:
53:
39:
21:
1748:
1747:
1743:
1742:
1741:
1739:
1738:
1737:
1683:
1682:
1648:
1628:
1617:
1611:
1608:
1589:
1580:This article's
1576:
1572:
1565:
1526:
1524:Further reading
1521:
1507:
1505:
1496:
1495:
1491:
1479:
1475:
1462:
1461:
1457:
1444:
1443:
1439:
1425:
1421:
1404:
1402:
1397:
1396:
1392:
1382:
1380:
1371:
1370:
1366:
1357:
1356:
1352:
1343:
1342:
1338:
1329:
1328:
1324:
1311:
1310:
1306:
1293:
1289:
1284:
1280:
1267:
1266:
1262:
1253:
1251:
1240:
1239:
1232:
1221:
1217:
1207:
1205:
1192:
1191:
1182:
1177:
1173:
1164:
1163:
1159:
1147:
1143:
1133:
1131:
1122:
1121:
1117:
1104:
1102:
1096:
1095:
1091:
1081:
1079:
1070:
1069:
1065:
1054:Wayback Machine
1044:
1040:
1036:Bonanos, p. 99.
1035:
1031:
1026:
1022:
1011:
1007:
991:
990:
983:
978:
974:
965:
961:
946:
937:
930:
917:
916:
912:
904:
897:
886:Wayback Machine
876:
872:
867:
863:
847:
846:
839:
832:
819:
818:
814:
810:
796:Howard Franklin
786:
753:
653:Dr. Strangelove
644:Stanley Kubrick
636:
544:
488:Stanley Kubrick
476:
474:1950s and 1960s
388:Edward Steichen
364:
326:Social Register
289:
283:
278:
248:
178:Stanley Kubrick
165:Lower East Side
154:photojournalist
110:
107:
103:
94:
87:Austria-Hungary
76:
70:
68:
67:
66:
56:
44:
35:
28:
23:
22:
15:
12:
11:
5:
1746:
1744:
1736:
1735:
1730:
1725:
1720:
1715:
1710:
1705:
1700:
1695:
1685:
1684:
1681:
1680:
1672:
1663:
1658:
1653:
1641:
1637:New York Times
1630:
1629:
1584:external links
1579:
1577:
1570:
1564:
1563:External links
1561:
1560:
1559:
1548:
1541:
1534:
1531:Weegee's World
1525:
1522:
1520:
1519:
1489:
1473:
1455:
1437:
1432:The New Yorker
1419:
1390:
1373:"FLATZ Museum"
1364:
1350:
1336:
1322:
1304:
1287:
1278:
1260:
1230:
1215:
1180:
1171:
1157:
1141:
1115:
1089:
1063:
1038:
1029:
1020:
1005:
981:
972:
959:
935:
928:
910:
895:
870:
861:
837:
830:
811:
809:
806:
805:
804:
799:
791:The Public Eye
785:
782:
781:
780:
775:
770:
765:
760:
752:
749:
748:
747:
738:
731:The 2014 film
729:
720:
713:
704:George Michael
696:
683:
679:The Public Eye
676:The 1992 film
674:
657:
635:
632:
594:Banks Violette
583:Unknown Weegee
571:Unknown Weegee
567:Weegee's World
543:
540:
517:and the model
515:Harrison Marks
505:Marilyn Monroe
475:
472:
419:The Naked City
414:Mark Hellinger
363:
360:
314:Hell's Kitchen
285:Main article:
282:
279:
277:
274:
247:
244:
138:
137:
134:
133:Known for
130:
129:
124:
120:
119:
116:
112:
111:
108:
106:(aged 69)
100:
96:
95:
77:
64:
62:
58:
57:
55:Weegee in 1945
54:
46:
45:
42:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1745:
1734:
1731:
1729:
1726:
1724:
1721:
1719:
1716:
1714:
1711:
1709:
1706:
1704:
1701:
1699:
1696:
1694:
1691:
1690:
1688:
1679:
1677:
1676:BOMB Magazine
1673:
1671:
1667:
1664:
1662:
1659:
1657:
1654:
1652:
1646:
1642:
1640:
1638:
1634:
1633:
1626:
1623:
1615:
1605:
1601:
1600:inappropriate
1597:
1593:
1587:
1585:
1578:
1569:
1568:
1562:
1557:
1553:
1549:
1546:
1542:
1539:
1535:
1532:
1528:
1527:
1523:
1516:
1504:
1500:
1493:
1490:
1486:
1482:
1477:
1474:
1469:
1465:
1459:
1456:
1451:
1447:
1441:
1438:
1434:
1433:
1429:
1426:Friend, Tad.
1423:
1420:
1416:
1414:
1400:
1394:
1391:
1378:
1374:
1368:
1365:
1360:
1354:
1351:
1346:
1340:
1337:
1332:
1326:
1323:
1318:
1314:
1308:
1305:
1302:
1298:
1297:
1291:
1288:
1282:
1279:
1274:
1270:
1264:
1261:
1249:
1245:
1244:
1237:
1235:
1231:
1228:
1226:
1219:
1216:
1203:
1199:
1197:
1189:
1187:
1185:
1181:
1175:
1172:
1167:
1161:
1158:
1154:
1150:
1145:
1142:
1129:
1125:
1119:
1116:
1112:
1100:
1093:
1090:
1078:
1077:Shutter Photo
1074:
1067:
1064:
1060:
1059:
1058:BOMB Magazine
1055:
1051:
1048:
1042:
1039:
1033:
1030:
1024:
1021:
1018:
1016:
1009:
1006:
1001:
997:
996:
988:
986:
982:
976:
973:
969:
963:
960:
956:
953:
949:
948:Roberta Smith
944:
942:
940:
936:
931:
925:
921:
914:
911:
907:
902:
900:
896:
893:Summer, 1987.
892:
891:
890:BOMB Magazine
887:
883:
880:
874:
871:
865:
862:
857:
856:
851:
844:
842:
838:
833:
827:
823:
816:
813:
807:
803:
800:
797:
793:
792:
788:
787:
783:
779:
776:
774:
771:
769:
766:
764:
761:
759:, Chicago, IL
758:
755:
754:
750:
745:
744:
739:
736:
735:
730:
727:
726:
721:
718:
714:
711:
710:
705:
701:
697:
694:
690:
689:
684:
681:
680:
675:
672:
671:
670:Two Evil Eyes
666:
665:Harvey Keitel
662:
661:Dario Argento
658:
655:
654:
649:
648:Academy Award
645:
641:
640:Peter Sellers
638:
637:
633:
631:
629:
625:
620:
618:
614:
610:
606:
602:
597:
595:
591:
586:
584:
580:
576:
572:
568:
564:
560:
555:
553:
549:
541:
539:
537:
536:
531:
527:
522:
520:
516:
512:
511:
506:
501:
499:
498:Peter Sellers
495:
494:
490:'s 1964 film
489:
485:
481:
473:
471:
469:
468:
463:
458:
456:
453:
449:
445:
441:
437:
433:
429:
428:Academy Award
425:
421:
420:
415:
411:
407:
405:
404:
399:
398:
393:
389:
385:
381:
376:
368:
361:
359:
357:
353:
349:
348:grandes dames
343:
338:
336:
329:
327:
323:
319:
315:
311:
307:
301:
298:
294:
293:Speed Graphic
288:
280:
275:
273:
271:
267:
264:rendering of
263:
259:
255:
254:
245:
243:
241:
240:
235:
231:
226:
224:
223:
218:
217:
209:
204:
202:
198:
194:
190:
186:
181:
179:
175:
170:
166:
161:
159:
155:
151:
148:
144:
135:
131:
128:
125:
121:
118:Arthur Fellig
117:
113:
101:
97:
92:
88:
84:
80:
75:June 12, 1899
63:
59:
52:
47:
40:
37:
33:
19:
18:Arthur Fellig
1675:
1644:
1636:
1618:
1609:
1594:by removing
1581:
1555:
1551:
1544:
1537:
1530:
1513:
1506:. Retrieved
1502:
1492:
1476:
1467:
1458:
1449:
1440:
1430:
1422:
1412:
1410:
1403:. Retrieved
1393:
1381:. Retrieved
1377:the original
1367:
1353:
1339:
1325:
1317:the original
1307:
1294:
1290:
1281:
1272:
1263:
1252:, retrieved
1248:the original
1242:
1224:
1218:
1206:. Retrieved
1202:the original
1195:
1174:
1160:
1151:(catalog of
1144:
1132:. Retrieved
1127:
1118:
1110:
1103:. Retrieved
1092:
1080:. Retrieved
1076:
1066:
1061:Summer, 1987
1056:
1041:
1032:
1023:
1014:
1008:
1002:(19): 44–45.
999:
993:
975:
967:
962:
954:
919:
913:
888:
873:
864:
853:
821:
815:
794:– Filmmaker
790:
741:
734:Nightcrawler
732:
723:
707:
699:
686:
677:
668:
651:
627:
621:
616:
612:
607:, opened at
604:
600:
598:
589:
587:
582:
578:
574:
570:
566:
559:Larry Silver
556:
545:
533:
523:
519:Pamela Green
508:
502:
491:
477:
465:
459:
432:Albert Maltz
417:
409:
408:
402:
396:
383:
377:
373:
355:
347:
345:
340:
334:
331:
310:Ninth Avenue
306:Third Avenue
303:
290:
251:
249:
239:Daily Mirror
237:
227:
220:
214:
211:
206:
196:
182:
174:Jack Donohue
162:
149:
142:
141:
127:Photographer
104:(1968-12-26)
36:
1703:1968 deaths
1698:1899 births
1508:October 10,
1468:Rijksmuseum
1405:October 10,
1383:November 1,
1254:December 5,
1227:, 3/09/2008
1134:October 10,
688:The X-Files
552:Diane Arbus
462:Robert Wise
436:blacklisted
424:Malvin Wald
322:Park Avenue
1687:Categories
1645:Wired News
929:0761315020
808:References
717:Naked City
626:presented
467:The Set-Up
448:Naked City
410:Naked City
356:The Critic
225:magazine.
216:Daily News
123:Occupation
93:, Ukraine)
71:1899-06-12
1612:June 2021
1596:excessive
1225:USA Today
691:episode "
685:The 1999
484:Hollywood
455:John Zorn
270:prescient
258:nicknamed
246:Pseudonym
147:pseudonym
1550:Weegee.
1208:June 13,
1105:June 13,
1082:June 13,
1050:Archived
882:Archived
784:See also
725:Watchmen
693:Tithonus
646:’s 1964
440:McCarthy
318:Cadillac
262:phonetic
230:diabetes
185:Zolochiv
91:Zolochiv
1590:Please
1582:use of
1487:website
1483:on the
1413:Weegee,
548:Brassaï
438:in the
189:Lemberg
83:Galicia
79:Złoczów
1545:Weegee
926:
906:Weegee
828:
706:album
542:Legacy
234:Quaker
150:Weegee
43:Weegee
1155:show)
403:Vogue
266:Ouija
89:(now
1670:IMDb
1510:2018
1407:2018
1385:2015
1256:2015
1210:2010
1136:2018
1107:2016
1084:2016
924:ISBN
826:ISBN
480:16mm
397:Life
297:f/16
222:Life
176:and
99:Died
61:Born
1668:at
1598:or
320:on
312:in
308:or
191:in
1689::
1512:.
1501:.
1466:.
1448:.
1409:.
1299:,
1271:.
1233:^
1183:^
1126:.
1109:.
1075:.
1000:65
998:.
984:^
938:^
898:^
852:.
840:^
500:.
457:.
406:.
180:.
85:,
81:,
1649:"
1625:)
1619:(
1614:)
1610:(
1606:.
1588:.
1470:.
1452:.
1387:.
1361:.
1347:.
1333:.
1212:.
1194:"
1168:.
1138:.
1086:.
957:.
932:.
858:.
834:.
728:.
712:.
354:(
73:)
69:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.