Knowledge (XXG)

Weegee

Source 📝

367: 1573: 51: 195:. His given name was changed to Arthur after he immigrated with his family to New York in 1909. The father of the family, Bernard Fellig, emigrated in 1908, followed in 1909 by his wife and their four children, including "Usher Felik", as his name was spelled on the steerage passenger list of the steamship, 207:
In my particular case I didn't wait 'til somebody gave me a job or something, I went and created a job for myself—freelance photographer. And what I did, anybody else can do. What I did simply was this: I went down to Manhattan Police Headquarters and for two years I worked without a police card or
299:
at 1/200 of a second, with flashbulbs and a set focus distance of ten feet. He was a self-taught photographer with no formal training. He is often said—incorrectly—to have developed his photographs in a makeshift darkroom in the trunk of his car. While Fellig would shoot a variety of subjects and
1514:
Written and directed by Howard Franklin, The Public Eye is a film very loosely based on the life of tabloid photographer, Arthur Fellig, better known as Weegee. Franklin apparently could not obtain the rights to Weegee's story, so he wrote a fictionalized tale about a cigar smoking New York City
332:
Weegee is spuriously credited for answering "f/8 and be there" when asked about his photographic technique. Whether or not he actually said it, the saying has become so widespread in photographic circles as to have become a cliché. Yet other sources, in mentioning his standard technique (f/16,
341:
For the record, Weegee shot the majority of his photos from 6-feet at f/22 and 10-feet at f16. These smaller f/stops provided excellent depth of field. When hunting for photos, Weegee would stalk the streets with his camera set to 10-feet and f/16. This distance was useful for shooting people
171:
and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as
513:, Weegee contributed a sequence in which automobile traffic is wildly distorted. He is credited for this as "Luigi" in the film's opening titles. He also traveled widely in Europe in the 1960s, where he photographed nude subjects. In London he befriended pornographer 199:. In Brooklyn, where they settled, he took numerous odd jobs, including working as a street photographer of children on his pony and as an assistant to a commercial photographer. In 1924 he was hired as a darkroom technician by Acme Newspictures (later 561:, formed The Weegee Portfolio Incorporated to create an exclusive collection of photographic prints made from Weegee's original negatives. As a bequest, Wilma Wilcox donated the entire Weegee archive – 16,000 photographs and 7,000 negatives – to the 1372: 374:
In 1938, Fellig became the only New York freelance newspaper photographer with a permit to have a portable police-band shortwave radio. Weegee worked mostly at night; he listened closely to broadcasts and often beat authorities to the scene.
212:
He worked at night and competed with the police to be first at the scene of a crime, selling his photographs to tabloids and photographic agencies. His photographs, centered around Manhattan police headquarters, were soon published by the
260:"squeegee boy". Later, during his employment with Acme Newspictures, his skill and ingenuity in developing prints on the run (e.g., in a subway car) earned him the name "Mr. Squeegee". He may subsequently have been dubbed "Weegee"—a 492: 630:, based on relevant photographs from Weegee's portfolio, including many vintage prints. Original newspapers and magazines, dating back to the time where the photos were taken, accompanied the photographs. 1515:
tabloid photographer who had access to a police radio which always made him first on the scene. In the film, the character is called Leon Bernstein or Bernzy or, as his byline reads, The Great Bernzini.
1376: 1712: 208:
any kind of credentials. When a story came over a police teletype, I would go to it. The idea was I sold the pictures to the newspapers. And naturally, I picked a story that meant something.
503:
In the 1950s and 1960s, Weegee experimented with panoramic photographs, photo distortions and photography through prisms. Using a plastic lens, he made a famous photograph of
236:
social worker whom he had known since the 1940s, and who cared for him and then cared for his work. He traveled extensively in Europe until 1964, working for the London
1312: 550:, who photographed Paris street scenes at night. Weegee's themes of nudists, circus performers, freaks and street people were later taken up and developed by 1727: 486:
industry from 1946 to the early 1960s, as an actor and a consultant. He was an uncredited special effects consultant and credited stills photographer for
1717: 1707: 1193: 538:, it saw Fellig apparently falling in love with a shop-window dummy that he follows to Paris, all the while pursuing or photographing various women. 829: 1595: 951: 1732: 1722: 1484: 777: 562: 1692: 767: 1621: 242:
and on a variety of photography, film, lecture, and book projects. On December 26, 1968, Weegee died in New York at the age of 69.
1072: 708: 1148: 927: 762: 391: 1111:
The legendary street photographer Arthur "Weegee" Fellig is often credited with first coining the phrase "f/8 and be there."
695:" concerns an "Alfred Fellig", investigated for having photographed crime scenes prior to the arrival of emergency services. 534: 608: 1498: 1049: 994: 881: 483: 333:
Pressbulb25, focus at 10'), illustrate the probable fiction behind the mention of 'f/8'. A book written about Weegee,
291:
Most of his notable photographs were taken with very basic press photographer equipment and methods of the era, a 4×5
1603: 1599: 1583: 1463: 1241: 1316: 1098: 565:
in New York. This 1993 gift and transfer of copyright became the source for several exhibitions and books including
416:
bought the rights to the title from Weegee. In 1948, Weegee's aesthetic formed the foundation for Hellinger's film
200: 50: 756: 309: 1655: 1398: 386:. He was later included in "50 Photographs by 50 Photographers", another MoMA show organized by photographer 167:
as a press photographer during the 1930s and 1940s and developed his signature style by following the city's
1300: 1152: 173: 31: 1268: 1201: 692: 466: 443: 1358: 1165: 789: 772: 678: 215: 184: 90: 78: 1222: 203:). He left Acme in 1935 to become a freelance photographer. Describing his beginnings, Weegee stated: 1702: 1697: 379: 496:. His accent was one of the influences for the accent of the title character in the film, played by 801: 733: 286: 1427: 1330: 854: 529: 509: 451: 351: 252: 157: 250:
The origin of Fellig's pseudonym is uncertain. One of his earliest jobs was in the photo lab of
1411:
Bernzy himself seems to be based on the real-life figure of Arthur Fellig, who, under the name
1669: 1123: 1012: 923: 825: 798:
was unable to secure the rights to Fellig's life story, so he created a fictionalized version.
742: 716: 623: 525: 447: 313: 168: 1635: 849: 1415:
created some of the most startling and vivid photographs to come out of the urban maelstrom.
192: 82: 905: 1053: 885: 795: 724: 652: 643: 487: 439: 387: 325: 221: 177: 164: 153: 86: 1480: 682:
is loosely based on Weegee, and some of the photos used in the film were taken by Fellig.
342:
full-length. He also carried a flashlight for adjusting his camera settings in the dark.
1431: 703: 593: 514: 504: 418: 413: 401: 507:
in which her face is grotesquely distorted yet still recognizable. For the 1950 movie
272:
arrivals at scenes of crimes or other emergencies seemed as magical as a Ouija board.
1686: 1445: 1057: 947: 889: 669: 664: 660: 647: 639: 573:, edited by Cynthia Young (2006). The first and largest exhibition was the 329-image 497: 427: 426:
about the investigation into a model's murder in New York. Wald was nominated for an
395: 292: 1660: 642:
mimicked Weegee’s voice and gave it a German accent when playing the title role in
558: 557:
In 1980, Weegee's companion Wilma Wilcox, along with Sidney Kaplan, Aaron Rose and
518: 431: 305: 269: 238: 126: 1661:
Weegee archive on eMuseum.icp.org, all works © International Center of Photography
1643: 687: 656:, where Weegee was on the set taking pictures during the production of the film. 551: 461: 423: 366: 321: 581:, a show of distorted or otherwise caricatured images, and four years later by 547: 1046: 878: 17: 1344: 1313:"Side Gallery - Weegee Portfolio - Interview with Sid Kaplan - Amber Online" 454: 435: 146: 1674: 316:, nobody cares. It's just a barroom brawl. But if society has a fight in a 394:. Advertising and editorial assignments for magazines followed, including 1247: 317: 296: 261: 257: 229: 30:
This article is about the 20th-century photographer. For other uses, see
183:
Weegee was born Ascher (later modified to Usher) Fellig in Złoczów (now
1665: 585:, a survey that emphasized his less violent, post-tabloid photographs. 256:, where (in a reference to the tool used to wipe down prints) he was 233: 493:
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
1602:
external links, and converting useful links where appropriate into
1295: 365: 265: 1446:"Discover Art & Artists | the Art Institute of Chicago" 479: 219:
and other tabloids, as well as more upscale publication such as
188: 1073:"f/8 and Be There – What We Can Learn From WeeGee's Philosophy" 1566: 304:
Names make news. There's a fight between a drunken couple on
382:(MoMA) in 1943. These works were included in its exhibition 850:"'Unknown Weegee,' on Photographer Who Made the Night Noir" 346:
Some of Weegee's photos, like the juxtaposition of society
1099:"'F/8 and Be There'—as True Now as It Was in Weegee's Day" 722:
Weegee is the photographer for the Minutemen in the movie
611:. Weegee's autobiography, originally published in 1961 as 350:
in ermines and tiaras and a glowering street woman at the
588:
In 2009, the Kunsthalle Vienna held an exhibition called
992:
Kosner, Edward (December 6, 2018). "Shots in the Dark".
820:
Hudson, Berkley (2009). Sterling, Christopher H. (ed.).
412:(1945) was his first book of photographs. Film producer 328:, this makes news and the papers are interested in that. 1591: 1586:
may not follow Knowledge (XXG)'s policies or guidelines
1015:
Photography in print: writings from 1816 to the present
622:
From April 2013 through July 2014, the Flatz Museum in
482:
filmmaking himself beginning in 1941 and worked in the
442:
era. Later the title was used again for a naturalistic
524:
In 1962, Weegee starred as himself in a "Nudie Cutie"
599:
In 2012 ICP opened another Weegee exhibition titled,
300:
individuals, he also had a sense of what sold best:
1713:
Emigrants from Austria-Hungary to the United States
740:Maguire's crime scene photography in the 2002 film 132: 122: 114: 98: 60: 41: 1399:"PORTRAIT OF THE ARTIST AS A TABLOID PHOTOGRAPHER" 719:took their name and first album cover from Weegee. 592:. The exhibition combined modern installations by 546:Weegee can be seen as the American counterpart to 358:, 1943), were later revealed to have been staged. 145:(June 12, 1899 – December 26, 1968), known by his 1188: 1186: 1184: 430:for his screenplay, co-written with screenwriter 422:. It was based on a gritty 1948 story written by 136:Street photography of crime scenes or emergencies 1529:Barth, Miles; Bergala, Alain; and Handy, Ellen. 1678:self-interview with Arthur Fellig (Summer 1987) 1656:Weegee's World: Life, Death and the Human Drama 1651:'You Gotta Get It'—Words of Wisdom from Weegee" 575:Weegee's World: Life, Death and the Human Drama 577:, mounted in 1997. It was followed in 2002 by 446:, and in the 1980s, it was adopted by a band, 370:Weegee's rubber stamp for signing his pictures 1540:. (Defining Moments in American Photography.) 1017:, University of New Mexico Press, 1988, p.414 843: 841: 824:. Thousand Oaks, CA: SAGE. pp. 1060–67. 378:Five of his photographs were acquired by the 8: 1639:, June 20, 2008, "Crime Was Weegee's Oyster" 1269:"Weegee [Marilyn Monroe distortion]" 952:He Made Blood and Guts Familiar and Fabulous 943: 941: 939: 1554:(1961 (revised, reprinted, and retitled as 1236: 1234: 922:. Twenty-First Century Books. p. 77. 38: 1622:Learn how and when to remove this message 987: 985: 27:American photographer and photojournalist 901: 899: 470:, ringing the bell at the boxing match. 460:According to the commentary by director 1499:"The Public Eye (1992) Howard Franklin" 1401:. The Chicago Tribune. October 14, 1992 1071:North, D. Travis (September 22, 2011). 812: 615:and long out of print, was retitled as 968:Flash: The Making of Weegee the Famous 156:, known for his stark black and white 603:. Also in 2012, an exhibition called 596:with Weegee's nocturnal photography. 7: 1536:Lee, Anthony W. and Meyer, Richard. 1481:"Major Holdings: Weegee (1899–1968)" 1243:The Curve: A Tour of Naked Hollywood 1198:International Centre of Photography" 569:, edited by Miles Barth (1997), and 1728:20th-century American photographers 1485:International Center of Photography 1315:. February 16, 2009. Archived from 1273:International Center of Photography 970:, Henry Holt, 2016, chapters 23–25. 778:International Center of Photography 702:was used as the cover for the 1990 563:International Center of Photography 464:, Weegee appeared in the 1949 film 268:—because his instant and seemingly 232:, he moved in with Wilma Wilcox, a 628:Weegee. How to photograph a corpse 25: 1718:People from Zolochiv, Lviv Oblast 1223:'Naked City' writer Malvin Wald, 201:United Press International Photos 1708:Photographers from New York City 1571: 1497:Greco, John (February 6, 2018). 848:Cotter, Holland (June 9, 2006). 49: 1130:. Adorama camera. June 21, 2011 1097:Newman, Joe (August 11, 2014). 709:Listen Without Prejudice Vol. 1 1345:"Weegee: The Naked City, MAMM" 1331:"Kunsthalle Wien :: Home" 763:Museum of Modern Art, New York 444:television police drama series 392:New School for Social Research 1: 1533:. Boston: Little Brown, 1997. 1296:The 'Imp'probable Mr. Wee Gee 663:, the photographer played by 609:Multimedia Art Museum, Moscow 535:The 'Imp'probable Mr. Wee Gee 163:Weegee worked in Manhattan's 1450:The Art Institute of Chicago 995:The New York Review of Books 737:was also inspired by Weegee. 1166:"Weegee's World: The Opera" 324:and their names are in the 1749: 1733:20th-century American Jews 1723:Jews from New York (state) 1196:Weegee's World: Chronology 908:MoMA Collection, New York. 822:Encyclopedia of Journalism 579:Weegee's Trick Photography 284: 228:In 1957, after developing 29: 1693:American photojournalists 1556:Weegee: The Autobiography 698:A crop of his 1940 photo 619:and republished in 2013. 617:Weegee: The Autobiography 478:Weegee experimented with 390:, and he lectured at the 337:published in 1953, says: 197:Kaiserin Auguste Victoria 152:, was a photographer and 48: 1558:, 2013), autobiography). 1543:Purcell, Kerry William. 757:Art Institute of Chicago 521:, whom he photographed. 1301:Internet Movie Database 1153:National Gallery of Art 1149:The Streets of New York 1128:Adorama Learning Center 715:The John Zorn-led band 673:was inspired by Weegee. 590:Elevator to the Gallows 400:and beginning in 1945, 362:Late 1930s to mid-1940s 32:Weegee (disambiguation) 1666:Arthur "Weegee" Fellig 1464:"Search – Rijksmuseum" 1052:June 17, 2013, at the 966:Bonanos, Christopher, 918:Cohen, Daniel (2000). 884:June 17, 2013, at the 868:Weegee's autobiography 659:According to director 605:Weegee: The Naked City 450:, led by the New York 371: 344: 330: 281:Photographic technique 210: 1538:Weegee and Naked City 1359:"Devault-Graves blog" 1319:on February 16, 2009. 1204:on September 19, 2010 1027:Bonanos, ch. 2 and 3. 773:Rijksmuseum Amsterdam 700:Crowd at Coney Island 601:Murder Is My Business 452:experimental musician 434:, who would later be 369: 339: 302: 205: 143:Arthur (Usher) Fellig 65:Ascher (Usher) Fellig 1592:improve this article 1428:"Rembrandt Lighting" 1285:Bonanos, p. 294–297. 1275:. February 24, 2016. 1178:Bonanos, p. 100–101. 950:(January 19, 2012), 554:in the early 1960s. 532:of his life. Called 380:Museum of Modern Art 1604:footnote references 1435:(November 10, 2014) 1250:on January 21, 2012 746:is based on Weegee. 528:, intended to be a 276:Photographic career 109:New York City, U.S. 1547:. (Phaidon, 2004). 1503:Twenty Four Frames 1124:"f/8 And Be There" 1047:"Weegee Interview" 955:The New York Times 879:"Weegee Interview" 855:The New York Times 751:Public collections 667:in his segment of 634:In popular culture 530:pseudo-documentary 510:The Yellow Cab Man 384:Action Photography 372: 352:Metropolitan Opera 253:The New York Times 169:emergency services 160:in New York City. 158:street photography 1647:, June 29, 2009, 1632: 1631: 1624: 1101:. Huffington Post 920:Yellow Journalism 831:978-0-7619-2957-4 768:The Jewish Museum 743:Road to Perdition 650:nominated comedy 624:Dornbirn, Austria 526:exploitation film 295:camera preset at 187:, Ukraine), near 140: 139: 102:December 26, 1968 16:(Redirected from 1740: 1650: 1627: 1620: 1616: 1613: 1607: 1575: 1574: 1567: 1552:Weegee by Weegee 1518: 1517: 1511: 1509: 1494: 1488: 1478: 1472: 1471: 1460: 1454: 1453: 1442: 1436: 1424: 1418: 1417: 1408: 1406: 1395: 1389: 1388: 1386: 1384: 1379:on March 4, 2016 1375:. Archived from 1369: 1363: 1362: 1355: 1349: 1348: 1341: 1335: 1334: 1327: 1321: 1320: 1309: 1303: 1292: 1286: 1283: 1277: 1276: 1265: 1259: 1258: 1257: 1255: 1246:, archived from 1238: 1229: 1220: 1214: 1213: 1211: 1209: 1200:. Archived from 1190: 1179: 1176: 1170: 1169: 1162: 1156: 1146: 1140: 1139: 1137: 1135: 1120: 1114: 1113: 1108: 1106: 1094: 1088: 1087: 1085: 1083: 1068: 1062: 1045:Fellig, Arthur. 1043: 1037: 1034: 1028: 1025: 1019: 1013:Goldberg, Viki, 1010: 1004: 1003: 989: 980: 979:Bonanos, p. 315. 977: 971: 964: 958: 945: 934: 933: 915: 909: 903: 894: 877:Fellig, Arthur. 875: 869: 866: 860: 859: 845: 836: 835: 817: 802:Ƒ/8 and be there 613:Weegee by Weegee 335:Weegee's Secrets 287:ƒ/8 and be there 193:Austrian Galicia 115:Other names 105: 74: 72: 53: 39: 21: 1748: 1747: 1743: 1742: 1741: 1739: 1738: 1737: 1683: 1682: 1648: 1628: 1617: 1611: 1608: 1589: 1580:This article's 1576: 1572: 1565: 1526: 1524:Further reading 1521: 1507: 1505: 1496: 1495: 1491: 1479: 1475: 1462: 1461: 1457: 1444: 1443: 1439: 1425: 1421: 1404: 1402: 1397: 1396: 1392: 1382: 1380: 1371: 1370: 1366: 1357: 1356: 1352: 1343: 1342: 1338: 1329: 1328: 1324: 1311: 1310: 1306: 1293: 1289: 1284: 1280: 1267: 1266: 1262: 1253: 1251: 1240: 1239: 1232: 1221: 1217: 1207: 1205: 1192: 1191: 1182: 1177: 1173: 1164: 1163: 1159: 1147: 1143: 1133: 1131: 1122: 1121: 1117: 1104: 1102: 1096: 1095: 1091: 1081: 1079: 1070: 1069: 1065: 1054:Wayback Machine 1044: 1040: 1036:Bonanos, p. 99. 1035: 1031: 1026: 1022: 1011: 1007: 991: 990: 983: 978: 974: 965: 961: 946: 937: 930: 917: 916: 912: 904: 897: 886:Wayback Machine 876: 872: 867: 863: 847: 846: 839: 832: 819: 818: 814: 810: 796:Howard Franklin 786: 753: 653:Dr. Strangelove 644:Stanley Kubrick 636: 544: 488:Stanley Kubrick 476: 474:1950s and 1960s 388:Edward Steichen 364: 326:Social Register 289: 283: 278: 248: 178:Stanley Kubrick 165:Lower East Side 154:photojournalist 110: 107: 103: 94: 87:Austria-Hungary 76: 70: 68: 67: 66: 56: 44: 35: 28: 23: 22: 15: 12: 11: 5: 1746: 1744: 1736: 1735: 1730: 1725: 1720: 1715: 1710: 1705: 1700: 1695: 1685: 1684: 1681: 1680: 1672: 1663: 1658: 1653: 1641: 1637:New York Times 1630: 1629: 1584:external links 1579: 1577: 1570: 1564: 1563:External links 1561: 1560: 1559: 1548: 1541: 1534: 1531:Weegee's World 1525: 1522: 1520: 1519: 1489: 1473: 1455: 1437: 1432:The New Yorker 1419: 1390: 1373:"FLATZ Museum" 1364: 1350: 1336: 1322: 1304: 1287: 1278: 1260: 1230: 1215: 1180: 1171: 1157: 1141: 1115: 1089: 1063: 1038: 1029: 1020: 1005: 981: 972: 959: 935: 928: 910: 895: 870: 861: 837: 830: 811: 809: 806: 805: 804: 799: 791:The Public Eye 785: 782: 781: 780: 775: 770: 765: 760: 752: 749: 748: 747: 738: 731:The 2014 film 729: 720: 713: 704:George Michael 696: 683: 679:The Public Eye 676:The 1992 film 674: 657: 635: 632: 594:Banks Violette 583:Unknown Weegee 571:Unknown Weegee 567:Weegee's World 543: 540: 517:and the model 515:Harrison Marks 505:Marilyn Monroe 475: 472: 419:The Naked City 414:Mark Hellinger 363: 360: 314:Hell's Kitchen 285:Main article: 282: 279: 277: 274: 247: 244: 138: 137: 134: 133:Known for 130: 129: 124: 120: 119: 116: 112: 111: 108: 106:(aged 69) 100: 96: 95: 77: 64: 62: 58: 57: 55:Weegee in 1945 54: 46: 45: 42: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1745: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1694: 1691: 1690: 1688: 1679: 1677: 1676:BOMB Magazine 1673: 1671: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1646: 1642: 1640: 1638: 1634: 1633: 1626: 1623: 1615: 1605: 1601: 1600:inappropriate 1597: 1593: 1587: 1585: 1578: 1569: 1568: 1562: 1557: 1553: 1549: 1546: 1542: 1539: 1535: 1532: 1528: 1527: 1523: 1516: 1504: 1500: 1493: 1490: 1486: 1482: 1477: 1474: 1469: 1465: 1459: 1456: 1451: 1447: 1441: 1438: 1434: 1433: 1429: 1426:Friend, Tad. 1423: 1420: 1416: 1414: 1400: 1394: 1391: 1378: 1374: 1368: 1365: 1360: 1354: 1351: 1346: 1340: 1337: 1332: 1326: 1323: 1318: 1314: 1308: 1305: 1302: 1298: 1297: 1291: 1288: 1282: 1279: 1274: 1270: 1264: 1261: 1249: 1245: 1244: 1237: 1235: 1231: 1228: 1226: 1219: 1216: 1203: 1199: 1197: 1189: 1187: 1185: 1181: 1175: 1172: 1167: 1161: 1158: 1154: 1150: 1145: 1142: 1129: 1125: 1119: 1116: 1112: 1100: 1093: 1090: 1078: 1077:Shutter Photo 1074: 1067: 1064: 1060: 1059: 1058:BOMB Magazine 1055: 1051: 1048: 1042: 1039: 1033: 1030: 1024: 1021: 1018: 1016: 1009: 1006: 1001: 997: 996: 988: 986: 982: 976: 973: 969: 963: 960: 956: 953: 949: 948:Roberta Smith 944: 942: 940: 936: 931: 925: 921: 914: 911: 907: 902: 900: 896: 893:Summer, 1987. 892: 891: 890:BOMB Magazine 887: 883: 880: 874: 871: 865: 862: 857: 856: 851: 844: 842: 838: 833: 827: 823: 816: 813: 807: 803: 800: 797: 793: 792: 788: 787: 783: 779: 776: 774: 771: 769: 766: 764: 761: 759:, Chicago, IL 758: 755: 754: 750: 745: 744: 739: 736: 735: 730: 727: 726: 721: 718: 714: 711: 710: 705: 701: 697: 694: 690: 689: 684: 681: 680: 675: 672: 671: 670:Two Evil Eyes 666: 665:Harvey Keitel 662: 661:Dario Argento 658: 655: 654: 649: 648:Academy Award 645: 641: 640:Peter Sellers 638: 637: 633: 631: 629: 625: 620: 618: 614: 610: 606: 602: 597: 595: 591: 586: 584: 580: 576: 572: 568: 564: 560: 555: 553: 549: 541: 539: 537: 536: 531: 527: 522: 520: 516: 512: 511: 506: 501: 499: 498:Peter Sellers 495: 494: 490:'s 1964 film 489: 485: 481: 473: 471: 469: 468: 463: 458: 456: 453: 449: 445: 441: 437: 433: 429: 428:Academy Award 425: 421: 420: 415: 411: 407: 405: 404: 399: 398: 393: 389: 385: 381: 376: 368: 361: 359: 357: 353: 349: 348:grandes dames 343: 338: 336: 329: 327: 323: 319: 315: 311: 307: 301: 298: 294: 293:Speed Graphic 288: 280: 275: 273: 271: 267: 264:rendering of 263: 259: 255: 254: 245: 243: 241: 240: 235: 231: 226: 224: 223: 218: 217: 209: 204: 202: 198: 194: 190: 186: 181: 179: 175: 170: 166: 161: 159: 155: 151: 148: 144: 135: 131: 128: 125: 121: 118:Arthur Fellig 117: 113: 101: 97: 92: 88: 84: 80: 75:June 12, 1899 63: 59: 52: 47: 40: 37: 33: 19: 18:Arthur Fellig 1675: 1644: 1636: 1618: 1609: 1594:by removing 1581: 1555: 1551: 1544: 1537: 1530: 1513: 1506:. Retrieved 1502: 1492: 1476: 1467: 1458: 1449: 1440: 1430: 1422: 1412: 1410: 1403:. Retrieved 1393: 1381:. Retrieved 1377:the original 1367: 1353: 1339: 1325: 1317:the original 1307: 1294: 1290: 1281: 1272: 1263: 1252:, retrieved 1248:the original 1242: 1224: 1218: 1206:. Retrieved 1202:the original 1195: 1174: 1160: 1151:(catalog of 1144: 1132:. Retrieved 1127: 1118: 1110: 1103:. Retrieved 1092: 1080:. Retrieved 1076: 1066: 1061:Summer, 1987 1056: 1041: 1032: 1023: 1014: 1008: 1002:(19): 44–45. 999: 993: 975: 967: 962: 954: 919: 913: 888: 873: 864: 853: 821: 815: 794:– Filmmaker 790: 741: 734:Nightcrawler 732: 723: 707: 699: 686: 677: 668: 651: 627: 621: 616: 612: 607:, opened at 604: 600: 598: 589: 587: 582: 578: 574: 570: 566: 559:Larry Silver 556: 545: 533: 523: 519:Pamela Green 508: 502: 491: 477: 465: 459: 432:Albert Maltz 417: 409: 408: 402: 396: 383: 377: 373: 355: 347: 345: 340: 334: 331: 310:Ninth Avenue 306:Third Avenue 303: 290: 251: 249: 239:Daily Mirror 237: 227: 220: 214: 211: 206: 196: 182: 174:Jack Donohue 162: 149: 142: 141: 127:Photographer 104:(1968-12-26) 36: 1703:1968 deaths 1698:1899 births 1508:October 10, 1468:Rijksmuseum 1405:October 10, 1383:November 1, 1254:December 5, 1227:, 3/09/2008 1134:October 10, 688:The X-Files 552:Diane Arbus 462:Robert Wise 436:blacklisted 424:Malvin Wald 322:Park Avenue 1687:Categories 1645:Wired News 929:0761315020 808:References 717:Naked City 626:presented 467:The Set-Up 448:Naked City 410:Naked City 356:The Critic 225:magazine. 216:Daily News 123:Occupation 93:, Ukraine) 71:1899-06-12 1612:June 2021 1596:excessive 1225:USA Today 691:episode " 685:The 1999 484:Hollywood 455:John Zorn 270:prescient 258:nicknamed 246:Pseudonym 147:pseudonym 1550:Weegee. 1208:June 13, 1105:June 13, 1082:June 13, 1050:Archived 882:Archived 784:See also 725:Watchmen 693:Tithonus 646:’s 1964 440:McCarthy 318:Cadillac 262:phonetic 230:diabetes 185:Zolochiv 91:Zolochiv 1590:Please 1582:use of 1487:website 1483:on the 1413:Weegee, 548:Brassaï 438:in the 189:Lemberg 83:Galicia 79:Złoczów 1545:Weegee 926:  906:Weegee 828:  706:album 542:Legacy 234:Quaker 150:Weegee 43:Weegee 1155:show) 403:Vogue 266:Ouija 89:(now 1670:IMDb 1510:2018 1407:2018 1385:2015 1256:2015 1210:2010 1136:2018 1107:2016 1084:2016 924:ISBN 826:ISBN 480:16mm 397:Life 297:f/16 222:Life 176:and 99:Died 61:Born 1668:at 1598:or 320:on 312:in 308:or 191:in 1689:: 1512:. 1501:. 1466:. 1448:. 1409:. 1299:, 1271:. 1233:^ 1183:^ 1126:. 1109:. 1075:. 1000:65 998:. 984:^ 938:^ 898:^ 852:. 840:^ 500:. 457:. 406:. 180:. 85:, 81:, 1649:" 1625:) 1619:( 1614:) 1610:( 1606:. 1588:. 1470:. 1452:. 1387:. 1361:. 1347:. 1333:. 1212:. 1194:" 1168:. 1138:. 1086:. 957:. 932:. 858:. 834:. 728:. 712:. 354:( 73:) 69:( 34:. 20:)

Index

Arthur Fellig
Weegee (disambiguation)

Złoczów
Galicia
Austria-Hungary
Zolochiv
Photographer
pseudonym
photojournalist
street photography
Lower East Side
emergency services
Jack Donohue
Stanley Kubrick
Zolochiv
Lemberg
Austrian Galicia
United Press International Photos
Daily News
Life
diabetes
Quaker
Daily Mirror
The New York Times
nicknamed
phonetic
Ouija
prescient
ƒ/8 and be there

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.