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Title (publishing)

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188: 276:, with most or all words capitalized. This is true both when the title is written in or on the work in question, and when mentioned in other writing. The original author or publisher may deviate from this for stylistic purposes, and other publications might or might not replicate the original capitalization when mentioning the work. Quotes, italics, and underlines are generally not used in the title on the work itself. 215:, writing a novel. The concept of intellectual property did not exist; copying another person's work was once praiseworthy. The invention of printing changed the economics of the book, making it possible for the owner of a manuscript to make money selling printed copies. The concept of authorship became much more important. The name of the author would also go on the title page. 203:
on one edge. Codices (plural of "codex") are much more recent than scrolls, and replaced them because codices are easier to use. The title "page" is a consequence of a bound book having pages. Until books had covers (another development in the history of the book), the top page was highly visible. To
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Gradually more and more information was added to the title page: the location printed, the printer, at later dates the publisher, and the date. Sometimes a book's title continued at length, becoming an advertisement for the book which a possible purchaser would see in a bookshop (see example).
38:, is a name for the work which is usually chosen by the author. A title can be used to identify the work, to put it in context, to convey a minimal summary of its contents, and to pique the reader's curiosity. 184:, it is impractical to single out an initial page. The first page, rolled up, would not be fully visible unless unrolled. For that reason, scrolls are marked with external identifying decorations. 204:
make the content of the book easy to ascertain, there came the custom of printing on the top page a title, a few words in larger letters than the body, and thus readable from a greater distance.
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is a major American newspaper. These guides recommend that the titles of shorter or subsidiary works, such as articles, chapters, and poems, be placed written within
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As the book evolved, most books became the product of an author. Early books, like those of the Old Testament, did not have authors. Gradually the concept took hold—
447: 49:(first word), especially those produced before the practice of titling became popular. During development, a work may be referred to by a temporary 679:
Shevlin, Eleanor F. (1999), "'To Reconcile Book and Title, and Make 'em Kin to One Another': The Evolution of the Title's Contractual Functions",
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is a complicated case—but authorship of books, all of which were or were believed to be non-fiction, was not the same as, since the Western
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recommend that the titles of longer or complete works such as books, movies, plays, albums, and periodicals be written in
123:, books have one-word titles that are not the initial words: new words, but following grammatical principles. The 120: 343: 308: 813: 823: 77: 651:
Oliver, Revilo P. (1951), "The First Medicean MS of Tacitus and the Titulature of Ancient Books",
792: 764: 732: 724: 696: 668: 640: 620: 592: 529: 521: 490: 421: 325: 42: 707:
Sullivan, Ceri (July 2007), "Disposable Elements? Indications of Genre in Early Modern Titles",
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Mulvihill, John (April 1998), "For Public Consumption: The Origin of Titling the Short Poem",
501: 460: 441: 784: 756: 716: 688: 660: 612: 584: 513: 482: 413: 317: 233: 250: 105: 62: 818: 504:; Crampé, Bernard (Summer 1988), "Structure and Functions of the Title in Literature", 357: 807: 768: 736: 700: 533: 494: 181: 66: 50: 775:
Wilsmore, S. J. (Summer 1987), "The Role of Titles in Identifying Literary Works",
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is used where italics are not possible, such as on a typewriter or in handwriting.
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Kellman, Steven G. (Spring 1975), "Dropping Names: the Poetics of Titles",
116:). The concept of a title is a step in the development of the modern book. 692: 285: 148: 139: 728: 644: 540:
Hélin, Maurice (September–December 1956), "Les livres et leurs titres",
386:"Which Titles Are Italicized and Which Are Enclosed in Quotation Marks?" 596: 525: 329: 242: 46: 796: 672: 624: 425: 720: 653:
Transactions and Proceedings of the American Philological Association
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La marque du titre: Dispositifs sémiotiques d'une pratique textuelle
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Adams, Hazard (Autumn 1987), "Titles, Titling, and Entitlement to",
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When books take the form of a scroll or roll, as in the case of the
788: 664: 616: 517: 486: 417: 208: 196: 186: 125: 97: 130: 100:, did not have titles. They were referred to by their incipit: 575:
Levin, Harry (October 1977), "The Title as a Literary Genre",
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Levin, Harry (October 1977), "The Title as a Literary Genre",
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The first books, such as the Five Books of Moses, in Hebrew
45:. Texts without separate titles may be referred to by their 265:
recommends that book titles be written in quotation marks.
151:(Ulysses). The first history book in the modern sense, 227:Most English-language style guides, including the 69:is assigned to a work whose title is ambiguous. 288: â€“ Text at the top of a newspaper article 633:The Journal of English and Germanic Philology 8: 777:The Journal of Aesthetics and Art Criticism 605:The Journal of Aesthetics and Art Criticism 603:Levinson, Jerrold (Autumn 1985), "Titles", 473:Fisher, John (December 1984), "Entitling", 406:The Journal of Aesthetics and Art Criticism 446:: CS1 maint: location missing publisher ( 199:, a stack of pages bound together through 34:of a book, or any other published text or 195:A book with pages is not a scroll, but a 53:. A piece of legislation may have both a 557:, Approaches to Semiotics , vol. 60 298: 234:Modern Language Association Style Guide 41:Some works supplement the title with a 27:Name of a published text or work of art 439: 76:, the title is typically shown on the 7: 255:Stopping by Woods on a Snowy Evening 191:Very long title of a pamphlet, 1838 432:Adorno, Theodor (1984), "Titres", 25: 743:Vardi, Amiel D. (May 1993), "Why 358:"APA Formatting and Style Guide" 158:History of the Peloponnesian War 344:"Do You Underline Book Titles?" 272:Titles may also be written in 1: 459:, Stanford University Press, 840: 709:The Modern Language Review 577:The Modern Language Review 761:10.1017/S0009838800044360 747:? Or What's in a Name?", 223:Typographical conventions 161:, had no more title than 434:Notes sur la littĂ©rature 121:Ancient Greek Literature 749:The Classical Quarterly 229:Chicago Manual of Style 309:Modern Language Review 192: 104:, "In the beginning" ( 553:Hoek, Leo H. (1981), 457:The Title to the Poem 190: 693:10.1353/bh.1999.0011 455:Ferry, Anne (1996), 112:, "And He called" ( 583:(4): xxiii–xxxvi, 316:(4): xxiii–xxxvi, 193: 63:library cataloging 16:(Redirected from 831: 799: 771: 739: 721:10.2307/20467425 703: 675: 647: 627: 599: 571: 558: 549: 536: 506:Critical Inquiry 497: 475:Critical Inquiry 469: 451: 445: 437: 428: 390: 389: 382: 376: 375: 373: 371: 354: 348: 347: 340: 334: 332: 303: 129:is the story of 21: 839: 838: 834: 833: 832: 830: 829: 828: 804: 803: 802: 774: 742: 706: 678: 650: 630: 602: 589:10.2307/3724776 574: 561: 552: 539: 502:Genette, GĂ©rard 500: 472: 467: 454: 438: 431: 403: 399: 397:Further reading 394: 393: 384: 383: 379: 369: 367: 366:. March 1, 2013 356: 355: 351: 346:. May 29, 2012. 342: 341: 337: 322:10.2307/3724776 305: 304: 300: 295: 282: 257:" is a poem by 251:quotation marks 225: 94: 28: 23: 22: 15: 12: 11: 5: 837: 835: 827: 826: 821: 816: 806: 805: 801: 800: 789:10.2307/431331 783:(4): 403–408, 772: 755:(1): 298–301, 751:, New Series, 740: 715:(3): 641–653, 704: 676: 665:10.2307/283436 648: 639:(2): 190–204, 628: 617:10.2307/430537 600: 572: 559: 550: 537: 518:10.1086/448462 512:(4): 692–720, 498: 487:10.1086/448289 481:(2): 286–298, 470: 465: 452: 429: 418:10.2307/431304 400: 398: 395: 392: 391: 377: 349: 335: 297: 296: 294: 291: 290: 289: 281: 278: 247:New York Times 224: 221: 93: 90: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 836: 825: 822: 820: 817: 815: 812: 811: 809: 798: 794: 790: 786: 782: 778: 773: 770: 766: 762: 758: 754: 750: 746: 741: 738: 734: 730: 726: 722: 718: 714: 710: 705: 702: 698: 694: 690: 686: 682: 677: 674: 670: 666: 662: 658: 654: 649: 646: 642: 638: 634: 629: 626: 622: 618: 614: 610: 606: 601: 598: 594: 590: 586: 582: 578: 573: 569: 565: 560: 556: 551: 547: 543: 542:Marche Romane 538: 535: 531: 527: 523: 519: 515: 511: 507: 503: 499: 496: 492: 488: 484: 480: 476: 471: 468: 466:9780804735179 462: 458: 453: 449: 443: 435: 430: 427: 423: 419: 415: 411: 407: 402: 401: 396: 387: 381: 378: 365: 364: 359: 353: 350: 345: 339: 336: 331: 327: 323: 319: 315: 311: 310: 302: 299: 292: 287: 284: 283: 279: 277: 275: 270: 268: 264: 260: 256: 252: 248: 244: 240: 236: 235: 230: 222: 220: 216: 214: 210: 205: 202: 198: 189: 185: 183: 182:Five Megillot 179: 174: 172: 168: 164: 160: 159: 154: 150: 146: 142: 141: 136: 132: 128: 127: 122: 117: 115: 111: 107: 103: 99: 91: 89: 87: 83: 79: 75: 70: 68: 67:uniform title 64: 60: 56: 52: 51:working title 48: 44: 39: 37: 33: 19: 18:Article title 780: 776: 752: 748: 745:Attic Nights 744: 712: 708: 684: 681:Book History 680: 656: 652: 636: 632: 611:(1): 29–39, 608: 604: 580: 576: 570:(2): 152–167 567: 563: 554: 545: 541: 509: 505: 478: 474: 456: 433: 409: 405: 380: 368:. Retrieved 361: 352: 338: 313: 307: 301: 271: 263:AP Stylebook 259:Robert Frost 246: 245:, like: the 232: 228: 226: 217: 206: 194: 175: 170: 166: 162: 156: 144: 138: 133:(Troy), the 124: 118: 109: 101: 95: 80:, the front 71: 40: 31: 29: 814:Book design 659:: 232–261, 412:(1): 7–21, 267:Underlining 213:Renaissance 74:book design 55:short title 36:work of art 824:Publishing 808:Categories 363:Purdue OWL 293:References 274:title case 153:Thucydides 147:) that of 135:Trojan War 86:title page 84:, and the 59:long title 769:170798738 737:163420249 701:143640018 687:: 42–77, 564:Criticism 548:: 139–152 534:161111244 495:224800904 253:, like: " 239:APA style 167:Histories 163:Historiai 114:Leviticus 102:Be-reshit 729:20467425 645:27711639 442:citation 370:April 2, 286:Headline 280:See also 149:Odysseus 140:Odysseia 110:Va-yikra 43:subtitle 597:3724776 526:1343668 436:, Paris 330:3724776 243:italics 201:binding 180:or the 171:Stories 145:Odyssey 106:Genesis 92:History 47:incipit 797:431331 795:  767:  735:  727:  699:  673:283436 671:  643:  625:430537 623:  595:  532:  524:  493:  463:  426:431304 424:  328:  261:. The 237:, and 231:, the 137:; the 57:and a 819:Names 793:JSTOR 765:S2CID 733:S2CID 725:JSTOR 697:S2CID 669:JSTOR 641:JSTOR 621:JSTOR 593:JSTOR 530:S2CID 522:JSTOR 491:S2CID 422:JSTOR 326:JSTOR 209:Homer 197:codex 178:Torah 131:Ilion 126:Iliad 98:Torah 82:cover 78:spine 61:. In 32:title 461:ISBN 448:link 372:2016 65:, a 30:The 785:doi 757:doi 717:doi 713:102 689:doi 661:doi 613:doi 585:doi 514:doi 483:doi 414:doi 318:doi 173:). 169:or 119:In 108:), 72:In 810:: 791:, 781:45 779:, 763:, 753:43 731:, 723:, 711:, 695:, 683:, 667:, 657:82 655:, 637:97 635:, 619:, 609:44 607:, 591:, 581:72 579:, 568:17 566:, 544:, 528:, 520:, 510:14 508:, 489:, 479:11 477:, 444:}} 440:{{ 420:, 410:46 408:, 360:. 324:, 314:72 312:, 155:' 88:. 787:: 759:: 719:: 691:: 685:2 663:: 615:: 587:: 546:6 516:: 485:: 450:) 416:: 388:. 374:. 333:. 320:: 165:( 143:( 20:)

Index

Article title
work of art
subtitle
incipit
working title
short title
long title
library cataloging
uniform title
book design
spine
cover
title page
Torah
Genesis
Leviticus
Ancient Greek Literature
Iliad
Ilion
Trojan War
Odysseia
Odysseus
Thucydides
History of the Peloponnesian War
Torah
Five Megillot

codex
binding
Homer

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