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The Artist in his Studio

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One critical analysis of the painting commented on the size disparity between the canvas inside the painting and the actual canvas, saying "Rembrandt's picture is small relative to its subject, rendering something far grander than itself–a painting several times its own size."
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c. 1628. The painting shows an artist' studio in realist style. It is held by the
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Barolsky, Paul; Goedde, Lawrence (Summer 2011). "Ambiguity in Rembrandt's Boston
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24.8 cm × 31.7 cm (9.8 in × 12.5 in)
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This article about a seventeenth-century painting is a
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Pendant portraits of Maerten Soolmans and Oopjen Coppit
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Diana Bathing with her Nymphs with Actaeon and Callisto
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Index

Artist in his studio

Rembrandt van Rijn
Museum of Fine Arts
Rembrandt
Museum of Fine Arts
Boston
Massachusetts
List of paintings by Rembrandt
doi
10.1086/sou.30.4.23208498
JSTOR
23208498
S2CID
191382535
Museum of Fine Arts, Boston
v
t
e
Rembrandt
Lists of drawings
etchings
paintings
self-portraits
Paintings
The Senses
The Stoning of Saint Stephen
Suffer little children to come unto me
History Painting
Balaam and the Ass

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