324:
84:
Essentially set up as a radically left political organisation, the AIA embraced all styles of art both modernist and traditional, but the core committee preferenced realism. Its later aim was to promote the "Unity of
Artists for Peace, Democracy and Cultural Development". They held a series of large
115:
By 1936 the membership had grown to around one thousand artists from the original group of thirty-two. In 1940 the group launched their
Everyman Prints scheme where prints were sold cheaply to the masses, and made available in high street shops, and not in galleries.
219:'Artists International Association', Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII, online database 2011
386:
285:
149:
391:
367:
85:
group exhibitions on political and social themes. Their first exhibition was hosted in a showroom on
Charlotte Street in 1934, entitled
100:
through exhibitions and other fund-raising activities. The
Association was also involved in the settling of artists displaced by the
123:
had begun to administer the organisation's gallery in Soho. She was the gallery's secretary and notably helped the artists
134:
Another of the AIA's aims was to promote wider access to art through travelling exhibitions and public mural paintings.
360:
143:
50:
197:
119:
It continued until 1971, but abandoned its original objectives in 1953 and became an exhibiting society.
46:
220:
353:
17:
74:
97:
58:
337:
323:
293:
124:
54:
128:
380:
89:. In 1935 they nailed their radical politics to the mast with an exhibition entitled
120:
109:
38:
62:
42:
297:
263:
77:. Originally it was called Artists' International, but it added the word
232:
105:
34:
170:
Art for a
Purpose. The Artist's International Association 1933-1953
286:"Uhlman, Manfred [Fred] (1901–1985), writer and painter"
101:
177:
A.I.A.: Story of the
Artists' International Association,1933-53
341:
96:
The AIA supported the left-wing
Republican side in the
73:
The first meeting took place in Misha Black's room at
108:. Many of those linked with the Association, such as
172:, Winchester School of Art Press, Winchester (1987)
81:to its name when it was reconstituted in 1935.
387:Arts organisations based in the United Kingdom
161:Tony Rickaby, "The Artists' International" in
361:
8:
150:Association of Revolutionary Visual Artists
368:
354:
330:This article about an organisation in the
264:"Conservative in art, Radical in politics"
131:. She continued in this role until 1957.
290:Oxford Dictionary of National Biography
189:
146:- designed banner on behalf of the AIA
233:"Biography | The Edith Simon Gallery"
7:
320:
318:
257:
255:
253:
215:
213:
211:
198:"James Holland, 20th Century Artist"
175:Robert Radford & Lynda Morris,
340:. You can help Knowledge (XXG) by
274:(642): 74–79 – via Proquest.
202:James Holland, 20th Century Artist
27:Artists' International Association
14:
392:United Kingdom organisation stubs
33:) was an organisation founded in
322:
37:in 1933 out of discussion among
165:, number 1, 1979, pp. 5–14
91:Artists Against Fascism and War
1:
262:Sprawls, Alice (May 2016).
408:
317:
179:, Modern Art Oxford (1983)
15:
144:James Lucas (illustrator)
298:10.1093/ref:odnb/60810
112:were also pacifists.
221:accessed 18 Feb 2020
18:AIA (disambiguation)
16:For other uses, see
237:www.edith-simon.com
349:
348:
98:Spanish Civil War
59:Peter Laszlo Peri
53:, James Holland,
41:, Clifford Rowe,
399:
370:
363:
356:
335:
334:
326:
319:
309:
308:
306:
304:
282:
276:
275:
259:
248:
247:
245:
243:
229:
223:
217:
206:
205:
194:
168:Robert Radford,
125:Edward Ardizzone
87:The Social Scene
55:Edward Ardizzone
407:
406:
402:
401:
400:
398:
397:
396:
377:
376:
375:
374:
332:
331:
315:
313:
312:
302:
300:
284:
283:
279:
261:
260:
251:
241:
239:
231:
230:
226:
218:
209:
196:
195:
191:
186:
158:
140:
129:David Gentleman
71:
21:
12:
11:
5:
405:
403:
395:
394:
389:
379:
378:
373:
372:
365:
358:
350:
347:
346:
333:United Kingdom
327:
311:
310:
277:
249:
224:
207:
188:
187:
185:
182:
181:
180:
173:
166:
157:
154:
153:
152:
147:
139:
136:
70:
67:
13:
10:
9:
6:
4:
3:
2:
404:
393:
390:
388:
385:
384:
382:
371:
366:
364:
359:
357:
352:
351:
345:
343:
339:
328:
325:
321:
316:
299:
295:
291:
287:
281:
278:
273:
269:
265:
258:
256:
254:
250:
238:
234:
228:
225:
222:
216:
214:
212:
208:
203:
199:
193:
190:
183:
178:
174:
171:
167:
164:
160:
159:
155:
151:
148:
145:
142:
141:
137:
135:
132:
130:
126:
122:
117:
113:
111:
107:
103:
99:
94:
92:
88:
82:
80:
76:
68:
66:
64:
60:
56:
52:
51:James Boswell
48:
44:
40:
36:
32:
28:
23:
19:
342:expanding it
329:
314:
301:. Retrieved
289:
280:
271:
267:
240:. Retrieved
236:
227:
201:
192:
176:
169:
162:
133:
121:Diana Uhlman
118:
114:
110:Duncan Grant
95:
90:
86:
83:
78:
72:
47:James Fitton
39:Pearl Binder
30:
26:
24:
22:
79:Association
75:Seven Dials
63:Edith Simon
43:Misha Black
381:Categories
156:References
104:regime in
184:Footnotes
138:See also
303:24 July
242:22 July
106:Germany
69:History
268:Apollo
35:London
336:is a
163:Block
338:stub
305:2020
244:2017
127:and
102:Nazi
61:and
25:The
294:doi
272:183
31:AIA
383::
292:.
288:.
270:.
266:.
252:^
235:.
210:^
200:.
93:.
65:.
57:,
49:,
45:,
369:e
362:t
355:v
344:.
307:.
296::
246:.
204:.
29:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.