311:
the spout and on the back side, under the handle, which enriches the whole ornamentation of the pitcher with its medallions. It is also noted that the most complex many leafed picture of the holy tree on the bronze pitcher with nose of 6th or 7th century, where the main part of the composition consists of a three-leafed picture of the tree, which turned into five-leafed palmette in the 6th to 7th centuries. The picture is located under the nose, on the vertical axis of the dish cast like a waxy model. Its artistic composition creates isosceles triangle which harmonizes with pear-like shape of the dish. Aesthetic impression increases with incrustation of red copper and yellow bronze and with two images of peacocks, which is considered the symbol of fire and the Sun, and which is surrounded by holy trees. Images of puffy figures of the birds keep the general interpretation of the thing, the plastic construction of which is harmonized with imaginary motifs. Reminding the
Sasanids’ pitchers, it differs for more heavier trunk, solidity of the handle and the nose of whisk. Holy birds with necklaces and waving scarves, which were divided by conditionally interpreted tree, are depicted on the trunk with not high relief.
157:
construction, handicraft, burials, epigraphic monuments of ancient
Mingachevir were persuasively analyzed in R.M.Vahidov’s work. Facts about production of glass, ceramics and other types of handicraft were especially evaluated. Number of dissertations of historians and archaeologists of the Azerbaijan SSR, dedicated to different stages of development of the culture of Caucasian Albania were defended in 1960’s. Particularly, works of G.M.Aslanov, I.A.Babayev, and A.B.Nuriyev, dedicated to jewelry, glyptics and glass can be called. But these works didn’t examine artistic features of archaeological materials, they didn’t trace development of artistic forms and influence of concrete religious ideas of ancient epochs on them and they hadn’t analyzed issues of periodization of development of arts of Caucasian Albania and other issues. N.I.Rzayev began elaboration of this issue and as a result, a monograph dedicated to ceramics of Caucasian Albania was published.
267:
285:
230:. Ceramic jars of cultic character, the necks of which are surrounded by one or two bronze rings, were found in pitcher burials of Mingachevir. Jars from the 1st century BC to the 1st century AD, had necks which were adorned with bronze and iron rings with apotropous meaning were found in Mingachevir. It is considered that, bronze bracelets had been widely used as a cultic item in everyday life and burials of the examined period and were directed against “evil spirit”. Two bronze plates and bronze pitcher from collection of the
20:
408:
mostly spread kinds of neck jewelry in
Caucasian Albania. A necklace consisting eleven beads made of gold and related to the 2nd to 5th centuries was found in Mingachevir by archaeologist H.M. Aslanov. The beads consist of two parts soldered across horizontal axis of the item have biconical shape with wrapped ends of whisk. Albanian jewelers made stone beads with magic character besides golden ones. Cylindrical and spherical shaped stone beads of Mingachevir made of
260:
which comes a chain of concentric circles. Extreme line is adorned with big medallions. Six three-leafed flowers, which were placed around a hexagon, are the main ornamental motif of the neutral medallion. Widely spread three-leafed figurative motif is considered the image of a “holy tree”, which became the ornamental motif of decorative adornments of bronze items and architectural details of the examined period (1st to 7th centuries).
302:
scarf of the rider reminds of "imperial ribbon" adorning relief image of two peacocks on stone of an ancient temple of 5th or 6th century of
Mingachevir. It is considered that, the eastern motifs prevail over the ancient ones. Weaving of ancient and the "eastern" elements in ornaments and garment had been traced there – Roman garment of struggling people in the medallions and the eastern costumes of dancers under the arches.
133:), Albanian carved stones were also noted by Y.A.Pakhomov. Various articles dedicated to interesting burners made of ceramics, which were found out in Mingachevir, and also issues about dating of jar and ground burials and peculiar jars in shape of boots, which were found in earlier burials of Mingachevir, were written by G.I.Ione. Various works of Z.I.Yampolski were dedicated to certain monuments – the first
65:
364:, belt sets and others gives a good presentation about a large diapason of creativity of jewelers of Caucasian Albania. Two periods can be distinguished in development of jewelry art in Caucasian Albania: the first from the 4th century BC – 1st century AD and the second from the 1st - 7th centuries AD. Production of such kinds of jewelry art as pendants,
388:
Golden earring, which were found in
Kalagya village of Ismayilli rayon in 1938, by V.A.Pakhomov are dated back to the beginning of our era. Earrings with pendants consisted of four poured grains located in pyramidal shape of the 3rd-1st centuries BC, which were found in Yaloylutepe in 1951, are also
310:
The trunk of one pitcher from the 6th or 7th century from the southern
Dagestan is covered with a stylized plant ornament, which is enlivened by incrustation with red copper. The handle of the bronze pitcher is adorned with a three-leafed ornamental motif. There are chevrons on the front side, under
144:
O.S.Ismizade’s work – “Yaloylutepe culture”, which was called the first successful work in generalization of historical and archeological material about
Yaloylutepe culture and published in 1956, is considered the first effort in archeological investigation and generalization of material culture of
120:, N.V.Minkevich-Mustafayeva, R.M.Vaidov, V.P.Fomenko, G.M.Aslanov and K.M.Akhmedov took part in excavation of Mingachevir and investigation of its monuments in different times. Monuments of material culture of Albania found such a multilateral investigator as Y.A.Pakhomov, whose valuable works about
380:
Earrings of the first period have different geometric shapes, but almost always their ends are made in shape of stylized snake heads with through holes, which witness preservation of a strong influence of cultic ideas. Upper bail preserved its initial round shape during this period. Shapes of bails
301:
Another bronze plate from the 4th or 5th century from southern
Dagestan is called a splendid piece of art of toreutics of Caucasian Albania. A galloping rider with helmet depicted in the central circle is accompanied by dog, which was depicted as moving forth in leaps and bounds. Flying in the air
170:
Silver dishes were found out in
Sudagylan (near Mingachevir) city, in 1949-1950’s. Ornamentation of a silver cup on an annular leg from Mingachevir of 1st to 4th centuries is characterized by decorative motifs like hollows. Rhythmic repetition of "spoons" can be met in analogical silver cup of the
259:
Decorative and ornamental adornments of the bronze plates of the 6th and 7th centuries from the southern
Dagestan, consist of stylized flowers and branches arranging various medallions and concentric circles. Ornamental medallions are placed around the central medallion, on a circular line, above
55:
was protensity of previous periods of creative development of masters of Caucasian Albania. If artistic nature and character of arts of Caucasian Albania of earlier periods was determined by religious ideas, but from the beginning of the first centuries of new era it became weaker and yielded to
407:
Three kinds of necklaces from the 5th to 3rd centuries BC were found in Mingachevir: figured, spherical and cylindrical shaped with beads. Beads had been made of two soldered plates of low-carat gold. Beads were decorated by stamping method with four horizontal relief lines. Necklace was one of
156:
Investigations of R.M.Vahidov and Z.I.Yampolski, dedicated to material and religious culture of Caucasian Albania, are also very interesting. The range of questions related to material and religious life of Mingachevir in abroad, in the 3rd to 8th centuries were covered, kinds of housekeeping,
368:, buttons, earrings, diadems, necklaces, bracelets and others are typical for the first period. The second period is considered the most developed because of richness of artistic and plastic forms and for use of different technology. For example, 22 burials were opened on the left shore of the
319:
Activity of masters in artistic handling of metal in Caucasian Albania and in creation of samples of jewelry art, archaeological materials, consisting of rich variety of creations of jewelry art, makes to characterize such kind of arts as one of the most developed kinds of arts of that period.
145:
Caucasian Albania. A number of investigations dedicated to archeological culture of Caucasian Albania are appeared after it. Great monographic investigation of Mingechevir archeologists – G.M.Aslanov, R.M.Vaidov and G.I.Ione, in which great amount of excavations of
128:
were famous: six editions were dedicated to monetary treasures, which were founded in the territory of Azerbaijan. Jar burials in Mingachevir and in other districts, defensive walls of Sasanids period in the territory of Albania, Roman ligature on Boyuk Dash
100:
fortress was held by D.Sharifov jointly with I.M.Jafarzade, K.A.Klementyev and R.Efendiyev in that very year, in the result of which description of archaeological condition of the first capital of Albanian state was published by D.Sharifov.
213:
of Caucasian Albania of the 1st-8th centuries used the shape of bottom in artistic ornamentation of silver cups, the central motif of which is notable for incisions around it. A cut figure like that makes the shape of bottom salient.
56:
progressive ideas related to origination and development of feudalism. Arts of the second period which was generally directed to high-society advanced humanistic ideas, which were substituted cultic tendencies of previous epochs.
246:
from the 4th to 7th centuries was used as a leg of throne. Eloquent head of eagle, noted with fixed gaze to the fourth, big predatory beak and alerted sharp ears, crowns a vigorous trunk of lion. Ornamental bronze bird from
384:
Moon like earrings which appeared at the end of the first period, in the 1st century BC, are considered more primitive jewelry items and were broadly spread in the second period, especially in the 1st and 2nd centuries.
266:
175:. Image of a deer, which is torn to pieces by a winged lion, is engraved in depth of the cup. An ancient Georgian silver cup of the 2nd century from Armaziskhevi and a silver cup of the 2nd century found in a
389:
very interesting. In construction of the earrings found in Mingachevir, related to the 1st century AD, a bail is apart from the pendant. These golden rings are consisted of fair plates in shape of circle.
284:
1127:Искусство Кавказской Албании (IV в. до н. э. — VII в. н. э.). / Академия наук Азербайджанской ССР, Институт архитектуры и искусства, под ред. А. В. Саламзаде — Баку: Элм, 1976. — 138 с.
372:, in Sudagylan (near Mingachevir), during 1949-1950, in log cabins. Jewelry items made of gold and silver, golden beads, seal rings with mounting seals are also enumerated in report.
1169:
153:
were examined should also be mentioned. Work of Kamilla Trever, who made a great contribution to investigation of culture of Caucasian Albania, appeared at that time.
809:
988:
959:
930:
853:
398:
1133:Очерки по истории и культуре Кавказской Албании IV в. до н. э.-VII в. н. э. — Москва-Ленинград: Издательство Академии наук СССР, 1959. — 389 с.
179:
in Garamaryam village of Goychay rayon are analogical with Mingachevir cup. These cups are of the same type for their constructive features.
35:
1145:Вопросы истории Кавказской Албании. Сборник статей. — Баку: Азербайджанское издательско-полиграфическое объединение, 1962.
206:
is considered the unique monument of arts. The finding was found out by chance when digging ground of a mountainous area.
88:. These excavations were the beginning of subsequent appearance of interments of Yaloylutepe type in different regions of
242:, are interesting materials about development of chasing of metal arts in Albania in the 5th-7th centuries. A bronze
1164:
1051:. Baku: Академия наук Азербайджанской ССР, Институт архитектуры и искусства, под ред. А. В. Саламзаде. p. 70.
381:
were not changed in the second period, too. But the lower part of earrings – pendant changed to different forms.
517:Некоторые памятники искусства и древности Нухинского уезда. Изв. Общества обследов. и изуч. Азербайджана, вып. 2
1139:Античная Кавказская Албания. — Баку: Азербайджанское издательско-полиграфическое объединение, 1992. — 238 с.
402:
Beads of the 1st century BC - 1st century AD from jar burials, excavated in 1948, by G.P.Ione in Mingachevir
248:
130:
222:
There are many bronze items related to the epoch of Caucasian Albania. For example, bracelets made of
461:Институт истории материальной культуры (Академия наук СССР), Институт археологии (Академия наук СССР)
19:
47:
Investigation of archeological material favours the restoration picture of development of arts in
982:
953:
924:
847:
803:
369:
105:
84:
was held by D.M.Sharifov, where they opened interments with peculiar shapes and decorations with
345:
93:
48:
31:
731:
623:
425:
292:
274:
231:
199:
195:
117:
397:
341:
81:
545:
479:
227:
138:
134:
1158:
357:
203:
421:
198:), which was found in the end of 1843, far from Yenikend village of Lachin area of
146:
97:
69:
532:Обследование развалин Кабалы. Изв. Общества обследов. и изуч. Азербайджана, вып. 4
27:
112:
and in other districts were held by T.I.Golubkina, who investigated the issue of
361:
137:, which was found in Azerbaijan, in 1848 and stone monument, which was found in
121:
113:
109:
85:
52:
917:Памятники глиптики Азербайджана античной эпохи и раннего средневековья. Автореф
64:
176:
172:
150:
89:
73:
409:
365:
349:
210:
187:
68:
Place of archaeological excavations in Gabala - ancient capital of Albania.
23:
1151:Раскопки на городище Хыныслы, памятнике древней Кавказской Албании. — 1962.
1094:Очерки по истории и культуре Кавказской Албании IV в. до н. э.-VII в. н. э
1064:Очерки по истории и культуре Кавказской Албании IV в. до н. э.-VII в. н. э
1034:Очерки по истории и культуре Кавказской Албании IV в. до н. э.-VII в. н. э
869:Очерки по истории и культуре Кавказской Албании IV в. до н. э.-VII в. н. э
550:Очерки по истории и культуре Кавказской Албании IV в. до н. э.-VII в. н. э
484:Очерки по истории и культуре Кавказской Албании IV в. до н. э.-VII в. н. э
353:
329:
239:
125:
337:
321:
243:
44:– is the historical and regional type of arts related to Ancient East.
975:Художественная керамика Кавказской Албании IV в. до н. э. - I в. н. э
417:
325:
223:
183:
116:
ceramics in Mingachevir, marks on ceramics and various excavations.
946:Стеклянные изделия и их производство в Кавказской Албании. Автореф
446:Раскопки на городище Хыныслы, памятнике древней Кавказской Албании
1096:. Moscow-Leningrad: Издательство Академии наук СССР. p. 148.
1066:. Москва-Ленинград: Издательство Академии наук СССР. p. 152.
1036:. Moscow-Leningrad: Издательство Академии наук СССР. p. 161.
871:. Москва-Ленинград: Издательство Академии наук СССР. p. 389.
486:. Москва-Ленинград: Издательство Академии наук СССР. p. 389.
182:
Antique silver dish of the 2nd century AD with a relief image of
16:
Historical and regional type of arts related to Caucasian Albania
413:
333:
191:
235:
80:
In 1926, an archaeological inspection of Yaloylutepe area of
1049:Искусство Кавказской Албании (IV в. до н. э. — VII в. н. э.)
1019:Искусство Кавказской Албании (IV в. до н. э. — VII в. н. э.)
1004:Искусство Кавказской Албании (IV в. до н. э. — VII в. н. э.)
736:Доисламские печати и резные камни Музея истории Азербайджана
565:Четыре кувшинных погребения из Мннгечаура (раскопки 1950 г.)
502:Искусство Кавказской Албании (IV в. до н. э. — VII в. н. э.)
1079:Новые археологические находки в Мингечауре в 1949 г. Рис. 6
718:Об археологических раскопках на одном участке в Мингечауре
827:. Баку: Изд. Института истории АН Азерб. ССР. p. 22.
703:Мингечаурское погребение с костяком, закованным в кандалы
495:
493:
291:
Bronze plate of the 4th or 5th century from Dagestan.
273:
Bronze plate of the 6th or 7th century from Dagestan.
910:
908:
658:Археологические работы в Мингечауре в 1950 г. вып. 46
552:. Москва-Ленинград: Издательство Академии наук СССР.
1109:Основные типы каменных бус мингечаурского некрополя
796:О статуе найденной на территории Кавказской Албании
688:К изучению раннесредневековых памятников Мингечаура
104:The main part of excavations and investigation of
838:Г. М. Асланов; Р. М. Ваидов; Г. И. Ионе. (1959).
26:copper dish from Khinisly village (not far from
8:
808:: CS1 maint: numeric names: authors list (
428:were thoroughly inspected by G.G.Lemmleyn.
987:: CS1 maint: location missing publisher (
958:: CS1 maint: location missing publisher (
929:: CS1 maint: location missing publisher (
852:: CS1 maint: location missing publisher (
766:Мингечаурскне кувшинные погребения оружием
60:Investigation history of Caucasian Albania
474:
472:
470:
396:
63:
18:
1170:Archaeological cultures of the Caucasus
436:
262:
234:, which were brought from the southern
980:
951:
922:
845:
801:
781:Глиняные сосуды-сапожки из Мингечаура
671:Р. М. Ваидов; В. П. Фоменко. (1951).
7:
899:Древняя Албания III - I вв. до н. э
641:Н. В. Минкевич-Мустафаева. (1949).
580:О зооморфной керамике из Мингечаура
628:Кувшинные погребения из Мингечаура
463:. Издательство Академии наук СССР.
251:village should also be mentioned.
36:Azerbaijan State Museum of History
14:
751:Об обжигательных печах Мингечаура
643:О раскопках в Мингечауре в 1941 г
283:
265:
30:), from the ancient monument of
1111:. АН Азерб ССР. pp. 83–88.
673:Средневековый храм в Мингечауре
595:Марки на Мингечаурской керамике
1:
884:Мингечаур в III - VIII веках
226:adorn zoomorph jars of the
161:Categories of Albanian arts
1186:
897:З. И. Ямпольский. (1962).
794:3. И. Ямпольский. (1955).
610:Об одной случайной находке
190:surrounded by tritons and
608:Т. И. Голубкина. (1947).
593:Т. И. Голубкина. (1949).
578:Т. И. Голубкина. (1951).
563:Т. И. Голубкина. (1955).
504:. Баку: Элм. p. 138.
42:Arts of Caucasian Albania
1092:Kamilla Trever. (1959).
1032:Kamilla Trever. (1959).
1006:. Baku: Элм. p. 87.
825:Ялойлутепинская культура
1062:Kamilla Trever (1959).
1021:. Baku: Элм. p. 9.
867:Kamilla Trever (1959).
823:Исмизаде О. Ш. (1956).
716:К. М. Ахмедов. (1954).
701:Г. М. Асланов. (1953).
686:Г. М. Асланов. (1955).
1107:G.G.Lemmleyn. (1949).
944:А. Б. Нуриев. (1966).
915:И. А. Бабаев. (1963).
882:Р. М. Ваидов. (1961).
656:Р. М. Ваидов. (1952).
630:. Изв. Азерб. АН СССР.
459:Халилов Д. А. (1967).
444:Халилов Д. А. (1962).
404:
77:
38:
1047:Н. И. Рзаев. (1976).
1017:Н. И. Рзаев. (1976).
1002:Н. И. Рзаев. (1976).
973:Н. И. Рзаев. (1964).
500:Н. И. Рзаев. (1976).
400:
186:swimming in sea on a
67:
22:
1081:. Изв.АН. Азерб ССР.
1077:С М Казиев. (1949).
779:Г. П. Ионе. (1953).
764:Г. П. Ионе. (1955).
749:Г. П. Ионе. (1948).
530:Д. Шарифов. (1959).
515:Д. Шарифов. (1926).
218:Items made of bronze
166:Items made of silver
96:. Investigation of
405:
141:rayon and others.
78:
39:
1165:Caucasian Albania
1143:З. И. Ямпольский.
840:Древний Мингечаур
567:. ИАН Азерб. ССР.
171:3rd century from
135:Latin inscription
49:Caucasian Albania
32:Caucasian Albania
1177:
1113:
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1104:
1098:
1097:
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739:
732:Yevgeni Pakhomov
728:
722:
721:
720:. АН Азерб. ССР.
713:
707:
706:
705:. АН Азерб. ССР.
698:
692:
691:
683:
677:
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668:
662:
661:
653:
647:
646:
638:
632:
631:
624:Yevgeni Pakhomov
620:
614:
613:
612:. АН Азерб. ССР.
605:
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597:. АН Азерб. ССР.
590:
584:
583:
575:
569:
568:
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553:
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293:Hermitage Museum
287:
275:Hermitage Museum
269:
232:Hermitage Museum
200:Baku Governorate
196:Hermitage Museum
92:and the eastern
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979:
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844:
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832:
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82:Nukhinsky Uyezd
62:
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546:Kamilla Trever
537:
534:. p. 389.
522:
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480:Kamilla Trever
466:
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228:North Caucasus
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51:. Arts of the
15:
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1149:Халилов Д. А.
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1132:
1131:К. В. Тревер.
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204:Goychay rayon
201:
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25:
21:
1148:
1142:
1137:Кемал Алиев.
1136:
1130:
1125:Н. И. Рзаев.
1124:
1108:
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1087:
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1072:
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558:
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531:
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510:
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483:
460:
454:
445:
439:
422:lapis lazuli
406:
401:
387:
383:
379:
362:belt buckles
318:
309:
300:
290:
272:
258:
221:
208:
181:
169:
155:
143:
118:Y.A.Pakhomov
103:
79:
70:Qabala Rayon
46:
41:
40:
209:Masters of
151:Bronze Ages
122:numismatics
114:zoomorphism
110:Mingachevir
106:jar burials
53:Middle Ages
1159:Categories
1119:Literature
734:. (1949).
626:. (1944).
548:. (1927).
482:. (1959).
432:References
426:serpentine
370:Kura River
320:Different
249:Chardakhly
177:jar-burial
173:Torpaggala
90:Azerbaijan
74:Azerbaijan
983:cite book
954:cite book
925:cite book
848:cite book
804:cite book
410:cornelian
393:Necklaces
354:bracelets
330:necklaces
211:toreutics
188:hippocamp
24:Sassanian
414:sardonyx
376:Earrings
338:pendants
322:earrings
306:Pitchers
240:Dagestan
139:Shamakhi
131:Gobustan
126:Caucasus
86:ceramics
28:Shamakhi
977:. Баку.
948:. Баку.
919:. Баку.
842:. Баку.
366:plaques
360:rings,
346:buttons
342:fibulas
326:diadems
315:Jewelry
244:griffin
124:of the
94:Georgia
418:pyrite
350:clasps
255:Dishes
224:bronze
192:eroses
184:Nereid
147:Copper
98:Gabala
334:beads
194:(The
989:link
960:link
931:link
854:link
810:link
358:seal
236:auls
149:and
238:of
202:’s
108:in
1161::
985:}}
981:{{
956:}}
952:{{
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412:,
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336:,
332:,
328:,
324:,
72:,
34:,
991:)
962:)
933:)
901:.
886:.
856:)
812:)
798:.
783:.
768:.
753:.
738:.
690:.
675:.
660:.
645:.
582:.
519:.
448:.
295:.
277:.
129:(
76:.
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