499:
2003 "Niveles de
Conocimiento/Niveles de Entendimiento: El Arte de Hochi Asiatico. Layers of Knowledge/Layers of Understanding: The Art of Hochi Asiatico,â a bilingual museum catalog essay for the exhibition Hochi Asiatico, Metamorfosis de los Dioses. Habana, Cuba: Galeria Latinoamericana, Casa de
485:
2004 âSanterĂa
Aesthetics: a Yoruba-Cuban Phenomenon,â in Encyclopedia of African-American Culture and History: The Black Experience in the Americas. Editor in Chief: Colin Palmer. Board Editors: Lisa Gail Collins; Marcyliena Morgan; Faith Smith; James Sweet; Robert Reid-Pharr. New York: Macmillan
478:
2011 âInvestigating the
Aesthetics of AshĂ©,â in Actualidad de las Tradiciones Espirituales y Culturales Africanas en el Caribe y LatinoamĂ©rica, Primer y Segundo Simposio, compiled by MarĂa Elba Muñoz, Marta Moreno Vega and MĂłnica Cortes, edited by JosĂ© Carvajal. Puerto Rico: Centro de Estudios
193:
sculptures and time specific large-scale installations and sculptures at Las OrquĂdeas
Environmental Sculpture Park in Portobelo, Panama. He designed the railings and medallions for the Judge Lenwood Jackson Justice Center in Atlanta, and paintings of Bayano and Felipillo, for
205:, musician Joseph Jennings, set designer Paul Thomason, production coordinator, Dan Bascelli, choreographer T. Lang and soprano Laura English Robinson to create a performance entitled "Artists Contemplating Torture". It was presented in Portobelo, Panama,
804:
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2003 âThe
Research Methods of an Artist-Ethnographer on the Congo Coast of Panama,â in Breaking the Disciplines: Reconceptions in Knowledge, Art & Culture, edited by Marsha Meskimmon and Martin Davies. London: I.B. Tauris
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1993 âMestizaje and the
Postmodern Aesthetic,â a museum catalog essay for the exhibition Ceremony of Spirit - Nature and Memory in Contemporary Latino Art. Curated by Amalia Mesa-Bains. The Mexican Museum, San Francisco,
451:
a multi-disciplinary performance art ritual/installation. Organized by smARTpower a Joint State
Department and The Bronx Museum of Art project. Spelman College, Atlanta, GA and Medrar for Contemporary Art, Cairo,
302:, The Mexican Museum, San Francisco, CA; also Western Washington University (1994), Studio Museum in Harlem (1995); Laguna Gloria Art Museum (1995); Boise Art Museum (1996); Fresno Metropolitan Museum (1996)
90:. Lindsay became a founding member of Plexus New York. This multinational group of artists began creating large-scale collaborative art projects known as co-operas during the 1980s in New York Cityâs
496:
2003 âAlbert Chong: âItâs
Complex,ââ in Fresh Talk/Daring Gazes: Asian American Issues in Contemporary Art, edited by Elaine Kim, Margo Machido and Sharon Mizota. University of California Press.
808:
124:. He later founded the Spelman College Summer Art Colony, which provides students and emerging artists from the United States and Panama with an opportunity to create works of art in the
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216:, in an experiment in one-to-one diplomacy through the visual arts. The project documented social-media based experiences in the lives of ordinary Middle East youth.
30:
research on
African spiritual and aesthetic retentions in contemporary American cultures. His Panamanian/American identity is reflected in his art, which focuses on
109:, where he co-founded the Painting Workshop of Taller Portobelo; an artist cooperative dedicated to preserving the traditions of the Congos who are descendants of
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212:
Lindsay took part in a U.S. Department of State initiative called smARTpower) which partnered the Bronx Museum of the Arts and Medrar for
Contemporary Art in
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and has lectured and published several articles and catalogue essays on contemporary art theory and practice with a focus on the art and aesthetics of the
79:
430:
a performance art ritual. In collaboration with poet Opal Moore, musician Joe Jennings, filmmaker Ayoka Chenzira and others. Spelman College, Atlanta, GA
58:
member Nelson Stevens, Lionel GĂłngora, a Colombian artist and a founding member of Nueva Presencia and SalĂłn Independiente in Mexico, Dr. Nana Nkestsia,
489:
2004 "The Congos of Panama,â Encyclopedia of African-American Culture and History: The Black Experience in the Americas. Editor in Chief: Colin Palmer.
253:â Nexus Contemporary Art Center, Atlanta, GA; also Intermedia Art Center (1997), Minneapolis, MN; Diggs Gallery, Winston-Salem State University (1998)
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2008 âUnderstanding the Aesthetics of New Pop/NEOPOP,â in Fahamenon, Special; CollectorâsIssue, Raleigh, NC: Flanders Art Gallery.
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and Atlanta, Georgia, and was based on Lindsay's earlier work "Artists Contemplating the Fate of Those Who Speak of Freedom".
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project that is funded by the U.S. Department of Stateâs Bureau of Educational and Cultural Affairs and administered by the
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274:â Museum of Contemporary African Diasporan Art, Brooklyn, NY; also Chase Gallery, Bates College (2008), Lewiston, ME
344:, Smithsonian Institution, Anacostia Museum and the Center for African American History and Culture, Washington, DC
186:
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concept for the life force found in all things. In 2009 he was commissioned to create a sculpture for the
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Mapping Ports: Sullivanâs Island, GoreĂ© Island, Portobelo, Havana and Seville, a retrospective exhibition
468:
1996 Commissioned Artist, Nexus Contemporary Art Center, Corporation for Olympic Development in Atlanta
423:â Las OrquĂdeas Environmental Sculpture Park, Portobelo, Panama and Castle of Good Hope, Cape Town, SA
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87:
330:â SalĂłn Internacional de Estandartes, Centro Cultural Tijuana, and Museo Rufino Tamayo, Mexico City
83:
260:, Segunda Bienal IberoamĂ©ricana de Lima â Salones de Artistas Invitados, Pancho Fierro, Lima, Peru
675:
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1996 Commissioned Artist, â17 Days of the Olympicsâ Hartsfield International Airport, Atlanta, GA
158:, at the Museum of Contemporary African Diasporian Art, involves the use of "ashé", which is the
132:
337:, Cittadella dei Musei Piazza Arsenale, Organized by Centro Culturale Man Ray, Cagliari, Italy
70:
Lindsay began his career as a theater artist acting in and directing street theater projects in
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22:(born September 29, 1946) is a Panamanian-born artist and professor of art and art history at
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805:"Preview: Arturo Lindsay's "Bearing Witness" melds art forms to tell story of Tahrir Square"
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1994 Lila Wallace-Reader's Digest International Artist Residency Award, Portobelo, Panama
523:
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1999 Fulbright Senior Scholar Award, The J. William Fulbright Foreign Scholarship Board
202:
121:
117:
653:
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Yemoja: Gender, Sexuality, and Creativity in the Latina/o and Afro-Atlantic Diasporas
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2002 UNCF Mellon Faculty Seminar at Goree Institute with Wole Soyinka, Goree, Senegal
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757:"2009 Legacy Awards Recognize Panamanian Achievement at the Smithsonian Institution"
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Avanzados de Puerto Rico y el Caribe and Instituto de las Tradiciones Afrocaribeñas.
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Bearing Witness: The Stories of Ordinary People Living During Extra-ordinary Times
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Lindsay began working with fellow student Sandro Dernini, the originator of
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Senior Scholar Award in 1999. He has been selected to be a part of the
309:(A traveling exhibition organized by Artist-in-Residence International)
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897:
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Locating the Spirit: Religion and Spirituality in African American Art
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Ceremony of Spirit: Nature & Memory in Contemporary Latino Art
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78:. In 1976 he worked in Hartford, Connecticut as an artist for the
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2003 Rockefeller Foundation, Bellagio Fellowship, Bellagio, Italy
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Santuario de los reyes, una obra collectiva del Taller Portobelo
437:, Las OrquĂdeas Environmental Sculpture Park, Portobelo, Panama
251:
Animas, arcĂĄngeles y antepasados: Recent Work by Arturo Lindsay
830:" StoryCorps Atlanta: Renowned Artist Bares Humble Beginnings"
377:
Tradiciones Afro Caribeñas: Espiritualidad, Arte y Resistencia
386:, Studio Museum in Harlem and the Queens Museum, New York, NY
379:, Casa Escute, Municipio AĂștonomo de Carolina, Carolina, P.R.
131:
In 2006, Lindsay was the Distinguished Batza Family Chair at
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Plexus Performance/Installation: The Ark of the Well Being
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Youth Summer Program. While pursuing a doctorate degree at
746:, Museum of Contemporary Diasporian Art exhibition review.
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Artist Contemplating the Fate of Those Who Speak f Freedom
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In 2016 Lindsay retired from teaching at Spelman College.
372:, Georgia College and State University, Milledgeville, GA
358:, EXMA Centro Culturale D'Arte e Cultura, Cagliari, Italy
886:. Museum of African American Art. 1992. pp. 26â27.
581:. Museum of African American Art. 1992. pp. 25â27.
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Donna Reiss; Dickie Selfe; Art Young (1 January 1998).
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SanterĂa Aesthetics in Contemporary Latin American Art
94:. Lindsay continues creating Plexus based projects in
365:, XVI Festival Iberoamericano de Teatro, Cadiz, Spain
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that liberated themselves in wars fought against the
781:. Atlanta Office of Cultural Affairs. Archived from
529:. National Council of Teachers of English. p.
316:, Palazzo del Esposizioni, Roof Garden, Rome, Italy
522:
279:Arturo Lindsay: Portraits of Yemaya, (forthcoming)
370:Kindred Spirits, a two-man show with Fahamu Pecou
198:new museum, Museo de La Biodiversidad in Panama.
139:in Davidson, NC in 2005. Lindsay also received a
135:and the Kemp Distinguished Visiting Professor at
883:The International Review of African American Art
578:The International Review of African American Art
860:Solimar Otero; Toyin Falola (1 November 2013).
201:Lindsay collaborated with poets Opal Moore and
62:âs first Minister of Art and Culture in Ghana.
50:, New York. He attended graduate school at the
654:"Endowed Professorships at Colgate University"
525:Electronic Communication Across the Curriculum
351:, Museo de Arte Contemporaneo, Panama, Panama
267:, City Gallery at Waterfront, Charleston, SC.
239:, Museo de Arte Contemporaneo, Panama, Panama
8:
414:Plexus Interactive Art & Science Project
851:. Arte en Colombia. 1996. pp. 118â121.
699:. Fulbright Scholar Program. Archived from
948:University of Massachusetts Amherst alumni
628:"Mission and Founders of Taller Portobelo"
185:In recent years Lindsay has been creating
933:Panamanian emigrants to the United States
323:, Smithsonian Institution, Washington, DC
630:. Taller Portobelo Norte. Archived from
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321:In Search of Balance: The ArtistScholar
237:Canto a la Libertad de Africa a America
555:"Arturo Lindsay: The Professor-Artist"
407:Selected art projects and performances
46:on September 29, 1946, and grew up in
898:Painting Workshop of Taller Portobelo
723:"smART Power Artists: Arturo Lindsay"
105:In the mid-1990s Lindsay returned to
7:
963:Panamanian people of African descent
676:"Official Record â Davidson College"
230:El Monte: A Tribute to Lydia Cabrera
697:"Fulbright Scholar List: 1998â1999"
356:Percorsi dello Spirito Anno Duemila
246:, Chassie Post Gallery, Atlanta, GA
52:University of Massachusetts Amherst
416:, Cagliari Museum, Sardinia, Italy
384:Caribbean: Crossroads of the World
293:Southern Expressions: Tales Untold
281:, Chastain Art Center, Atlanta, GA
26:. His scholarship specializes in
14:
903:Spelman College Summer Art Colony
836:, By Melissa Terry âą Apr 12, 2016
779:"Atlanta's Public Art Collection"
595:Who's Who Among African Americans
444:, The BeltLine, Inc., Atlanta, GA
295:, High Museum of Art, Atlanta, GA
232:, Franklin Furnace, New York, NY
166:âs Latino Center Legacy Awards.
154:Lindsay's 2008 solo exhibition,
258:Retorno de las ĂĄnimas Africanas
349:Panameños en la bienal de Lima
1:
866:. SUNY Press. pp. 11â.
428:Artist Contemplating Torture
908:"Profile at Spelman College
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807:. Arts ATL. Archived from
286:Selected group exhibitions
16:Panamanian American artist
943:People from ColĂłn, Panama
759:. Smithsonian Institution
442:Sanctuary on the BeltLine
435:Los abanicos de Portobelo
223:Selected solo exhibitions
174:Lindsay is the editor of
187:sustainable architecture
149:Bronx Museum of the Arts
38:Early life and education
958:Spelman College faculty
457:Awards and recognitions
207:Cape Town, South Africa
164:Smithsonian Institution
54:. Lindsay studied with
473:Scholarly publications
335:Percorsi dello Spirito
128:of Portobelo, Panama.
953:Artists from Brooklyn
744:Arturo Lindsay: Love
656:. Colgate University
391:Selected residencies
272:Arturo Lindsay: Love
88:Plexus International
42:Lindsay was born in
84:New York University
938:Panamanian artists
592:"Arturo Lindsay".
557:. Creative Loafing
133:Colgate University
873:978-1-4384-4799-5
834:90.1 WABE Atlanta
634:on 10 August 2012
540:978-0-8141-1308-0
100:Portobelo, Panama
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923:1946 births
76:New England
917:Categories
815:1 December
789:1 December
763:1 December
729:1 December
707:1 December
660:1 December
638:1 December
561:1 December
509:References
145:smARTpower
126:rainforest
111:cimarrones
848:Art Nexus
681:30 August
612:7 October
607:1081-1400
141:Fulbright
56:AfriCOBRA
118:Africans
115:enslaved
48:Brooklyn
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493:House.
160:Yoruba
107:Panama
98:, and
66:Career
452:Egypt
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277:2013
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214:Egypt
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