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His work on the city hall of
Amsterdam was very influential. It was popularised by his brother Hubertus, who engraved many of his works in the city hall and published a book of these together with 30 architectural drawings by van Campen in 1665. One particular feature of the city hall, the so-called
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Quellinus had brought back from Italy a new vision of the role of the sculptor. The sculptor was no longer to be an ornamentalist but a creator of a total artwork in which architectural components were replaced by sculptures. The church furniture became an occasion for the creation of large-scale
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Artus
Quellinus I made an important contribution to Dutch portrait sculpture through a series of portraits of leading citizens such as the Burgomasters of Amsterdam, their wives and, in particular, a bust of the Grand Pensionary of Holland,
256:, this construction project, and in particular the marble decorations he and his workshop produced, became an example for other buildings in Amsterdam. One of his great patrons was Amsterdam burgomaster and statesman
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in 1640–41. In 1640 he took over the workshop of his father and married
Marguerite Verdussen (she died on 12 February 1668). He worked in Amsterdam in the years 1646 and 1647 and also spent time in
476:. The portraits combine the classical style with late Baroque devices such as the inclusion of the arms of the sitter. His sculptures were so popular in Amsterdam that the leading Dutch writers
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260:. The team of sculptors that Artus supervised during his work on the Amsterdam city hall included many sculptors who would become leading sculptors in their own right such as his cousin
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His oeuvre after his return to
Antwerp in 1658 is less well known. The most important piece is undoubtedly the half-length marble portrait bust of
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Artus
Quellinus received his first training from his father. In the period from 1635 to 1639 he trained in Rome in the studio of his compatriot
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and operated large workshops both in
Antwerp and Amsterdam. His work had a major influence on the development of sculpture in Northern Europe.
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had an important influence on the development of tomb sculpture in
Northern Germany. Another tomb monument he made in Germany was that for
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De voornaemste statuen ende ciraten vant konstrijck stadthuys van
Amstelredam, tmeeste in marmer gemaeckt door Artus Quellinus
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In the Dutch
Republic Artus Quellinus I was further noted for funerary monuments and portrait busts. His monumental tomb for
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750:, in The J. Paul Getty Museum Journal: Volume 19, 1991, The J. Paul Getty Museum Getty Publications, 28 Jan 1993, p. 65-74
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Artus
Quellinus' Grabmal Sparr. Der EinfluĂź der Niederlande auf das Grabmal in Norddeutschland zwischen 1650 und 1725.
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His many pupils included his cousin Artus Quellinus II, Martin Deurweerders, Grinling Gibbons, Gabriël Grupello,
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Artus Quellinus the Elder was born into an artistic family. He was the son of the respected Antwerp sculptor
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Focus on sculpture: Quellien's art in the palace on the dam [exhibition 12th June - 11th September 1977
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compositions, incorporated into the church interior. Stylistically he introduced the classicizing
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He returned to work in Antwerp in 1658 and remained active mainly in this city until his death.
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As Artus Quellinus I mainly worked on monumental commissions, most of his work is to be found
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Luis de Benavides Carrillo, Marquis of Caracenai, the Governor of the Southern Netherlands
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Frits Scholten, Mea Sorte Contentus: Rombout Verhulst's Portrait of Jacob van Reygersbergh
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Pieter C. Vis: Andries de Graeff (1611–1678) ’t Gezagh is heerelyk: doch vol bekommeringen
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Grove Art Online. Oxford Art Online. Oxford University Press. Web. 23 March. 2014
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Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2014
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Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2014
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Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2014
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Artus Quellinus I also produced small-scale sculptures such as ivory-carvings.
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in sculpture in the Southern Netherlands. He worked for a long period in the
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Afbeelding van 't stadt huys van Amsterdam : in dartigh coopere plaaten
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and painter. His sister Cornelia married his father's pupil, the sculptor
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sculptor. He is regarded as the most important representative of the
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sculpture. This style was less expressive than the Baroque style of
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François Duquesnoy and the Greek Ideal, by Estelle Lingo, 2007,
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and Elisabeth van Uden. His brothers became prominent artists:
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He returned to Antwerp in 1639 and became member of the local
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and, from 1650 onwards, worked for fifteen years on the new
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Hans Vlieghe and iris Kockelbergh. "Erasmus Quellinus I"
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Bust of Luis de Benavides Carrillo, Marquis of Caracena
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Images of the City Hall of Amsterdam in 30 engravings
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19:For other people named Artus Quellinus, see
472:and one of his uncle Amsterdam burgomaster
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430:Frederick III, Duke of Holstein-Gottorp
130: – 23 August 1668, Antwerp) was a
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44:Artus Quellinus I after a painting by
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816:Artists from the Spanish Netherlands
738:(zugl. Dissertation FU Berlin 1992).
591:Geoffrey Beard. "Gibbons, Grinling."
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630:at Openbaar Kunstbezit Vlaanderen
203:and was in contact there with the
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248:together with the lead architect
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21:Artus Quellinus (disambiguation)
603:Kai Budde. "Grupello, Gabriel."
620:De baroksculptuur en het barok
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484:dedicated poems to his work.
172:Pieter Verbrugghen the Elder
82:Antwerp, Spanish Netherlands
16:Flemish sculptor (1609–1668)
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811:Flemish Baroque sculptors
454:Bust of Grand pensionary
426:St. Mary's Church, Berlin
370:, Antwerp and Amsterdam.
124:Artus (Arnoldus) Quellijn
116:Artus Quellinus the Elder
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32:Artus Quellinus the Elder
414:Otto Christoph von Sparr
726:Regina Bartsch-Molden:
126:(20 or 30 August 1609,
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240:He won commissions in
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626:10 April 2021 at the
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821:Artists from Antwerp
787:at Wikimedia Commons
565:Matthias Depoorter,
532:Biographical details
478:Joost van den Vondel
418:Generalfeldmarschall
349:Johannes van Mildert
345:Gian Lorenzo Bernini
288:Pieter Verbrugghen I
57:20 or 30 August 1609
46:Erasmus Quellinus II
434:Schleswig Cathedral
422:Brandenburg-Prussia
377:Amsterdam city hall
270:Bartholomeus Eggers
220:Guild of Saint Luke
152:Erasmus Quellinus I
65:Spanish Netherlands
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408:Funerary monuments
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276:and probably also
262:Artus Quellinus II
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190:François Duquesnoy
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785:Artus Quellinus I
783:Media related to
648:978-0-300-12483-5
567:Artus Quellinus I
474:Andries de Graeff
398:Vincenzo Scamozzi
357:Peter Paul Rubens
309:Andries de Graeff
258:Andries de Graeff
195:He spent time in
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806:1668 deaths
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402:Cesare Ripa
88:Nationality
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677:Leeuwarden
632:(in Dutch)
539:(in Dutch)
495:References
385:vierschaar
234:Vierschaar
708:cite book
424:, in the
341:classical
246:city hall
242:Amsterdam
207:engraver
101:Sculpture
700:17320765
624:Archived
390:tribunal
368:Brussels
307:Bust of
168:engraver
164:Hubertus
106:Movement
762:in the
673:Tresoar
534:at the
482:Jan Vos
446:, ivory
364:in situ
337:Antwerp
329:Baroque
299:General
182:Mercury
166:was an
160:painter
156:Erasmus
136:Baroque
132:Flemish
128:Antwerp
109:Baroque
92:Flemish
61:Antwerp
48:(1662).
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458:(1665)
322:, 1664
311:, 1661
224:Sweden
158:was a
205:Dutch
732:ISBN
714:link
696:OCLC
644:ISBN
480:and
400:and
351:and
294:Work
272:and
197:Lyon
162:and
146:Life
72:Died
54:Born
432:in
420:of
388:or
254:Dam
122:or
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